Modeling
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Excellent Book
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90's Update to a Classic Procedure

Unique approach to project and strategic planningThe key elements of the approach are (1) Resources - the view taken by the authors is businesses are a collection of resources. This differs from most approaches that view businesses as a inter-related processes and functions. Because the unit of composition for businesses is a resource (or asset), each are viewed within the context of a life cycle. This is a natural way of looking at assets, and this view fosters systematic management of business resources. Resources can be human, software, time, money, etc. (2) Value chains - this is the element that does address business processes and functions because it treats them as value chains. This is not an uncommon way of viewing processes and functions, but combining this view with the resource view is. (3) Precedence - this element adds sequence to the functions in *support* of resources.
From the foregoing there is a clear connection between resource life cycle analysis and project management, especially with respect to resource and precedence elements. From a strategic planning point of view, there is also a direct connection between value chains and processes, both of which are determining factors for systems to be implemented in support of business processes. These connections highlight the value of resource life cycle analysis as a methodology, and underscore its value as a tool that can be "bolted on" to your existing project management and/or planning methodologies.
I have been deeply influenced by this approach and have incorporated it into the way I approach requirements analysis and project planning. If you are a consultant, IT professional or operational manager of a business unit this book will provide you with some deep skills and a new way of approaching analysis.

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Chomsky is dead or at least dying...

A Great Guide for Beginners!Lots of tips, tricks, and shortcuts to help get you productive fast!

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A Fashion Fly on the WallA pitiless and perceptive social critic, Fink previously documented the brutal heroics of boxing and the bizarre social customs of New York's Upper East Side. Here his camera captures, in unflattering close-up, the unguarded moments of some of fashion's biggest stars. And while he frequently focuses on instantly familiar supermodels, his most memorable pictures tend to be of the designers themselves. Many of them are more recognizable than their mascots, bagged like so many trophies under Fink's unremitting gaze. Isaac Mizrahi strikes a characteristically self-mocking, histrionic pose; a wolfish Oscar de la Renta glares at us suspiciously; Calvin Klein, caught in mid-sentence, could be having a cardiac arrest. In another supremely chilling image, Gianni Versace gazes heavenwards, looking horror-struck; it's almost as if the slain designer's having a premonition of his gruesome fate.
Fink's corrosive visual style derives from influences as diverse as Weegee and Diane Arbus (he studied with Lisette Model, the legendary French photographer who made a habit of the grotesque). He's obviously well aware that his hand-held flash - usually held aloft and angled down - freezes the scene like a diorama, turning humans into statues and vice versa (in one delicious moment captured at a society benefit, we see the lower halves of a line of partygoers filing past a comparatively lively pair of sarcophagi). In page after uncaptioned, full-bleed page, Fink hammers home a harrowing glimpse of a grandly dysfunctional world.
But Fink has a love-hate relationship with this strange and contorted show of human frailty; he glamorizes and demonizes its insanity at the same time. He's abidingly curious about the backstage talents, with their fanatical devotion to craft, who feverishly toil to create the designer's illusions. In one tightly cropped shot, makeup whiz Kevyn Aucoin, with total concentration, grasps a model's head in a vice-like grip (significantly, her face is hidden from us). And always, there are the fashion paparazzi, hovering (like Fink) on the sidelines, getting it all down on film so we can devour it.
"When substance is dead, style lives on," Fink writes in an afterword. Rest assured, both substance and style are alive and well in this damning - and damn amusing - book.

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fourth edition with useful new featuresLittell, Milliken, Stoup and Wofinger have also written a very nice book titled "The SAS System for Mixed Models" and my only question would be to ask "which book offers more?" This fourth edition seems to now cover many of the same topics that highlight that book.
Readers should be aware of the two books and should investigate for themselves the differences and overlap before deciding to purchase either one. One clear difference is the date of publication. This book, published in 2002, is more current and has several references from 1997 and after whereas the mixed models book was published in 1996.

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A landmark contributionDi Toro's book is a tour de force that lays out an elegant framework to forge this link and set it on a firm scientific foundation. As such, it should be in the library of every individual and institution involved in water quality modeling and management. Because of the cutting edge nature of his scholarship, the book should also be of great interest to researchers and graduate students.
Sediment Flux Modeling provides a comprehensive treatment of the science and mathematics underlying the impact of sediment processes on the quality of natural waters. Di Toro lays out the mathematics and the science in a clear, step-by-step fashion as he progresses from the fundamentals of sediment transport and kinetic processes to advanced topics like metals exchange.
In a similar fashion to Robert Berner's excellent volume "Early Diagenesis", it should stand as the definitive reference for years to come.

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The design of VLSI
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Excellent combinations of basics & updated researchI strongly recommend this book for students who want to learn basics of IC fabrication and also professional engineers who needs a good and well updated reference.