On-the-tape

I believe this book is very good and accurate. I did not like the way the series kept you hanging at the very end, until I found out about the Zion Legacy Series which takes up right where this book leaves off.

I read this series when I was in the seventh or eight grade. I found this to be a REALLY good series. It has a little bit of everything to make it a truely captivating book. It has historical facts in it, along with some of the Jewish language, romance, and lots of adventure! While I was reading this series, my father and I would sit around and discuss the books at night. I definatly recommend this book if you want something really good to read!

I absolutely loved this series. However, I feel that the ending was incomplete. You are left guessing at what happens to the characters. Were Ellie, Moshe, and Rachel reunited? Did Rachel see Yacov and Grandfather again? Do David and Ellie go back to the States? I think that Bodie Thoene needs to write another to wrap all this up! Please write to me, I want to know if others feel the same!

I've had this book for several months now and remains to be an excellent source to remind me of who I really am. When I am struggling with negative emotions, I turn to this book and reread the essays. It has never failed to make me feel better. By reading this book, it helps me connect to my spirit which in turn uplifts me. Susan Taylor has some wonderful insights and every time I reread any of the essays, I gain something new. I have recommended her books to so many friends and they love her.

This book CHANGED MY LIFE. I came across this book at a very difficult time in my life. There is such compassion in her words, that can only come from one who has been in the "valley". She takes you through a spiritual guide, a reevaluation of life, and help you to truly value the lessons in the adversities that we face in life. This book is POWERFUL AND SPIRITUALLY UPLIFTING. A revelation!

This book is so uplifting! I bought it a year ago and I highlighted paragraphs throughout the book, so when I need a little inspiration, I just pull out my book and thumb through. I've read this book twice in it's entirety and dozens of times I've read the highlighted parts. I wish Susan would write more.

In Life Matters: Creating a Dynamic Balance of Work, Family, Time, and Money, Rebecca and Roger have linked the resources of time and money. The connections are so self-evident that I am surprised it hasn't been done before. In the case of both resources, we can have a consumption or an investment paradigm. The first leads to being overextended and having no margin in our lives, the latter to freedom. Life Matters is full of practical advice on how to break the downward consumption spiral.

Two years ago I attended a seminar where Roger Merrill spoke on some of the ideas in this book. After that day, I began to shift my thinking. For years I had wanted to live on the Upper West Side in New York City. The question I had been asking myself was, "Would I rather live on the Upper West Side or in a 'boring' neighborhood in Queens"? Well, the Upper West Side won hands down. My husband resisted, saying the higher expenses would be a trap and would virtually chain us to our high-paying, high-pressure jobs. Still, I liked the fancy neighborhood. (Life Matters points out how most spouses have different views on money matters). After listening to Roger I began to ask the question differently. "Would I rather have an apartment on the Upper West Side or freedom"?

By staying in our non-flashy neighborhood, we have been able to make some terrific changes in our lives. My husband quit his job to study cooking and music. I have reduced my time on the road and am now writing a book. If the price of freedom is giving up a little flash, I'm persuaded. Maybe Life Matters will persuade you too.

For readers committed to lifelong learning, this book is a must. The seven components or chapters, encourage readers to question and to challenge their traditional understanding of these so-called "matters" in order to design a sense of overall well being and purpose. Money can often be traced to the origin of discord in people's lives - The Merrill's chapter on Money Matters is about the best I have seen.

Congratulations to the authors! They had written an excellent, practical, and realistic book on Life Balancing.Probably the best book on life leadership since 7 Habits and First Things First (actually even better than "F£ÔF", since the writing style and selection of ancedotes and examples are even more mature and veteran).

Congratulations to the readers! We have a chance to read an excellent book on personal/family development, well presented in the 7 Habits/Covey's tradition, but in a less wordy, theoretical, and jargons-filled way.

Both authors are very sincere, writing and sharing usefulideas
from their hearts. They talked about Money Matrix, See Do Get Model, and many useful skillsets for balancing.

