Street
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Extraordinary
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Old St. Petersburg revisited
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A must for every investor
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Can't Get Lost In Orange County !
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It's Beyond a mere map.....

thomas brothers 2001 santa barbara, san luis obispo and ven
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Thomas Brothers Maps : Los AngelesWhenever going to an unfamiliar address, I figure out how to get there first with the Thomas Guide (which I keep in my car). I always recommend to new residents in the city that they purchase a guide to help them find their way - because L.A. County is BIG ! Thomas Brothers Maps are also out on cd-rom. See www.thomasmap.com for more of their maps.
If used in conjunction with Mapquest.com to get directions, you will surely find your way in L.A.
~ Mark

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Based on the True Crime, The Murder of Helen JewettI recently reread The Thomas Street Horror because I had finally finished a book about the crime that this novel was based on: The Murder of Helen Jewett by Patricia Cohen. Helen Jewett (AKA Dorcas Doyen and many other pseudonyms) was a young popular prostitute working in New York City. Early on the morning of April 10, 1836 she was discovered murdered in her smouldering bed. Suspicion fell on one of her clients, a young clerk, who was eventually tried for the murder. Cohen's book deals not just with the crime and trial but also the attitudes toward prostitution, tabloid journalism (the murder became a nationwide sensation) and the criminal justice system. While the book is very interesting, it is also hard going at times because the author would pause the narrative to delve into the fine points of various aspects of life during the period-- for instance I learned a lot more about the state of Maine than I would normally be interested in. I actually put it down for several months before I finished it.
The Thomas Street Horror is a much livelier, if fictionalized, account of the murder. The veiwpoint character is a young reporter who has just arrived in New York City in November 1835 with a letter of introduction to the proprieter of the journal, the Sun, Benjamin Day. New York journalism at the time was not concerned as much with reporting the news as garnering readers by any method available including elaborate hoaxes and pandering to mob mentality. And the competition between the papers becomes red hot, as they choose up sides as to whether or not Helen Jewett was a wronged woman driven into her way of life or a degraded harpy who preyed on her young clients and was the young clerk accused of her murder guilty or not? David Cordor (the journalist) is caught up in the center of events, both reporting on and participating in what was happening. The fictional investigation into the events surrounding the murder is lead by Lon Quincannon, Paul's Irish attorney-detective who first made his appearance in The Tragedy at Tiverton. Quincannon finds himself not just defending his client against the state, whose minions have no qualms about manufacturing evidence to support their case, but also against public opinion.
If you enjoy 19th century mayhem then I would definitely urge you to try this book.

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The Belinda Manley/Bruderhof story is a must-read.
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Best book on economic analysis ever written.
Schulz' 1934 novel included several of his masterful drawings and etchings, some of which also appear in other books. He painted in words and pictures.
One vision of meals at his family's home obviously influenced McBurney's script, which includes a wonderful scene at a Schulz dinner featuring the family's many colorful relations and friends. The play reflects Schulz' surreal brilliance, through amazing antics--chairs hanging from a wall, tablecloths floating in air and an uncle walking on the ceiling.
The play opens with a remarkable scene: The disconnected hands and feet of many Holocaust victims wave helplessly through a trap door while Schulz feeds books into a pot-bellied stove, downstage right. This evokes the era's wholesale terror, its destruction of untold millions of Jewish civilians--and its fierce war on ideas. Indeed, during the Nazi occupation of Poland, Schulz was forced to sort and burn those titles they had banned.
Schulz was born on July 12, 1892, the third and youngest child of a Polish merchant in Drohobycz, where he lived a life tragically abbreviated by the Holocaust. He reflected this town (and his close connections to family) in all his written and artistic works. When the Soviets occupied eastern Poland (and Drohobycz) in 1939, Schulz avoided the deportation suffered by hundreds of thousands of other Jewish Poles, although the USSR prohibited him from working.
But Polish Jews experienced far worse hardships with the June 1941 Nazi occupation of eastern Poland. Schulz was then enslaved for a year by Felix Landau, the infamous Viennese Nazi and Jew murderer. He survived on one daily bowl of soup and slice of bread.
Gestapo officer Karl Guenther shot Schulz in the head on Black Thursday, Nov. 19, 1942. A devoted friend buried him at night in a Jewish cemetery, which has since disappeared, along with Schulz' grave.
Most of his artistic and written work also disappeared into the Holocaust's maw.
But thanks to McBurney's extraordinary play, part of Schulz' incalculable brilliance was vividly revived.
--Alyssa A. Lappen