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I bought this while on vacation in San Francisco and read the entire thing on the plane back to New England. A great variety of short stories, essays, and poetry, this collection brings together a lot of powerful pieces of writing. Tattoos are examined from many different perspectives, ranging from a tool of intimidation and punishment to something beautiful and otherworldly. Parts made my skin prickle and my hair stand on end, bracing for the touch of the needle. I'd been thinking about getting a new one. Reading this solidified that decision.

My favorites: Murguia's "A Toda Maquina" & Orlowsky's "Tattoo Thoughts"

Cheryl Dumesnil was one of my professors in college. I have not read this book yet, but based on her abilities as a teacher, I am totally looking forward to reading it.

Addonizio's and Dumesnil's anthology on writings on tattoos is a great collection of work. You can't go wrong with the writings inside.

There is some great (and at times surprising) fiction inside, which includes: an excerpt from Ray Bradbury's The Illustrated Man, Kafka's "In the Penal Colony," Sylvia Plath's story "The Fifteen Dollar Eagle," and Flannery O'Connor's "Parker's Back." O'Connor is always a joy to read, and this story is an especially good one. There's even a piece from Herman Melville (selected from Typee). Steve Vender has a most interesting piece on meeting one of the gang members he is to defend--this is a fascinating piece. And there are also vignettes scattered throughout where people discuss their tattoos, as well as other pieces of fiction.

And there's poetry by Thom Gunn, Kim Addonizio, Bob Hicok, Mark Doty, Cheryl Dumesnil, J.D. McClatchy, Tony Hoagland, Brenda Hillman, Laura A. Goldstein, Garnett Kilberg Cohen, Michael Waters, Joseph Millar, Katharine Whitcomb, Eliot Wilson, Bruce Bond, Virginia Chase Sutton, Lissette Mendez, Dzvinia Orlowsky, and Denise Duhamel.

Not only does it look impressive, it reads very, very well. I'm not surprised that Addonizio put together such a strong selection of work. I can't think of any other person who would have been more suited to this type of anthology. It's a great collection, one I'm sure everyone would enjoy reading.

This is a terrific reference on accurate rendering
of animals. If you are interesting in techniques
that help you capture the look in the eyes, realistic
fur and that something that makes the picutre come
alive this is a very helpful resource.

I was looking for a book on wild animal paiting and a friend of mine just picked this book from a shelf and said... I think this is like your taste.
After reading from cover to cover in just one night, I was impressed by the way I felt about the book. It has quite a lot of writing on it, but the kind of writing that inspires you to explore, think and feel about art and wild life art. It has hints, but not the kind of "take this for granted because it works". Instead, the book stimulates you to find out what suits you better, never creating rigid parameters.
Well, the overal feeling was that somehow Mr. Aldrich has written a journal about his toughts on art and wildlife art, and that he is kindly sharing his long way trip with the reader.
An awesome book and the one to which I come whenever I need a boost, not only for art pourposes, but also when I need a cheer up in my mood.

Loads of material on creating feathers fur and expressions.
The author covers the practical little details you need to learn
and in several demonstration sequences he puts everything
together. You can see the work "becoming". Very helpful reading
for anyone wanting to make realistic pieces with animal
subjects. I loved the section 'dealing with the blahs' which
addresses the point at which you go stale on a piece your are
working on.

This is the most spectacular book for you if you like lots of HUGE clear photos of TONS of gothic cathedrals. There are MANY pages of history and other information about the making and restoring of the cathedrals. A MUST HAVE for any gothic-history lover.

I first discovered this book in the library and I checked it out several times because I just loved looking at it so much. The pictures are so breathtaking, it increased my resolved to go to Europe and visit all these incredible places first hand. It's a great thourough book for anyone who is new to Gothic art forms as well as a visual reference for people who are already familiar with the style.

Hard to carry around, but very easy to read!

