MR
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It speaks volumes about the nature of the New Yorker that Mehta is capable of saying--apropos of one of his articles about theologians--that "writing about God presented special difficulties, both because of the nature of the subject and because of the sensibilities of the various believers." Mehta is dead serious here, as he apparently always is. Only in the New Yorker, kids, could anyone in the magazine biz get away with the sky-high idealism Mehta eloquently describes. And only a guy like Mehta could describe the specifics of Shawn's invisible art of editing and the human maelstrom that swirled around him.
Writing about Mr. Shawn presents special difficulties because he worked in mysterious ways and thwarted attempts to cast light on him as effectively as a black hole in outer space. But Mehta was a sort of surrogate son to Shawn, not only part of the innermost circle of the xenophobic publication but sometimes the sole non-family member invited to the Shawns' Thanksgiving feasts. Mehta takes us to the parties where the phenomenally repressed Shawn "cut loose" (who would've guessed this was one of his favorite phrases?), pounding out "Anything Goes" and "Don't Fence Me In" on the piano in a rocking stride style.
The best stuff in the book is its portrait of Mr. Shawn's intriguing wife, Cecille, the comments of their movie-famous son Wallace (coauthor of My Dinner with Andre), and the bilious dinner-table and office gossip that Mehta lets us overhear. Did you know that the talented writer Maeve Brennan went insane and lived in the New Yorker's ladies' room until she started smashing the glass portion of the business manager's door? (For the full story, see William Maxwell's introduction to Brennan's brilliant Springs of Affection, posthumously released in 1997.) Mehta is also in some ways in a better position than Lillian Ross to explain her function in William Shawn's life: "desk-bound as he was, and hemmed in by his phobias, [Shawn] relied on Lillian as his special eyes and ears, to keep him abreast of things going on in the city and in the culture at large."
Alas, times in the publishing industry changed brutally, while Mr. Shawn did not. Mehta gives good dirt about the bloody battle for succession to Shawn's throne--one of the plotters was dubbed "the Slasher." He never gives deeper insights than when he tells a story about the New Yorker's troubles as only an insider could while entirely, sublimely missing the point as only a New Yorker insider can. He's so loyal to his editor that he seems unaware that sometimes the man and the magazine were simply wrong, particularly when facts were altered in small ways in essays not billed as fiction.
Yet as countless New Yorker writers will tell you in person, but few have described in print, Mr. Shawn was also an editorial genius and a titanic soul. It is a privilege to be introduced to him by Mr. Mehta. --Tim Appelo

Time passing.
Any Ved Mehta book is wonderful, this is not his best.
I enjoyed this book.Mike Girardo New York

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Fun, but not the bestCON: However, to me the tone is not authentic. It sounds almost 20th Century American in places, although I understand the author is British. Holmes at times behaves in so un-Holmes-like a way as to suggest that an imposter has taken his place. He tends to be more uncooperative and disagreeable than the Holmes of the canon, and shows some curious intellectual and logical lapses in solving, or failing to solve, the mysteries. He occasionally does things, as in the last story, that Holmes simply wouldn't do.
The stories themselves present true problems (as opposed to being simply action stories featuring a character named Sherlock Holmes). However, the solutions tend to be a bit obvious in some of them.
I will happily read almost any pastiche, and I enjoyed these, but I'd place them no higher than the middle of the pack overall because of the inauthentic tone and sometimes unimaginative plots. (Of course Doyle sets a high standard.)
Good going, my dear Stockwell!
True to original
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Lower 48 Beware!
Elvis Presley's Pharmacist, etc

Goodbye Mr. Chips
A Most Moving Book
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Dear Mr. Henshaw is sad and descriptive.I love Dear Mr. Henshaw because it is sad. I think it is sad because his parents are divorced. Our book is sad because his dad takes other kids for pizza and doesn't his own child for pizza. That is why I think Dear Mr. Henshaw is sad.
Dear Mr.Henshaw is funny. I think Dear Mr. Henshaw is funny because I think Leigh was funny when he writes your pooped writer Leigh Botts. Or when he wrote we licked it instead of we liked it. That's why I think Dear Mr. Henshaw is funny. Dear Mr. Henshaw is descriptive. When his dad and mom broke up and he did not see his dad a lot.I like the way he describes how his dad likes to drive a truck. That's why I think Dear Mr. Henshaw is descriptive.
It was a great book I couldn't stop reading it.
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Embrace Life
Happy Birthday Mr SidneyOkay they made me rate it. Hello to all that are reviewing my book or thinking about purchasing it. Don't have spell check on this so best of luck. The idea of this story was based on a true incident experienced by a paramedic. I was so touched by it I created a whole story around it. How could someone end up like this? What in their life had they done? I was told that my story hits all the right senses in the right ways. I hope it does for you also. It's intended to make you laugh, cry, feel good about yourself, and Oh yea, scare you some also with a bit of suspense mixed in. I also hope you take time to let me know how you feel and enjoyed my first fiction novel. WE CAN ONLY HOPE THAT DURING OUR DEATH WE DO NOT REGRET OUR LIFE. (from the book)

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Hiding Mr. McMulty
Critique from a 13-year-old
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Little Miss Magic; Social intolerance or harmless fun?It's easy to notice that almost all characters living in Miss Magic's social arena are fairly similar in their stature; short, lacking necks and fully developed torsos. On the other hand their skin tones vary considerably. Once would think this diversity of complexions would promote tolerance and is no doubt a mark of the author's racial attitude. However upon reading how Miss Magic justifies her treatment of Mr. Tickle, it becomes quite obvious that his form of expression is an excuse for her dogmatism.
Not only did Miss Magic unscrupulously violate Mr. Tickle, she did so without dialogue or tact. Learning these traits are important in calming tensions that might otherwise lead to violence. By discovering the reasons behind one's intentions we can better understand what motivates them and possibly resolve issues diplomatically. It seems for all Miss Magic's gifts lie many shortcomings.
It is quite possible that Mr. Tickle was unaware of the way his actions were negatively affecting others. Most of the feedback he received was in the form of "moans", "groans" and "quivering". From a subjective standpoint these responses could be interpreted according to ones wishes. None of these 'victims' tried to reason with Mr. Tickle clearly on a one-to-one basis. Who was the real victim of this book?
Page 10 highlights an important philosophical point. What is fairness? I don't believe Mr. Hargreaves answers this question objectively. The illustration shows the majority smiling at Mr. Tickle's misfortune in much the same way Mr. Tickle smiled at them earlier. Is this fairness? It is right for our children to judge and punish others without their say while they delight in their misery?
It seems very plausible that although Mr. Tickle and Miss Magic share the same social strata their upbringings were quite different. In Freudian psychology we learn how one's childhood plays an important role in their social orientation. From the beginning it is clear Miss Magic has grown up with supreme control of all her belongings; her knife, her door, her toothbrush, etc.. When she leaves her house she takes this control mentality with her and objectifies people for personal gain.
Little Miss Magic
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what comes around . . . .
Little Miss SomersaultXanthe, age 4

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Wells' social fiction
pretty good book that's not really well known