european

"Mother Linda's Bulgarian Cooking BULGARIAN RHAPSODY" is among the very few cookbooks published in English about Bulgarian cuisine. The author, Linda Forristal, visited Bulgaria on several occasions since 1990. During her stays in Bulgaria she observed her friends cooking and collected many recipes. Majority of the recipes in the book are authentic Bulgarian (like "tikvenik", "lyuteniza," etc.). There are some recipes, which are imported from Western cuisine, but are favorites in every Bulgarian house (like "Garash cake"). In addition to common recipes, the book includes chapters on Bulgarian holiday cooking and Bulgarian-Jewish cooking. Thus, book represents pretty much the contemporary trends in the Bulgarian cuisine.

The book benefits very much from the rich and tastefully chosen illustrations and design. The reader will find in it fine color pictures of Bulgarian dishes, embroidery, national costumes, dances, architectural monuments.

Valuable additions to the book are Bulgarian proverbs, explanations of cooking techniques and customs which are inserted in appropriate places. Special place is devoted to such unique Bulgarian holidays as March 1st (day of the "Marteniza") and May 24 (the day of the Bulgarian culture). List of UNESCO supported historical and architectural monuments in Bulgaria could be found at the end of the book.

Linda Forristal's love to Bulgaria, its culture and people helped her create a unique book. It is much more than a cookbook: it is a book for Bulgarian style of life. I would rank it as one of the best books about Bulgaria and its cuisine published in recent years.

This entertaining and informative cookbook is an excellent introduction to a cuisine that few Americans are familiar with. Forristal not only introduces the reader to the foods of Bulgaria, but also to the history, geography, people, and culture of this Eastern European country. If you like Greek or Turkish food, you'll also like the dishes featured in this cookbook. Forristal's selection of more than 100 recipes reflects her own preference for light, healthy--yet authentic--Bulgarian dishes that can be prepared easily in American kitchens. The emphasis is on vegetarian foods, but there are also several recipes for dishes made with meats. Separate chapters focus on traditional Bulgarian breads and desserts. The author tells you how to make your own phyllo dough for flaky pastries, how to make pita bread in the shape of a sunflower, and how to make a pudding that, according to legend, contains all the foods left on Noah's ark when it landed on Mt. Ararat. Another section on "Ceremonies and Celebrations" provides menus and recipes for a Bulgarian Christmas Eve dinner, a Bulgarian Jewish dinner, a traditional barbecue, and even a low-fat feast. Printed on high-quality paper, this cookbook contains many color photographs illustrating the recipes. Throughout the book you'll find Bulgarian proverbs, tips from Bulgarian cooks, short folk tales, and descriptions of Bulgarian customs and holidays. I highly recommend this book to anyone interested in Balkan cuisines in particular, international foods in general, or just healthy, tasty, home-style dishes that can be easily prepared from readily available ingredients.

The book is easy to use and the recipes all worked well for us in the US. We have enjoyed the authentic originals in and near Sofia, so we are pleased that the flavors are nearly identical.

Unfortunately we know very little about the history of Modern Turkey and the Turkish people in general. I would even say all we know is unsubtantiated ...in general against Turks. This wonderful book of outstanding historian Lord Kinross is telling the real story behind the modern Turkey and the avant-guard philosophical foundations that created this modern republic out of ashes of a country which was torn off completely by wars followed one another. This book is clearly proving us that Ataturk is not only the most important political leader of our century but also may be some centuries back and some centuries forward yet to come. Any person from the developed Western societies who are serious about learning something about a nobel nation such as Turks and their genius humanitarian leader Ataturk, this is the book to read.

I am Turkish. So I have read lots of things about Ataturk throughout my education. But it was all about the events like wars, revolutions, treaties but not the feelings about this great man. Now I understand some of his moves better.

I think everybody can learn something from this book but especially people of Turkey should read it to learn what kind of events our nation lived on our way to freedom and what kind of differences a leader can make.

having searched for a book on this leader but finding it out of my price range i happened to find a copy for £10 in Turkey of this book. It is a brilliant read. A man forgotten in the west but so properly idolised in turkey. Now I understand what all the fuss is about. This character is no Mussolini, Stalin or other jumped up tin pots but a man of the most amazing integrity and insight. It is amusing the way Lloyd George spend his whole career trying to undermine him but in the end with the defeat of the grekks fell from power due to his integrity. A tear passed my eye reading about the death of this hero and I certainly felt that i understood a bit more the respect and emotions theTurks have towards him.

