Paris

I read this book trying to forget about the stiffling heat we're experiencing in Europe in one day. As wonderful as the first book is (Apricots on the Nile) this book is even better. Collette takes us on her journey back to Paris after being wrenched away from her loving coccoon of close family in Egypt to the great unknown. Soon however she finds solace in the kitchen & rediscovers her passion for food. Faced with many life changing decision, she recounts the events that took her all over Europe & (later to the US) on different adventures & always with food as her loyal companion.
A wonderful read that ended too soon, & although I rated this book with 5 stars, I felt it ended a bit too abruptly ... but then again you alawys want more of a great book don't you?!

I loved this little book and read it in one sitting on a rainy Sunday afternoon. It made me wish that Colette would invite me to dinner! The writing swept me along throughout the journeys in her life. The recipes were a surprise bonus for me as I had never read her other books and had no idea she was known for cuisine. It was the beautiful cover that sold me! Highly recommend this book. I can barely cook, but am going to try the Agvolemono soup, a favorite from my 20's when I worked upstairs from a Greek Deli in downtown Boston.

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Reading _Return to Paris_ (and preparing its recipes) is like listening to a Piaf song, at once strikingly beautiful and hauntingly sad, something that commands your attention to the very end.

So, dear reader, beware! For should you open the first page of this book, you may find yourself swept away to a Paris you never knew of, to return to a present made a little sadder by finding there are no more pages left to turn.

I also recommend these other books by Rossant which I have read:
- Memories of a Lost Egypt (the first of her food memoirs)
- Bocuse a la Carte (translator)
- Colette Rossant's After Five Gourmet
- Colette's Slim Cuisine
- New Kosher Cooking
- Vegetable

My grandfather was born in 1888 in the town of St. Martinville, LA and turned the century with the rest of Mr. Capuder's cast of characters. Even with that connection, in reading this book I still learned things about my ancestors that I didn't know. It is amazing how real these folks still are on the pages of Le Petit Paris, as if they'd just closed their storefront or doused their lantern for the night, not the century. I am the author of a book of Cajun poetry, Porch People, that tells the stories of these same people two generations later and it is with great respect and pleasure that I add Mr. Capuder's vast information to my own.

The book takes you back in time. The author makes you think the people are still here with us today. And he makes you feel like you're living in the past. The book is very informative, interesting, beautifully detailed with pictures, and sectioned. It's our own heritage and the way they lived. It has cross references which makes it even more interesting. But most of all it leaves you hunger for more.

This book is a small treasure of riches from the past for rural southwest Louisiana. The turn of two centuries finds us viewing our ancestors as if they still worked this land and shopped these store fronts. I learned things about my own great-grandfather that our family oral history had not documented. Mr. Capuder has done a wonderful job condensing such a vast history into such elemental beginnings.

I wish I had met this book before I went to St. Kitts & Nevis for the first time. It tells you everything about them and you can count on it. Very easy to find out what to do, where to go, stay and eat. Very organized and easy to read. Many pictures in this book.

I have been traveling to Anguilla for several years but just found some new discoveries in this guidebook.

I just returned from a trip to St. Kitts and Nevis and found this book very useful, from the time I was selecting a hotel until I was on the island and looking for a place to eat. Through this guide, I learned about many out of the way spots that were overlooked by other guides. I am looking forward to using other sections of the book on a trip next year to St. Martin and Anguilla.

Unlike Dickens' tuburcular heroines, Denise, who indeed suffers what Zola called "poverty in a black silk dress," is plucky, and she ultimately breaks the glass ceiling in her own gentle way. She encounters sexual harassment and somehow triumphs. She is a modern woman, perhaps European literature's first truly modern heroine ever.

This book is one of the best ever written, bar none, and it is light years ahead of its time.

Wonderfull portrayal of the life within one of the first big department store. Great insite on the mid 19th century society in Paris. Zola's best work.

Au Bonheur des Dames is the story of an orphaned young girl Denise. She moves to Paris with her younger siblings to live with her uncle and aunt and immediately is enthralled with the lights and the beauty of the city. She begins work in the store Au Bonheur des Dames and falls in love with its propriator. The novel is a love story but also examines the perpetual battle between the old and the new ways of living. The store Au Bonheur des Dames sells a variety of products while the store of Denise's family is simply a clothing store. Zola's novel is before its time. It accurately describes a social issue of today, the bigger commercial store taking over the small, personalized store.

