On-the-tape

All the sound effects and music added much as well as having two members of the original cast from the movies(Mark Hamil and Anthony Daniels)was wonderful!! Anne Sachs was brillient as Leia and Perry King was magnifesent as Solo although getting used to King's voice instead of Ford's was a bit difficult.I enjoyed getting more background on Luke and Leia. Brian Daily wrote a wonderful script!! All in all this series should be re-brodcast.

When the Star Wars Radio Drama made its debut in 1981, on the NPR network, it was an instant success. Saga creator George Lucas sold the rights of the story to his alma mater for a dollar After that, a highly creative team took on the task of adapting the very visual film, for the radio medium. The end result is an enjoyable and very worthwhile, experience that makes the film come alive all over again, despite the lack of any of the film's landmark visuals

Using sound effects, the original score by composer John Williams, and with 2 key actors reprising their roles from the film, the radio drama boasts lavish production values. This is not some cheesy adaptation that they slapped together, quickly and put the name Star Wars on it, hoping for the best. Author Brian Daley's radioplay expands on the film verison by including additional "scenes" and backstory. Directed by John Madden (Shakespeare In Love), the radio drama has a top notch cast. Mark Hamill and Anthony Daniels add some additional class by recreating their film roles as Luke Skywalker and C-3PO respectively. Brock Peters as Darth Vader, makes the part his own, while Ann Sachs gives Leia the right amount of spunk. Perry King, as smuggler Han Solo, may not be Harrison Ford, but he could be Solo, and that's what counts. Bernard Beherns as Ben Kenobi and the late great character actor, Keane Curtis, as Grand Moff Tarkin, round out the main cast, with style. While I was listening to this, I got the impression that, even though it must have been a lot of work to put this production together, it seems like everyone had a good time too. Sure some of it may sound a bit off at times, because most of us know the film so well. But one must remember that no one working on the project set out to just copy the film. The Star Wars Radio Drama captures the sprit of its of source material perfectlly...and that's all it needs to do.

I highly recommend this presenation. The Star Wars Radio Drama on CD contains all 13 episodes as originally presented, spread over 7 discs, with a running time of about six and a half hours. The Empire Strikes Back and Return Of The Jedi radio drama adaptations are also available as well.

At first, the idea seems bizarre, even ridiculous. Star Wars, a movie best known for its vistas of alien worlds and epic battles, as a 13 part radio drama? No way would it work, right?

Well, unless you have the cold heart of a Sith, Star Wars did indeed translate well from the silver screen to radio, thank you very much. Yes, Star Wars' visual effects are a big part of the magic of the saga, but the heart and soul of George Lucas' galaxy far, far away are the characters and the storyline. And while the movie is satisfying on its own, the radio dramatization written by the late Brian Daley takes us beyond the movie....beyond the screenplay...and even beyond the novelization.

By expanding the movie's story beyond its two hour running time, the Radio Drama allows us to catch glimpses of Luke Skywalker's life BEFORE the movie. It tells us how Princess Leia acquired the Death Star plans....and what, exactly, happened to her during her interrogation aboard the Empire's battle station...(it is an interesting scene, but not for the squeamish, by the way). In short, by expanding the story to nearly seven hours, characters we loved on screen acquire depth only equaled by novelizations.

The Radio Drama makes extensive use of material written (and in some cases filmed) for A New Hope's silver screen version but cut for editorial or technical reasons. Also, Ben Burtt's sound effects, John Williams' score, and the acting of Mark Hamill (Luke Skywalker) and Anthony Daniels (See Threepio) give the whole project its "true" Star Wars cachet.

Volume 2 of Marcel Proust's 4000+ page masterpiece, "In Search of Lost Time", is, if it's possible, an even greater book than the first volume. I read Volume 1, "Swann's Way", with the kind of astonishment and joy generally reserved for Tolstoy and Maugham, constantly amazed at Proust's (via Moncrieff, Kilmartin, & Enright) ability to deepen sensation and memory to almost religious proportions, and when I finished I thought, "There's no way he can keep this level of beauty up for another 5 volumes." Judging from Volume 2, I was dead wrong.

