literature

Bearing in mind that this book was originally published in 1946, one realizes that the ominous comet that is seemingly destined to destroy Moominland is none other than the atom bomb. Jansson has achieved the feat of calming children's fears about the nuclear age (she may have been the first to tackle the subject in a children's book)---and she has done it delightfully. In this charming, whimsical, and profound story, Moomintroll and Sniff journey to an Observatory somewhere in the Lonely Mountains to find out if the great comet that Moomin has seen will really come to destroy the Earth on October 7th at 8:42 pm (or possibly four seconds later). On their journey they meet up with the solitary traveler Snufkin, the Snork, and the lovely Snork Maiden (soon to become the love of Moomintroll's life), the Hemulen, and other fascinating creatures. The bleak reality of the comet is in stark contrast with, and ultimately powerless against, the loving relationships of the characters themselves. Highly recommended, perhaps the best of the Moomin books to start with for those new to Jansson's work. There is hardly a modern problem or anxiety that Jansson does not address, in her childlike wisdom, somewhere in her books. A major overlooked children's writer in this country (though quite popular in Scandinavia and, interestingly, Japan).

My sister and I read the Moomin fantasy stories in the 1960s, when we were children. We STILL share jokes about plot lines today! When my son was 5, I bought them and we read them. We could hardly put them down, and he wanted to read the entire series through again the minute we finished. I hadn't realized how entertaining they were for adults. Maybe it's the wry humor of Finland coming through. While these are chapter books, they do have some absolutely charming illustrations. My son ... prefers them to Harry Potter (which he is hearing aloud again at school). It's best to read them kind of in order, as there is a time line to the books insofar as characters are introduced. Comet in Moominland is the first one, in my opinion, and Moominpappa's Memoirs is last. You can read the others in any order, in between. Moominsummer Madness was a little bit weak, I thought; but the others are just terrific, children's classics! Also great take home messages subtly presented, such as: even orphans can find a family; friends help friends out of jams; people go through moods, and it's OK; people who look scary and behave strangely, can maybe just be misunderstood. I credit these books as major contributors to his outstanding love for reading. The characters are beautifully drawn, diverse and imperfect; while there is a mother, a father, and a son, family structure is not stereotyped; the plot lines keep your attention; and the prose created by the translators is superb. They may be hard to find in libraries but they are WELL WORTH the search (or purchase).

Reviewer "angrymofo" summed thes books up beautifully.

I read several of the books from Moominland when i was about 6 or 7. Comet in Mominland was my favorite by far. The very instant i finished reading the last page in this book i would turn to the beginning and start reading it again. I can't remember exactly how many times i read this book! I still have my old, old copy that was given to me when we lived in England. Upon diggin this book out of my "archives" i felt that i had to preserve it as well as i could so that my child could read it. On a whim, i thought i would see if it showed up on Amazon (i had never seen any Moominland books in bookstores). I was overjoyed to discover that they were available in the US. So now my child has his very own, crispy-new copy of Comet in Moominland waiting for him.

Bliss!

My first reaction to this book was that it was one of the most beautifully written books I have read, one that cries out to be read aloud. Anne Cameron's sentences read like poetry rather than prose, very lyrical and rhythmical. There's no way its content could be fiction; she must have talked with the women memorizers who remember the oral legends for the Vancouver Nootka Native American tribes. Copper Woman is both the mother of the tribe from whom they are all descended and the respected Old Woman that is within each woman helping her to endure, to remember the old secrets and teachings, and to relearn any lost secrets. Copper Woman is there when the "keestadores" turned the Nootka world upside down and is there yet today as the Woman's Society shares its knowledge and soft power with all the women of the world.

I read this book for an Anthropology course, and I often return to the myths of Copper Woman. It deals beautifully with issues like depression and lonliness, and finding value in a life path. It also includes a female creation myth in which man is created by a female deity. I love to tell the story of Snot Boy to young women. A good gift if you are thinking of a young woman who needs to find her inner myths.

This is a story that will touch your heart and you will never be the same.

Pessoa was a true acrobat of the imagination. The Book of Disquiet is a collection of epiphanic journal or diary prose kept by Pessoa and found decades after his death. The prose is truly some of the most gorgeous musings about everyday life and existence that any reader could ever find. The poet's world is laid out exquisitly and paradoxically for the entire benefit of those who read.I can't say I've ever found such beauty in the pages of a book before. If you like literature albeit simple or complex this book is something that you will immediately cherish for a very long time.