Without a doubt, the best travel guide I've ever used. I've been to Paris many, many times, and this guide led me to places I'd never even heard of. Particular strengths are in the areas of Clubs/Bars & Nightlife, Live Music & offbeat museums (who knew there was a Musee de l'Erotisme?) This book is a great choice for the fun-loving urban traveler. I'd highly recommend purchasing this in conjunction with "Time Out Paris", which is exceptionally good for restaurant recommendations.

Bon voyage!

I have an absolute infatuation with Paris. I travel there about once a year and now own over 40 travel guides on Paradise, err, I mean Paris. This book is my absolute favorite. Sure, the images and layout on the pages are totally hip, but more important so is the information. Anyone who's read a few travel books on Paris knows about FNAC music shop and Virgin Megastore, but through this book, I also learned about Boulinier, Crocodisc, Chez Sanchez, Monster Melodies, La Silence de la Rue, and Parallèles, which all specialize in a focused area of music. I discovered some incredible boutiques that I've never seen listed elsewhere. A few sights are mainstream (how can one visit Paris without seeing the Eiffel Tower or Arc de Triomphe?) but what makes this book unique is the listing of sights, restaurants, and shops that are totally cool that I haven't seen elsewhere. And if you want up-to-the-minute changes to the text, one simply travels no farther than their website. The book also has a "bite" -- raw, honest opinions. One problem with my book, however. I have read it and carried it around so often that my copy is getting quite tattered. For anyone with a true sense of adventure or who wants to explore some unique French spots where you won't encounter dozens of other tourists, this is your book.

I've read every kind of guidebook, from Let's Go in the 1980's to Lonely Planet in the 90's and this refreshing addition to the multitude is just the answer for the young (and not so young) adventurous traveller. The graphic design is fun and reveals a smart editor - hire a good graphic designer. The writing is witty and irreverant at times - perfect for those who seek a good experience without the hype. The maps are inadequate - but who travels with one guidebook these days anyway? That's what tourist maps are for.

I particularily liked the photographs, certainly not your average "Gee, here we are in front of the Eifel Tower" standard fare. They capture everything you dream Paris would be: classy, cutting edge and just plain gorgeous. The writing gets to the point quickly with all the necessary facts, yet does allow for some subjectivity that I found refreshing both before our trip and during our stay.

Buy this book if you're a repeat visitor to Paris and looking for another experience beyond the three day quickie when you have barely enough time to see the big league sites. The nightlife and eating sections are worth the price alone. Sure, we carried our Michelin Green Guide because we're architects and enjoy knowing the details, but for a cover to cover guidebook, this is the best yet.

From the very beginning of Jeanne Feldman's Best Buys and Bargains in Paris you realize that she is acutely aware of the cultural differences at play in France. Her advice is sure to make your shopping experience the pleasure it is meant to be and should appeal to everyone, from tourists eager to do a little shopping in Paris, to long-time expats who will certainly find some old and new favorites.

I am not a shopper. My best friend put my feeling about shopping into words once, saying, "I regard time spent shopping as time that I am dead." Even so, I found the guide highly entertaining, very funny, and enlightening about cultural differences and similarities. I can see that it could be an invaluable guide for demon shoppers as well as phobic shoppers like me. I also like that it is so unapologetically idiosyncratic. Jeanne Feldman's personality comes through in the narrative -- very practical about getting a good deal and very astute in making observations about American and French ethos in the Agora.

This is a fun and useful book that has fed my many fantasies of traveling to Paris. When Jeanne Feldman writes of shopping for clothing in the "Fourteenth Arrondissement," you want to be there and see just what exactly the "Fourteenth Arrondissement" has to offer! Did you know that you can get a tax refund if you spend x number of dollars in a Parisian store? Feldman explains how this works, and much, much more.

Paris is normally thought of as an expensive place to live -- and of course it can be -- but the author shows you how to circumnavigate this popularly conception of Paris. It may make an expatriate of you, as it apparently has of her.

The book is divided into convenient chapters, so that whether you are eyeballing food, clothing, perfumes, supermarkets, wine, flea markets or more, she will send you to the right places once you read the right chapters. Because her prose is to the point, you won't be bogged down with unnecessary details. The book will fit conveniently into your day-pack or handbag.