They didn't just repeat old ideas from First Things First. Instead, they injected a lot of new ideas and useful wisdoms about life into the book. Very unlike Stephen R. Covey, who is very idle in using new materials and new ideas in his so called new books. He is just so repetitive and wordy sometimes that readers can be turned off by his lack of inventiveness in terms of both form and substance in his new books.

Of course, Life Matters also has its weaknesses . It deals with Work, Family, Time, Money, and Wisdom Literature on Life Balancing. But it didn't mention the word, Health in the book even once, or didn't even mention the importance of Spirituality, by which both are essential elements in human life.

Since health is wealth, there will be no Work, Family, Time, Money, Wisdom, or Spirituality, when people fail to prioritize Health in their life.

In an overall sense, this is a great book that I cannot put down. If more personal development books can be written with Life Matter's type of quality, the readers will benefit-- the society will ultimately be benefited.

My sincere thanks and salute to the authors! This book will be a Mega best-seller, just like 7 Habits or First Things First...
Just wait and see!

This book can standalone as a good spy story, as can the others in this trilogy, but the storyline attains excellence when read in series - Berlin Game, Mexico Set, and London Match. The tension ebbs and flows throughout the trilogy, but it isn't until the climax of London Match that we see the full scope. I honestly think this is the best book of the three, but maybe that's just because all the threads finally come together. Highly recommended!

It's one of those hall-of-mirrors British spy stories in which the puzzle is to figure out who is working for whom, and who is double-crossing whom.
I was rereading my Len Deightons, partly to see how much impact they still have post-cold war, and I picked this one up out of order. After the first few pages I remembered that this was third in the Bernard Samson series, set in the 1970's and 80's, but it has close affinities to the Harry Palmer series of the 60's, especially Funeral in Berlin. (This has a 1985 publication date). If you're completely new to Len Deighton I'd start with those, and of course you should read Berlin Game and Mexico Set before this.
Some people think Deighton deteriorated in the later spy books. They contain fewer wisecracks and less descriptive scene- setting. In compensation there's a lot of subtle humor in the portrayal of the Dilbert-like atmosphere of office politics, and the plots are more sharply focussed and draw naturally to a climax. The earlier books tend to jump from episode to episode with a tidying up of plot in the last chapter.

I would have to agree with many of the other reviewers in stating that this is one of the better Bernard Samson books. It is a good follow up and great end to this series. He pulled off a book that has a good deal of suspense through out. There is also a lot of human drama outside of the spy vs. spy game. If you are into espionage books this is a great set to send time with.

Bedtime reading was so much more intelligent a few decades ago! Mary Stewart's heroines inevitably speak second or third languages, quote the classics, and behave gracefully in social situations (no Bridget Jones idiocy for these ladies). This book, Stewart's first, is one of my favorites, due to a couple of sharply written car chases where the heroine thoroughly trounces her assailant. Charity Selbourne fits the 1950s female stereotype in a lot of ways: a former French teacher at an all-girls school, she was married to an RAF pilot killed in the War, is now a comfortably-off widow, and is by her own admission used to "dictatorial" men. But she also drives like a bat out of hell, and with a combination of logic and intuition she pieces together the plot's central mystery, which had previously eluded the male leads. Stewart has a gift for creating smart, sympathetic female characters who are suprisingly effective within the strictures of their era. No one can beat Stewart in the atmosphere department, either; here, she draws an evocative, moody backdrop for the tightly knit plot, moving her characters through the Roman ruins and medieval villages of Southern France. This book is a welcome antidote to much of popular fiction today, and a great introduction to an author who should not be forgotten.

Nobody does it better. Nobody ever will. Even in this, Stewart's first novel, her prose is so compelling that you overlook some of the new-author awkwardness. Some scenes go on too long, and her fascination with cars/driving/car chases (a staple in each of her books) can get a bit tiresome. But you only notice that on your third or fourth reread. It's a shame that romance novels aren't permitted to be intelligent nowadays; authors are expected to write at a junior-high school comprehension level. No such rules in Stewart's day, and that's why she'll never be bested.

