Open


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Book reviews for "Open" sorted by average review score:

Across Open Ground
Published in Paperback by Bloomsbury USA (12 June, 2003)
Author: Heather Parkinson
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Cormac For Dummies
There is a new breed of novelists who specialize in mimicking the style of Cormac McCarthy, Charles Frazier being the most notable.
Parkinson also falls into this group of unfortunates.
"Across Open Ground" -the jacket illustration even mimics McCarthy's 'Cities Of The Plain'- is so derivative as to be laughable. Which I did, laugh, out loud several times so ridiculous is the sophomoric pseudo-prose.
This book reads like a ninth grade English assignment to read one of McCarthy's Border Trilogy books, and then do the best possible version of the story as a bad imitation. It's
like reading a parody of a parody.
The author gets so lost in bad attempts at aping McCarthy, her verbose descriptions of landscapes, sunsets and the characters cease to make sense. There is little continuity to this novel, and the author contradicts herself often in the plot and scenario.
This is bad writing. Very bad, and totally unoriginal.
If you haven't read McCarthy, please do so. Then, come back to 'Across Open Ground'.
While I laughed at parts of this book's stylistic absurdity, I was crying for the pain of reading it. The most interesting thing about this novel, is the lack of quotation marks. Sadly, another McCarthy stylistic trait, stolen and misused

much promising material but lots of problems too
The descriptions of the country, of horse and dog life, of sheep herding are often quite good, written with real authority. The book has a couple of well-realized and sinister bad guys. The first half is considerably stronger than the second half, and her male characters stronger than her female characters. The latter portions of the book become diffuse and the scenes dealing with a group of returning WWI veterans are not as strongly conceived as the earlier Idaho passages. She surely does set herself up for comparisons with McCarthy, who himself can get overwrought. Her main character is a young man on horseback coming of age. She wants to write in the high-literary style. But lots of the passages in this book are downright meaningless, amounting to less even than pure bombast, and the further one reads the more tiresome these passages become: As the highly negative reviewer writing just below me noted, there are problems with unity and focus, but there are also page-turning, tense portions of the book and several well-defined secondary characters. Some scenes are genuine, and not every one seems to come ready-made for movie adoption and screenplay "treatment" (though some do). There aren't that many good fiction writers out there, so here's hoping that she turns down the volume on her LITERARY knob and pays more attention to the basic necessites of narrative next time around. It's damn hard to write a good novel. I'll give her next book a fair chance.

auspicious beginnings
This novel is quite good. And it's fun to read, even with some limitations. My favorite books are ones that make me think about the world around me and the experiences of people in it in new ways, and this one certainly does. The settings are evocative and shape a sort of scenery of the West as the novel unfolds, almost like a film. The characters make the novel though, and have a simple wisdom that is admirable and rare. From Walter Pascoe, the young shepherder who is becoming a man, to his newly discovered love Trina Ivy, a young woman whose sense of self is quite amazing in someone her age, to the man who teaches Walter about life as he understands it; each character adds something, and each one is interesting. The characters seem like people you know, or would like to (mostly, although even the antagonists are special that way).

Of course there are some inevitable comparisons with Cormac McCarthy- both authors write about the West as it was and maybe still could be if not for the exigencies of life, their stories both involve a mythic coming-of-age for young men, and they both have a smooth rythym that makes a kind of poetry of space with each turn of the page. And while it is notoriously difficult for young writers to instinctually develop a voice that is uniquely their own, McCarthy is an author worth emulating. As far as overdoing style, McCarthy is an estimable writer, and All The Pretty Horses is one of my favorite books, but sometimes McCarthy's writing can be a bit overwrought as well.

Every now and then, Across Open Ground does seem to be striving a bit too much for the "deep" thing when just keeping it so without such a carefully rendered explanation would have been enough. For example, one rather less-realized scene involves a group of soldiers on a train, and the spiritually bereft experience of war. This is one section where the dialogue isn't spare, but it seemed to miss something about men and how they speak to each other. The care that is evident is such places though(and there aren't many), also reveals itself in the construction of the rest of the novel. The story is enveloping, the characters endearing, and the dialogue has an even flow that makes the novel move nicely as you read it. And sometimes there is a certain sentence or a paragraph that asks to be read again and again, when the writing is damn good. Overall, Across Open Ground has much to recommend it, and is an enjoyable, involving read about life in the Old West and love and war and becoming an adult in a strange world. As a debut by Heather Parkinson it is very promising, and the author's next book will have me eagerly anticipating its arrival.


