Paris

The twenty-two year old Hemingway is newly married to his first wife Hadley and has been advised by his American literary mentor, Sherwood Anderson, to go live and work among the writers and artist of Paris' Left Bank expatriate pack.

Reynolds present Hemingway's Paris years in detailed chronological order. He occasionally goes into greater detail than is appropriate for good story telling but the book reads for the most part like a novel. Hemingway takes a trip to Italy to visit his WWI haunts in Milan and the riverbank where he was wounded. Hemingway's early work as a reporter for the Toronto Star takes him to some of the major political events of the 1920's. He interviews Mussolini mere months before he seizes power in Italy and attends a 1922 Genoa conference that is eerily similar to the 2001 Genoa conference. He takes exciting bullfighting trips to Spain wherein the development of Hemingway aficion for bullfighting is well described. The details of Hemingway's climb up the literary pecking order are made clear. He is being referred to as the best young American novelist by friendly critics years before he has published a novel.

The painstaking process by which Hemingway fashioned his early, classic short stories is described in you-are-there detail. The pugnacious Hemingway picks fights with perceived rivals, both with fisticuffs and with his writing. The long and difficult negotiation by which his first publisher, Boni and Liveright publish his first widely available book, "In Our Time," is well described. It seems that "In Our Time" was published almost more as a favor to Sherwood Anderson and Hemingway's other literary fans than on it's own commercial merit. Hemingway's dissatisfaction with Boni and Liveright's efforts for him is described as well as Fitzgerald's efforts to bring Hemingway to Scribner's. Hemingway writes the short satiric novella "The Torrents of Spring" to force Boni and Liveright to break their contract with him and then gives his first real novel, "The Sun Also Rises, " to Scribner's.

The book ends with Hemingway on his way home to Paris from New York in winter 1926. He has successfully broken his contract with his first publisher and signed a new contract with Scribner's.

I sometimes feel sorry for the biographers of great men. In this case, the subject, Hemingway, lived his larger-than-life life to the fullest, grabbing all the gusto, having his adventures and love affairs while the poor biographer is trapped in his academic cocoon, poring over old papers, scribbling in notebooks, devoting his own life to writing about someone else's life. Such is the lonely world of biographers. Those thought aside, "Hemingway, The Paris Years" is a one fifth of monumental achievement by Reynolds and a must read for any fan of the great man.

Austin natives EleanorS. Morris, Paris Permenter, and John Bigley wisely present the city in six geographic zones. And they cover everything from Austin basics (weather, homes, people, etc) and day trips to recreation areas and where to shop/eat/stay.

Whether they are writing about "BookPeople" (one of the largest bookstores in the U.S.) or the 'Dillo Express (one of the city's laudable forms of public transportation), the authors speak with warmth and home-town credibility.

I was especially pleased with their accessment of Austin's accommodations. Yes, they duly point out the grandeur of the historic Driskill Hotel. But they also note the convenience and affortability of the La Quinta at the Capitol, which not only has a gracious new manager, but renovated "Gold Metal Rooms," which have new decor, 25-inch TVs, and speaker phones!

The book's maps are clear and helpful, with inset-captions for easy referral; and the b&w photos--while a tad too small--are often bright and sharp.

An added treat of "City Smart Austin" are the valuable coupons in the back of the book. Don't miss them!

I had some reservations before I bought this because the maps were not in color. However, the maps were clear and concise. Rather than clutter up 1 map with icons for restaurants, attractions, etc., the maps were repeated in each section of the guide, and contained only the relevant data for that section; this made using them very easy. I'd also say that the authors of the book were very generous with the number and variety of maps.

Overall, the design of the book made reading and finding information easy. Good use of bold type made flipping through and finding stuff easy too.

In the end, I got the Austin job and will be moving there soon. As a future Austin resident, I think this will still be the only guide I need.

The illustrated projects make it so easy to get the results I want. I am very happy with my purchase and feel like I know the insiders' secrets.

If you are a first-time visitor to Paris you may feel more comfortable having a good, conventional guide book along as well, but if you don't need the basics (such as how to buy a metro ticket etc) AND you have children along with you, I reckon you'll want to have this book above all others.

Herbert spends a good bit of time looking at the clothing of individuals portrayed in paintings to ruminate about their social standing. His keen eye for gesture picks up a lot. Looking at an outdoor cafe scene by Manet, he notices that the young man at the table with a woman is actually kneeling next to her, not seated there. From this he infers that the man is trying to pick up the jeune fille. The rather prudish look on her face seems to confirm that this is what's happening.

The copious illustrations are wonderful. Many are of paintings which are infrequently reproduced in art books. There are also a lot of works by Gustave Caillebotte whose compositions are so fascinating. The writing is lively. I think this is a terrific book for a lover of Impressionism and/or a lover of Paris. It's a wonderful fusion of images and prose. I'm just so glad to find it available at such a reasonable price.

All but one of these 3 walks are on the right bank, which is otherwise somewhat impressionist-deprived since the good paintings moved from l'Orangerie to Musee d'Orsay. Combine Walk 1 with a visit to Orsay one day, then combine Walk 2 with an excursion to Giverny on another day.

Work the cafes into the rest of your visit to Paris. If you're into art and food, this book is a great companion to "The Historic Restaurants of Paris" by the same author.

Don't expect to find all of the locations intact, and there's the ever-present reality of construction and scaffolding. I hardly recognized the Pont de l'Europe from Caillebotte's painting, and Cafe de la Paix is closed for renovation (9/2002).

I'd love to meet this author sometime. She did this book like I would have (if I knew nearly as much as she). Each tour has a good map, and about 14-18 pages (each) of descriptions and pictures. Walking directions are in bold.

The book has nice color plates of selected paintings, matched loosely with period photos of Paris taken from old postcards, some with their 'timbres' quaintly intact. Lengthy captions add colorful trivia. She even finishes off the book with a tastefully written list of Paris cemeteries where the impressionists are buried.

Bon Voyage!