Proust published "Swann's Way" in 1913, and waited 6 years to publish Volume 2, "Within a Budding Grove"; I presume that in the interim he reorganized his ideas, deciding to expand his novel and explore his themes in greater detail. This volume is much more leisurely and intricately paced than the first, as Proust masterfully tells us of the end of his relationship with Gilberte, his relocation to Balbec, and the beginning of his relationship with Albertine. The slow dying of love, the vaguely confusing experience of a new dwelling as it gradually becomes a home, watching beautiful young girls (the "budding grove" of the title) enjoying their beauty and youth as they walk down a city street...these things and more are plumbed and ruminated upon, with Proust's typically intricate and gorgeous language.

These books, if the first two are any guide, are like nothing ever attempted in the history of literature. Rather than dealing with WHAT happened, Proust settles himself in for the long haul to try and understand WHY it happened; to quote Christopher Hitchens, Proust "exposes and clarifies the springs of human motivation...with a transparency unexampled except in Shakespeare or George Eliot." But I don't think Bill nor George ever dug this deep; Marcel Proust is absolutely one of a kind, and he's not easy to read in this world of flash-images and expressways. He takes his time. Though he was dying with every labored breath (he didn't live to see the entire novel published), Proust was in no hurry to finish. His thoughts, like his sentences, have multiple branches. Follow them and you'll cherish the experience like it was your own.

Moving on to Volume 3.....

Upon finishing WITHIN A BUDDING GROVE, the reader will have been introduced to virtually all the major characters in IN SEARCH OF LOST TIME. Most importantly for later volumes, we meet and get to know Albertine, Robert de Saint-Loup, the painter Elstir, the diplomat Norpois, and Madame de Villeparasis, as well as a deepened acquaintance with such characters as Gilberte Swann, Madame Swann, and the extravagantly bizarre Baron de Charlus.

Proust's extraordinary genius is evident on every page of this amazing book. One could point to any of a few dozen moments to illustrate this. What is amazing to me about Proust is how he can take an amazingly everyday event, and build it to proportions as great as any battle scene in WAR AND PEACE. For instance, at the end of "Madame Swann at Home," the narrator recounts the times he would wait at the Arc de Triomphe to take a walk with Madame Swann and her entourage. The ensuing eight or nine pages, which merely recount the group walking through Paris, become as majestic and epic as any scene in Homer or Virgil or Tolstoy. No scene would seem to contain less potential for greatness, yet Proust is able to make it something truly unique and beautiful. Or, to take another incident, have there been many incidents in literature as filled with passion and emotion and suspense as the Narrator's first attempt to kiss Albertine? In a mere two pages, Proust is about to pack a surreal amount of dramatic (and comic) action.

Although famous for containing at least part of both of the narrator's great love affairs, I find this novel even more fascinating for the extraordinary detailing of the myriad of social and class distinctions to be found in the seemingly infinitely varied French society. The great theme throughout the book, even when not specifically mentioned, is snobbism, and Proust owns the subject of snobbery as Homer owns that of war. Proust reveals snobbery primarily proceeding from those slightly lower on the social ladder. Ironically, he reveals those at the top guilty not of snobbery but of insolence and disdain, while not even his servant Françoise is innocent of being a snob. The tensions in the novel become particularly acute given the changes that were taking place in French society at the time. This theme is not restricted to this novel alone. It featured in SWANN'S WAY, especially in the attitudes of the Verdurin "faithful" and will be a major theme of ensuing volumes, especially THE GUERMANTES WAY.

The section of the novel recounting his getting to know Elstir contains perhaps my favorite passage in all of Proust, where Elstir, upon the narrator's learning something unflattering of Elstir's past, tells him that no one has not done things that they would not love to expunge, but that no one ought to despise this, because this is the only way one can truly become wise. "We do not receive wisdom, we must discover it for ourselves, after a journey through the wilderness which no one can else can make for us, which no one can spare, us, for our wisdom is the point of view from which we come at last to regard the world." This is not merely the opinion of Proust's character: it could stand as the central meaning of the novel as a whole.

"Alas!" Proust writes in the second volume of his attempts to recapture his lost childhood and long-forgotten feelings, "in the freshest flower it is possible to discern those just perceptible signs which the instructed mind already betray what will, by the dessication or fructification of the flesh that is today in bloom, be the ultimate form, immutable and already predestined, of the autumnal seed" (p. 643).