Reaching Out: The Guide to Writing a Terrific Dear Birthmother Letter
Published in CD-ROM by EasternEdge Press (27 October, 2001)
Author: Nelson Handel
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A workable handbook for an appalling premise
To give the author his due, he has written a helpful how-to for parents in a nearly intolerable situation: "selling themselves" and their self-described, "near-perfect" lives while vying for the attention of a steadily dwindling pool of relinquishing mothers. Only one percent of white women who give birth each year in the United States currently surrender their children to adoption. However sincere and avid the would-be adoptive parents may be--and I don't doubt for a minute that Nelson Handel and his wife fell into this category--those elusive "healthy white newborns" form a sellers' market.

And selling, alas, is what the domestic adoption business boils down to--a business estimated to reap [money amount]per year with an annual projected growth rate of at least 10 percent.

I am neither an adoptive parent nor one who has ever been faced with an unplanned pregnancy. However, there is an adoptee in my family whose agonizing, ongoing life struggles are directly related to her status as a newborn adoptee. My interest in her pain has motivated me to do a great deal of research and thought into the fraught world of adoptions, especially the "closed" variety, and what happens after the teddy-bear-and-pastels of the sales job is over. As the adoptive family forms its bonds, the pointed absence of the child's relinquishing parents hovers, specter-like, over every aspect of the adoptee's growth and development.

Handel's jacket photo shows himself, his wife, and their adopted son all wearing dark glasses. Apart from cute-cute, that says something right there, doesn't it?

This is not a bad book for what it proposes to do--write the pitch. However, the subject itself should give any non-biological parent pause--who "merits" a baby? The highest bidder? The most seductive pitch to a woman or girl in a difficult situation that will alter her life permanently, whether she chooses to abort, parent her child, or relinquish?

Handel's conclusion is that domestic adoption is what it is, and here's how to make the best of what it is. And, unfortunately, airbrushed professional photos, 1-800 numbers, and gobs of cash help.

If you can live with that, this book is for you.

Great title, great book
The "reader from San Jose" has unfortunately never read this wonderful and sensitively written book. In the Foreword, the author clearly explains the use of the term "Dear Birthmother Letter" as the common reference term for these very important letters of introduction. He also directly acknowledges that expectant parents are not properly termed "birthparents" until after they make a placement, and speaks supportively of the expectant father's role in adoption decisions.

This is an extraordinarily helpful book, full of authoritative research, clear guidance, warm humor, and genuine sensitivity to everyone involved in the adoption triad. It was highly recommended to me by both my attorney and my adoption counselor. In the process of helping me write a letter that truly reflected my heart, it also dispelled many of the fears I had, born of misconception. To judge it without reading it does this book, and the adoption community, a grave disservice.

Insightful, Entertaining and Informative
As an adoption professional, I recommend this book to all of my clients. The author turns the daunting task of drafting an outreach letter into a manageable and enjoyable process. Written with insight, sensitivity and humor, the book guides you from initial idea to final product -- an outreach letter that speaks honestly and compellingly to potential birthmothers.


Code Reading: The Open Source Perspective
Published in Paperback by Addison-Wesley Pub Co (27 May, 2003)
Author: Diomidis Spinellis
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Cool concept, but disappointing
I purchased the book to help me out with the recurring task of quickly understanding the nature of unfamiliar large software projects. Kudos to Mr. Spinellis for tackling this subject, which is a large part of the everyday work of programming.

Unfortunately, I feel that this book was of very limited use to me as an experienced programmer, and suffers from a rather basic flaw (as a topic). The problem is that the art of code reading is really the intersection of a deep and/or broad understanding of programming, in conjunction with a deep and/or broad understanding of the tools and practices employed. One could well assert that this book is about *debugging* unfamiliar codebases as much as it is about *reading* them, since code comprehension is a component of code debugging. This is a rather apt analogy, since many have attempted to describe the black art of debugging just as Mr. Spinellis has attempted with reading, and with no definitive "must-have" coverage to date.

