experimental-psychology
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A Review of Behaviorism
Behaviorism
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Teaching Morals through Literature
Confirmation of the transformative power of stories
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When Gold Stars Don't Work
It's "Control Theory" all over again.
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Readable, helpful and most of all user-friendly
Superior reference work for psychology students
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Beware the stochastic dominanceGenerally readable and useful.
A new area that shines through
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A great guideline for Tests
Indispensable

Good book
An excellent, clear introduction to research methodsGoodwin covers such topics as the goals of scientific research, types of experimental research, the fundamentals of experimental design, ethics, subject sampling, types of measurement, assessing validity, and analysis of results. He does not go into great detail about statistics or computational analysis, as this is really meant to be a general introduction to methodology of designing research experiments.
Each chapter begins with an overview, so you have a sense of what to expect ahead. He also provides study questions at the end of every chapter which are very helpful to work through. They are in various forms: multiple choice, short answers, essays, etc. so you can practice describing the topics to be sure you understand the material. There is also a study guide published for this textbook, which I would recommend getting if only for additional practice.
Having a thorough grasp of research methods is critical for any student of psychology, and this book is probably required for many methods classes in universities. Luckily, it's a great textbook to use and makes research methodology interesting and enjoyable.

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The next day, the gendarmes took the boy to a hospice in a nearby town. From there, writes the historian and literary scholar Roger Shattuck, his path took this "prisoner without a crime," now called Victor, into the studies and laboratories of revolutionary France, where the boy presented a rare homegrown instance of Rousseau's "noble savage" to the civilized world. Much scholarly and scientific debate surrounded him. Finally, Victor, now famed as the "wild boy of Aveyron," came under the care of a sympathetic young doctor who concluded that Victor was in fact an abandoned deaf-mute, intelligent but forlorn, who had somehow been able to survive on his own. Dismissed in a contemporary encyclopedia as "half wild" and "incapable of learning to speak in spite of all efforts to teach him," Victor was eventually forgotten. "A state pension kept him alive, like an animal in a zoo," writes Shattuck, "and when he died no one noticed." Scientific debate about his condition was renewed from time to time, however, and the story of the wild boy was influential in the development of several theories of language learning and human evolution. Shattuck's slender narrative is a fine work of scholarly detection, yielding an instructive episode in the history of science. --Gregory McNamee

A Thoughtful Narrative of What It Means to Be Human"The Forbidden Experiment: The Story of the Wild Boy of Aveyron" is a fascinating exploration of what it means to be human and how our humanity is, in a sense, created by the society in which we live, defined by our communications and relationships with others. In telling this story, Roger Shattuck has thoughtfully and sympathetically interwoven the factual story of the Wild Boy with the philosophical, psychological and historical background that ultimately makes this story so interesting. Thus, Shattuck explores the historical peculiarities of the Languedoc region from which the Wild Boy came (known for the poetry and song of the troubadors, as well as the Albigensian heresy), the historical forces which made him such a topic of interest (he was a boy seemingly straight from Rousseau's state of nature at a time when the French Revolution had given way to Napoleon), and the philosophical and psychological forerunners (Locke, Condillac, Rousseau) that provided the intellectual impetus for marking this "tabula rasa" of humanity. Shattuck's book also provides interesting appendices containing other published accounts of the Wild Boy of Aveyron, other cases of isolation and deprivation (including Kaspar Hauser, Peter of Hanover, The Elephant Man, and Helen Keller), and a short essay on Francois Truffaut's 1970 film, "The Wild Child," which is based upon the story of the Wild Boy of Aveyron.
While simple in the telling, "The Forbidden Experiment" is a book which poses the deepest and most enigmatic of questions, the question of what it means to be human. Read it, ponder it, learn from it.
Thoughtful, Sympathetic Story of What It Means to be HumanThe boy was captured by a villager, transported and kept for several months in an orphanage in a nearby town, and eventually transferred to Paris in June, 1800, where "The Wild Boy of Aveyron" was claimed "for science and humanity" by the newly-formed Society of Observers of Man. In Paris, the boy was given over to the Abbe Sicard, a famous educator and the head of the Institute for Deaf-Mutes. "Miracles were expected of Sicard, for some of his deaf-mute pupils had made a reputation by their intelligence and wit in answering written questions before large audiences." Sicard, however, apparently believed that he could never train the seemingly wild creature and made no efforts to do so. Instead, he left the boy to run wild at the Institute and a commission appointed by the Society of the Observers of Man subsequently declared him to be an incurable idiot.
