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This book was life changing and a blessing to my spritman
A must read for all women even if you are not a Christian!
JESUS IS ALL I NEED! More Biblical Proof....
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The book's linchpin is the Jewish Culture Association ("Jüdische Kulturbund"), in whose Berlin orchestra his parents met. Established by prominent Jewish leaders in 1933, after a "purge" of all Jewish Civil Servants, the Kulturbund flourished for eight years, with the permission and under the constant, increasingly repressive surveillance of the Nazis, who exploited it as a propaganda tool. Spreading from Berlin to other cities, its musical and theatrical presentations, lectures, and films offered employment to thousands of Jewish artists and the only cultural oasis to its Jewish audiences. In 1941, Germany's preoccupation with the war and the "Final Solution" rendered it superfluous, and it was dissolved.
But Goldsmith also furnishes the proper historical context for his uniquely individual, human account of the 20th century's most inhuman period. After a chillingly detailed description of the grass-roots rise of Nazism, he focuses on particularly horrifying events: the infamous 1935 Nuremberg Laws and the devastating 1938 pogrom, "Kristallnacht." The tragedy of the 937 refugees, including Goldsmith's grandfather and uncle, who were refused disembarkation first in Cuba, then in Miami, illustrates the world's customary indifference to "other" people's misfortunes. Nobody paid attention when, as early as 1922, Hitler declared that his first priority on coming to power would be the extermination of the Jews.
Goldsmith's factual, reportorial style increases the sickening horror, and he reminds us frequently that he is writing about his own family. Though his story's outcome is never in doubt, he generates real suspense--a measure of his skill, despite his unfortunate habit of hinting at the future. The Kulturbund has been accused of encouraging the Jews to ignore the desperate circumstances outside the theater, and therefore the imminence of their danger. Goldsmith refutes this. For most of them, emigration was impossible because, apart from the natural fear of pulling up roots, leaving everything behind, and starting a new life, they had nowhere to go. Moreover, how could anyone foresee the depth of the impending horror? It was, and still is, beyond the human imagination.
Goldsmith writes with insight and aching honesty about the survivors' guilt and its numbing effect even upon the next generation. But his parents also taught him to love music and appreciate its meaning in people's lives, and he talks about it with real knowledge and understanding. (However, someone should have corrected his opening reference to Siegmund's sword in Die Walküre, which is made of steel, not gold.) This is a brilliantly written, important, unforgettable book. --Edith Eisler

It's a Bittersweet Symphony
A musical gift in proseI am a music teacher and roughly the same age as the author, Martin Goldsmith. I must confess that I had never heard of the "Kulturbund" and certainly had not an inkling as to the effect it had on so many lives. This is one of those accounts that is not taught in school, and like "Schindler's List", presents a brand new aspect to life in Nazi Germany. Mr. Goldsmith weaves a marvelous chronicle of his parents' devotion to each other in the years with the Kubu, an organization that found them together and bound them together.
In historical terms, many of us believed for years that everything had to have been clear in Germany in the 1930s....if you were Jewish you had to leave. The author reminds us that many Jews who did leave early on also came back and subsequently met their deaths as the situation got worse. This book is a loving tribute not only to Mr. Goldsmith's parents but to all who tried to find some happiness in music and friendship at a most difficult time. It is a wonderful memorial to those who perished and a testament to those who survived.
A son's voyage of discovery of his parents' nightmarish pastSuch, in the lives of author Martin Goldsmith's parents, were the years from 1933 through 1941; so much so, in fact, that Goldsmith likens that time to the massive ash tree in the house of Germanic warlord Hunding, the setting of the first scene of Richard Wagner's opera "Die Walkuere:" Something looming large, yet never openly acknowledged. Because before George Gunther Goldsmith, furniture and home decorating salesman of Cleveland, Ohio, and his wife Rosemary, a violinist with the St. Louis Symphony and the Cleveland Orchestra, became American citizens in 1947, they had lived a whole other life - the hunted life of Jews in Adolf Hitler's Germany. And only years after his mother's death, on a trip to his father's home town of Oldenburg, did Goldsmith catch the first glimpses of what was hidden behind that massive ash tree, and George Goldsmith began to talk about the events which his, the Goldschmidt family had witnessed there; as well as the early life of Rosemarie nee Gumpert in Duesseldorf, the couple's first meeting in Frankfurt, and their later life in Berlin until their lucky escape to the United States. Beginning with this visit, Martin Goldsmith retraced his family's path to the early years of the 20th century, when his paternal grandfather Alex Goldschmidt took residence in Oldenburg, and his maternal grandfather Julian Gumpert settled in Duesseldorf.
