Lloyds-of-London

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Art Vs. Theater
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They are Jack and Amy, two twentysomething singles living in London, and the central characters in Josie Lloyd and Emlyn Rees's joint effort, Come Together. Jack is an artist who scrapes out a living by day working part-time in a gallery and prowls the bars by night looking to "pull." Amy is a temp with dreams of becoming a fashion designer. When the two meet at a party, they spend the whole night talking; both enjoy the conversation, but while Amy starts thinking that Jack "could well be my perfect man," his thoughts run along more basic lines--he wants to see her again because "I haven't had sex for over a week and you haven't had sex for over six months. Because, Amy, we therefore have a mutual need. And, yeah, because I fancy you, too."
That last sentiment is important. Though Jack starts out trying to seduce Amy into a casual fling, he ends up falling for her hard. There's only one problem: the little matter of the nude portrait he's doing of Sally McCullen, a drop-dead gorgeous blonde and former obsession. Told in alternating he said-she said chapters, Come Together is fairly predictable plot-wise, but the prose is effortlessly comical, the characters endearing, and the details of dating in the '90s hilariously spot-on. An added frisson of enjoyment comes from the fact that Lloyd and Rees became a couple themselves in the course of writing this novel. --Alix Wilber

Interesting...but could be better.This book is written in a he said/she said point of view by Jack and Amy. They tell their thoughts to the reader in each chapter about how they feel relationships are and how they seem to be going. I kept thinking that each character had a lack of communication between each other, but great communication to the reader.
Once I got into the middle of the book, I couldn't put it down. To start the book, it took a bit to "get into it" and then towards the end, I had trouble trying to finish it. I found other "british" novels more interesting and fun to read than this one. Reading this one was like performing a chore.
The book had a great concept with the he said/she said alternate chapters. The problem to me was the way the chapters flowed. I found myself getting a bit lost at times (for example: with Jack's former girlfriends or people he worked with and had to go back and find out when the person was first mentioned.) I've seen authors of fan fiction write alternate chapters that flowed better than this novel.
TOP READ
This is the best book!I highly recommend this book to anyone who loves the 'Chick Lit' genre.
There is a sequel to this book, 'Come Again'. It is about the friends of the two main characters in 'Come Together' preparing for their special day. I didn't get past the 1st chapter...didn't like it.

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This is not South Sea Tales
Good solid 1900's sea storiesMost of the people in these stories are, of course, either victims or perpetrators (or both) of one of those long painful Western exploitations of a less civilized ("less civilized") part of the world. London knows that that's what's going on, and he writes with sympathy for all concerned, and without the more self-conscious bemoaning that would be expected of a XXIst century writer. To the modern reader, then, he can sometimes seem cold-blooded, but seldom disturbingly so.
The prose is fine and spare most of the time, and never gets in the way of the tale. The places and the tales are memorable. There is not a great variety of character and setting; the eight stories together could almost be a single novel. His voyage on the Snark (which inspired these stories) clearly left him with a strong and single impression of this place and these people, and he conveys that impression skillfully along to us.
Definitely worth reading.

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Not an insurance companyThere is an important misconception in the reviews and sinopsys on this website: Lloyd's is not an insurance company; it is an insurance market formed by syndicates providing insurance and reinsurance coverage. Some of these syndicates have been very profitable, others have not.
Fun and interesting expose about a mysterious world



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Basically, this is a book that covers everything discussed in a series of meetings with the Nation's Artistic Directors in 1987. This is an important read if you are a theater artist and have never worked running a theater, or if you wish to pursue a carrer in theater. I gave it five stars not because it is a fun read, and it's not about new directions in theater art. Theaters from all over the country are represented in this book. This is a serious glimps into the questions theaters constantly struggle with in terms of artists, adressing audience, and operating a theater. It's good to understand while artists ar busy being accepted and rejected, theaters are constantly trying to forge some kind of a direction where they can nurture a portion of artists, and create an audince for them, and survive themselves. This book lets you know what theaters are trying to do. It shows the best side of theaters, but I think the information in this book will help artists know when a theater is not aiding thier growth while working with one.
If you work for a theater, then you probably have addressed some or many of the issues and questions here in some form, but there are a lot of ideas here, and that's what theater has been build with.