The result is that I felt the book rushed through important programming concepts that were either extremely basic (global variables, while loops, conditionals, blocks), or language-specific (C typedef, arrays, function pointers), or too deep for the book to address adequately (trees, stacks, queues, hashes, graphs). With regard to the latter, I found it odd to be reading a lot of text about basic data structures, when it seemed to me that I should be assumed to already have this knowledge if I wanted to read code that used it. And if I did NOT know about basic data structures, I should be reading a book about data structures rather than a book about code reading. Software patterns are also presented (though not by the name, I think). If I was to encounter a codebase that employed some programming concept I didn't understand fully (for example, red-black trees), then I would first go to a book on data structures -- not a book on code reading.

Following the sections on what I would consider mandatory prerequisite understanding are some brief chapters software engineering concepts (version control, build systems, project organization, packaging, system structures), which might be useful to a reader who had never worked on a large-scale project before.

After all of the coverage of what I would consider prerequisite knowledge, the penultimate chapter finally gets to the topic of tools and techniques for actually reading code. This chapter is in fact what I had hoped Mr. Spinellis would devote the book to. Unfortunately, most of the tools and techniques presented are very basic and quickly encountered by any programmer: regular expressions, that many editors include browsing support, the grep utility, differencing tools, that you could write your own tools, using the compiler to emit warnings and preprocessed code, that beautifiers exist, profiling and annotating printouts. And that's it, in about forty pages, followed by a chapter devoted to an example session.

On the whole, I think this book comes up short. If you have a few years of programming experience under your belt, then you've already encountered the basis tools and techniques presented. If someone resorted to this book to learn about a basic programming construct, then they could read my code, but I'd be nervous about letting them modify it, until they read more focused texts.

I'm rating this book at three stars because there are some good pieces here and the effort was laudable. In the end, though, I really don't think that anybody needs this book on their shelf.

Imparts benefits from much experience with wisdom & humor
This book is exactly what I was looking for to lead a seminar in bioinformatics at UNC Chapel Hill that brings together bio-chem-phys students with computer science students to try to raise the level of programming sophistication of the former, and raise the level of biochem/biophys sophistication of the latter. It collects examples of why and how to read code, pointing out lessons about the idioms and pitfalls that can help you write, maintain, or evolve code under your control. Full of good ideas, drawn from a lot of experience, and written with humor.

The only problem is that inexperienced programmers, who would benefit most from this book, are unlikely to pick up a book on how to read C programs unless someone tells them to. Experts will find that they have already learned most of these things from their experience, although they may still enjoy this book for confirming what they know. But I think that experts will also enjoy being able to loan this book to inexperienced programmers to transmit the wisdom distilled from experience.

Reading other people's code can teach you a lot
Those wishing to understand the various styles of programming and meta-programming that have become common in open source code, as well as those who seek to broaden (if not deepen) their understanding of software engineering, would be smart to pick this up. Not only will this book help you to understand the innards of your favorite or least favorite software, but it provides insight into why the creators made the choices they did. It's not going to teach you about computer science as well as a good textbook will, but it will give you an understanding of and appreciation for what programmers balance in their minds as they shape their complex creations. Think of it as The Story and its Writer (ISBN 0312397291) applied to software.


Managing Open Source Projects: A Wiley Tech Brief
Published in Paperback by John Wiley & Sons (20 April, 2001)
Author: Jan Sandred
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The book is valuable, but the title is misleading
In the first five chapters, the book gives valuable historical background on the development of Internet, Unixes, Web, and Internet-related tools; encouragingly uncovers the Open Source philosophy; analyzes Open Source in business terms; explains various license types and legal issues; scrutinizes different organizational types, mainly network organizations. It is of vital importance for any Open Source Project participant to understand the philosophy of the Open Source and be aware of the history of the movement.

However, the book does not reach its goal, Managing Open Source Projects. The book title is misleading. The core two chapters, Managing a Virtual Team and Managing Distributed Open Source Projects aren't practical and not very deep.

The final chapters are a quick glance on tools and technologies for building Open Source Projects.

The information given in this book is not enough to start and manage an Open Source project. This book however may be helpful for anyone wanting to contribute to an existing Open Source project.

Practical stuff on Open Source
This is a most valuable book on Open Source. There is very little serious information around for those who want to use this model in practice. This one fills the gap. There are evidently several kinds of projects that can benefit, both technically and business wise, from using Open Source as a development model. Read this book before you start! It will help.