Having just finished reading WITHIN A BUDDING GROVE for the fourth time, it remains (with SWANN'S WAY) at the top of my list of favorite novels. Influenced by John Ruskin, Henri Bergson, Wagner and the fiction of Anatole France, in his "universality and deep awareness of human nature," Proust (1871-1922) is considered "as primordial as Tolstoy," and "as wise as Shakespeare" (Harold Bloom, GENIUS, p. 218).

I most recently returned to Proust's BUDDING GROVE through the Modern Library's 2003 edition of the Montcrieff/Kilmartin translation of Proust's IN SEARCH OF LOST TIME, Volumes I through VI. Through a continued series of what Walter Pater has called "privileged moments," or what James Joyce might call "epiphanies," the narrative of WITHIN A BUDDING GROVE gracefully transitions away from the childhood recollections of SWANN'S WAY, to the narrator's exquisite memories of his adolescence spent with his grandmother in the seaside setting of Balbec. We find that Charles Swann's turbulent affair with the "illiterate courtesan" (p. 124), Odette de Crecy, has resulted in marriage; and although the narrator's "enchantment" with Swann's daughter, Gilberte, gradually fades, he soon encounters unrequited love once again upon meeting the "charming, pretty, intelligent" and "quite witty" (p. 116) Albertine Simonet. In Volume II, Proust further develops his notion that human love is synonymous with suffering, failure, exhaustion, ruin, and despair. To love and believe in a woman completely becomes the "cause of the greatest suffering" (p. 713). "There can be no peace of mind in love," Proust's narrator reflects, "since what one has obtained is never anything but a new starting-point for future desires" (p. 213). "In reality," he adds, "there is in love a permanent strain of suffering which happiness neutralises, makes potential only, postpones, but which may at any moment become, what it would long since have been had we not obtained what we wanted, excrutiating" (p. 214). WITHIN A BUDDING GROVE, much like SWANN'S WAY, is by no means a feel-good novel. Proust reveals that while love may allow us to touch the sublime, it also teaches us that there are no limits to human suffering.

In Volume II of Proust's IN SEARCH OF LOST TIME, Proust introduces us to all the major characters of his subsequent volumes. Serious readers will experience uncommon pleasure in reading Proust. SWANN'S WAY and WITHIN A BUDDING GROVE are perfect examples of why it's worth one's time to read "a good book." In fact, a life without experiencing the rich pleasures of reading Proust would be real poverty.

G. Merritt

With great sorrow, I finished reading Ms. Jackson's book. Like a previous post I read, I am very happy to learn there are more books to this series coming our way! The author's masterful, fun, lively, power-filled and honest story about the importance of sisters in Christ--of every shape, color and background--coming together to pray for one another is inspiring. Whether you're interested in simply reading a good story, searching your own realities about prejudices (in a gentle way) or longing for more prayer with other believers in your life, Yada Yada Prayer Group will bring light to your quest. Way to go Neta Jackson!

I wont recap the book since its already been done. But just know that this story is humorous and most of all honest. I appreciate Ms. Jackson, who at first I thought was African American, but is not, conveys the experience of what its like to be White in a mixed group where she is the minority. Very well written - and just funny. The fastest 400 pages Ive read in a while. Enjoy!

This wonderful book was a Christmas gift but I didn't get a chance to start it until this past weekend. I read from cover to cover without a break...I just couldn't bear to put it down. It is fantastic! The mix of cultures,denominations and the uniqueness of each individual paired with a Christian message of redemption and faith hooked me from the first page. I came here searching for a second installment and am thrilled to see that there are two more planned!

This book captured me. I could see how everyone felt in the poems. Maya Angelou hit my heart, I would say that she has a way with words. And Still I Rise is my favorite poem. I believe it reaches out not only African Americans but to all Americans. Maya Angelou's poems let us also see into her life. If you read her biographys you would be able to compare her poems to her life and see where she got her ideas for her poems. Everytime I need to find peace I pick up her book of poems and I read, to hear her words make me feel comfort. Maya Angelou is my favorite poet and has made me very intrested in the world of poetry. When I hear her poems I can feel the hard times that African Americans had. Yet when I need to find peace I can read these poems. All of her books have shone me that life isn't easy but that everyone can make it throught it if they have some kind of help. I believe that everyone should read this book just to get some idea of what life is like, and to see that even though life is hard you can still make it through it.

I think it was the best book i have read in 13 and a 1/2 years. Miss Angelou is my favorite poet, I love all of her books. She is my role model. Out of 13 years she is the best black poet that the world has ever had ( i think). She has been through many hard times like me, and others in this world. She holds her head up high, and never lets anything get in her way. if i could I would love to grow up and be just like her.