As I have always wondered why the BBC has not produced any of Ms. Stewart's wonderful novels as mini-series for public television, I cannot help but imagine how media rich such a production would be. Case in point, Ms. Stewart's first work of suspense fiction: "Madam Will You Talk?" Her heroine, Charity Shelbourne is instantly likeable--a WW2 war widow who lovingly carries a framed photo of Johnny, her fallen RAF pilot in her suitcase,gladly expends time from her own holiday to entertain a lonely 14-year-old boy and honestly is confident enough about her own looks to admit when another woman is breathtakingly beautiful. True to her name and her noble instincts, Charity plunges unwittingly yet rather intelligently into a post war intrigue involving the estranged boy, his agressively tenacious father and the boy's lovely yet frightened stepmother using all the wit and willpower that made the British so heroically stoic through WW2. The characters play against the lush backdrop of the walled hilltop villages of Avignon and Nimes and eventually the cosmopolitan splendour/squallor of Marseilles which we see, smell and hear from the passenger side of Charity's car in a chase sequence more harrowingly memorable than that in the film "The French Connection". Ms . Stewart delivers not only a nicely summed up tale of greed and murder, but neatly fills Charity's emotional void and our own as she allows Charity to utilize Johnny's devil-may-care driving tips, rebel savvy and masculine assuredity through each twist of the plot on her way to finding her way in the world without him while opening her heart to someone else. She is a woman all women want to be: vulnerable yet indispensible. The essential ingredients are all there for a most wonderful episodic film about a wily 20th century woman--get those cameras rolling! Highly recommended, especially in the unabridged audio format.

Aside from the first Travis McGee story, this (the 11th in the series) may be the best. Here Travis and his buddy Meyer are driving on a remote road through the south Florida Everglades returning from a friend's duaghter's wedding, when trouble erupts. A girl runs across the desolate road, causing McGee to swerve and rollover into the swamp, and before McGee has gathered his wits he and Meyer are being shot at, and ultimately locked up and charged with murder.

The local sheriff, a "by the book" lawman with a history of deep personal loss, lets McGee out of prison while he investigates the case, confining McGee to the local county. Before we know it, McGee is bedding down a lonely but optimistic waitress, uncovering secrets about this sleepy little Everglades town including a call girl ring.

McGee is confident and clever, but there is a sense of vulnerability about him that is refreshing for a mystery series since you sense that he realizes the trouble he is in, as the bodies start piling up. I also thought some of the minor characters in the book, including the waitress Betsy Kapp and the evil Lilo, were very skillfully drawn. Without giving away any of the story, let me just say there were a handful of great twists and turns in the plot, with MacDonald building the suspense nicely. This is not War and Peace, but I give it 5 stars as one of the better mystery novels I have read in awhile.

I'm constantly amazed at the hold that MacDonald asserts over me as a reader, certainly with this character. The beginnings always seem to jump right off, even when they also seem to ramble, like in this one (McGee talking of late night rides, fishing, his old Rolls Royce truck) or the McGee novel that starts with McGee and Meyer fishing by the bridge. There's hook there, yes--a bit of action occurs within the first three pages that sits the novel rolling--but it isn't the immediate hook of the short story or the long rambling set ups of most novels (I'm thinking of the info dumps that start most SF/F/H novels).

The hook isn't the only thing going for MacDonald, though. The sentences and chapters seem to flow, to beg to be read. Since I was reading this novel on breaks, at lunch, and other different odd times, I tended to read only a chapter or two at a time. Rarely did I end a chapter when I didn't find myself unconsciously moving on the beginning of the next. Part of this is due to the standard technique of cliff-hanging chapters, which MacDonald has down well. But MacDonald's cliff-hangers aren't just situations, it seems to me, but the words themselves. I need to examine the chapter endings to see if I can identify what he is doing. Since I'm reading the McGee novels in chronological order, I'll try to do it with the next.

Take a night drive on a lonely highway in the everglades, and your life turns upside down when you swerve to miss a girl running across the road. This leads to attempts on your life, and then suspicion by the local law. Is somebody in the sherriff department working for the wrong side of the law? Travis must find out as he sorts his way through a cast of mysterious women in this highly entertaining tale. Our hero is stuck in Cypress County, by order of the sherriff. Somebody in the department almost beats the life out of Meyer, putting Travis into early revenge mode, and motivating him to get involved in a mystery where nobody requested his services. In the end, I was pleased and stunned by several facets of the solved mystery, and Travis weaves his way through many harrowing experiences to stay alive. This is clearly one of the best 3 McGee books (along with Amber and Green).

