history

This book, however, has a lot more to offer than solely the "most memorized poem" of the English language.

Though it does not state it in the information about this volume, this book contains the complete poems of "The Spell of the Yukon" and "Ballads of a Cheechako." Either of these volumes (in hardback) alone will cost about thirteen dollars (at least at your local bookstore), but this hardbound edition offers much more.

The Kinsey photographs which help fill these pages give us all a more brilliant picture of life in the Yukon gold rush era, and help paint a canvas along with the verses of Robert Service in a cooperative rarely seen in the medium of poetry. Whereas most "gift" or "coffee table" editions of literature, the pictures rarely enhance and often detract from the visual imagery of the poetry. This volume is quite the opposite.

At the price, this is one of the best bargains you will find on Amazon.com. The artistry of the binding and design of the pages would warrant that this book retail at twice the price it does.

I recommend anybody with any interest purchase this book.

They say that Robert Service was not a 'poet's poet'. The effete literati sneered at his work, and accused him of writing doggerel. But, the people have always loved his work. He was truly a 'people's poet.'

His first volume of poetry, The Spell of the Yukon and Other Verses, sold out while it was still on the presses. Two of his ballads, The Shooting of Dan McGrew and The Cremation of Sam McGee, are among the most memorized poems in history.

The Shooting of Dan McGrew alone made him a half-million dollars, which was a sizeable fortune in his time. He never had to do manual labor for his bread again, after its publication.

This volume of his work contains not only all of his best-known poems (those contained in both The Spell of the Yukon and his second, longer collection, Ballads of a Cheechako), but also many of the photographs of the famous Northwestern photographers, Clarke and Clarence Kinsey -- famous not only for the photography of the Klondike gold rush, but also for Clarke's later photographs of Pacific Northwest logging, some of which were included also in my father's book, When Timber Stood Tall.

This is a high quality coffee table book that you will not only delight in reading before the fire on a winter's evening or when that confining office job is getting you down, but it will also display well on your coffee table, where it will draw friends' attention like a magnet.

For Robert Service is, without a doubt, one of the best-loved of the world's poets. His poetry stands alongside that of Kipling, Coleridge and Poe in the public's affection.

Joseph Pierre

My only complaint with recent annuals is that there seems to be somewhat less information than in the past-- but, by no means, is the information lacking or incomplete. The pictures, which have taken some of the space of the writing, are as usual fantastic and worth the price of the book by themselves. Note well that this complaint does not have any effect on my rating of a full five stars. If you have any enthusiasm for the sport, you must get a copy of this book!

Very True, like many other readers of this book im am still a highschool student but i found the book to be thrilling and knowledable. I am currently doing an English report on it. Thank you Donahue.

Having been a British Blues fan/collector/writer for 30+ years it's great having detailed information on all of my favorites(Savoy Brown,Aynsley Dunbar Retaliation,etc.)in one place. Great articles,discographies, and photos highlight a book that is hard to put down.

So grab a stack of cds,the "Blues-Rock Explosion" sit back and enjoy!

In any event, that was only a very minor concern. As I've read more and more of this book, I've come to decide that it is an almost indespensible reference work for lovers of rock, blues and 60s music in general.

And I take issue with those who feel a bit miffed that this or that artist or group has not been included in this volume. If all goes as hoped, this book will be one of many in a series devoted to music of the 60s. The old goats at Old Goat Publishing are hard at work at follow ups, so please be a little patient. (You can check them out at www.oldgoat.com.) Many artists of the era were eclectic to the point where genre bending became their modus operadi. Creatively, that was an exciting and flat out wonderful turn of events. Critically, well, it makes classification and categorization all the harder.

Yes, Led Zeppelin had a strong blues influence, but there would be a much stronger argument for including them in a future volume on "metal" or "megastars." The focus of this work is more on those artists that you may NOT have heard of and whose work deserves attention. (No one can deny that Led Zep has not had a fair amount of ink spilled in their name.) By comparsion, the inclusion of Cream in this volume is justified, not just because Cream was significantly "rootsier" than Zep, but because (apparently) an editorial decision was made to include all of Eric Clapton's work in one volume.