This book is filled with wonderful, powerful poetry that really awakened me to the troubles of African Americans in that time of history. Diego Rivera's paintings in the book are staggering and breathtaking. This is a must-see for any ameteur or lover of poetry.

This is the second Aubrey/Maturin novel I've read recently and it won't be the last. O'Brian is an exceptional storyteller; his subtle prose, excellent character development and skillful portrayal of the nautical (and political) world in early 19th century Britain all combine to produce an engaging and satisfying diversion from the everyday life of an ocean-loving landlubber like myself.

In the first half of "The Reverse of the Medal," the aging H.M.S. Surprise sails her last voyage (an intense one at that) as a Royal Navy frigate before her retirement. Returning to Britain (now in the second half), Captain Aubrey is soon snared in a legal battle with furiously political motives. Dr. Maturin, who is unofficially involved in British intelligence work, diligently seeks to help his friend and ultimately learns Captain Aubrey is a victim of a larger scheme instigated by agents loyal to Napoleon.

Even in the space of one book, O'Brian deftly brings Aubrey and Maturin to life. These men, each a complex character and different in many ways, are men you can easily develop respect for. Not perfect, having foibles of personality as all men do, but honorable, trustworthy men. In one way or another, every man will likely see something of who he is and who he would like to be in either Aubrey or Maturin (or more likely in both). Another virtue that underlies the whole series is the fraternal affection between the two, manifested in a loyalty seen clearly in this novel when Captain Aubrey finds himself in considerable trouble. I could write much more, but in the interest of brevity I'll stop here. Read it yourself, I highly recommend it!

The eleventh installment in Patrick O'Brian's excellent series of naval adventures finds Aubrey and Maturin back in Britain as their journey to the Pacific, begun in the previous book, comes to a conclusion. Aubrey, always a minnow among land sharks when he has money in his pocket, finds himself innocently ensnared in a complicated stock exchange scam that may have been set up by Maturin's enemies in the intelligence game. The complex case and courtroom scene, O'Brian assures us in a note, are based on a real case. The pillory scene is powerful, as Bonden gruffly clears the square of all but sailors, and officers and seamen of all stripes come to show Jack their love and respect.

After several books at sea, "The Reverse of the Medal" brings readers back to the Admiralty in London with its complicated and layered intrigues, back to Ashgrove and Sophie, and back to Maturin's espionage machinations. As always, O'Brian's wonderfully intelligent prose and satisfying grasp of historical nuance captures the reader in little pockets of 18th-century Britain. The entire Aubrey/Maturin series is great, and this installment is no exception.

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe.
Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania.
Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatly. In some ways, it was a ruthless meritocracy whose structure and success anticipates the great expansion of government power and capacity seen in the rest of the 19th century.
O'Brian is also the great writer about male friendship. There are important female characters in these books but since most of the action takes place at sea, male characters predominate. The friendship between Aubrey and Maturin is the central armature of the books and is a brilliant creation. The position of women in these books is ambiguous. There are sympathetic characters, notably Aubrey's long suffering wife. Other women figures, notably Maturin's wife, leave a less positive impression. On board ship, women tend to have a disruptive, even malign influence.
How did O'Brian manage to sustain his achievement over 20 books? Beyond his technical abilities as a writer and the instrinsic interest of the subject, O'Brien made a series of very intelligent choices. He has not one but two major protagonists. The contrasting but equally interesting figures of Aubrey and Maturin allowed O'Brien to a particularly rich opportunity to expose different facets of character development and to vary plots carefully. This is quite difficult and I'm not aware of any other writer who has been able to accomplish such sustained development of two major protagonists for such a prolonged period. O'Brian's use of his historical setting is very creative. The scenes and events in the books literally span the whole globe as Aubrey and Maturin encounter numerous cultures and societies. The naval setting allowed him also to introduce numerous new and interesting characters. O'Brian was able to make his stories attractive to many audiences. Several of these stories can be enjoyed as psychological novels, as adventure stories, as suspense novels, and even one as a legal thriller. O'Brian was also a very funny writer, successful at both broad, low humor, and sophisticated wit. Finally, O'Brian made efforts to link some of the books together. While a number are complete in themselves, others form components of extended, multi-book narratives. Desolation Island, Fortune of War, and The Surgeon's Mate are one such grouping. Treason's Harbor, The Far Side of the World, and The Reverse of the Medal are another. The Letter of Marque and the ensuing 4 books, centered around a circumnavigation, are another.
Though the average quality of the books is remarkably high, some are better than others. I suspect that different readers will have different favorites. I personally prefer some of the books with greater psychological elements. The first book, Master and Commander, is one of my favorites. The last 2 or 3, while good, are not as strong as earlier books. I suspect O'Brian's stream of invention was beginning to diminish. All can be read profitably as stand alone works though there is definitely something to be gained by reading in consecutive order.