Having borrowed this book over and over from the library, I really had a hard time parting with it when I last returned it. The photographs are splendid, a joy to look at. Since it also qualifies as a reference book, I looked it up ..... to but [buy] a copy but was certain price would be ... more than in was. Now I'm about to by my third copy --it is an amazing bargain.

When descriptive color, texture, excellent intimation and composition come together in any modern impressionist work, there should be no doubt as to whether to possess it. When an artist releases an entire book of such work, there should be no hesitation in buying it. This excellent printing should be an item in any 21st century art publication collection...you will not be disappointed.

When color, texture, intimation and composition come together in a modern painting, there should be no doubt as to whether to posses it. When there is an entire collection in one book, the is no doubt as to whether or not it should be purchased. Morris' eye for color and environment has allowed her to carve a true style all her own. Excellently done book, nice printing, good layout. A great collector's printing.

Years ago, when I attended an exhibit of artwork by outstanding women artists at a small museum in St. Louis, I was struck by a small landscape painting by Gail Morris. I only saw the painting once, but the image and the name of the artist stuck with me because in its simplicity it captured my imagination. "There, in that scene," I thought, "is a place I would like to be." Recently, I obtained a copy of Morris's "Horizon Lines." In this elegantly produced book are 50 of this insightful artist's works, all of which are breathtaking in their ability to take the viewer to another, perhaps a better, reality.

Natalie's paintings are dazzling...she seems to have caught the emotional color of her subjects, the inner dance of things...it's essential magic. In the chapter titled "How I Paint", she says: " I noticed that the blue of my paints wasn't blue enough to get the intensity of that New Mexico sky. I painted the sky red instead. I painted Jazz yellow. He was a brown dog, but yellow expressed him better. Color became fluid".

There's a chapter on her father, with 7 paintings of him, the first from '78, the last, '98...wonderful portraits, with a sadness in them, despite the vivid colors.
Another chapter, "A Deep Source of my Writing", is about how her writing and painting are interrelated.

She writes of her European travels, her visits to the Musee Matisse, Cezanne's studio, the Kafka Museum, and so much more...with an easy flow that makes reading a pleasure, but it's the paintings that captivate me.

Her interiors are incredible..ordinary places like bathrooms and kitchens, turned into playgrounds of glorious color...her buildings and outdoor scenes are also amazing (her sense of perspective is fabulous !), but I love her cars best of all. If I could own one painting, it would be the green Chevy truck on page 22. It seems to have a face, with a side window that's winking at me.

This is a very special book, so full of life and love. It makes me laugh, inspires me, gives me hope and warms my heart.

I can only echo the other rave reviews: This book is a must-own (not just a must-read) if you're an artist, a writer, or both. Even if you can't draw a stick figure, but have always wanted to be an artist, this book will set you on the path to creative expression. Don't just wish to be an artist... get this book, and start painting!

Don't lend it to a friend, guard it with your life! Ms. Goldberg's drawings are wondrous. I want to say that they remind me of David Hockney's work - but that wouldn't quite do it. Because her style is hers alone and it's magical! The accompanying text throughout gives you an understanding of her drawings - and how she's able to unleash that part of her creativity - and have FUN! I never fail to read the latest Natalie Goldberg book - her insights, her truthfulness about her struggles help me realize that we're all artists. Some of us are just a little freer and further along than the rest. Thank goodness Natalie keeps writing to show us paths that she's hewn for herself.

Mood Indigo, like the song of the same name, is smoky, sensuous, and quite beautiful.

If you love rich colors, you'll love this book.

If you're afraid strong color won't work in your spaces, one look at these rooms will change your mind.

Showcasing interiors using browns, blacks and grays, purples and reds, blues and greens 'Mood Indigo' works with all shades from the strongest, darkest of the hues to the lightest.

There are tips on how to use strong colors, discussions about rooms size, light needs, finishes, textures, a short history of paint, pigments, and color trends.