How intensely personal this voyage into the past must have been becomes clear in the account of Goldsmith's visit to Oldenburg prison, as a participant in a march retracing the path taken by the Jews - among them the author's grandfather - driven through the streets of Oldenburg in 1938 by Nazi thugs, to later be shipped off (at least temporarily) to Sachsenhausen concentration camp. But although he writes about his very own family, and now in full knowledge of their fate, Goldsmith's narrative is in no way sentimental. With a journalist's detachment he talks about Guenther and Rosemarie, Alex, Julian and their wives and other children; turning a nonfiction account whose outcome is clear from the very start into a heartstopping tale few would be able to believe if presented with it under colors other than that of the plain historic truth.
Prominently featured in Goldsmith's account is the Jewish Culture Association, or Juedischer Kulturbund; as of 1933 the German Jews' only permitted artistic organization, in whose orchestra Guenther and Rosemarie had met and which had formed the center of their life until they finally left the country. One of the most controversial institutions of Nazi Germany, it reunited what was left of the country's Jewish musicians, artists, writers and composers - providing a modicum of shelter in an increasingly hostile environment, but also a convenient tool in the Nazi propaganda machine. Were the members of the Kulturbund instrumentalized to deceive public opinion, at home and abroad, about the true intentions of Hitler's government? By giving their Jewish audience a sense of comfort and "belonging," did they also prevent some of them from rescuing themselves when there still would have been time? The surviving members of the "Kubu" and their families, interviewed by Goldsmith, come down on both sides of the issue; and the fate of the survivors is probably as symptomatic as that of the many who ultimately did perish in Nazi concentration camps - chiefly among those the Kulturbund's charismatic founder Dr. Singer, who not only let himself deceive into returning to Germany after already having reached the safe shores of the U.S. but saw a mark of distinction even in his deportation to the "model" concentration camp of Theresienstadt.
Yet, for Guenther and Rosemarie the years with the Kulturbund were dominated, above all, by the musical companionship they experienced. What does seem to have haunted them most for the rest of their lives, however, was their very escape to America, while their remaining family members were stuck in Europe and, one way or another, died in Hitler's concentration camps - and the feeling that with a little effort they just *might* have saved at least some of them. The letters of Alex Goldschmidt and his younger son Helmut, written to Guenther from captivity in France after their own unsuccessful attempt to flee to Cuba, are among the most chilling testimonials contained in this book; and the decision to translate and include them conceivably cannot have been an easy one for Goldsmith. Indeed, it apparently was the knowledge of his family's fate that, all talent and love of music aside, eventually compelled George Goldsmith to forever retire the flute which, in his life as Guenther Goldschmidt, had been the only item of true importance besides his beloved wife Rosemarie; thus punishing himself in a way no outsider could have done. Yet, the couple's gift for music lives on in their son, who in his own way has brought many hours of joy to radio listeners all over the U.S.
Martin Goldsmith's "Inextinguishable Symphony" - named for Danish composer Carl Nielsen's Fourth Symphony, which sets music, as a parable for life itself, against war, terror and destruction - is as much a personal journey of discovery as a journalist's account of historic facts; seeking to understand rather than to judge. It deals with a time in which morality was thoroughly upset by a profoundly immoral regime, which cannot possibly have remained without effect on anybody who witnessed those events. In applying our own values to those facts, I think we would all do well in being careful to, likewise, make a thorough effort to understand before we judge. Goldsmith's insightful account is a great place to begin such a process.

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Life on Lifes TermsI bought this book on the advice of a 27yr veteran in Alanon. I've never regretted purchasing this book. The readings are insightful, and go hand in hand with another great read "The Courage To Change". I've yet to discover why Alanon has yet not recommended this book?! Trust me, this is one of the best daily readers you can get!