Matthew Reilly admits that he set out to make this book a faster book that was more densely packed with plot than his previous books. Unbelievably, considering how action-packed his earlier books were, not only has he done it, but this book has stepped the action-thriller up a couple of notches. It's action on steroids.

Shane 'Scarecrow' Schofield is one of 15 targets of a worldwide bounty hunt. The bounty on each target's head is over $18 million, enough to lure the best bounty hunters in the world and setting up a series of showdowns of monumental proportions. Scarecrow pretty quickly finds himself with 2 primary objectives. The first and most obvious is to try to stay alive. The second is to try to save the world. After all, what self-respecting super-thriller hasn't got a hero-saves-the-world scenario?

As has been proven in the 2 earlier Schofield romps, he's a hard man to kill and can get out of every hopeless situation, usually with fractions of seconds to spare and this book is certainly no different.

What is different is the introduction of a new ally for Schofield. One could almost term him his alter ego the Black Knight is the perfect complement to Schofield coming with an almost endless supply of weapons and nifty gadgets. His inclusion, acting as Scarecrow's guardian angel throughout the bounty hunt doubles the outrageous antics and death defying escapes.

Know this before you start the book. The premise is so totally outrageous the book could probably be listed in the fantasy section. But that's not the point. The point is, it's meant to be 100 per cent action and non-stop entertainment and that's what it delivers. If you're not prepared to totally suspend belief for around 450 pages for the sake of a rollicking good adventure then you shouldn't even start this book.

When I finally heard that Scarecrow was released in the States, I just had to get it. I've read Ice Station and Area 7 and I was sure Scarecrow would be just as good. Yet I was wrong....Scarecrow is actually ABSOLUTELY THE BEST!!!!! Reilly is amazing! Just as I was thinking how could he possibly top off the first two Shane Schofield novels I was blown away by how much detail, action, entertainment, and raw human emotion was in this book. The first two books Scarecrow targeted others, and that was a fun ride. Now that he's the one being targeted, Scarecrow's mind goes into overdrive and takes the reader to new heights. So many twists in the novel that you would not know what to expect next. You would expect one thing but then immediately that theory would be shot to hell. And Reilly even manages to throw in some of today's current events into the novel to give the plot some realism and manged to blend it all in beautifully and crisply. The great thing about Scarecrow is you don't have to read the previous Scarecrow novels (although it would be good in order to understand some of the small references made to past events into Scarecrow's life, also why wouldn't you want to read the first two novels?????!!!) and the human emotion displayed in this book is raw and very heartfelt. There are few action novels that have that. Overall Scarecrow is absolutely THE BEST Shane Schofield novel to date. I cannot wait until Reilly puts out the next one. Matt keep up the great work and keep us readers happy! LONG LIVE THE SCARECROW!

As usual the plot is not what one looks forward to in matthew reilly books rather it is the action.This book has wall to wall action action. If you want a book that is fast paced, and is also is easy to read, read this book.

I was sixteen,and just finished my grade school exams ( I belong to Bengal, in India) when I came across this exceptional book-I had read 'Shibumi', and 'The Main',both of which just bowled me over, and I had fallen in love with the style of Trevanian, a maestro de su genero, on every grounds! I fell in love with Katya, too--perhaps a little more than Jean Marc, who;s ideology made him a lovable character by his own rights--but my world became transmuted to darkness, in the oppressive summer afternoon, when I finished reading---I had grown up, and I was in love------the name Hortense, the name Katya----became the very centre of my being , at least for some time to come. A book exceptional in its poignancy, a must read for all lovers and madmen.

