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Behind the Scenes, Behind the Magic
Well presented and clearly written explanation of specialfx
One of the best on Special Effects
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Pretty cool book.
This particular book is up there with the best of them.
Very good book.
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A parsimonious argument.While I'm certainly not going to claim that I understood everything, I think that I did manage to follow the majority of Olson's points. Furthermore, I believe that this owes more to the lucid and well-structured nature of the book than it does to me being blessed with any unusual intelligence.
_The Rise and Decline of Nations_ begins with an explanation of the questions that the book will explore and sets the standards for the consideration of a satisfactory answer. It then works out the logic of the offered argument and breaks that argument down into 9 well-described implications. It then goes on to test and explain that logic and those implications. Olson does a wonderful job of providing adequate support the concepts that he introduces, even to the point of pointing out areas where non-economists might have special trouble or require further information. As a result of all his hard work, the book has the feeling of being exactly as long as it needs to be, and no longer.
I was certainly convinced by his arguments about how special interest groups affect economic growth. I understood why he was unwilling to take it farther into the area of policy, but couldn't help but wonder what the eventual policy implications would be, assuming that his theory is further tested and developed. I also found myself wondering if this argument would work in the same way *within* a corporation and whether it might say something about reorganisation and restructuring exercises.
I thoroughly enjoyed reading it, and recommend it wholeheartedly.
Power groups disected
Elegant Theory Elegantly Presented
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"If I had my way, I'd take a boat from the river..."That's why I'm surprised nobody has optioned the rights to one of the greatest children's books ever; it has emotion, thrills, an important lesson, and one of the cutest lead characters I've ever seen.
That book is, of course, "Scuffy the Tugboat."
Scuffy is a toy tugboat (hence the title) who dreams of something more than "sailing" in his little bathtub. When he is taken outside and accidentally swept away in a river, his harrowing adventure makes him realize that he should never have taken his old life for granted.
Just imagine Scuffy the Tugboat brought to life by CGI, charging down rivers, dodging logs and old tires...and facing the bustle of a busy shipyard before being miraculously recovered by his owner.
I can practically hear a popular actor like Ed Burns lending his distinctive voice to the little red tugboat, and Sting's nautical motif from "the Soul Cages" leads me to nominate him for the soundtrack.
As long as it's a faithful adaptation of this classic tugboat tale, nobody would ever be able to say: "the book was better!"
A favorite
THE SEA IS THE LIMIT"Scuffy the Tugboat" is a classic in childrens literature. It has an almost iconic status with people who grew up in the early Baby Boomer years.
Way back in 1946, toy stores were quiet uncrowded places. In one toy shop there was a rocking horse, a GI Joe Doll and a few cuddly soft toys ........ and one grumpy red painted tugboat called Scuffy.
Scuffy was ambitious. He thought he was meant for bigger things, than just sailing in a bathtub.
The toy shop owner (with his memorable polka dot tie) and his little boy, took Scuffy off to a laughing brook. It was springtime and the brook was running fast. Scuffy was soon off on his adventure.
The pastoral world he passed through seemed placid, but at night the hooting owl gave him a fright.
The river got bigger and busier. Scuffy was proud because he knew it was HIS river. He was nearly squashed between two logs that were on their way to the sawmill. With the spring melt a great flood burst the rivers banks. A lady and her cow had to be rescued off her roof.
Pushed along by the floodwaters Scuffy arrived in the big city. It was a very noisy and busy place. When Scuffy tooted nobody noticed.
Scuffy was just about to be swept out to sea. He wished the man with the polka dot tie and his little boy could rescue him. Miracle of miracles, there they were just as Scuffy was about to pass the last bit off land. He was rescued.
Scuffy realises that sailing in the bathtub is not such a bad thing ...... in fact he said "this is the life for me".
The illustrations by Tibor Gergely are what make this book so appealing. The scenes are full of life and activity, be it the pastoral river scene with its friendly animals and the colourful towns and cities. Look for the details in the city scene. Try to find the horses.