Pessoa was a true acrobat of the imagination. The Book of Disquiet is a collection of epiphanic journal or diary prose kept by Pessoa and found decades after his death. The prose is truly some of the most gorgeous musings about everyday life and existence that any reader could ever find. The poet's world is laid out exquisitly and paradoxically for the entire benefit of those who read.I can't say I've ever found such beauty in the pages of a book before. If you like literature albeit simple or complex this book is something that you will immediately cherish for a very long time.

"If i think, it all seems absurd to me; if i feel, it all seems strange; if i desire, he who desires is something inside of me."
Sums up the book perfectly. Pessoa explores one of his many personalities. "The Book of Disquiet" explains, in complete depth and faith, the beauty of a lonely, existential, moment by moment life. He explains the beauty that people forget. He explains the world, his perception, as if every moment were the last.
"The book of disquiet" is one of the most insightful books a person can read, but only if one has imagination and an ability to let go. Bernardo Soars, Pessoa's personality who wrote the book, is extreme and eccentric. It isn't easy reading, and it won't affect you if you can't overlook the fact that life doesn't go on like Soars'; that there is more in thinking, dreaming, and desiring than Soars admits. What makes the book so special is how Soars can forget everything but the thought and the moment, and how he can analyze and critique and put into words something that most of us forget to remember. "The book of disquiet" reminds me, at least, of how to appreciate my own mind. It is the only philosophy-like book that i enjoy (as yet) because it is the real thing and encompasses a forgotten part of real life.

Poetry often speaks to us; we see something in it, something recognizable, and it's like we are shown a piece of ourselves that had been hidden for a lifetime before. Finding Pessoa's *Book of Disquiet* was like finding a piece of myself. In the pages of this poetic novel you will find honesty, often self-disparaging, and you will find beauty in the smallest observation. However, be forewarned, this is not a book that should be picked up with the idea of light reading in mind. In fact, you may find that you have to put it down, repeatedly, to get away from it, to think, but you will always, always come back to it. Keep it close to hand.

Faust, Parts I and II, by Johann Wolfgang von Goethe (1749-1832) was written in stages across the span of nearly sixty years. Having read the work twice now, this time the Stuart Atkins translation, I concur with the wisdom of the ages that it is one of the greatest works of imaginative literature ever composed. Yet, while I think its relevance to a modern audience is as high as ever, this work is not likely to receive much attention, let alone deep study, in America today, in the age of the Oprah book club, admirable though that may be, and computer animated movies, reality television and of course, the World Wide Web.

In fact, the great Goethe himself is hardly known today in the English-speaking world outside of scholars and aesthetes (of which I am neither), yet he was a household name 150 years ago and easily ranks alongside Homer, Dante and Shakespeare. Indeed his body of work is even more vast and varied than each of those other greats, totaling sixty volumes in his lifetime and another score or so posthumously published. While Goethe penned masterpieces in nearly every genre over six decades, clearly the most canonical text is the massive, 18,000 line poetical drama, Faust.

Faust, stated boldly is 'about' the totality of the human struggle. The storyline chronicles the adventures and misadventures of an extraordinarily disaffected academic, Dr. Heinrich Faust, who in a moment of despair makes a wager with the Devil regarding the attainability of a moment of absolute fulfillment. Beneath this surface, however, it is really a metaphysical journey that illustrates on multiple levels, the duality of man's life. Faust seeks the meaning of life, he seeks access to the Absolute, the Ideal, and the Spiritual, yet he is constantly frustrated and dissatisfied by the apparent human limitations of attaining those goals. This frustrated titanic desire results in the other side of Faust's/Man's quest, which is his/our ceaseless and error-prone striving for the highest realms of knowledge and experience (both good and bad) that are attainable during one's earthly tenure.

The poem is a difficult read due in large part to significant translation challenges. In addition to an astonishing number of verse forms used, Faust also has a complex structure, many classical allusions and multiple fantastical situations. While a powerful enough read even on the surface, such a reading can never be altogether quite satisfying. Patient and careful readers who are willing to work through the difficulties, however, should be rewarded with a clear sense of its timelessness and its Universality. Interestingly, and perhaps not coincidental, the complexity of the work makes the sheer act of studying it an exercise, in part, of what the drama itself represents.