The Summer of Katya was given me to read by my tenth grade Honors English teacher. She told our class that she was probably in a minority of teachers in giving this book to a tenth grade class to read, but that we would read many books of mature content and sometimes controversial nature... throughout the year we read The Catcher in the Rye, The Lord of the Flies, and Hamlet, among other diverse works, but The Summer of Katya remained one of my favorites... indeed, Katya is right up there with Holden Caulfield as a literary character, though perhaps not so widely known. It will remain one of the most astoundingly psychological books I have read for many years to come, and I hope to purchase a copy if one is to be found.

I finished reading of Katya this morning to discover tears had trailed to my pillow. No wonder Trevanian has garnered such accolades!

Francine Rivers has become my favorite author. The story of Ruth has made me long to be an example of a Godly woman ,of this century. I can only struggle to put my feelings into words..when Francine Rivers paints beautiful word pictures in our minds as we read her work. Ruth and her devotion,I want to be like her!! As i look into my young daughters eyes..i am in wonder on how to raise a child to have such passion for God like Ruth. May the story of Ruth make everyone who reads of her, be inspired to continue on in their lifes journey with a new perspective.. Thank you Francine Rivers, for giving us deep soul searching books that challenge us women to go on...

Well, so far I have already read Unveiled and Unashamed, and was a bit anxious to read unshaken. As good as Tamar and Rahab's stories were, I can honestly say that Ruth's story is my favorite. Unshaken is about Ruth, who leaves her comfort zone and security level of a daughter of a semi rich family who worship gods to go to bethleham with her mother inlaw, naomi. Ruth is a strong woman who leaves everything she ever knew to follow the one true God. In bethleham, she meets Boaz (who, ironically is Rahab's son) Boaz is a slightly unattractive middle age man who is about 30 yrs older than Ruth. However, across a field, Boaz secretly takes notice Ruth's character and begins to fall in love with her, but doesnt want to take action, thinking that hes too old for her. However, secretly, Ruth likes Boaz as well, and Naomi persuades her to let him know and marry him. Unshaken is a love story featuring a girl that leaves everything, expects nothing, and seeks the one true God. Ruth is great! She is strong, faithful,hopeful and caring. I am so happy that she married Boaz, although old, he is a perfect match!!

When I first picked up this book, I began to read it with my safety net of doubt firmly in place. Most of the biblical fiction I've encountered over the years have been full of stiff dialog or narrowly researched story lines that lose the readers interest in it's quest to drive home a moral or spiritual point. This one is different.

Rivers tossed that bad habit of stiff dialog out the window when she wove together this partly fictional account of Ruth, Naomi and Boaz. As one of my favorite stories since I was a little girl, it was so warming to read more about Ruth, and I was delighted that Rivers kept her character true to her original, biblical presentation. She didn't try to remind us that Ruth was a girl like any of the rest of us, by pointing out her flaws or catching her in her weak moments. Instead she portrays her as a strong, faithful, trusting woman whose faith in God matures as she makes her new life with her mother-in-law after her husband dies. Rivers understanding and research of biblical culture and customs more fully explains the impact of Ruth leaving her family to move back to Naomi's home town, this enlightenment brings even more meaning to a story I assumed I already completely grasped.

Rivers also adds a great deal of humor in her character's dialog and actions. She gives the reader a great visua,l which is especially important when we already know the basic outline and outcome of the story.

I fully recommend this book to anyone who has read the story of Ruth and Boaz a hundred times and still finds themselves thinking about the details we might never know the full truth of.

I love just about everything Georgette Heyer's written in the Regency genre, but this book is the best of an excellent crop. Venetia is a delightful heroine, mature and intelligent while at the same time extremely naive about men and the ways of the world - so much so that she has absolutely no notion just how much danger her new next-door neighbour, the wicked Lord Damerel, could be to her. And yet it is her innocence which is her greatest protection where he is concerned.

Their growing friendship, assisted by Venetia's young brother, and the interference of Venetia's other suitors, is portrayed with humour and a light touch by Heyer. But once he decides that he cannot in all conscience seduce her, Damerel believes himself to be unworthy of her. Even when she needs him most, he appears to turn his back on her.

Of course, being a Heyer book, all works out in the end, but the journey to that denoument is alternately witty, sparkling and heart-wrenching.

Like most Heyers, this book is now out of print; however you manage to get a copy, keep it! This is a book you'll want to read over and over.