It is at this point, however, sometime in the summer or fall of 1800, that the course of the Wild Boy's life took a different course. A twenty-five year old medical student, Jean-Marc Gaspard Itard began working at the Institute and became interested in the boy. More or less simultaneously with the declaration by the Society of the Observers of Man that the boy was an incurable idiot in November of that year, Itard was hired and given a room at the Institute for the sole purpose of working with the boy. Itard named the boy Victor and went on, over the course of the next six years and with the able assistance of a motherly figure by the name of Madame Guerin, to train the boy in accordance with principles Itard had derived from the writings of Locke and Condillac. These principles were intended to give the boy the ability to respond to other people, to train his senses, to extend his physical and social needs, to teach him to speak, and to teach him to think and reason logically. While Itard was never fully successful in achieving all of his objectives, his work was remarkably original and his observations and experiments have left the world with a fascinating picture of the Wild Boy of Aveyron.
"The Forbidden Experiment: The Story of the Wild Boy of Aveyron" is a fascinating exploration of what it means to be human and how our humanity is, in a sense, created by the society in which we live, defined by our communications and relationships with others. In telling this story, Roger Shattuck has thoughtfully and sympathetically interwoven the factual story of the Wild Boy with the philosophical, psychological and historical background that ultimately makes this story so interesting. Thus, Shattuck explores the historical peculiarities of the Languedoc region from which the Wild Boy came (known for the poetry and song of the troubadors, as well as the Albigensian heresy), the historical forces which made him such a topic of interest (he was a boy seemingly straight from Rousseau's state of nature at a time when the French Revolution had given way to Napoleon), and the philosophical and psychological forerunners (Locke, Condillac, Rousseau) that provided the intellectual impetus for marking this "tabula rasa" of humanity. Shattuck's book also provides interesting appendices containing other published accounts of the Wild Boy of Aveyron, other cases of isolation and deprivation (including Kaspar Hauser, Peter of Hanover, The Elephant Man, and Helen Keller), and a short essay on Francois Truffaut's 1970 film, "The Wild Child," which is based upon the story of the Wild Boy of Aveyron.
While simple in the telling, "The Forbidden Experiment" is a book which poses the deepest and most enigmatic of questions, the question of what it means to be human. Read it, ponder it, learn from it.
A beautiful, poignant account
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Slow going
The best experimental analysis book around
I am curious about your technique for unequal sample sizes
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A Good Book For Privileged TeachersWhile I enjoyed reading about Finkel's teaching strategies, I found myself wondering how all this would work with my students at a community college in South Carolina, a state with a horrendous secondary educational system, where the best and brightest leave for greener collegiate pastures in other states, and the local colleges are stuck with those passive souls who have never been required to perform and don't expect to do much of anything except to be entertained.
Don't get me wrong. Finkel has some wonderful ideas about student-centered learning, but when I have used this approach in the past, my students tended to respond negatively. On evaluations, they have said that my student-centered approach was "an excuse for not being prepared." "He needs to learn how to lecture," one of them wrote. In other words, these T.V. babies want to be spoon fed, and, although Finkel correctly argues that a great teacher "refuses to teach" in the traditional sense, the student evaluations tell the tale, and that's the tale that number-crunching administrators hear.
One of Finkel's great ideas is to write each student a letter (usually four to five paragraphs) in response to each paper that they write. If I did that, I would still be writing letters from two semesters ago, because at my college we are required to teach five classes each semester, and most of these are composition courses consisting of as many as 23 students, some of whom can barely write a sentence. In these courses there are usually six papers due each semester. Can you imagine writing 690 letters a semester? I can't. But then again, Finkel isn't teaching composition, and for that he is to be commended.
To be fair to Finkel, I must say that anyone who is foolish enough to get into the educational field and fortunate enough to teach in a place that genuinely values education over consumerism, this book is definitely for you.