I prefer Lucia in the country, though it is fun to see her get her comeuppance so regularly. Using her best social-climbing instincts and refusing to be embarrassed, Lucia sets out to conquer London and mingle with the beau monde. Soon a secret group of "Luciaphiles" springs up; the social climbers who make up its rank never tire of watching her get into and out of all kinds of trouble.

Since the other reviews here relate to the printed version of the E.F. Benson book, I thought I'd chime in with a review that is specific to this CD version read by Geraldine McEwan.

McEwan starred as Lucia in the delightful "Mapp and Lucia" series in the mid-1980s. It's out on DVD now and I highly recommend you snatch it up immediately before it goes out of print. It's one of the very best British comedies ever.

In the series, McEwan establishes what I consider to be the definitive version of Lucia. She is so delightful that as soon as I found out her readings of two of the Lucia books had also been recorded, I bought them -- although I had never purchased books on tape/CD before.

Suffice it so say, I was not disappointed. McEwan is a wonderful reader who brings out all the wit of the books, and I can't stress enough how marvelous it is to hear her once again using her "Lucia voice."

This has my highest recommendation.

Continuing the extraordinary adventures of Lucia, Benson's delightful story is full of the gossip and social-climbing one comes to expect of Lucia. Peppino, Lucia's husband, inherits a fortune and a house in London after the death of his aunt. Lucia has been the queen of all of Riseholme for ages, with her court including her best friend Georgie, an eternal bachelor who embroiders. When she ascends to London, Riseholme is bereft and feeling slighted, but soon they plot their revenge. Unfortunately for them, Lucia conquers London's high society and overcomes all obstacles in her path to greatness. But can Lucia keep up the pace of London society? And does she plan to desert her beloved Riseholme forever? The Lucia series, beginning with "Queen Lucia", is a delicious concoction of maliciousness and snobbery that will convert any reader.

Ever wanted to actually HEAR the voice of the author of "The Lord of the Rings" books reading some of his own wanderfull work? Well, whith this collection, you CAN!!! Yes, it's true, Tolkien reading his own writing!!! Among the many treasures contained in this fabulous four disk collection is a sample of Tolkien reading the two lines of writing on the ring, "one ring to rule them all..." No, he doesn't read it in the black speech, but I'd like to think that he DID record that. there's a pretty good sprinkling of Elvish here too: both spoken and sung. You will just love the first item in this collection. Here, Tolkien reads the passage about Golumb from "the Hobbit". It should be noted that He reads at a fairly fast rate so you may have to listen somewhat more closely than you might otherwise. This one will just keep you coming back again and again and again!!!!! You'll NEVER tire of it.

To a Tolkien fan since childhood, hearing the author himself reading his material was a somewhat emotional experience. Ideally, the recordings would be a complete reading of the whole LoTR trilogy or more, but even with the clips and bits available they are very much worth the buck.

To me, these recordings have confirmed that I have read the books "in tune" with Tolkien himself, and I feel that to a certain point they confirm that the movie pictures have captured Tolkien rather well, too.

It's too bad that Tolkien didn't get a change to read the whole of "Lord of the Rings" and "The Hobbit". But, it's wonderful that these recordings survived for us to hear them since they were not professionally made and most were done before "Lord of the Rings" was even published, let alone popular. Also, also my thanks to who ever decided to put all these on CD. My LPs of these recordings are worn out.