"If i think, it all seems absurd to me; if i feel, it all seems strange; if i desire, he who desires is something inside of me."
Sums up the book perfectly. Pessoa explores one of his many personalities. "The Book of Disquiet" explains, in complete depth and faith, the beauty of a lonely, existential, moment by moment life. He explains the beauty that people forget. He explains the world, his perception, as if every moment were the last.
"The book of disquiet" is one of the most insightful books a person can read, but only if one has imagination and an ability to let go. Bernardo Soars, Pessoa's personality who wrote the book, is extreme and eccentric. It isn't easy reading, and it won't affect you if you can't overlook the fact that life doesn't go on like Soars'; that there is more in thinking, dreaming, and desiring than Soars admits. What makes the book so special is how Soars can forget everything but the thought and the moment, and how he can analyze and critique and put into words something that most of us forget to remember. "The book of disquiet" reminds me, at least, of how to appreciate my own mind. It is the only philosophy-like book that i enjoy (as yet) because it is the real thing and encompasses a forgotten part of real life.

Poetry often speaks to us; we see something in it, something recognizable, and it's like we are shown a piece of ourselves that had been hidden for a lifetime before. Finding Pessoa's *Book of Disquiet* was like finding a piece of myself. In the pages of this poetic novel you will find honesty, often self-disparaging, and you will find beauty in the smallest observation. However, be forewarned, this is not a book that should be picked up with the idea of light reading in mind. In fact, you may find that you have to put it down, repeatedly, to get away from it, to think, but you will always, always come back to it. Keep it close to hand.

Poe is one of the best horror writers ever to have lived. I have read all of his works. Some of his best stories are The Fall of the House of Usher, The Masque of Red Death, The Black Cat, The Cask of Amontaiado, The Pit and the Pendelum, and The Tell-Tale Heart. His great poems include-The Raven and The Bells. Poe is a fantastic author, and his creepy tales of the dark side of life should be read over and over.

Poe has been overlooked by today's literary order, but the man was one of the finest American authors ever. His stories paved the way for other great and popular authors--everyone from Conan Doyle to Stephan King. This book is an outstanding collection and should be read not for its literary value (which is tremendous) but for the sheer fun of it.

This collection of Poe's work is quite comprehensive for the price. It features all his best (The Raven, The Cask of Amontillado, and so on) as well as some lesser known pieces. I love Poe, and I'm a bit biased to his writing. But the point here is not the writing, but the volume for sale here. It is a quality collection that is great to read from, to yourself or aloud to students, loved ones, etc. You'll be quite happy if you are trying to ascertain the most reasonable collection of his works at the most reasonable price.

In this wonderful book, the first volume of Campbell's monumental Masks of God series, we are given a look at the earliest myths and beliefs of man, from the cave dwellers to surviving indigenous tribes of today, and how these myths changed and developed over time, influencing later myths. While I might disagree somewhat with the title (since "primitive" is a fairly relative term anyway), I cannot deny that this is a superb and well-researched book and is amongst the greatest of Joseph Campbell's work. Early on, the work goes into the development of animistic world views, followed by some information on the religion of the Neolithic agriculture socieites. From this, we are given insight into both the "sacred kings" and the ritual of love-death, both central to agriculture people to this very day. The beliefs of the Polynesians, Native Americans, peoples of the ancient Near East and many other societies were given to show the relationships of these myths. Following this was another section on hunting societies, which explained the role of the shaman in great detail. Again, this ties directly to modern day cultures and peoples, as many cultures both in Siberia and further afield still rely upon Shamanism. From that, we go on to animal masters (a central concept in shamanism), the buffalo dance, bear worship (this can still be seen today amongst the Ainu, Siberians and other Arctic people) and cave paintings. The next section of the book "The Archaeology of Myth" was also particularly interesting, showing various stages of both Paleolithic and Neolithic mythology. Ultimately Campbell closed out the book talking about the functioning of myth and such. Over all, this is a wonderful book and I simply cannot repeat that enough. It shows the development of myth and religion in our earliest ancestors and ultimately how universal the legacy that they left us is. The beliefs of ancient people, both agriculturalists and hunter-gatherers, are still with us today. Shamanism, bear worship, animism, the great serpent, death-rebirth myths. All of these things are universal phenomena, showing up amongst cultures as far afield as the Saami, Arunta, Kikuyu, Karen, Cree and Yanomami. Just think about how the serpent shows up in mythology, from the rainbow serpent of the Koori to Damballah in Voudon to the Aztec's Quetzalcoatl. Or about how the Saami and Ainu have similar bear worship ceremonies. This book shows the common origins of mythology, and I strongly recommend it. I found the chapters of shamanism and the early hunter-gatherers to be particularly interesting, but the whole book is just a great read. And Joseph Campbell is (or rather was) a superb writer, as well as being an expert on comparative mythology, so this book is enjoyable to flip through. If you have an interest in mythology, religion, anthropology, history and/or archaeology, this book is a must. In fact, if you enjoy this book I recommend the remaining books in the "Masks of God" series.

