On-the-tape

I found my way to this book after I had read "The Banyan Tree" by Christopher Nolan. This was a book that I read and reviewed back in February, and ever since I have been mystified why the book never seemed to gain the wide acceptance of readers. All of the reviews that have been posted by readers for "The Banyan Tree" have been 5 star reviews, and the same is the case for "Under The Eye Of The Clock".

If you read you understand how difficult it is to write anything, much less a full book, and then have it selected for and win a prestigious award. In the case of the book I review now it was the 1987 Whitbred Award that was awarded to Mr. Nolan. All very impressive, but that's just the start.

This is an autobiography written by a very young man who next wrote the book "The Banyan Tree" and would take 12 years to do so. This is a painfully candid, but uplifting book about a man with the support of a wonderful Family overcomes extreme realities that are his life to become an Author of international renown.

Mr. Nolan cannot speak, he can barely move at all. He types with what he calls his "Unicorn Stick" that he wears on his head, and even then his head must be supported while he works.

An Autobiography is a courageous work if honestly presented. When you add Mr. Nolan's additional challenges he faces as a writer, and as a person living with his physical issues it becomes an extraordinary autobiographical book.

I hope more readers find Mr. Nolan, he is a unique writer of immense talent, and if you pass by his work you deprive yourself of great literature.

Christopher Nolan's "Under The Eye Of The Clock" is an autobiographical account of his incredibly awe-inspiring and miraculous life. Born a cripple, he could have been consigned to the rubbish heap but instead and against all odds became a celebrated writer of this Whitbread Book winner, "The Banyan Tree" as well as an early book of poems. Without taking anything away from Joseph Meehan (a self portrait of Nolan), he couldn't have overcome his debilitating handicaps to scale the heights he did without the steady support and tender loving care of his family. A father, mother and sister who are such warm and emotionally intelligent human beings anybody would be blessed and proud to have them as family. The school principals, teachers and fellow students who accepted him, nurtured him and gave him the chance to prove himself equal to the best among physically whole human specimens are themselves shining examples of humanity who deserve as much recognition in Nolan's lifestory. Although it has been compared with James Joyce's "Portrait of an Artist as a Young Man", it is in reality nothing like it. Whereas Joyce's work is for the most part depressing and full of pain and harshness, Nolan's story is so morally uplifting you almost forget its grave subject matter. Nolan's dazzling and inventive writing style is also unique and something to relish. He coins and mints new words which have a yet found a conventional meaning but are so emotionally accurate you know they're right. Read this if you're feeling down and need something to restore your faith in mankind !

Under the Eye of the Clock is the autobiography of Christopher Nolan, the talented young poet with cerebral palsy. He can't walk or talk or write in the usual manner. Since Nolan lacks the use of his hands, this book like Dam-Burst of Dreams, the book of poems that preceded it, was written by means of a typing stick affixed to his head. The book succeeds both as pure artistry and as a window into the world of the disabled. Nolan has re-named himself Joseph Meehan and told his story entirely in the objectivity of the third person. This brilliant stroke allows him to avoid excessive self-pity while making his sufferings and triumphs real and deep. Nolan's use of language had earned him comparisons with James Joyce, Yeats, and Dylan Thomas. Nolan stretches the meanings and implications of words, rearranges their spelling, and even invents new ones to communicate his moods and perceptions and illuminate life, his own and those he observes, with his unique poet's sensibility.