I like this book so much, that I've given SEVERAL away as gifts to those that I love dearly. To this date, I've NEVER received a single complaint, only compliments on the depth and wisdom, of the words written by Melody Beatie. So, if you want a great daily reader, then I HIGHLY recommend this book. On yet another note, I just purchased "More language Of Letting Go" so, as soon as I've read a bit of it, I'll post my comments here.
Ciao All!!
I carry this book with me like a bible!
AUTHOR REVIEW - FIVE STARSJohn D. Moore, MS, CADC
---
Author of Confusing Love with Obsession

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4 1/2 Stars...Dekker Shows No FearFor me, comparisons to "The Matrix" and "The Lord of the Rings" were misleading. Once I set aside those ideas, I realized the book was more closely related to "The Chronicles of Narnia." Yes, it explores parallel worlds and fantasy elements, but it leans more heavily on Narnia's deceptively simple, almost child-like view of great spiritual truths. A young audience could read and enjoy this book, while adults could spend hours discussing its theological implications.
From the moment Thomas Hunter starts bouncing between two worlds, we know that Dekker is going to take us on a wild ride. The ride could've been jarring and disjointed; instead, Dekker shows his skill at storytelling, weaving seemingly unrelated stories into a cohesive and symbolic whole. Although we rarely fear for Hunter's safety--he has miraculous recourses to protect him--we can't help but pull for him every step of the way. He is out to save himself, his sister, his budding romantic interest, and the world at large.
"Black" demonstrates the wide possibilities of Christian fiction, and Dekker shows that he is unafraid of exploring those boundaries.
Ted Dekker is Really Coming Into His OwnThis is one of the most thrilling and imaginative books I've ever read. Ted Dekker has become my favorite Christian fiction writer, hands down. He tells this story about Thomas Hunter in such a way that you don't know whether his dream is reality or the reality is a dream. You will be cast into two different realities in two different time frames, and you'll be hanging on to see what happens the next time Thomas falls asleep. You have to read this book to find out what I'm talking about.
Will Thomas save the day, will the virus wipe out the world, what is going on with the Black Forest, and will he get the girl? Black has a perfect blend of suspense, thrills, and romance that will keep this book in your hands. When you're finished, you'll be clamoring for the second book in the trilogy....and the best part is...we only have to wait until May 2004.
Black is a Masterpiece
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The Third Chapter in the Death Gate Cycle
The best of an amazing series, one of the best ever.
Into the Bowls of a Sundered WorldI wanted to travel through this world as quickly as possible with Haplo, and as quickly get our story told and make our escape to any other world but this. It was a bonefide relief when Haplo started up his ship and left. But I cried when the dog fell into the lava!!! I love that dog.
Even though this book was difficult for me to get through I gave it 5 stars because any writer that can make me feel such intense emotions is obviously good at his/her craft.

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Book 1, Interview with the Vampire, opens with the seductive purr of F. Murray Abraham (Amadeus) stating, "I was a 25-year-old man when I became a vampire, and the year was 1791." And so our ultimate antihero, Louis, begins the elaborate retelling of his long, tortured life as a vampire. Winding through the ages, from New Orleans to Paris, we follow Louis and his undying mentor, Lestat, as they feed on humans, whet their carnal appetites, and uncover an underworld of vampire brethren.
Book 2, The Vampire Lestat, brings us up to date, with Lestat waking from his earthen slumber to join the ranks of rock superstardom before sitting down to share the tale of his own haunting initiation into the vampire world. Michael York (Cabaret) puts his wonderfully fluid, cosmopolitan voice to good use, adding a dash of sly humor to this fast-paced, satisfying blend of sex and blood and rock and roll.
Book 3, The Queen of the Damned, takes us back, all the way back to ancient Egypt, exposing the origins of the vampire way. Narrating in eerily serene and gracious tones, Kate Nelligan (The Prince of Tides) leads us gently down this bloody path of immortal desires. David Purdham gives the voice of Lestat a wistful quality, tinged with an evil relish that exposes the master vampire's sanguine tastes.
Anne Rice has continued her Vampire Chronicles beyond these three novels, but that shouldn't make this collection any less tempting to either the undead initiate or certified vampire junkie. --George Laney

IWV was one of the greatest books ever written
Simply the best Vampire writer around
a great collection
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A page turner to the power of 10!