This is Joseph Campbell's masterpiece. He delves into myths from neolithic times long before the mythology of the Celts, the Greeks or the Babylonians. This book offers myths that even the very well read are unaware of because they are so obscure. Campbell nevertheless tells these myths with all the insight and genius for which he is so justly famous. Indeed, in this reader's opinion this book shows that Campbell is perhaps one of the most intelligent American thinkers, standing on par with the best of Europe such as Freud and Nietzsche (who are major influences on Campbell).

Primitive Mythology ranges at will over the entire world, drawing comparisons between the myths of the Polynesians, the Mayans, the Shamans of Siberia and the cave painters in Lascaux. The telling of these myths is illuminated with apt discussions of modern thinkers and shot through with Campbell's own syncretistic philosophy of life based on his vast knowledge of the world's wisdom stored in its myths.

This book is absolutely brilliant and will be read for centuries throughout the world.

First let me start by stating the following: Joseph Campbell is and was THE man! Likewise, I agree with the previous reviewer that "The Power of Myth" is an excellent introduction into the wonderful world of mythology as Campbell serves it to all of us. The original tapes done on PBS are all available here on Amazon as well as the manuscript in book format. It was (and I believe still is) the number one ratings grabber for them.

Masks of God has a other "faces" (such as Masks of God: Oriental Mythology) for those interested in further study, where he covers the traditions of the far East such as India, Japan, and China. "Creative Mythology" being volume four, and in some respects I have to hand it to him: he saved the best for last! Campbell always seemed to have this "encyclopedic mind" which could recount any myth from any country in any given era with such ease and poise; it was always a treat to see him speaking on the matter whether in video or in person.

As some of the previous reviewers have pointed out, here Campbell delves into the mythology which completely evolved from the early onset of what is dubbed "The Dark Ages"; bringing us up to date in modern times. The main parts explored here are titled: The Ancient Vine, The Waste Land, The Way and the Life, and New Wine- all extremely interesting looks stemming throughout history on what mythologies were present and it what ways modern society has been effected by it all. This is a magnificent book, the likes of which any Joe Campbell fan should own. Such an engaging author and expert on the subject at hand, come let him draw you in. Enjoy!

Elisha Cooper does what I didn't think could be done--he brings the glory of dance to the page. With his exquisitely simple watercolors--and his exquisitely spare prose--Cooper manages to transport us to the dancers' studio, the neighborhood in which they live, and, finally, to the stage. His words and pictures suggest rather than explain, they evoke rather than dictate. And, most importantly perhaps, my kids loved it.

Three of my four children are or were involved with dance in some way or another. I bought the book for the youngest (as a birthday present), but after I saw the reactions of her siblings, I quickly found myself stocking up on copies for the other kids for Christmas (and for my sister's kids, etc).

Truly, "Dance" is a find.

Join author, Elisha Cooper, as he pays tribute to the marvelous world of dance. This is a unique book about the process, not the performance. Arrive at the studio and warm up with the troupe, stretching and working at the barre. Meet the choreographer and watch as he demonstrates steps and teaches the new dance, bending bodies and correcting positions "as if he were molding clay." Then practice, practice, practice. "The dancers rehearse until their arms and legs remember the steps." There are costumes to fit, tickets to sell, programs to print, and advertisements to write. Lights, music, and scenery need to be coordinated with the dance and dancers, and even flowers need to be bought to give to the dancers after the performance. So much to do in only four short weeks... Mr Cooper's lyrical text is filled with imagery, magic, and passion as it creatively mimics its subject and dances across the pages. His simple pencil and watercolor artwork dazzles, complementing the prose beautifully, and captivates with grace, energy, and motion. Perfect for youngsters 8-12, or as a read aloud for younger children, Dance is an evocative and exciting experience that builds with each page turn. "Opening night. A crowd forms outside the theater, bustling for tickets. The dancers gather backstage. They can hear the buzz of the audience finding seats, the beating of their own hearts. They hug. The choreographer tells them they are wonderful. The lights go down. The curtain goes up."

"Dance" by Elisha Cooper is a triumph. The illustrations have a wonderful grace and style sure to delight children of all ages. I treasure my copy.

I couldn't agree with the above review more, except for the last statement. Actually, this is the second-best collection of American essays. The best is E.B. White's "One Man's Meat". White is a devastatingly good writer, regardless of subject or tone, and his essays can be read, re-read and pored over with nothing but greater appreciation at each subsequent read. Virtually anything written by him is bound to be entertaining, informative, enriching and subtle. You owe it to yourself to get to know this man.

Most folks will know E.B. White as the author of Charlotte's Web and Stuart Little, or as the eminently practical voice of reason in The Elements of Style. However, White was also an accomplished essayist, turning out pieces for The New Yorker and Harpers on a regular basis for many years.