Tibor Gergely was a great children's book illustrator from this period. In addition to his artwork in Scuffy you can enjoy his illustrations in those other "Little Golden Book" classics, "The Little Red Caboose" and "Tootle". These three books are perfect companions in any young person's library.

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Free at last
A neccessary resource for all addictions counsellors
If you relapse or know a relapser,, buy this book today!
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Turning a sharp eye on ecotourists, zoogoers, hunters, politicians, developers, expectant mothers, carnivores, conservatives, liberals, and just about anyone else who crosses her path, Williams decries the rapid loss of the wild, which in her eyes is no mere abstraction. Sometimes hyperbolic, but more often right on target, she argues that it will take more than a few cosmetic fixes to mend all the wounds that the environment has sustained. Dystopian to the last (as she writes, "You are increasingly looking at and living in proxy environments created by substitution and simulation," and not the real world at all), Williams brings plenty of heat to the page--and plenty of light, too. --Gregory McNamee

Magnificent!
"Beautiful, menacing and slightly out of control."At any rate, this is the Joy Williams rant, and what I say is rant on, Voltaire!
This collection of magazine essays begins with "Save the Whales, Screw the Shrimp" in which Williams goes after the wishy-washy, faux lovers of nature, addressing them (in effect) as hey "you" with the "Big Gulp cups." Next is a short-short about rhesus monkeys being raised for laboratory research on an island charmingly called "Key Lois" (Laboratory Observing Island Simians). Williams follows this with "Safariland" in which she makes fun of the photo safari experience, reducing it to a kind of Disneyland with mosquito netting.
So far Joy Williams is just satirizing. Next comes a particularly brutal short-short on wildebeests, how they can't migrate to water during the dry season as they have for millions of years because there's a cattle fence that keeps them from the water they can smell. Williams is particularly vivid as she describes thousands of them up against the fence dying of thirst. But she's only warming up. In the next piece, "The Killing Game" and in a later piece, "The Animal People" we experience the full monty of Joy Williams unleashed. Now her writing becomes (as she describes it in the final essay entitled "Why I Write") "unelusive and strident and brashly one-sided." Her words are "meant to annoy and trouble and polarize, and they made readers...half nuts with rage and disdain." (pp. 209-210)
I believe it. I too love the animals, but I'd bet protozoa to primates that she'd find my efforts sadly lacking and my attitude wimpishly laissez faire.
I guess the best way to demonstrate the intent and style of this remarkable book is to just quote Joy Williams. Here's the opening lines of "The Case against Babies":
BABIES, BABIES, BABIES. There's a plague of babies. Too many rabbits or elephants or mustangs or swans brings out the myxomatosis, the culling guns, the sterility drugs, the scientific brigade of egg smashers. Other species can "strain their environments" or "overrun their range" or clash with their human "neighbors," but human babies are always welcome at life's banquet. Welcome, Welcome, Welcome--Live Long and Consume!
Joy Williams really is a kind of earthy Voltaire, a kind of meat cleaver (as opposed to rapier) Voltaire, a kind of take no prisoners master of satire, burlesque, ridicule and just plain old verbal assassination.
But she raises a profound and demoralizing question: what IS going to happen to all the animals that we claim to love so much? Both Joy Williams and I know. Only those fully compatible with humans (dogs, cats, aquarium fish) or those we can't do anything about (rats, mice, crows, sea gulls, sparrows) will survive. Joy knows this and she's angry. Her anger shows. But she's also resigned and that shows too. I know this not merely because of her tone but because of what she writes on page 209: "Nothing the writer can do is ever enough."
The denouement of the book (strangely it has one; Joy Williams is an artist) comes in the penultimate essay, "Hawk." Here we are stunned to learn that "Hawk," her German shepherd dog, whom she referred to as "my sweetie pie, my honey, my handsome boy, my love," whom she would kiss fondly on the nose, turned on her one day as she was leaving him at the vet and savagely bit into and ripped at her breast and then gnawed her arms, and had to be not destroyed, but given euthanasia and cremated.