It really is a masterpiece
I am very glad for having bought the book, it is extremely interesting. Chapter 1 is more than a historical introduction, is the best written chronicle of 25 years that changed the world making everyone's life so different. It really is a masterpiece.


Open Secrets : Stories
Published in Hardcover by Knopf (06 September, 1994)
Author: Alice Munro
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If you want a story spoon fed to you, go see a movie!
If you want to know exactly what's going on, if you want to get all the nuances the first time around, if you want to be fed a simple little story, go see a movie. Don't read this book.

If, however, you enjoy reading, if you like puzzling over plots and taking notes, if you like realistic characters with realistic problems, if you like words and sentences, if you like books...read "Open Secrets."

Munro is "great literature." I suspect that in a few hundred years, Hemingway stories will have withered away under scrutiny and our past century will belong to names like Tobias Wolff, Grace Paley, and Alice Munro. She really is that good. And I think it points to something problematic about the quality of primary education Americans receive that a college student would find Munro's stories too complicated for an undergraduate literature class.

And while I'm ranting...

What is it with disparaging a book - comparing it to a talk-show - because it's written by a woman, with women characters doing womanly things? If a book is about women, does that disqualify it from being great lit? Does there have to be a war complete with trenches before it wins accolades? I also shy away from the term, "women's literature." Why categorize it so? Some people create a new category of literature to put their women into, so that they don't have to defend them from the pinheads who mindlessly laud the "classics" tooth and nail. Forget it! Viriginia Woolf, Toni Morrison, and Alice Monro are great authors and compete against any male writer...

Anyway...

"Open Secrets" is an amazing book. Right off the top, she hits us with "Carried Away," where a small-town librarian falls in love with an unseen correspondent, only to have him die in a factory accident before she ever meets him. Of course, that's where the story really starts. Plagued by longing, the librarian marries another man. Years later, she runs into her deceased lover who introduces himself to her for the first time...or is it really him?

It's a complex story, peopled with multi-dimensional characters. Love is at the heart of the story, and "Carried Away" manages to both disparage and glorify the strength of that peculiar emotion.

I'd go on, but suffice to say, the stories in "Open Secrets" are engaging, complex, interesting, and great.

I've read this at least three times.
It astounds me that some people find Munro's prose boring; hypnotic is the word I'd use. These stories aren't talk shows or soap operas or "Oprah stories" with heartwarming messages at the end. What they're about, in my view, is the strange and slippery role that time and memory play in our lives, and in that sense they join the tradition of Proust and Wordsworth. Munro is fascinated by experiences of disorientation or dislocation in which one no longer knows quite who one is, and by our stubborn attempts to make those moments fit into the narratives of our lives. But she also knows that those are the experiences that allow us to change, to get somewhere: the moments when we risk all because we have nothing to lose. Her small towns are about as folksy and harmless as Twin Peaks, because gaps keep opening in the dull fabric of their inhabitants' existence. Read beneath the surface, don't be fooled by the prosy, matter-of-fact tone, and you'll find that these are some weird and compelling stories indeed.

Found treasure
I don't recognize Munro's work in the reviews (editorial and customer) I've read here. Are these stories about women? Are they heavy and soporific? Not in my view. For the most part, I see loving, humorous looks at a piece of geography and its inhabitants, stories which are beautifully written, tightly woven, relaxed, and full of delicious discoveries about people and places. Lots of short stories end with a bang and then they are... over. Not Munro's. Hers never glib, never lazy. They are daring, warming, readable and re-rereadable.


A Million Open Doors
Published in Hardcover by Tor Books (October, 1992)
Author: John Barnes
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Giraut Leones lives in Nou Occitan, a place where young people spend most of their time gossiping, writing poetry, and fighting duels over various insults. Eventually we find that Nou Occitan is just one of humanity's "Thousand Cultures," an artificial colony set up on a terraformed world to bring art, chivalry, and other old-fashioned values to life. Some years ago the springer, a device enabling teleportation travel, was opened, resulting in friction between the traditional dilettantes and Interstellars, youngsters who adopt new ways of life.