Prey series by John Sandford
Literary CrackThis book, Sandford's seventh "Prey" mystery, deals with a psycho kidnapper and the games he plays (mental and otherwise) with Deputy Chief Lucas Davenport. If it were just the two of them in the battle of wits, the bad guy might have had a chance, but late in the game he recognizes that Davenport has more than just his uncanny intuition going for him: his crew is top-notch and he has some sharp women on his side, like Elle "Sister Mary Joseph" Kruger, Weather Karkinnen, and a newcomer known only as "Ice."
The violence is not for the faint of heart or stomach and the language is frequently harsh (we do learn the difference, however, between profanity, obscenity and vulgarity, so the book is at least educational in that respect). In the context of the story it all makes sense and doesn't sink into exploitation, but if it's not your cup of tea (or martini glass of, well, martini) it will likely detract from the story too much for you to enjoy it.
Sandford's imagery draws you into the story and keeps you there. The only times the book begins to drag are during long paragraphs of scene description (the train yard especially gets bogged down...and just when the race against time is at its peak). Thankfully this is kept to a minimum and - once we know where we are - the pace picks right back up again.
A fast-paced thriller that is sure to please Sandford's fans, and earn him some new ones, even as it raises the question: "Why do the psychos like the Cities so much?"

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Equivalent to a top-class fast paced thrillerUnfortunately, the book does suffer slightly as a result of the translation, as noted by an earlier reviewer, so if you can read Polish, do get the original version. Nevertheless, although the book starts off a tad slow, think of the beginning as a push off from a cliff, because after that it's as fast paced a thriller as money can buy.
A basic exposure to Roman and Christian history will make the book really come alive. Although certain "facts" are not correct, or have been omitted, remember that the book is meant to be fiction. The historical events are merely a platform for a passionate love story between a pagan Roman and a Christian girl. However, it is the seeming impossibility of this love, together with descriptions of the nearly moronic Roman "royal court", keeps you reading well into the night. The emotional roller-coaster makes you, the reader, feel exhausted.
Definitely recommended, and one of the most enjoyable books I've read.
If you liked this, do check out his other novels - especially the brilliant "Teutonic Knights" which is another epic of a young Polish knight (and of course a lovely maiden or two thrown in for good measure) and the history of middle ages Poland up to the battle of Grunwald where the Teutonic Knights were defeated.
Draws the Reader into the Past
Nero and the ChristiansQuo Vadis takes us back to the days when Christianity was fresh and new and shows us just what kind of world it was then that caused such a movement to flourish. This alone would make it an excellent novel, but it works wonderfully on all levels. The characters are superbly drawn, the setting is realistic, the plot crackles along, and, perhaps most importantly in a novel with this subject matter, it never becomes preachy or didactic, instead maintaining an objective perspective throughout.
Rome was the greatest of the ancient empires, yet despite all of its glorious achievements, it was truly a barbaric place. The concept of human rights was non-existent. Slaves--of all races--were property, and could be used in any way one saw fit, including the most vicious or depraved. The rule of law, while discussed in philosophical terms, was only sporadically and occasionally applied. The law instead came and went at the whim of the powerful, and if the powerful happened to be someone like Nero--the ruler of Rome during the course of this novel--then the law was sadistic, cruel, wicked and unpredictable.
We see the effect that living this kind of society has on the two main characters of the novel, both of whom are members of the upper crust: Petronius, a courtier; and Vinicius, a military officer. Petronius, as Nero's confidant, can never let his guard down. He must flatter, cajole, deceive and manipulate Nero every minute of the day, for his very life depends on it. It is a life, "drained and listless and detached," as we are told in the first sentence of the novel. Vinicius falls in love with a captive Christian female, and through his love we see how Christianity changes his life. But it is an unbelievably difficult and dangerous undertaking--with the demented presence of Nero and his sycophants looming over everything--to form an attachment with a person and then a cause such as this.
It gradually dawns on us how the Christian movement began in the first place, and why attempts were made so mercilessly to stamp it out. Instead of dishonesty and cruelty, it called for honesty and kindness. Instead of privilege for the elite, its promises were made to all. Instead of arrogance, it preached submissiveness. Perhaps most importantly, it simplified one's life, and allowed one to live without fear.