Color is used not only on walls but in accessories, on fabric, floor coverings, lampshades ... well, just about anything you can think of.

Room designs run the gamut from country to traditional to eclectic to rustic. You'll see color used in hallways and kitchens as well as the more usual bedrooms, dining rooms, and living rooms.

Inspiration abounds. Add the fact that this is a great coffee table book, if nothing else, and you'll be happy you bought it. Everything about this book is quality.

This is a beautiful interior design coffee table book. It is packed with large photos of exquisite interiors that use strong colors including blues, greens, reds, purples, browns, grays and blacks. The wonderful photos are printed on high-quality glossy paper making them appear even more vivid.

In additional to the gorgeous pictures there is also advice on color, texture and light. Color scheme basics are covered with a discussion of tone, shade, balance and the moods each color creates. There are also suggestions for sources of inspiration for each color in nature, history and various cultures.

The interiors shown are simply fantastic and filled with rich, dark colors. There are no large rooms of empty white here. I loved a relaxing bathroom with shades of plum and a cabinet decorated with multiple hues of green, blue and yellow. I also enjoyed a Japanese style bedroom with red walls, a wood chest and a huge hanging white kimono. A dark blue living room with nude outlines on the wall and an artistic cozy brown couch is another of my favorites.

I really appreciated a great list of suppliers and helpful index included in the back. This is a great book of useful ideas as well as being a wonderful display piece or gift.

This book was exactly what I've been looking for. Lots of color without being garish. If you want some ideas on home decorating, and you are weary of the tried and tired neutral schemes, but don't want to feel like you are living in a day-glo home or a Fisher Price retail outlet, I definitly recomend this book. It's also not just about paint, but also mentions flooring, trim, wallpapering, accesories and furniture.

Even though I have rated this book, I have never read it. Why? Well its for the simple fact that I can't find it anywhere. I know that it is out of print but I need it for a class and also for the fact that I want it . Iv heard so many interesting things about The dinner Party. I hope to share this not just with my classmates but with my mom and in the far, far future when I decide to have kids, I would like to share it with my little girl. so hopefuly whom ever reads my review (so to speak) it will be listened to and the people who need the book will have it as well and the people who want it.

A triumph! A long-awaited celebration of truth about all womankind! A must-have for all women. and for men who truly appreciate their worth! Every female in the world should read this book cover-to cover and rejoice. A rare and beautiful work of art--second only to The Dinner Party exhibit itself. I am going to give this book to my daughter, friends of varying ethnic backgrounds, and several lesbian friends. How often do you find a book that speaks to the entire human race about the valuable contributions of the so-called "weaker sex"? Now we must all work to get The Dinner Party exhibit traveling, as it was originally intended to do, so that we can all personally stand in awe at this altar to all Eve's daughters!

What could be more thrilling than a genius like Judy Chicago as she challenges assumptions and traditions with her own brilliant and harrowingly moving depiction of Womyn's struggles. Truly enthralling, and, as another reviewer noted, a threat to the white male agendas of patriarchy. Give this book to all your friends!

For her birthday, Katie's grandmother takes her to the museum to see the impressionist paintings. At first, Katie thinks they look like dots, but her grandmother tells her to stand further back to see the flowers and the people. Katie has a rich imagination. She steps back and not only can she see the flowers, she can smell them. She closes her eyes and she finds herself within the painting itself, interacting with Jean Monet, son of Claude Monet, who is one of the subjects in the painting.

Katie picks flowers for her grandmother and enters one painting after another, meeting different artists and interacting with the various subjects. She is chased by bees that follow her into the museum, but her overall experience is one of adventure.

Katie and her grandmother are whimsical impressionistic drawings themselves, and in the museum are photos of the actual works of Monet, Renoir and Degas.

The book also tells readers the names and dates of the paintings and in what museums they are seen today.