Giraut's old friend Aimeric is called back to his home colony of Caledony to aid in the economic recession and cultural explosion that will surely follow the opening of the springer there. When Giraut is betrayed by his entendedora (part mistress, part girlfriend), he seizes the opportunity to go along as an ambassador. A Million Open Doors becomes a coming-of-age tale as Giraut adapts to a culture radically different from his own. Caledony society is colorless, repressed, money-driven; it emphasizes religion and hard work. Bewildered by the discouragement of art or pleasure, Giraut opens a college to teach Occitanian culture to interested Caledonians. The threatened religious and political leaders, of course, look on this as an oddity, if not an outright seed of revolution. During the cultural and political upheavals on Caledony, Giraut and friends learn about life, love, diplomacy, and cross-cultural friendship.

The premise--human colonies flung across the universe evolving on hundreds of different planets now being transformed by instantaneous space travel--has been explored before. But John Barnes's sense of humor and world-building skills make it great fun. --Bonnie Bouman

Average review score:

What's All the Hubbubb, Bub?
Even though the book is a fair read, good for a rainy weekend, or putting one to sleep of a night, I don't find it the award winning fair that so many critics' opinions say it is.

If you like a bunch of dandies waltzing about, drinking and wenching, then having the hero throwing himself into an altogether stange, socialistic society in the aftermath of a romantic betayal, this is your book; but I found it lacked enough action to keep the storyline moving, and to hold this reader's attention.

I am waiting to read "Earth Made of Glass", in hope that it is more attention keeping than "A Million Open Doors".

A Million Open Doors
I'd recommend to anyone who feels like reading older-feeling hard sci-fi novel that is still modern enough for one to not be embarassed by the author referring to events of the late 20th century that obviously never happened. One review on the actual book cover calls Barnes "one of Heinlein's spiritual descendents" and that review is very accurate. I also saw another review here on Amazon.com that called this a "cultural sci-fi novel." All true. Barnes does something very rare among modern sci-fi writers (that I have seen, I must admit I haven't had time to read a lot recently)...he makes a story based on cultures interesting and truly engrossing.

When I was reading the book I couldn't decide when it was written. It feels like a 50's era sci-fi novel because so much importance is placed on the culture. But then there would be a reference to a technological idea that was obvious very current (such as "growing" buildings using nanomachines). I guess the true beauty of this novel is the refreshing way that technology--while believable and realistic enough--is not the centerpiece, instead it supports and compliments the plot. Very refreshing to read a novel about the integration of technology and culture that doesn't spend time belaboring the internet and information technology.

Finally, a quick plug for Amazon.com. Although I did buy this book at my local Barnes & Nobles store, their Internet site was clueless on John Barnes. Glad to see that Amazon.com has a better selection so I can explore other works by this author. I can't wait to do so (apparently there is now a sequel to "A Million Open Doors").

Where is all started...
I just happened to read the book that follows this one, so for me, to read this book was to go backards in time, to see how Giraut and Margaret first met, to see his home world and her home world first hand, to see the merits and flaws of both characters and cultures and maybe gain more understanding of the universe John Barnes has designed. The book brings out the wonder and fear of contact, not between alien races, but human cultures. While the novel was published in 1992, it is very much a valid warning for today's readers. The world is much smaller than before, we can't stop that, but maybe we can limit the damage to ourselves, to our culture and to our souls.
As for the story, once again, it was a wonderful ride. Seeming to go one way, it jerks off the rails and goes another, as if the very characters and the world in which Mr. Barnes has created had a life of its own. A surprise ending, yes, but also a realistic and even sad one.


Corporate Media and the Threat to Democracy (Open Media Pamphlet Series)
Published in Paperback by Seven Stories Press (April, 1997)
Author: Robert Waterman McChesney
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If we believe that an informed populace is an integral part of a successfully active democracy, writes Robert W. McChesney, then the commercial basis of U.S. media, in which a substantial number of media outlets are owned by a handful of corporations, is definite cause for concern. When corporations control the flow of information, he suggests, they will inevitably do so in a way that promotes their own interests over those of the citizenry. From an analysis of the corporate influence over the 1934 Communications Act to a discussion of how media convergence might kill off hope of the Internet bringing about a revolution, he debunks the myth of an objective, liberal media and emphasizes the belief that issues of media ownership should be treated as matters of public policy rather than strictly business.
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good, but theres more....
this book is brief and covers some of the basics of the corporate controlled media issue. for more in-depth coverage of controlled media as related to its social implications, read the authors "rich media, poor democracy." For those with short attention spans, this book will suffice.

best intro to media reform
This is the best short introduction to the need for media reform in the United States that I have seen. For someone completely new to the topic, it will be shocking, surprising, and perhaps in places a little too brisk, but all-in-all the best place to start. For someone who has looked at the topic before, it will provide additional insights and a remarkable summary of the major issues.