Heyer is absolutely the Queen of Regency romances, and Venetia is, as far as I'm concerned, her best. An independent woman determined to resist her two insistent suitors and take good care of her younger borther; she meets her new neighbour, Damerel, the most notorious rake in England. At first he is tempted to seduce her, but later becomes protective towards her. Then, when her older brother marries and she is forced to leave her home for London, she thinks she will never see Damerel again. Desperate measures are called for...

This is not a typical Regency; Venetia is not a blushing debutante, and Damerel is not a dandified town gentleman. But the characters are delightfully appealing and Damerel is such a wonderful, down-to-earth hero! Read it, re-read it, treasure it for ever. I do.

Everyone looking at the reviews here about this novel will know the plot and that everyone who has posted something loved it. Me, too! Damerel is the very best rake in the Regency canon in my view.

However, re-reading this over the holidays I was struck by the great achievement Heyer made in fixing her characters firmly in Regency soil. So many of the more recent pretenders in this genre insist on applying the moral and ethical values of their own time to characters fixed in a fictional world 200 years old.

So here we have Damerel admitting to his shortcomings, Venetia on the verge of being "cabined, cribbed & confined" to Edward, a young man with a disability that won't magically be cured and a host of friends and relatives whose moral outlook isn't crammed into the garments of 21st century behaviour. Brilliant!

Although first published in 1958, this novel is charming, witty, cleverly plotted and exquistely written. It is full of engaging characters who are allowed to act out an amusing and clever story without bowing to modern prejudices. Invaluable!

If you have never read anything by Heyer, try this one first. You will fall in love with Damerel and be charmed by Venetia and find yourself lost in a long-gone world that Heyer makes come truly alive on a private stage for us between the covers of this novel.

This is truly an astounding, superbly compiled, book. Now, years later, we finally know the truth: Lyndon B. Johnson was not merely a tragic president who stuck to his guns and fought a war he mistakenly believed he could win (with various political restrictions on the military).

He was, this book proves beyond a shadow of a doubt in its lively transcripts of his secretly taped phone conversations, a tragic president who stuck to his guns and fought a war he firmly believed would be LOST no matter WHAT.

He didn't want to lose, but he didn't want to be the one to pull out, so he got in deeper and deeper, losing sleep and agonizing all the way -- and the consequences to his administration and the country were catastrophic.

There are a slew of reasons why you should read (or gift) this amazing book.

The main one: true, it does give you perhaps more than you wanted to know about LBJ (but I don't care WHAT some reviewers have said: I LOVE the many sections where he is flirting with and flattering Jackie Kennedy!)...but if you read it you get a clear idea of how a president operated -- and many parts of this book are so dramatic and gripping, they read like a movie script. In fact, I can see the Oliver Stone movie now.....

Historian Michael Beschloss makes it seem easy when you read it, but transcribing and annotating (so you know through footnotes what LBJ is referring to when he talks and get some historical context..and know when LBJ is spinning) these conversations taped between 1964 and 1965 could not have been easy. Yet, he gives you the meat and you get to "know" how LBJ thinks and, politically, works.

It shows Johnson, warts and all, as a man who could have been one of the top presidents because of his skills, will and sincere desire to serve. But it also shows a highly conflicted, contradictory, at times paranoid and highly depressed man. On the night of his monster landslide 1964 election he is angry and "down," steaming over Bobby Kennedy's influence, lack of political deference and possible future machinations. As he presses and manipulates to get his Great Society legislation passed, he's secretly leaking negative info on election opponent Barry Goldwater, keeping the lid on information regarding his number one aide's role in a sex scandal. He talks of victory in Vietnam, but repeatedly tells politicos and his wife that there is absolutely no way the U.S. can ever win, and he is tormented by his terrible choice and unwanted role. He wants to help the poor and the blacks, but will talk a little more "southern" if he has to while talking to someone who doesn't quite agree with him to make them think he's on their wavelength.

The famous Gulf of Tonkin resolution? Even Johnson believed it may not have happened. But he took the resolution in Congress and ran with it -- using it to justify the war he knew he the U.S. could not win.

In Feb. 1965 he told a Senator "a man can fight if he can see daylight down the road somewhere. But there ain't no daylight in Vietnam. Not a bit."