Never Be Needier Than Your StudentAs another reviewer noted, these techniques might not gain immediate acceptance from students or administration. Remember, resistance IS the first stage of acceptance. For me, the tangle centers around my neediness to control how the learning will unfold battling with the student's neediness to simply be told. Since for most learning, there is (and can be) no simple "just do this" explanation, whenever I crumble under my neediness and simply tell, I steal a learning opportunity from my student. Stealing learning opportunities might not be the best use of any teacher's energies. Finkel explains how to set the stage and how to win this wrestling match with yourself. Explaining these opportunities away because of "unmotivated students" or "unsupportive administrations" merely guarantees that the neediness will win.
I cannot recommend this book strongly enough. It should be considered essential reading for anyone fool enough to pin the title of "Teacher" to their lapel. Like every competent professional, teaching requires that the practitioner understand that they cannot delight their customer by simply giving them what they want in the way they want it. True delight creeps in under the guise of novelty and surprise, as unexpected as Christmas in July. It sometimes requires that the teacher turn their mouth to the SHUT position so their student's brain can find its own ON position.
Open Your Mind, Close Your MouthIn what situations have you learned the most? Could it be that a teacher told you what to know or did you have to discover something for yourself? Here's how to get out from between the material and your students. _Teaching With Your Mouth Shut_ should be used as a guide to letting students do the hard work of learning with you guiding more as coach, mechanic, or spotlight operator than an expert, lecturer, and insuperable role model. Students interact with each other. The teacher's prime role is to design experiences that lead to discovery of the conceptual material.
Some may doubt, but it is possible to teach this way, even in a state community college system. I have used many of these methods for years. Back in 1998 I thanked this book's author, Don Finkel, my most memorable undergraduate mentor, during my acceptance speech as I received the Distinguished Faculty Award at The College for Lifelong Learning's graduation ceremony in Durham NH. A gymnasium filled with over 150 grandparents, parents, and adult children received Associates and Bachelor degrees, cheered on by their families in the bleachers. "He had an exemplary way of modeling good, curious learning behavior both as he was teaching and teaching with a colleague." I said at the podium. Don constructed and orchestrated some of the best learning environments I have ever experienced. Sadly, I read in 1999 that Don had died of cancer, but thankfully he left his sabbatical project _Teaching With Your Mouth Shut_, published in 2000 by Heinemann, Portsmouth, NH.
"So this is what he was doing," I think as I read about using original author great books and book seminars where the students do the leading and talking. Don adheres to John Dewey's conviction of education as an active and constructive process and Socrates' practice of inquiry, because "knowledge is grounded in some other process than transfer from an unimpeachable Authority"(p.35). Teaching With Your Mouth Shut describes the powerful possibilities in a classroom where the faculty deliberately keeps the authority but turns the power over to students. To supplant teaching as the act of telling, written papers, conceptual workshops, student-to-student feedback on papers, and faculty letters to students about their ideas and the writing used to convey them, fulfill the process of reflection and learning. If you strive to cross-pollinate and belong to a high caliber learning community I highly recommend _Teaching With Your Mouth Shut_. It is written for all college and graduate level teachers in the hopes that they too will join in trying to chart a journey for their students, or in Don's words, "sustain a train of thought across a transformation" (p.89). Can we really teach with our mouth shut? Given the competition in higher education today, we will benefit by this inquiry, in order to "test it, to sharpen it, and to stabilize it (p. 89)." There is even a design for a conceptual workshop in the appendix so that we might experience the mouth shut process and see for ourselves what teaching can become.
The book is rather short which is a good thing if you want a
brief introduction to the field (or a bad thing if you are
looking for more). Behaviorism is seeing a resurgence in AI
robotics with the work of Brooks and others. Staddon defines
enough versions of behaviorism that some of them blend into
cognitivism and the distinction becomes blurred. One possible
distinction would have been the presence or absence of internal
state. Watson's and Skinner's behaviorism allowed no state.
Cognitive science does. A discussion of state "in the world"
(scent trails, etc.) would be an interesting way to work state
into radical behaviorism. But Staddon allows state in "modern
behaviorism" and his model behaviorist theory is quite simply
a finite state machine (automaton). Another possible distinction
might have been consciousness but this is not explored in any
great detail in this (short) book. Behaviorism should be of
interest to AI people. In its more radical forms it represents
a minimalist attempt at a theory of intelligence. As such it
would be a good place for AI to begin.