Patrick O'Brian is more than a writer. He's a publishing phenomenon via his superb Aubrey-Maturin series.
But TESTIMONIES was his first novel, originally published in 1952. It tells of an English professor of Welsh origins, Joseph Pugh, who abandons teaching at Oxford and moves to a cottage in Wales. There he explores the primal mountain back country and tries to understand the farming culture of his ancestral land. A lonely, middle-aged bachelor, Pugh can hardly keep house, even to basics--cooking, cleaning, maintaining his clothes. He has never known intimacy, let alone close friendship, but he falls fatally in love with the wife of his sheep-farmer neighbor Emyr Vaughan, a violent man . . . He pines for months, keeping his love sickness to himself, but when he becomes gravely ill he is taken into the Vaughan house, where he and Bronwen discover each others' feelings, with tender reserve. The denouement is poignant, inevitable, yet O'Brian handles this difficult material deftly, without over-writing. For a beginning writer in his 20s this is masterful work at the pinnacle of writing.
An acute recorder of time and place, human behavior and motivation, action and reaction, O'Brian uses words persuasively, passionately, a craftsman to the core. He captures country, culture and character with Hardy's lyrical affection, idiosyncratic ethnicity, thoughtfully observed. His meticulous work is reminiscent of the great American writers Faulkner, Steinbeck and Capote, or O'Brian's fellow Brits John Fowles and William Golding.
Back in 1952 O'Brian anticipated with TESTIMONIES the struggle for relationships, understanding and love in an era--the last half of the 20th century--in which men and women judge and choose first from ethnic or cultural biases or appearances or political/social correctness and only later, maybe, start to understand each other and become acquainted. Or is xenophobia genetic, eternal?
Fast forward to Norton's republishing of TESTIMONIES in 1983. We see that beyond Aubrey-Maturin, O'Brian had the chops in 1952, though few knew and it took many years for many of us to find him. Doris Lessing in the '90s offered two books under assumed names to test the market for unknowns. Result: rejection (she couldn't even get the books read!). So how many others like O'Brian flower unknown, unappreciated? What is their 'testimony?'
Napoleon allegedly remarked that ability is useless without opportunity. O'Brian won his opportunity, finally, and made the most of it. We are the beneficiaries and TESTIMONIES is the proof--res ipsa loquitur.
This book is one of those few that is unforgettable and will remain in the mind and heart for the rest of the reader's life.

Having been so affected by this book, it is so pleasing to see the unanimity of readers. I finished the book last evening and have been engrossed all of today without waning; it just won't go away. What a mavelous love story where passion is never enjoined except in the spirit. What a painful tragedy that leaves one stunned and wishing himself dead. What a range of humanity. What a blessing on us all that there are writers of the power and imagination of Patrick O'Brian.

I cannot describe how much I think of this book, even 4 years after reading it. How many books have that effect?! For me, it was one of the most vivid renderings of passion, loneliness, the relationship between men and women, and most importantly, the parallel of our emotional state to the land we occupy. The country of Wales was just as powerful as the relationship between the characters in the novel. What more can you ask for? Find a quiet spot and read this book!

I gave "This Calders Sky" five stars, because I believe it is one of the best books I have read in a long time. I am not much of one for reading, but when I started reading this book, I was finished by the next day. I could not put it down. From the beginning of the book it gets you hooked. I have always said that if I am unable to really get into a book by the first three or four pages, then I will probably not stick with it.
This book is a love story, but more. It is based in Montana, and two seperate families. The Calder family, and the O'Rourke family. Maggie, is a young, innocent, and inexperienced in some ways, young lady. Chase, on the other hand, is not much older, but you get the feeling that he is more experienced in the ways of the world. In the town they live, the Chase family is the name everyone knows.
Maggie and Chase, in certain ways, are two totally opposite people. They both are set in their own ways, but they are madly in love with each other. Of course, they have times when you would think that it is the end of their life together, but it always turns out for the best.
Maggie is experiencing love, hate, trust, and intimacy, and she must decide whether to stay with the man she really loves, or leave and never turn back. There are family issues that are standing in their way of happiness. Chase is attempting to take it slow, as Maggie is experiencing love and being intimate. As the love grows between them, you can feel the passion growing as well. Just as you think nothing can come between Maggie and Chase, problems between the families develop, and it causes pain and hate to develop. Chase really loves Maggie, but it seems as though they are fighting their emotions for one another. Maggie and Chase eventually end up in the same house together, but the way they act towards each other, you would think it was a battlefield. Chase and Maggie eventually give in to their emotions. Chase, Maggie, and their son finally bond as a family should. They face the world together as a family. Maggie and Chase were meant to be together, and after all of the heartache and pain they went through, their love ended up being strong enough to pull them through.
I can honestly say that I would recommend this book to anyone. There are continuing books beyond this one, but I have not had a chance to read them yet. If they are anything like this one, I know I will like them.