I don't know what to say about this benumbing turn. Really I think Joy Williams is an artist whose inner artistic nature rises over and above her normal consciousness and tells us the truth in a way ordinary consciousness never could; and even here in a collection of non-fictional essays she has consciously or unconsciously employed the techniques of the master story teller that she is, and left us with a queasy sense of the madness of life while demonstrating that there is so much beyond our understanding.
This extraordinary book should be read not so much for the overpowering arguments against our misuse of animals, or for the undeniable demonstration of our "ill nature," but for the perfect power of her words. Anyone with any pretension toward mastery of language ought to read Joy Williams. In doing so we too might learn to write, as she does, in a manner that is "beautiful and menacing and slightly out of control." (p. 210)
Uncompromising look at human idiocy . . . . . .The truth may set you free, but first it will make you miserable --- if your heart has not been sanitized, plasticized, and chemicalized into stuporous numbness. Williams outlines the enormity of the forces arrayed against those who would preserve some of this beleaguered planet for the plants and animals and natural lifeforms.
With ironical humor, razor wit and passionate uncommon sense, Williams takes aim at industrial agriculture, federal Wildlife Services (which "manages" wildlife by killing it), fertility clinics which allows infertile women to birth litters of babies on this overtaxed planet, hunters and the whole panoply of unbridled growth-is-good ideologues.(Unbridled growth, Edward Abbey wrote, is the ideology of the cancer cell.)
What gourmands call veal and seafood are, in reality, the corpses of slaughtered animals. Williams opens the blinders to reveal the reality behind the modern consumerist lifestyle and while it is not pretty, there is a dark and twisted humor to it.
Williams puts her money where her mouth is. When she had to sell some land she owned in Florida, she insisted, over the bellowing of the realtors, on deed restrictions that would preserve the land's natural character. Eventually, a nature-loving buyer appeared. Good show. I have had similar thoughts about preserving the trees on my little land; thanks to this author for giving me hope that I can protect them. Keep writing, Joy Williams, words can make a difference.
Buy this book, take it to heart, hear the clarion call, get sane, change your life!

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Great Information for Those Interested in Healing With Color
Powerful healing tools
Fascinating theories on eyesight
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A Masterpiece of Appalachian Natural History
truly excellent book on Appalachian natural historyIn reading the book I have learned so much about the natural history of this great eastern wilderness. Unlike many other natural history books which discuss faraway, exotic lands like Antarctica, Thailand, the Amazon jungle, or the Australian Outback, Weidensaul makes an area where I live in fascinating, bringing to my attention a variety of things I never even suspected, making this book a unique treasure. An area I took for granted, had lost my sense of wonder about now seems new and interesting to me. I am sure those reading this review would be similarly enlightened.
No you say? Do you know why leaves change color in fall, and how? Or why some trees turn one colors while others don't? Do you know what effect this leaf change has on the animal community in forests (ever hear of foliar fruit flagging?)? Did you know that many Appalachian tree species can survive winter temperatures as low as 80 degrees below zero, far colder than the mountains ever get today? Do you know what tannin is, and why trees produce it, and what effects this has on the forest community? Weidensaul makes what to me was a fairly mundane subject, perhaps suitable for a grade school science book, fascinating and weird. Trees are rightly one of the stars in this book, as Weidensaul recounts the sad tale of the American chestnut, the plight of the Fraser fir, the role of oaks in modern forests (and the potential problems their predominance could cause), and the magnifence of the white pine among many other plants.
However, animals receive a great deal of attention in this book as well, as by no means it is only about botany. Almost an entire chapter is devoted to the awe-inspiring annual hawk migrations down the length of the Appalachians. The many unique and highly local species of the mountains salamander fauna, one of the richest in the world, are recounted in great detail. Another unique fauna, the mussel fauna, again one of the world's richest, is also discussed, a subject not much to the lay naturalist. Weidensaul discusses some of the chain's fauna winners - such as black bears, successfully co-exisiting with people in crowded Pennsylvania, moose, which are rebounding in the northern Appalachians, and the raven, formerly a bird of deep wilderness but that one that is increasingly adapting to disturbed habitat - and its losers as well - such as brook trout, a species in decline in all but the most pristine streams, the red wolf, long gone from most of the range and yet to be successfully reintroduced, and the passenger pigeon, once a the most common land bird in the world, thriving on the vast crop of acorns in the Appalachians, now extinct.