Rome is burned, possibly at Nero's orders, incredibly, so that he can experience suffering as he believes a true artist must. To divert the anger of the Romans, he blames Christians. Thousands of men, women, and children are rounded up, put in dungeons for months, then on successive festival days were crucified, burned alive, mauled by gladiators, and, as we know, attacked by wild animals. Their fate is so hideous that in time even the jaded Romans became sickened by it.
These historical events, and the actions of the characters during them, are what make up the bulk of the novel. To say the least, it makes for very compelling reading; indeed, some parts are difficult to bear. And as mentioned, it is presented in a very objective way. Not all of the Christians are presented sympathetically--one, in fact, is a fiery, all-will-be-damned type--and not all the Romans are presented harshly. The noblest character in the novel may very well be Petronius, who uses his influence as much as he can to alleviate the suffering he sees around him. And although he recognizes to some degree the power and decency of the movement, he himself does not wish to become a Christian. He can not abide the idea of being required to love his fellow man, most of whom--the unwashed, ignorant mob--he detests. He is a magnificent creation.
The book is a real eye-opener, a good reminder of what the world was like before the birth of Christ, and a sobering reflection on what being a Christian truly means. At the same time it is also a superbly researched and entertaining piece of historical fiction, and the kind of thing for which historical fiction buffs are constantly on the alert. Great stuff.
(I should mention that this review is of the Kunizak translation.)

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The Magic of Christmas is Brought to Life for Our WorldCongratulations, Steve, on an extraordinarily magical book!
The Rev. David Reed-Brown The First Baptist Church in Essex, CT
Wishes, hopes and dreams, fulfilled by love...."A Christmas Dozen" is a compilation of the most-requested stories since 1972. After many readings, eager listeners requested printed copies. They wanted to share the profound message of unconditional love with their friends and family. What a wonderful stocking stuffer this is for children and adults alike.
These stories were written for reading out loud, but are equally enjoyable to read while curled up on the couch with a cup of hot chocolate. The first story captured my heart so quickly, I was surprised. In "Christmas 1944" you will feel "shivers" as you realize there are two enemies staring at one another in the night. Then, the actions of the two soldiers will evoke a deep sense of compassion as you realize that we are all just souls that want to live in peace.
In "A Christmas Dozen," also the name of a story in the book, a black Labrador named "Otis" is left behind in the snow and meets a cat who is about to have kittens. The Labrador helps to keep the cat warm and in the morning we find twelve tiny pink-nosed kittens. The family returns and not only finds their lost pet, they are rewarded with a bundle of purring kittens. I love that story the most!
Pastor Steve Burt is a natural storyteller. He has woven the Spirit of Christmas into his stories in such a way as to make you feel the wonder of a child.
During the holiday season, you might find him reading his stories in a local library, at a Christmas program, to the elderly in nursing homes, or to the world on a radio show. He is well knows as "The Christmas Story Pastor." Pastor Burt's work has also appeared in the popular "Chicken Soup for the Single Soul" book. His daughter has inherited her father's love of writing and is the author of a new book called: "Oh, Solo Mia!" which is a witty guide for single girls. Other works by Steve Burt include: Christmas Special Delivery and Unk's Fiddle and Other Stories.
Share these wonderful stories with your own family this Christmas. Perhaps you can make this one of your own family traditions during the holiday season. The stories are thought-provoking and show how people can transcend their impulse to just be human. They rise to the occasion and choose love. That is the best gift we can give, for God is love.
Year's Best Inspirational Book, Honorable Mention

Thrilled recipient of a "Flat Stanley"I am thrilled to be hanging out with Flat Erik; he has already played in the snow, slept in his own little bed, gone to work and gone shopping. Just today we went to the bookstore (sorry Amazon :) and purchased a copy of Flat Stanley so that I knew what my niece had read. Of course as an adult I found the story less than entertaining but can see the attraction for kids and teachers.
I look forward to the coming two weeks with my Flat Erik.
Truly memorable
An Adventure Book For Everyone!!!Stanley Lambchop is!!
Stanley Lambchop is an average boy. He leads an ordinary life... Until one night an enormous bulletin board falls on him and suddenly makes him flat. Stanley being flat had turned into an adventure for him. He gets to stop crime, gets to be mailed, gets to be flown like a kite, and many more things. But there is only one bad thing about being flat for Stanley. It is... Will he ever return to his normal size and have his normal life again? Well you will find out when you read this book Flat Stanley!!
Katie