What I like about White's essays is that they can be counted on to be insightful, amusing and well-written. White approaches an essay like a pleasant conversation. He's been thinking about New York and its inhabitants, he will tell you, and this what he's come up with. On another occasion it may be the personality quirks of his old dachshund Fred, or the controversy over white versus brown eggs. Anything and everything is food for thought, although you can be sure that White will broaden the scope of his topics to include the world at large. New York, he concludes, is a concentrated version of many worlds, "...bringing to a single arena the gladiator, the evangelist, the promoter, the actor, the trader, and the merchant." Fred, the dachshund, was "...the Cecil B. deMille of dogs. He was a zealot, and I have just been reminded of him by a quote from one of the Democrats..." And the white versus brown egg debate, White concludes, is simply a matter of what you're used to. Personally he prefers brown, and can recommend the egg of the Silver Cross, whose egg is "...so richly brown, so wondrously beautiful as to defy description."

Best of all, White's insightful commentary does not require intense concentration or endless analysis to get the gist of what he is trying to say. You can sit back and relax when you pick up a book of his essays, knowing you won't have to grapple with unfamiliar or awkward language. This is not to imply that you won't find yourself thinking about what he has to say. It's just that his approach is so matter-of- fact, easy going and accessible that you feel you've been invited to tea or are taking a leisurely stroll as the essay unfolds. I read White's essays the way some people read mysteries or romance novels. They are entertaining without being too demanding, and are a great way to set day-to-day concerns aside. Treat yourself to a good read.

Too bad there is/was only one E. B. White; too bad he couldn't have lived for ever. He will always remain as one of the best American essayists while at the same time continuing to earn acclaim for several other books that will always stay in print: childhood classics Charlotte's Web and Stuart Little, as well as the newer edition of Elements of Style.
But his essays! Oh, they are so good, so rambling and thoughtful and gently pointed, many humorous while still making a deep and important impression. Anyone who strives to write good prose must read these essays to find out how a master did it and made it look easy. The first one in this volume, Death of a Pig, could serve as a lesson in How to Write.

This is just a gorgeous book. Though I can imagine it would be perfect for children, the message and reminder about "Becoming Me" seems even more important for adults to read. Thank you for putting such a beautifully written and illustrated book together for those of us who tend to forget the simple beauty of who we are always becoming.

When I hark back to my early chilhhood memories, whereupon, reading literally captured my imagination and soul. I was desolate when I finished reading 'The Witch the Lion and the Wardrobe' by C.S. Lewis. I just so wanted to get back to 'Narnia'. Time has passed since then, but my imagination remains as fertile as ever. Upon reading Martin Boroson's book,'Becoming Me', my imagination has once again being taken captive. His minimalistic use of words and vibrant illustrations, all but enhance this wonderful journey of enchantment.

A sweet and lovely little book, Becoming Me is the literary equivalent of a warm, gentle embrace. What Boroson does so well here is craft elegant prose that is clear enough for children to understand- yet profound enough for adults to appreciate -the wonder of having a soul. The first time I read it, quite unexpectedly, I burst into tears, overwhelmed with a feeling of gratitude. This is a book that I will return to again and again for its gentle reminder of who God is, who we are, and why we're here.

I justed picked this book up at the library. I think it's great to have the majority of the book with no words, just gorgeous, colorful pictures. The more detail in the pictures, the better, as my almost-two year old loves to "find things" in them. With no words, he and I can make up our own story, it lets him decide whats happening. I plan to buy a few of the series to have around all the time.

I enjoy it as much as my 18 month old son. Carl, the baby and the puppy do all his favorite things - swingset, slide, ice cream (!), go on the train - plus much more. He now "reads" the story to me each night.

This is an excellent parent/infant/toddler book to share and start story telling. Child will be telling parent the story after a few delightful trips through the pages. You'll love it. Also try the other Carl the Dog series.

This is my new favorite book of the past five years. The stories are varied, interesting, and real! It will put your mind in an underwater state. Often times, I imagined myself diving along side each storyteller. A must read for all divers.

This book is an anthology of great writing about the experience of scuba diving. It includes fiction, non-fiction and poetry from some really fine authors writing about things they obviously care deeply about. The selections were carefully chosen and artfully arranged. The writers include some obvious choices, like Peter Benchley of "Jaws" fame, but they also include some less-obvious choices, like the humorist Dave Barry. All in all, it is a great book for anyone who loves to dive -- or thinks they might love it.

This is a great book. As an avid diver, I was glad to find some literature out there that centered around this activity. There is quite a variety of work here...poetry, comical writing, technical stories, etc. and each is enjoyable. I recommend this book to anyone who dives and anyone who thinks they might want to take up the activity for themselves. It just might be the push that your friend needs to take a certification course!