A truly excellent book with nice illustrations in it, this will please any lover of natural history.
A lesson in natural history, ecology, and connectedness
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An accessible balanced approach to drug action
Loan this book to colleagues . . . never see it againHis sessions always filled our training room and received positive evaluations from both persons with medical training and our case manager/counselors.
I focus my review on two portions of the book's sub-title. 1)Non-technical and 2) Revised and Updated.
Robert Julien writes as he speaks. He demystifies the vast information in this field and clarifies it. However, for the reader who wants in-depth information about the topics, there are treasures to be found. Your "aha !" and "ohhhh" buttons will be pushed constantly.
I appreciate the conscientious way Dr. Julien and his publisher have kept the book "revised and updated." There are so many research findings being reported all the time. New medications come on line. This makes many excellent (and expensive) books obsolete within a couple of years. "A Primer of Drug Action" remains current and useful.
But seriously, they sometimes are slow in being returned. I buy them two at a time.
Everything from herbal applications to clinical treatments
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an almost balanced scientific reviewAdditionally, he glosses over the very real and known physical and mental health risks associated with heavy chronic marijuana smoking. ... His perspective is that of scientist concerned with the effects of THC, rather than mine, as a physician concerned with the mental and physical health of children who seek my help. I generally agree with his conclusions, that cannabis may have some potential for therapeutic use if we can find a way to dissociate its adverse effects and its habit-forming potential from its therapeutic effects. However, the current science is far from achieving such a goal. It concerns me that Dr. Iversen has left a very vital branch of biomedical science out of his review, namely, the epidemiology, comorbidity, and health consequences of cannabis abuse and dependence. While it is true that most people who smoke pot occasionally are probably not going to become addicted or escalate use into more dangerous drugs, it remains the major "gateway drug" by which adolescents are introduced into the addictive downward spiral that can destroy their lives, if they are one of the unfortunate who are biologically predisposed to addiction. The failure to review the science of cannabis dependence and the substantial scientific literature on the psychobiology of addictive behavior is the only major shortcoming of an otherwise fascinating book.
Excellent review of research on Cannabis's effects on brain
Good book but the Dummit review is bunk..
The Art of Special Effects deals more with the older films-those before 1986, illustrating a time when computers were not so large a part in the film-making process. It gives the reader a great look at the sheer amount of detail that went into the models, the props, costumes from Star Wars to Explorers, from Raiders of the Lost Ark to the some of the Star Trek films, ILM constantly and consistently proven to innovative. The book as a whole is on a level lower than, say, Cinefex magazine, assuming that the reader doesn't know how blue screening and rotoscoping works or how miniatures are lensed. It is light reading without getting itself bogged down in too much technicality, for those who want that, read Cinefex.
It also strikes me that this book is also best at presenting a dying era. A time when model makers kit bashed hundreds of plastic models just to build a Super Star Destroyer - few companies bother with that any more when everything can be rendered on a Silicon Graphics box and Maya and Soft Image software. Such films as Star Trek: Insurrection used few practical models and a completely CG Enterprise-E. The time of the supremely detailed, hand crafted model or set may be at an end, and I think the industry will be sadder for it. Partially because when I read Cinefex, a lot of what I see is the same-different movie, different space ship, but they're all rendered the same way and most use the same software, with only minor modifications or original code going into it to get a certain look or solve a certain problem.
I suspect the Digital Realm of the movies, while producing better special effects, lacks the mystique of knowing that several people labored for months to build that model. That instead it was modeled by a few people over a period of a week. (Though it should be noted that a lot of films, including the Phantom Menace, used practical models). I suspect their days are number.