While most of the poetic impact is surely lost at the expense of gaining comprehension, I nevertheless still suggest that English language readers first approach the Stuart Atkins modern English translation published by Princeton University Press. I further highly recommend, as a near necessary companion, the 1957 book Goethe's Faust: An Interpretation by Alexander Gillies. Unfortunately this wonderful book is out of print, but may be available through internet search engines. It aided my understanding immeasurably and further increased my already significant admiration for Goethe and this particular work.

In summary, throughout the story of Faust we are able to observe the twin competing forces of instinctive Good and ever-present Evil as they play out their roles within man's life of needs and wants. Importantly, we see their roles in the uncertain endgame of salvation versus damnation. While nominally 'about' the fantastical adventures of a medieval scholar, Faust should really be read and recognized as the allegorical masterpiece that it is, that portrays both the glory and the tragedy of what it means to be fully human.

I'll save the praise for the genius of Goethe and Faust for another time.

I just wanted to say that out of all the Faust translations out there, this is the only one i've come across that is given in modern day english, without all the fancy, schmantzy intellectual, poetic rhyming verses.

This is a straight, easy to understand translation while keeping all the beauty, majesty, romantic and tragic style of Goethe's dramatic writing.

This book is part of the complete works of Goethe. These people at Princeton University know what they're doing, I mean they're presenting the English speaking world the complete writings of Goethe! So of course everything they come out with in this edition will be well-nigh-definitive.

...with that said, enjoy the Faust!

Certainly enough it is shocking (at least to me) that a man of genius on the level and scope of J.W. von Goethe is largely unread, or perhaps even largely unknown except as a musty name, in the English speaking world today.

This Stuart Atkins translation, part of apparently a large series of Princeton U. Press 'Collected Works' of Goethe, is the single BEST translation I have encountered that is likely to be able to reach, to be comprehended, by the widest English language audience.

The richness of Goethe's variation in metre and tone is retained, but the language is modern-day English and avoids anachronisms and archaic language. While old-style language sounds "Classic" and rhyme can be aesthetically beautiful to read and hear, this translation offers comprehension of the original and is quite true to the original. In fact, in the poetic gymnastics required to maintain metre and rhyme scheme, much invention is required that can lose the import of Goethe's original.

My suggestion, in the interest of having a short review, is to recommend the Atkins' translation to most, certainly those just approaching Goethe....and then, read a second translation later, once you have a decent grasp on the import of the great Faust legend.

Aside from the translation, the work itself is incomparable. Nothing short of the story of Western man's struggle of experience and knowledge, of progress and constant striving and becoming. It may be disputed, but Goethe is, in my view, in the totality of his work, in terms of variety and quality, a greater poet than Shakespeare, Dante and Homer, but with Faust alone he at a minimum, garners a place of honor on this Mt. Rushmore of World Literature (a term, incidentally coined by Goethe).

"Hammer of God" is a touching portrayal of the lives of three new pastors coming to terms with how orthodox, Biblical faith can anchor us securely in Christ when rationalism and pietism finally reach their dead ends. In an age where so many fads and philosophies for "growing the church" vie for a pastor's attention and allegiance, "Hammer of God" helps us to come to grips with our calling and our duty to God and His people to bring them the historic, fundamental truths of Christ and His Word. I have read this book a number of times and am always refreshed and renewed again in my desire to be a faithful pastor in Christ's Church.

"Hammer of God" is set in Sweden, when the Swedish Lutheran Church was struggling for its identity. There were many who felt that the "rigid/dead orthodoxy" no longer served a purpose in people's lives. Naturally, nature abhors a vacuum. In place of orthodoxy came two schools of thought: rationalism (scientific thought) and pietism. This masterful volume follows three recent seminary graduates serving their first parishes. Obviously, their mentors are of the "dead orthodoxy" bent. The young pastors feel that the people should be more scientific or live more perfect lives. Needless to say, the new approaches do not work out. Touching is the old soldier, in the throes of senility, barking out fighting orders and using profanity. The young pastor soon realizes that it is by God's grace that we are saved, not in building a better life to become more perfect. This book was required reading at a small Lutheran seminary I attended in Mankato, MN (as was Walther's "The Proper Distinction Between Law and Gospel."). I will forever be indebted to the professor who required us to read this book. It was very enlightening and graphically displayed Christian faith in action in everyday life.