A satisfied consumer, Larry Fike )

In Betrayal in Paris, Adrienne Winters returns to the place of her childhood, Paris, to find the truth behind her tainted family name. In her quest for answers to the CIA's betrayal of both her father and beloved brother, she finds not only the truth, but also herself. Betrayal links real events of today's headlines with a fictional story of the Winters family to draw readers into a suspense filled novel that is impossible to put down. I highly recommend this tale of deception, lies, and the need for truth with an underlying message of the Christian faith and it's importance for ones' life here on earth

The author opens and sifts the hearts of her characters, gripped by compromise and access to sensitive top secrets, through choices, motivations, and stubborn wills. Straight out of today's news of deadly intrigue games, the phantom tentacles of betrayal, and redemption. Competent, smooth storytelling.

In Betrayal in Paris, Adrienne Winters returns to Paris to find the truth behind her tainted family name. She finds not only the truth, but also herself. I highly recommend this story of deception and lies with an underlying message of the Christian faith and it's importance for ones life here on earth.

I never knew how grand the bakeries of Paris where until I read Boulangerie! I wish we had a similar tradition in my home town. I love bread and soup above all other foods! Some day, when I visit Paris, I'll search the city with a copy of this pocket guide in my hand.
I also enjoyed the pictures of the boulangeries of Paris on the authors Web site: Dorseybooks.com

Let's face it, whether you are visiting Paris for the first or the fifth time, there never seems to be enough time to squeeze everything in. Everyone should take at least one evening or one afternoon for a 3-star dinner or lunch; but, when you are busily going from sight to sight, who has that kind of time? This book is perfect for letting you find bakeries with a wonderful range of foods you can carry away with you. I found that the descriptions of each bakery carried their specialities and any unusual items they carried. The first time you find a conveniently located establishment when you are trying to get from point A to point B, you will know what a treasure it is. The size makes it very convenient to take with you as well.

This book is a jewel. It made our first Paris trip that much more special by introducing us to some exceptionally fine bakeries. This pocket-sized book not only gives you a listing of the fine Boulangeries (organized by arrondisements, includes the address & phone number, closest metro or bus stop, when they are open, and what's special about each) but tells you where to go (nearby picnic spots) and eat the bread and goodies that you buy at these Boulangeries -- this is what truly made the book special. We tried "Robineau" in the 7th and "Gerard Beufort" in the 5th as listed in this book and we were not disappointed. Both had wonderful baked goods, the former within a short walk to the Champ de Mars and Eiffel, and the latter, a 3-minute walk away from Arenes de Lutece, the ancient Roman amphitheater which is a perfect picnic spot. You could use this book to plan your breakfasts and picnic lunches as a nice balance to the Bistro-dining in Paris.

Christian Dior: The Early Years provides the inside story at the House of Dior, from its introduction of the 'New Look' to 1957, upon Dior's sudden death. When Christian Dior presented his first collection, the young designer presented clothing which featured narrow waists and beautiful evening dresses: a new look for the fashion world of the mid1940s. He drew each dress himself and his designs would change the fashion world of his times. The oversized presentation of this volume allows for fullpage displays of his works accompanying a biography of his life and achievements.

Born in a small village in Normandy, Christian Dior did not hesitate to disobey a parental injunction to undertake a "serious occupation." He knew what he wanted and fled to Paris where he became a designer at Robert Piguet.

The City of Lights was gray in 1946; there had been the war, German occupation, and rationing. But, luck was with Dior. He met the country's richest and most powerful industrialist, Marcel Boussac, who offered to back the young designer. Space became available at 28-30 Avenue Montaigne, an address well known to fashion aficionados today.

In 1947 Dior introduced his first collection, and the world was ready for his innovative return to the feminine figure with narrow waists, long skirts, and an attractive bustline. The rest, as they say, is history.

All interested in the world of fashion will delight in this detailed history of the workings of Dior's fashion house, and the remarkable people who worked for him in developing a boutique and perfume which would enjoy worldwide acclaim. Also included are stories of his famous clients, such as Marlene Dietrich, Lauren Bacall, Rita Hayworth, Ingrid Bergman, and the Duchess of Windsor.

Enriched with some 100 illustrations this keepsake volume concludes with "Monsieur Dior's Fashion Vocabulary" and a timeline noting events after Dior's death in 1957 to the present day.