A great book, if you can handle the truth.
While most media criticism looks at the personal politics of reporters and editors or other such nonsense, McChesney's terrific little book examines the news industry as an industry. Out of this analysis comes eye-opening revelations about why we get such a narrow perspective in the mainstream news, and why there is so little news reporting available that could serve to upset the corporate status quo.

McChesney is not a conspiracy theorist. This book is loaded with solid data and analysis that shows how our news providers are owned and organized and allowed to operate. And it is written in plain, clear language that anyone can understand.

The book might be hard to accept for people who think they already have it all figured out, but for everyone else it goes a long way toward explaining how our news and politics can remain so static when virtually everyone is unhappy with what they are getting from both.

Get it, read it, and lend it out to everyone you know.


The Umbrella of U.S. Power: The Universal Declaration of Human Rights and the Contradictions of U.S. Policy (The Open Media Pamphlet Series, 9)
Published in Paperback by Seven Stories Press (February, 1999)
Author: Noam Chomsky
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The United States government often invokes a moral imperative to honor human rights as justification for its foreign-policy decisions. But, according to Noam Chomsky, America's actual track record falls far short of the principles iterated in 1948's Universal Declaration of Human Rights--the accepted international standard. This slim but passionate volume lists case after case in which the United States has provided aid to grossly abusive regimes--among which Chomsky includes Israel and Indonesia--and examples of how the American government seeks to limit the human rights of its own citizens. With equal criticism for Democrat and Republican administrations, The Umbrella of U.S. Power refuses to remain silent about "the things it 'wouldn't do' to mention" as it works to expose the contradictions between what government leaders tell their people and what they actually do. --Ron Hogan
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Note: Rogue States contains this essay and much more.
This is not so much a review as a note to buyers: you can obtain this exact essay by buying Chomsky's _Rogue States: The Rule of Force in World Affairs_. It's just a few dollars more than this pamphlet, yet it offers 13 *additional* essays. It doesn't fit quite as neatly into your back pocket, and it's a tad less digestable, but I think it's well worth the extra 2-3 dollars. That said, you can't go wrong with Chomsky--he's one of the greatest intellectuals and humanists of our time.

He knows too much!
Chomsky's writing is always something that will make an uproar. Good book for non-nationalists, not so good for close-minded people.

Big Money Buys Poverty and Kills, Citizens Being Looted


This is one of Noam Chomsky's most interesting pamphlets (actually a quarter-size booklet of 78 pages). It has a special relevance and importance to citizens in the aftermath of 9-11 because he directly links our corporate criminality ("Justice Department estimates the cost of corporate crime as 7 to 25 times as high as street crime") to our national policies against human rights (poverty pays, for the corporate class that strives to liquidate Third World nations in their predatory roving of the planet).

He pointedly identifies the U.S. arms industry as being among the worst violators, but even more importantly, points out that U.S. policies favoring our arms dealers are opposed by 96% of the U.S. population. While that number might be high, I believe there is no question but that Washington is being instructed by corporations rather than its citizens on this vital point of policy. It is time for citizens to take the power back.

Chomsky notes that in 1996 the World Health Organization characterized extreme poverty as the world's most ruthless killer and the greatest cause of suffering on earth. This ties in with the United Nations finding that human suffering is now a legitimate basis for intervention, and with George Soro's observation in The Washington Post of 24 February 2002, that "We can't be successful in fighting terrorism, unless we fight that other axis of evil--poverty, disease and ignorance."

This little gem of a book also includes well-footnoted observations about how nations seek to carry out trade negotiations in secrecy, in part because they are agreeing to overlook if not actively participate in the looting of poor countries as a condition for prosperous trade among the already developed nations.

The book begins and ends with thoughts from Chomsky on the intellectual discipline he founded, the relationship between linguistics, ethics, and action. He begins with pointed observations on how the most horrible crimes are allowed to go without comment because of *self* censorship, and ends by noting that our citizens do not need to be forbidden to speak of these monstrous deeds that our corporations and government are secretly agreeing to perpetuate, because we have chosen to remain ignorant and silent.