I highly recommend this book to any Christian! It hits many relevant issues for modern congregations as well as reflects the culture of the periods it is set in. It displays God's grace as coming to one head, Jesus Christ and does so in a 3 entertaining and thoughtful stories.

Antigua Vida Mia es un libro lleno de pasion y poesia. Los personajes tienen vida propia. Me facinaron las historias entretejidas de los personajes centrales en esta ciudad llena de magia. Me enamore de Antigua al leer el libro, tanto que voy a ir a visitar la ciudad en un futuro no muy lejano.

Como mujer chilena la historia me movio, removio y conmovio como pocas hasta ahora. Creo que me ayudo a pensar en muchas cosas de mi propia vida y en mi identidad. Vale la pena, no solo para mujeres, creo que Marcela Serrano tiene algo que decir a todos. No importa si la calidad estrictamente literaria no es tan fantastica (aunque este es el mejor de sus libros), al final, uno no es un academico de la literatura, uno lee para vivir.

Primero me toco ver por casualidad en el TV cable la pelicula de "Antigua Vida Mia", enganche por que me encanta Cecilia Roth donde hace un papel maravilloso en esta pelicula.
Como la pelicula me gusto mucho me anime a leer el libro que tiene algunas diferencias con la pelicula.

Tengo que reconocer que de no haber visto la pelicula antes de leer el libro me habria costado bastante mas el seguir bien la historia.

This book unfolds the life of Anne Boleyn, a ill-favored girl that lived under the shadow of her sister throughout her childhood. Anne's sister, Mary Boleyn, was the prominent type beauty during the 16th century in England. Mary had been the mistress of King Henry VIII. However, as young Anne came to England from the French court as a stylish graceful lady, she soon caught the eye of King Henry. Anne Boleyn played her "games" upon the men in the English court and did all she could to win the heart of King Henry, the most powerful man in the nation. Anne's ambitions and strong will guided her through her struggling to be queen, the every peril in her life, and her uncertain path to power. Anne Boleyn was a mysterious yet prominent female figure of the Tudor family and her only daughter, Queen Elizabeth I, became on of the most prominent rulers in history. Though Anne Boleyn was executed when King Henry lost his interest in her, Anne's wits and determination led her to the fullfillment of her words to Mary, "One day, I shall be queen and you will kneel before me!"

This, the third book in the Young Royals series focuses on the life of Anne Boleyn, second wife of Henry VIII, and mother to the Virgin Queen, Elizabeth. From the time she was born, Anne had been the dark sheep of her family. Not only did she have a sixth finger, but she also had a black mole. Anne had neither the beauty of her older sister Mary, or the importance of her younger brother George. But with an ambition as high as the mountains, Anne vowed one day that her sister, Mary, the King's mistress, will one day kneel at her feet. As a lady-in-waiting to Queen Catherine in Henry's court, Anne finally begins to see her wish coming true when she finally catches Henry's eyes. Though Anne knows Henry loves her, she knows that is not enough. The people's overall hatred of her and loyalty to Queen Catherine might ultimately be her downfall. When finally she bears Henry's child, she is finally declared Queen, a title she had vied for so many years. Only one nagging issue is in the back of her mind: What if the child isn't a son? What if she fails Henry's ultimate wish to have a male heir? What would become of her...

This new edition to the Young Royals series has to be my favorite. It was quite accurate and Anne was potrayed perfectly as a girl who just wanted to prove herself worthwhile to a world that shut her out. To many Anne was the ulimate symbol of evil, but after reading this book, my opinion of her changed. She was in a tough position, but ulimately her big ambitions was also her downfall.

This book definitely will be more fitting for older readers. Doomed Queen Anne also probably appeals to an older audience than the previous two books. Definitely a great book to add to your collection.