This is not only a great book to introduce children into art, but also a great exercise for the imagination - picturing yourself escaping into a painting and meeting new people. It is a great book for parents to read to their kids or for children to read on their own.

It's Grandma's birthday and she's taken Katie to one of her favorite places, the art museum. As Katie looks at The Luncheon by Monet, it looks so real and inviting that she thinks she can actually smell the flowers. A bouquet would be nice for Grandma and so she steps over the frame into the picture..... James Mayhew has written a wonderfully imaginative story that will introduce youngsters to the impressionists. As Katie moves from picture to picture, meeting Renoir's Girl with a Watering Can, playing with Monet's son Jean in Field of Poppies and dancing with the ballerinas in The Blue Dancers, children will explore the beauty and magic of these and other paintings. His simple, gentle text is combined with creative, detailed illustrations that transport kids, along with Katie, right into the pictures. With an afterword about the artists and their pictures to expand lessons and discussions, it won't be long before you're taking a trip to the museum!

We discovered this book at the D'Orsay Museum and our son immediately loved it. We also found that it was a wonderful tool to draw in a child such as our nephew that has learning difficulties & an attention deficit. Both children enjoyed the artwork and discussing museum etiquette. We were so impressed with this book that we purchased the other two in the series at the Lourve!

I was rather careful when rating this book to be fair and, honestly, I had tried to read it over to be sure of my opinion. This was because other reviewers have such high opinions about it.

I ponder the reasons others give such good comments about this book are because:

1) The book is thorough. It covers materials, techniques, color theory, meanings of brushstrokes (for instance, each type of brush stroke carries a certain mood), and apparently a lot of how-to's and do's-dont's.

2) The work done by the author is in photographic style. She uses vivid colors in most of her paintings. Also, a lot of details were rendered in her work; one of the reasons may be because most (if not all) of her work were done from reference photos (single or combination thereof).

From an en plein air and alla prima painter's point of view, unfortunately, I find the book a little dull with full of rules and do's and dont's. Perhaps it is just a very personal thing, but when out there painting "en plein air", a lot of "vibes" and "moods" rendered onto the paintings come from the fact of "being out there with nature", not with pre-defined rules. That is also the reason that photographic style from photos is not my favorite.

Respectfully, I consider this a good reference book on painting landscapes, especially if the readers decide to use photos for his/her work. Therefore, it is given the rating above (4-star).

I was not sure how I would like this book but found it to be excellent! Covers aspects of landscape painting that could be overlooked. I believe this book has improved my painting skills!

I had the honor of taking a workshop from Margaret Kessler in Joseph, Oregon. My eyes were opened to color as never before in my painting career. I purchased two books because I 'used' my first one until it was almost unreadable and I didn't want to be without. I teach painting and find her instructions so easy to pass to my students and easy to see when they finally 'get it'. As someone else said, if you get the book, don't loan it because you won't get it back. It is the best book to learn from, in my opinion. I only wish that she would do another book.

When using this book I found it easy to understand the preliminary sketches and follow them quite easily. The explanations about colors, how to mix them in order to get shades and contrast are superbly explained. The materials used an how to handle them are clear, and "secrets" about which amount of water to use, the techniques of wet over wet and wet on dry are perfectly understandable and easy to follow. once you tested you learned al the "how tos" you can try your own design. Yet, I'd have liked to see more step to step indications if this publication was directed to beginners. This publication is a must for amateur and self-trained watercolorists but not for fresh beginners.

It was sheer luck that I picked up this book. I had finished stenciling all my walls, all the wood in my house and was looking for a way to continue when I picked up this wonderful book. It's perfect for a beginner. I loved it and every painting lesson in it. She's clear, she goes at the reader's pace. This isn't for advanced artists or even hobbyists in watercolor of long standing, but it got me into the wonderful world of watercolor painting, a medium I had never tried. Jackson should write more books and give more advanced lessons. Great book.

The lessons are super - also gives you templates to
produce the same pictures with help features along the
way