Is this the final book? I dunno but i'd be great to read more about this legacy of a family. I wish my family went back 5 generations like that. Gotta buy the whole lot.

I read this book in 2 days, didn't want to put it down. I plan to read all 5 books in this series. The story is captivating, yet believable. I liked the strength of the characters, and the beauty of the land. The Calder family is one deserving respect not for their wealth but for their willingness to fight for what is their own. Looking forward to continuing with the story.

The melancholy atmosphere that pervaded the close of The Fugitive is carried over into this final part of Proust's huge work. Whereas, in the preceding part, Marcel laments the loss of Albertine and his changed relationship with his long time friend, Saint Loup, the author's concerns are now much greater. France is in the midst of World War I, Paris experiencing night time air raids; and the distinction between the Guermantes' Way and Swann's Way has become even more blurred as both Gilberte, the daughter of a courtesan, and Mme. Verdurin, the insufferable salon hostess, have become members of the mystic Guermantes family. Furthermore, Saint Loup is killed in action and Marcel's hometown is occupied by the Germans. But in spite of the gravity of the events surrounding him, Marcel becomes even more self-absorbed. He still holds onto his drean of becoming a writer, but this desire begins to wane as he becomes convinced that he has neither the temperament, the knowledge nor the fortitude to follow a literary career. Then the pivotal event of the whole novel takes place: he is invited to a matinee at the new home of the Prince de Guermantes.

While waiting in an anteroom for admission to the Guermantes' reception, the author is beset by a series of sensory experiences that bring back several happy memories from his past. These recollections, both powerful and joyous, convince him that he has the ability to undertake a literary career, to be able to communicate those ecstatic moments from the past to readers of the present day. His melancholy lifted, he enters the reception to discover that his recent epiphany is only bolstered by what he finds. All around him are the decaying remnants of a fast fading aristocracy. Many of the characters that have been introduced to the reader throughout the course of the novel are met again, but now in the final years of their lives: the proud Charlus, now an obsequious old man; the Duc de Guermantes, described as a "magnificent ruin"; Gilberte, now confused with her aging mother; even Marcel becomes aware that he, too, is quickly getting old. But now seeing things with an artist's eye, Marcel becomes aware that each of these characters, as well as all those people remembered from his life, are "like giants plunged into the years, [touching] the distant epochs through which they have lived, between which so many days have come to range themeselves - in Time." Marcel's goal is clear. He will spend the rest of his life carefully bringing these giants back to life. In other words, he is ready to embark on the huge task of writing the book that the reader has just finished reading.

This part of the novel was published five years after the author's death and suffers from a lack of editing. There are many ellipses, contradictions, and time and place juxtapostion mistakes, errors that Proust would surely have tidied up if he had lived to see his work published in full. But these are paltry criticisms wthen compared to the brilliance of the total work. Unfortunately, Proust is little read these days, and many of those who attempt to read the novel are motivated by the challenge of a literary marathon more than from an awareness of the intrinsic value of the work (as I was). But regardless of the motivation, the effort (and it is an effort) is totally rewarding as the reader sees in Proust's world reflections of his own. It took me a part of seven years to read the complete novel, a period of time in which Proust's search for lost time and my own reminiscences often became linked together as the author's characters shared my own thoughts regarding things past, the specious present, and the eventual fate that awaits us all.

Kilmartin's A Guide to Proust, which is included in this volume is well worth the price of the book by itself. The guide consists of four distinct inexes to Proust's novel: characters, historical persons, places and themes. The scholarship that went into compliling these indexes is outstanding and makes it possible for the reader to spend several years (if he so wishes) in working his way through the novel without losing track of the hundreds of characters and personages included therein. One reviewer remarked, "buy this volume first"; I would only modify this advice by suggesting that the prospective reader get this volume when he purchases Swann's Way.