How would you like to be married to King Henry VIII? Well that's what happened to Anne Boleyn in, Doomed Queen Anne. This historical fiction story is full of romance, pain, deceit, loyalty, and honor.
Anne Boleyn was a regular girl in the 15th century world, until.... one night as Anne and her sister Mary were in their chamber, Mary grabbed Anne and took her down the hall to their mother's chambers, they sat by the door listening. "Dark as a gypsy, she is." Anne could not believe what she was hearing! " Send her to a nunnery." her mother said. Mary started laughing at her sister, but then, they heard something. "She will not go to a nunnery, Anne will go to court, in FRANCE!!" Anne and Mary were both shocked. Anne was going to live at court, and in FRANCE!!! It has always been a dream of hers. After arriving in Paris, it was time to prepare for, la Fête de Noël,( The Feast of Christmas).After a year or two Anne finds out that her sister is the Kings mistress!!!! Anne has become quite fond of King Henry. The King has been paying a lot of attention to Anne lately.
They marry and that's when Anne's troubles begin. In those days, producing a son and heir to the thrown was very important. Anne did produce the King with children, but two died and the other, A GIRL, named Elizabeth.
Not good in 15th century France, and that's just the beginning. Anne is accused of being untruthful to the King. The punishment is death? Will the King stand at her side or have executed? Find out by reading Doomed Queen Anne.
Reading a book can be boring sometimes, but a book like this gets you hooked in and you never want to put it down. I liked this book because it was full of mystery, passion, and betrayal. I would recommend this book to anyone who likes historical fiction stories.

I read Kazantzakis absorbing and compelling verse novel over a two-month period, rich and crazy as a Christmas fruit cake, and only to be nibbled in small doses. This is a deeply flawed work of consumate art; flawed, because it expresses a weltangshaung and philosophical stance utterly at odds with the complexities and values of the human spirit which it still succeeds in celebrating in verse of passion, intensity and beauty. Flawed, because it defines the human spirit in terms of the unsubtle, extroverted, violence of masculinity at its most obnoxious, a Nietzschean ubermensch driven to sweep through the human mind like a panzer division; flawed because it present a vision of utter and self-serving solipsism.

But of consumate art in that within those paramaters it creates, with a richness and intensity rarely encountered in modern literature, a detailed, elaborate and sensory world of image, passion and experience; and in positioning the human spirit dancing at the edge of the abyss, in celebrating the defining moments and relationships of life, it ultimately triumphs over its own weakness.

Its stages of the soul's evolution, its imagery and its passionate invocation of the sun link it with the old warrior-cult of Mithras; and while the leopards, elephants, drunkards and maenads seem at first more of Dionysos, the elegance and elegaic elements also link the work with the Greek Apollo, and the discipline of an exact and exacting verse.

Essential to an understanding of the twentieth century vision - and also to an understanding of what made so many of us passionately feminist.

A long, long time ago, I read this book and it changed the way I read literature. Kazantzakis' book goes beyond writing - it is a vivid exploration of the flame that consumes man. To go back to reading the frivolous so-called literature of today almost seems pointless. I am just thankful that Kazantzakis left us with such a rich body of work to read. The libraries were full of his books twenty years ago, but today I rarely find them on any shelf. To those of us who were lucky enough to discover him early, we know that he is the best kept secret of the twentieth century.

First of all, good luck trying to find a copy. Second of all, you have to be a Kazantzakis fan to get through this book. Read Last Temptation or Zorba first, fall in love with his work, then read this. Third, I don't know if this book will appeal to women because it is extremely masculine. That said, it is written with a scriptural density, beautiful even in translation. If you hate Victorian novels, you've found your nirvana.

BY&VtB is a Russian Cinderella-tale of sorts featuring Vasilisa, whose only companion is a talking doll made by her mother. Sent by her wicked stepmother to the hut of Baba Yaga for a light, Vasilisa escapes only by completing vast quantities of houswork. My main problem with this story is that Vasilisa doesn't actually do any of the work--the doll does--leaving Vasilisa only to cook dinner for her (very scary) captor. Why does this earn Vasilisa the epithet "the brave"? A better name for her would be "Vasilisa the Complacent" since she never actually takes control of the situation or shows any will of her own. From the moment her father dies to the time her wicked stepmother is destroyed, she bends to the will of any imposing figure that commands her if for no other reason than she can't think of an alternative (see page 2 of the story)! Don't let the title fool you... Vasilisa is not an example of a strong, clever heroine like you'd expect!

On a more positive note, the illustrations are wonderful. Richly ornamented, finely detailed paintings occupy every other page. The text is decorated by orientalized landscapes and persianesque illuminations. Oh, and the paintings of Baba Yaga are terrifying! I spent a long time absorbed in the artwork of this book. It truly is enchanting!

Bottom line: Don't look to this story for a strong female protagonist. Enjoy it rather for its fine illustrations--they will be reward enough.

This is a re-telling of a Russian fairy tale illustrated by KY Craft [far and away the best illustrator I've ever encountered]. This is a Cinderella type tale turned graphically gruesome.