Melody Beattie writes a very compelling and heartfelt account of a painful journey through heartbreak. "The Lessons of Love" will touch your soul and your heart. Beautifully written.
The author takes us through her grieving process, her fight with wanting to live and her struggle learning to live again after a trajedy that completely knocks her off her feet.
This book contains tested truths on how to live and why we should live with gusto even after trajedy obstructs our view. Melody honestly and compelling shares with us her trials in darkness, her anger, her tears and her heartbreak. She also shares with us her learning, her hopefulness and her vision of magic.
This book is for those who look beneath the surface of life for those intricate nuances that make us all tick. I highly recommend this book to those of you who are searching and who long to discover some of life's mysteries. Though this book is deep, Melody writes in a very easy to read fashion. You will not get bogged down in big words and you will not need to read between the lines. Even though Melody's story is very sad in parts, this book is refreshingly real and clear.

Melody Beattie is, of course, the author of the phenomenal bestseller CODEPENDENT NO MORE. Since the publication of that first book in the 1980s, many of us in the recovery movement have come to see her as something akin to a mother figure. We are therefore interested in her life, the challenges she faces, her insights, her introspections, her epiphanies, her triumphs. Melody's writing style is so warm and embracing that it often feels as though we are reading personal messages from a dear friend.

Personal messages do not usually constitute great literature. This is certainly the case with THE LESSONS OF LOVE. The story, her struggle to come to terms with the tragic death of her son Shane, is beautiful, heartfelt, and inspiring. It appeals to me in large part because I care about Melody Beattie as a person. I want to know how she coped with what must be the most painful situation any human being could find themselves in. I want to see her come through. I feel as though I have a relationship with her work. (When I was only 17, she personally replied to my letter regarding Codependents Anonymous groups. Her work has been important to me ever since.) But I definitely would not recommend THE LESSONS OF LOVE to a friend indifferent to the recovery scene. They would perhaps be put off by Melody's interweaving of her personal story with the pick-me-up tone of recovery prose. ("This book is my golden ring for you," she says to the reader in the introduction.)

So, whether you appreciate THE LESSONS OF LOVE may be gauged by how you feel about the genre that Melody Beattie has helped define. This is the closest I've ever seen her come to conventional storytelling, but it is unmistakable that it belongs in the self-help/recovery/personal empowerment section of the bookstore. If you do not find yourself drawn to that section, then you may not appreciate this book. If, however, you are like me, love this genre, view Melody Beattie as a source of comfort, then THE LESSONS OF LOVE is a highly recommended.

Andrew Parodi

After going through a difficult loss myself (though certainly not comparable to the author's), I found this book so comforting. Melody's writing style makes you feel like she is sitting across from you, telling you her story while, at the same time, intermingling a lesson that you must learn from her experience. Not only could I relate to her feelings she recounts in the book, but I felt much less lonely. This book gave me the greatest gift -- hope. Thank you so much, Melody.

This is an absorbing story that could only have been crafted by Ruth Rendell, the doyenne of the quirky murder mystery and chiller killer thrillers. Here, she takes a look into the socio-pathic mind of the amoral Victor Jenner, released back into the world after serving ten years in prison for shooting and paralyzing a young police sergeant.

He tracks down the now wheelchair bound officer, meeting both him and his beautiful, devoted girlfriend. You see, in Victor's skewed world view, it was the officer's fault that he got shot, costing Victor ten of the best years of his life. Victor just wants to set the record straight. Who would have thought that they could all be friends? Therein lies the tale.

Though I must admit I might not have made it through this book if I'd read it (I need constant action), listening to it was a real experience. It was slow at the beginning, but I quickly got swept into Victor's world, and felt his humiliation, cringed at his perceptions, and rooted for him . . . for awhile. And then I absolutely hated him. Which, I daresay (can you tell I've been listening to too many British books?), is just what the author intended. Or at least she won't mind.

I thought the book was well read and all the characters were convincing. My favorite was David Fleetwood. I felt I knew him very well, even though only one chapter was from his perspective.

Rendell has written many wonderful books, and this is one of the best. I highly recommend it.

This is absolutely one of Rendell's best. A rapist who accidentally shoots a policeman emerges from jail 10 years later to make amends. How he makes amends, and what happens because of his "remorse" is bone-chilling and remarkably suspenseful. Clue here - the motive behind the shooting has something to do with the name of a restaurant. Rendell loves to pull the rug right under you just as you thought you had sure footing.
Highly recommended. Also read Judgement in Stone, possibly her best and most brilliant!