In this final life's work of Proust on the theme of the passage of Time it's clear that the author is riper, near to death and concerned about the lasting impact of his writing. "Eternal duration is promised no more to men's works than to men." Yet there is so much beauty and substance and lyricism in his 4,300 pages clearly his volumes are, both individually and collectively, a masterwork for the ages. The novel seems more like an autobiography in which the names of persons and places have been changed to protect the innocent (and the gulity). Because of his theme, Marcel constantly returns to the events of his life to gain some semblance of understanding of them. In this volume he is concerned with the effect of the world war upon Paris. The familiar characters of Gilberte and Bloch happily emerge again to center stage and, as always, Charlus and Morel. Because of his failing health and self-exile from society, he must have known that he had little Time to tie up all the loose ends and that another volume would not be in the offing after this one. Indeed, he never lived to see this volume in print. By virtue of his failing health the pressing nature of his last years lend a poignancy to the themes of this volume so that it stands out among the other works when Time was full of budding possibilities and had not ultimately become a dreaded adversary. In this volume Proust picks up the leitmotifs that thread their way through this remarkable tapestry in his walks down various ways and he brings them all to a meaningful end. The story lines are surprisingly simple and easy to follow and there is so much enduring value in his masterfully articulated "impressions." I decided to commit Time a few months ago to read all of Proust's work --it was Time well spent. I can't encourage you enough to make a similar investment. The work is truly a Timeless masterpiece from one of the real geniuses of his day and through it Proust has justly earned his immortality, his worthy prominence among the best literary minds of all Time.

The lists of characters, and of persons and places referred to, at the end are useful even if you are planning to read A La Recherche from page one, so I'd recommend buying this volume first. I am lost in admiration of the immense task of the translators but some comments are in order. They had the problem of translating slang and mispronunciations and the translations of these are often based on British usage of the 1920's. Scott Moncrieff dealt with some of them by leaving them in French. He had a style that was slightly archaic, even for his time (see his translation of the Satyricon of Petronius Arbiter, where he left the dirty bits in Latin). Some of the translations are in British English, with expressions such as "lift boy" and "bowler-hatted" that might need translation of the translation, although I suspect that the sort of people reading Proust and reading a review like this are anglophile as well as francophile.

This was my first Strange Matter book that i read. It was awesome especially when Karen was talking to the 8 ball and the jester scared the (...) out of me. Strange Matter books emit emotions and have that wierd feeling that you want to read more.
Ive been looking for years for Engle And Barnes. These are better than Goosedumps.

I'm with everybody else. This is the best series of "scary" books ever. It's way better than Goosebumps.

This book is one of the best books I've ever read and so are all the other StrangeMatter books. I am suprised that they aren't as popular as Goosebumps and I think that Strange Matters might be better than Goosebumps. Everyone who likes horror books should read this and every other Strange Matter book if they like Horror books. Overal Strange Matters and Engles & Barnes rule!!!!! and they should make more books and put their website back up.

Joseph Conrad was a master of language. In a brief but classic book, you will experience the incredible power of a typhoon while on a steamer as if you were there. Especially real is the scene in the chart room after the initial damage. It is very dark, and Captain MacWhirr lights matches to see his surroundings. Conrad's concise descriptions make you feel even the flame of the match as it burns down. If only this book were longer! I would have loved to know more about Captain MacWhirr's adventures. I HIGHLY recommend this book, as well as Conrad's "Heart of Darkness."