U.S. policy today is *not* founded on moral values, and it is *not* representative of the will of the people in so far as it is carried out in secret collaboration with major corporations and in opposition to the minimal mandatory needs of developing nations for water, food, disease, and economic security.

This is not about political ideology--Ralph Nader, the ultimate spoiler, has one thing right: the parties are irrelevant, this is now about the people versus the corporations. Absent a huge popular turn-out *prior* to each election, to make it clear to candidates that they will be held accountable by the people for keeping all trade and other negotiations in the public domain, and for voting on issues mindful of the will of the people rather than their corporate Enron-like paymasters, then we are the ones ultimately responsible for U.S. policy's misdirection.


The Do It Yourself Lobotomy: Open Your Mind to Greater Creative Thinking
Published in Hardcover by John Wiley & Sons (08 March, 2002)
Author: Tom Monahan
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Done with books on creative thinking
This is the fourth or fifth book on creative thinking I've read that tries to mimic the classic "Thinkertoys" in some fashion or other. Through buying and reading books of this type and learning nothing new.

Want to push your creative thinking? Book is a must read.
Advice.....use a "highlighter" when reading this book.
There are some key ideas on pushing creative thinking that have changed the way I approach my work. I guess we all get in thinking ruts and become more and more predicable each year in our creative solutions. This book made me realize I really haven't been pushing myself creatively. This book gave me new energy and new approaches in looking for creative solutions.
A must for your library!

Demystifies creativity, and a fun read
Brining big ideas to my job is now easier than ever.  In an entertaining manner this book helps to codify a process that is almost impossible to contain and explain.  The author first breaks down the creative "process" then gives the reader easy to learn, simple to use thinking tools to help jump start the imagination when you need to. I've used many of the suggestions and methods and they have helped me go beyond the same old ideas in my category.  My supervisor is amazed at my new found resource.  The chapters about brainstorming, selling and managing for more creativity could have been books of their own.  I've seen nothing like it in other books on creative thinking.  I'm not sure why this book has been bashed by a few readers.  Maybe advertising types believe they already know this. I've been on the business side of health care for 17 years and this is a very refreshing, effective way to think.


The open church : how to bring back the exciting life of the first century church
Published in Unknown Binding by SeedSowers (1992)
Author: James H. Rutz
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To much hype, not enough documentation
Rutz makes a passionate argument for "open worship" as a means of restoring biblical worship and to return the church to what it is suppose to be, a dynamic, worshipping and growing entity. He traces the current woes of the church back to the legalization of Christianity under the Roman Emperor Constantine. It was then, he reasons, that Christians became spectators as buildings were built and a professional clergy system arose. It is Rutz's premise that until the church restores open worship, the world will never be won to Christ nor will Christians experience dynamic passionate worship.

As I read the book, I realized that Rutz hit the nail right on the head concerning jammed church schedules, boring worship serves and joyless Christianity. He rightly obverses that if biblical worship and fellowship do not happen during Sunday morning services, they will not happen at all. The greatest strength of this book was the appendix. It was there that he left his irreverent humor behind and made his most effective case for open worship to affect world evangelism.

Although his insights into worship and the church are good, his human and lack of documentation interfered with the book's effectiveness; he makes fantastic claims and precious little evidence. For instance, he claims that pre-Constantine Christian art worked used the feeding of the 5000 to depict the Lord's Supper and that only after Constantine did it show Jesus with the twelve. What are his sources? How valid is the evidence? Although this book did give me insight into the perils of open worship and some commonsense methods of how to handle them; nevertheless, I found the book of little value.

How it should be
This is a pretty good book that describes the way the church should be. Where Sunday morning services involve everybody, not just the professionals. This book is written in an easy-going style, that makes it enjoyable, and sometimes just plain funny to read.

The only draw back about the book is that sometimes the author rants about a lot of historical things that don't really add to the book. Also, it would be nice to hear examples of "open church" services where you had people that were out-of-line. Sometimes this book is just a way bit too positive.

Too bad this book is out-of-print at the time of this review, but I recommend it just the same.

Great Book - Wake up church!
This book is full of practical insights. Spirit Filled Home Ministries is a network of independent home churches providing training, credentials and materials to home church leaders. These are free services. We have recently launched a free online college. Our views on small groups are similar to the author's.

go.home4church.org


Related Subjects: On-a-clean-up
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