- Gail Cooke

Christian Dior: The Early Years 1947-1957 by Esmeralda de Rethy (daughter of Princess Liliane of Belgium who was one of Christian Dior's very first clients) and fashion historian Jean-Louis Perreau is an incredible, superbly illustrated and informative coffee table book providing a vivid fashion record perfectly capturing the founding of an empire of style in the post-World War II decade. Full-page photographs, some color, some black and white, many nearly half a century old, adorn the pages along with Dior's original sketches and commentary. The text traces the travails, efforts, and world-class achievements in clothing, style, and love of life in this high society treasury. Christian Dior is very highly recommended reading for students of 20th Century fashion history in general, and the influential contributions of Christian Dior in particular.

When we are asked of jazz vocal pioneers, the names Ethel, Billie, Ella, and Dinah roll off our tongues without contemplation. However, Iain Cameron Williams, in his book Underneath a Harlem Moon, introduced me to a diva who had been omitted from the history books. This diva is Adelaide Hall.

Born on "the rough side of Brooklyn" and raised in Harlem, Adelaide Hall became one of the most famous black Broadway and cabaret stars, rivaling the legacies of Florence Mills, Ethel Waters, and the like. Williams traces her journey from an ordinary gal from New York to a famed singer, dancer, and actress, the world over.

Williams, a friend of the late Hall, has definitely done his homework. I could tell that he had sat with Adelaide many a time while she related her stories to him in great detail. While I understand that Williams was trying to set a backdrop for Adelaide's story, I felt as though too much time was spent on the histories of her surroundings and her contemporaries, such as Al Capone, Josephine Baker, and even the Duke himself.

I feel like the proverbial wool has been lifted from my eyes about where female jazz vocalists really began. I took the time to research Adelaide further, and even got a chance to listen to some of her recordings. I can now see clearly, after having read Underneath a Harlem Moon, getting to know Adelaide, and hearing her crooning voice, the profound effect she had on divas past and present.

Reviewed by CandaceK
The RAWSISTAZ Reviewers

With a glittering International career that brought her into contact with such icons as Rudolph Valentino, George Gershwin, Maurice Chevalier and Al Capone, not to mention all her renowned fellow black musicians and colleagues from the Harlem Renaissance, one wonders why the name Adelaide Hall is still relatively unknown or charted in our history books.
Her talent was pure ... untarnished by the ravages of [chemicals] and alcohol. She claimed that she was born to sing and entertain, and with an astonishing career that spanned eight decades how prophetic were those words.
To say I thoroughly enjoyed reading this book would be an understatement. The book has been written in such an appealing way that at times I actually felt as if I were part of the story as a member of the audience, so realistic were some of the events and dramas that occur within its pages.
I wholly recommend this book and can truthfully say that it's the best biography I have read this year.
5 stars for the writer.

I can only applaud the writer for the depth of research he obviously engaged upon in order to put forward Adelaide Hall's story and subsequently, I think this book is an important one.
During the 20s and 30s Hall stood alongside giants in the entertainment world yet today, for some unfathomable reason, she is almost forgotten.
Whilst reading Underneath a Harlem Moon I had an uncanny feeling of discovering hidden treasure that has lain buried for centuries. Thankfully, the writer's intent to inform rather than lecture makes for an engaging and rewarding read. I certainly had no knowledge of the fact that it was Adelaide Hall who helped create the whole genre of jazz singing and, remarkably, that Ella, Billie and all the other jazz diva's that are nailed inside our history books, only followed in Hall's steps.
Williams accounts vivid stories of the glory, persecution, pain and happiness Hall encountered in order to achieve her goals and in the process brings the subject's forceful personality, talent and human nature to light. Hall's focused ambition, drive and tenacity, along with the extraordinary eventful circumstances of her life will drive anyone's interest. Her painful contact with racism, the wrath of her impresario and mentor Lew Leslie, the continual envy she experienced from her colleagues and many of her so called friends, along with the tiresome neglect she endured from her philandering and money grabbing husband all led to an isolation Hall appears to have suffered from continuously throughout her life. Her only escape was to tread the boards, for it was here she felt at home and could bask in the real warmth, love and affection she received from her audience. The stage became her drug and, from the volume of work Hall performed, one feels it was an addiction she had no intention of ever giving up.
Energetic reading with thought provoking facts and the most fascinating account of the Harlem Renaissance that I have ever come across. Williams has done a great job of packing this book with valid information without making it overly wordy which makes for an easy read that fairly flies by.
I hope I'm correct in saying that Adelaide Hall's prospects could very easy change with the publication of this book.