We bought this book for our daughter's 5th birthday. She has several other KY Craft books and adores them all. However when I recieved this one from amazon and opened it up my husband and I both worried that it was not appropriate for our children. [They have enough nightmares as it is!]

While the illustrations are beautifully detailed and absolutely amazing [as always with KY Craft], the story is about a horrible witch, Baba Yaga, who eats people and lives in a house made of bones [graphically illustrated in great detail]. She has a hideous frightening appearance [also rendered in great detail] and the entire book is extremely dark and frightening. This is definitely the stuff of nightmares and horror movies.

So, it was with much trepidation that I read the book to my 5 year old and 2 year old... I expected them to be very frightened. To the contrary, they found Baba Yaga *fascinating* and LOVED the story... they want me to read it again and again.

As an adult I appreciated the level of detail and the amazing art work, but I was amazed that my young children could read this book and not be terrified. They truly adore it though... who would have guessed?!!

"Baby Yaga and Vasilisa the Brave" will strike all readers, whatever their age, as a variation on the Cinderella story. This is because Vasilisa's mother died when she way young and her father remarried a woman with two cruel and ugly daughters. Of course Vasilisa's father dies as well and her wicked stepmother turns out to be, literally, a witch. However, being a witch is a minor thing in a world where Baba Yaga lives in her house built with the bones of her victims in the gloomy forest.

Baba Yaga is probably the most famous witch in the folklore of the world and certainly the one of whom the most stories are told. Russian folklore is filled with stories of the fearsome witch with the iron teeth, who is sometimes known as "Baba Yaga Kostianaya Noga" (Baba Yaga Boney Legs) because even though she has a ferocious appetite, as this story shows, she is as thin as a skeleton. Unlike the conventional witch who wears a hat and travels on a broomstick, Baba Yaga sails through the air sitting in a large mortar with her knees up against her chin, pushing against the floor of the forest with a pestle. When she appears a wild wind begins to blow and the spirits that often accompany here start to wail and shriek.

For children in Russia or pretty much anywhere in Eastern Europe the name of Baba Yaga is one to send shivers up the spine, so when Vasilisa's wicked stepmother contrives a reason to send our heroine into the forest to borrow a light from Baba Yaga, they know that this is not a good thing. At the start of this tale, retold by Marianna Mayer, young readers not yet familiar with the legendary Baba Yaga are told that humans are her favorite food and that few have ever survived a visit to her crooked hut made of human bones. However, they are also told that the story of this particular young girl and her encounter with Baba Yaga bears repeating. Vasilisa heads off into the forbidding forest, taking with her only her favorite doll, a token of the love of her real mother.

In addition to the luminous illustrations by K. Y. Craft, what makes "Baba Yaga and Vasilisa the Brave" so compelling is that it bespeaks a complexity long gone in terms of most children's stories today. For example, as she walks through the forest to Baba Yaga's house Vasilisa sees some different colored horsemen. Later on we learn who they are, but they do not play any real part in the story, they are just part of the rich tapestry of the tale. Of course is you are talking about rich tapestry that is a good description of Craft's artwork, which usually consists on each spread of a full page illustration, a nice little border design of animals in the forest, and a little design around the first capital letter of each page.

The Twelve Dancing Princesses is a wonderful, magical story in it's own right. Marianna Mayer has woven this tale with sumptuos words that make this book delightful to read out loud. The drawings are so lovely, detailed, and beautifully drawn that both my daughter and I have spent hours looking at the pictures! This is an important book for its beauty and its ability to activate your imagination.

Richly written and illustrated, this book doesn't disappoint. So many fairy tale books go only half-way--either they have great pictures or a well-written story. This is not one of those. Marianna Mayer tells the story with lovely detail and a highly enjoyable style. And the artwork--well, look at the cover! The artwork is amazing! The portrait of Princess Elise almost jumps off the page (or invites you into it, whichever you prefer). And don't overlook the sidebar illustrations on each text page--they add a deeper dimension to the story by giving the reader a glimpse of the magical setting. This book is truly enchanting.

I remember reading this book in my elementary school library it was by far my favorite. Even when I went on to graduate I never forgot it. Now I'm married and have a child of my own, when I fould out I was pregnant I went looking for this book and bought it off of Amazon.com. It was just as i had remembered. It is still the most beautiful book i have ever read the illistrations are gorgeous and so detailed. And the story is a perfect fairy tale. All mothers should read this to their children before bed so they'll have fond memories and sweet dreams.