Well, my review title isn't very interesting but I suppose what I am trying to get at is that this story is a sort of metaphysical pornography, and squeezes in a great part of the thoughts Conrad was interested in conveying. Curtcow wrote that the audio tape is prone toward placing one in "dreamland" and this is true, and probably not at all good for the conveyance of a violent story. However, the accents give something to the personalities that I am sure I would have missed had I read this first, especially given the fact that I am an american and the story is 100 years old, written in english, and more importantly,of course, there is the sailors'slang. My own internal linguistic set-up would have had Mac Whirr speaking as I might speak, and that wouldn't have been good. Following this, I guess all americans reading Conrad might want to listen to some of his tales. It is also nice to hear Conrad's smooth sentences, which for the most part remain incredibly unaffected, given his use of metaphor and analogy and simile and the possible fact that he is using metaphor, analogy, and simile all at once. (Either that or I simply can't tell when a particular image described is one of the three.)

I don't agree with the idea that Conrad wrote this with the idea that his readers might ponder how they would react. To me it is more like a Quentin Tarentino thing - entertainment before anything. After all, this story, when compared to the very difficult, time-consuming, and at times simply burdensome Nostromo, is quite simple. (Not in any way to deny the extreme fear the story inspires) I guess at times I would have liked to hear more arguing between the sailors, but, come to think of it, the confusion of the typhoon necessarily renders that impossible.

Still, the cover to cover classics edition was quite expensive, and unlike other audio tapes I have (Middlemarch or the Odyssey especially)I doubt one year down the road I will want to listen, as opposed to read, this novella.

Taking maximum advantage from his long years at sea, and from his innate insight into the human soul, Conrad tells an outright and direct story about a huge typhoon in the midst of the Yellow Sea. But the book is not so much about the storm in itself, but about the human character and how it reacts to disaster.

Captain MacWhirr is famous for being an efficient, calm, dull and silent man, someone you would trust but not like. He seems to be rather unbrilliant, though, never understanding why people talk so much. The other characters are also interesting, especially Jukes, the "young Turk", vivid and dynamic; Solomon the head engineer, another wise man from the sea, and the disgusting and repugnant "second officer", the type of coward you don't want to be with in this kind of drama.

Human character, then, is revealed by limit-situations much more than at any other time, as war literature fans know, and this tale will leave you wondering how YOU would react if you had to make decisions in the midst of a horrible, and wonderfully depicted, typhoon.

Until The End is the second and final instalment of Harold Coyle's Civil War series. As with the first in the series - Look Away - the novel chronicles the lives of the Bannon brothers as they continue to fight on opposite sides of the conflict. Although Until The End is the second instalment of a series it can be read as a stand-alone novel. However, I would encourage you to initially read Look Away.

As with Look Away, Until The End is a splendid read if you're interested in the battles of the Civil War. This novel takes us to the end of the war and includes amongst others, battles scenes from the Wilderness, Spotsylvania, a particularly realistic account of The Bloody Angle, Jubal Early's aborted raid on Washington, the mud of the trenches at Petersburg and the surrender of Lee at Appomattox Court House. Although there are chapter notes at the end of the book I certainly benefited from a little previous knowledge of these battles. If you're able to get a copy you would find it useful to have The Conservation Fund's 'The Civil War Battlefield Guide' as a reference source

I feel that the author has fine-tuned his skills in writing about this subject matter, as a result Until The End is the better of the two novels. It still has the realism of the War but has lost some of the need to over elaborate on the nature of social relationships that was to be found within Look Away. I enjoyed the focus on the Bannon's personal lives in the shape of Harriet Shields and Mary Beth McPherson and found that Coyle had developed this element of the plot in a more believable manner than the previous novel.

Until The End, as with Look Away, can not be described as high literature, it does not have any hidden agendas and it does not try to convert the reader to any particular Civil War bias. It is, however, fast paced, realistic, gritty and enjoyable. If these are qualities that you enjoy in your Civil War fiction then whether read on it's own or as a conclusion to the story of the Bannon brothers I do recommend this book to you.

Look Away and Until the End were my first 2 Civil War novels. I was not dissappointed. The battles are described in vivid detail. Coyle makes the 1860's come alive with wonderful plot AND character development. The only bad thing that could possibly be said about this book is that it is not "to be continued".

Much better than first novel MUCH, MUCH better. In my review for the first book I noticed I'd accidently reviewed the audio book. I didn't mean to... Benn M. Limburg, NL