And speaking of Erics, wouldn't Burden be more appropriate in an eventual "British Invasion" volume? Yeah, it's all somewhat arbitrary, but if you're familiar with any kind of criticism (literary, film, music or whatever), you know that those kinds of distinctions are absolutely necessary. There are people out there, for instance, who will tell you in no uncertain terms that "classical" music should NOT be an umbrella term for the music of the Baroque, Classical, Romantic and Modern eras. But sometimes that kind of critical shorthand is necessary if you're going to have any kind of discussion at all.

BLUES-ROCK EXPLOSION should help initiate discussion of the oft-neglected music to which it is devoted. There'll be plenty more to discuss with future volumes in the Old Goat series. At least this old goat hopes so.

Bolger's techniques eleminate many ways we make the enemy's job easier, and make us far more effective in killing them. His well-defined focus on interacting with the local populace is reminiscent of Mao (remember, Mao won).

The book's most valuable lesson is the thinking process and analysis Bolger applies to the problems he encounters, and the way he evaluates his tools, techniques, and doctrine, keeping and modifying some, casting away others, and adopting new ideas where necessary. This book is required reading for all officers in my light infantry battalion. I see why.

Any soldier or leader concerned with mission accomplishment and force protection through the artistic application of Maneuver Warfare (Auftragstaktik) simply MUST read this book. It is highly entertaining as well as informative. Indeed, any commander whose unit is scheduled for a rotation to JRTC should require every officer and NCO to read this book no later than twelve months out (thirty-six months out for RC units). You may go without it...but only at your own peril.

Key people that are introduced and brought to life are:
Buck Leonard, Satchel Paige, and Josh Gibson -- three of the greatest ballplayers who ever lived;
Clark Griffith -- the pioneering, penurious and controlling owner of the Washington Senators;
Sam Lacy -- the ahead-of-his-time, DC-native who tirelessly advocated for the integration of Major League Baseball; as well as
Cum(berland) Posey -- the shrewd owner of the Homestead Grays -- the dominant team of the loosely confederated Negro Leagues during the late 30's and 40's.

Tangential to this story are:
the decimation of the post 1933 Senators, mostly due to finances and an inadequate ballpark;
the relative prosperity of Washington DC during the years of the depression and WWII and the partial equality of African-American government workers that led to a vibrant culture and ability to spend on entertainment;
the move by Posey and his "partner" (many of the Negro League baseball teams were financed by numbers entreprenuers) to Washington from their Pittsburgh home and the welcome of their rental payments and gate pctgs. by Clark Griffith;
Judge Landis' death, the increasing awareness of America's incongruity in its fight for freedom and democracy in Europe while maintaining a virtual apartheid culture at home; and
the greed/opportunity of baseball owners to find the best talent at the lowest price which ultimately led to Rickey's "great experiment");

This book also fleshes out the background and conflict around Jackie Robinson, who was rightly judged to be a great man and the right vehicle for Rickey's efforst, and the shared opinions that he was a good, but not all-time great Negro baseball player. [Check out how well a 42-yr old Satchel Paige pitched for the World Championship Indians in 1948.]

The shifts in attitude between "separate but equal" and complete integration by the various parties reveal primarily self-interest. Judged by the standards of our time, I share many others' great respect for Sam Lacy and his tireless, moral advocacy and feel sorry for the Negro League baseball owners who were mostly left with nothing as they rarely had enforceable contracts that protected their relationship with their players.

Clark Griffith was an "innovator" in attracting inexpensive talent from Cuba. Many of these players represented themselves well on the ballfield but would only be acceptable if they were of "Spanish" descent.

Utterly inconceivable now, but the norm for over 60 years (since Cap Anson helped institute the "gentleman's agreement" against employment of African Americans in the early 1880's) was to allow a Major or Minor League ballclup to employ pretty much anyone (Swedes, Germans, Irish, Italians, Jews, etc.) anyone, except African-Americans.

It has often been discussed that without Jackie Robinson (& the parts played by Branch Rickey, Roy Campanella, Pee Wee Reese, Ben Chapman, etc.) the 1954 "Brown vs. Board of Education" decision would not have happened as quickly.

This book provides a wonderful companion story to the integration of major league baseball which, in my opinion, is one of the most significant stories of 20th Century United States.