If you went back and contrasted his public pronouncements with what he was saying privately, it would be shocking: pep talks to the country (and troops) to the contrary, he never felt we could win. Meanwhile, he kissed J. Edgar Hoover's you-know-what to keep Hoover on his side (actually, they had been neighbors in Washington and Johnson had carefully wooed Hoover for years) in his battle against Goldwater, Kennedy and others.

Not all of the book is about the sad, deceitful slide into Vietnam. Many of the transcripts deal with his election campaign, domestic legislation etc....but by the end of this fast-moving volume Vietnam is devouring LBJ alive as it did the country -- and the innocence and joy of the early 1960s.

I read this book rather quickly. It was an INCREDIBLE experience. Read it and you'll be a very sad fly on the wall in the White House.

This is truly an astounding book. Now, years later, we finally know the truth: Lyndon B. Johnson was not merely a tragic president who stuck to his guns and fought a war he mistakenly believed he could win (with various political restrictions on the military).
He was, this book proves beyond a shadow of a doubt in its lively transcripts of his secretly taped phone conversations, a tragic president who stuck to his guns and fought a war he firmly believed would be LOST no matter WHAT.
He didn't want to lose, but he didn't want to be the one to pull out, so he got in deeper and deeper, losing sleep and agonizing all the way -- and the consequences to his administration and the country were catastrophic.
There are a slew of reasons why you should read (or gift) this amazing book.
The main one: true, it does give you perhaps more than you wanted to know about LBJ (but I don't care WHAT some reviewers have said: I LOVE the sections where he is flirting with Jackie Kennedy)...but if you read it you get a clear idea of how a president operated -- and many parts of this book are so dramatic and gripping, they read like a movie script. In fact, I can see the Oliver Stone movie now..
Historian Michael Beschloss makes it seem easy when you read it, but transcribing and annotating (so you know through footnotes what LBJ is referring to when he talks and get some historical context..and know when LBJ is spinning) these conversations taped between 1974 and 1965 could not have been easy. Yet, he gives you the meat and you get to "know" how LBJ thinks and, politically, works.
It shows Johnson, warts and all, as a man who could have been one of the very best presidents because of his skills, will and sincere desire to serve. But it shows a highly conflicted, contradictory, at times paranoid and highly depressed man. On the night of his monster landslide 1964 election he is angry and "down," steaming over Bobby Kennedy's influence and possible future machinations. As he presses and manipulates to get his Great Society legislation passed, he's leaking info on election opponent Barry Goldwater, keeping the lid on information regarding his number one aide's role in a sex scandal. He talks of victory in Vietnam, but repeatedly tells politicos and his wife that there is absolutely no way the U.S. can ever win, and he is tormented by his terrible choice and unwanted role. He wants to help the poor and the blacks, but will talk a little more "southern" if he has to while talking to someone who doesn't quite agree with him to make them think he's on their wavelength.
The famous Gulf of Tonkin resolution? Even Johnson believed it may not have happened. But he took the resolution in Congress and ran with it -- using it to justify the war he knew he the U.S. could not win.
In Feb. 1965 he told a Senator "a man can fight if he can see daylight down the road somewhere. But there ain't no daylight in Vietnam. Not a bit."
If you went back and contrasted his public pronouncements with what he was saying privately, it would be shocking indeed: pep talks to the country (and troops) to the contrary, he never felt we could win. Meanwhile, he kissed J. Edgar Hoover's you-know-what to keep hoover on his side (actually, they had been neighbors in Washington and Johnson had carefully kept Hoover on his side for years) in his battle against Goldwater, Kennedy and others.
Not all of the book is about the sad, deceitful slide into Vietnam. Many of the transcripts deal with his election campaign, domestic legislation...but by the end of the volume Vietnam is devouring LBJ alive as it did the country and the innocence and joy of the early 60s.
I read this book rather quickly. It was an INCREDIBLE experience. Read it and you're a fly on the wall in the White House.

I listened to the cassette versions of "Taking Charge" and "Reaching for Glory" when they first appeared. I listened to "Reaching for Glory" again after two LBJ bios and LBJ does indeed come alive. LBJ was, in the words of Robert Dalleck, a flawed giant. So many contradictions, so much hypocrisy - but yet - not... he was just LBJ.

The tape system which proved to be Nixon's downfall was also used by LBJ and JFK. Luckily for us 40 years later, we have wonderful insight into LBJ and the operation of his administration. The cassette versions are abridged, but getting to hear the actual recordings is fantastic. I anxiously await the third volume of the trilogy.