House

Actually, I felt almost discouraged. I felt so far away from what Krenov describes... What I mostly thought was:

1. I'll have to read this book when I know more about cabinet making, and I can probably read it a few more times...

2. I'll offer it to an Aikido friend of mine who will doubtlessly enjoy the philosophy that is behind Krenov's words.

I was truly inspired by the landscape quilts in this book...the depth that was shown on how to make a forest look up close or distant...

the simple differences that give each quilt its unique perspective.

If you are interested in landscape quilts i found this book to be one of the best and most inspirational yet.

The pictures in this book are breathtaking and inspirational. Directions are easy to follow and include special "tip" squares on many of the pages. I highly recommend this book.

The photographs are on the whole well composed and the overall effect can be quite disturbing. An explanation of the fate of the various buildings is included. A book which sits on the shelf ready to show visitors instantly the nature and feel of infrared photography.

There is an excellent supporting article by Pete Schermerhorn in the Official Infrared FAQ describing his visits to the places photographed in the book together with map grid references.

The incident with the Nazi doctor and her parents seeming indifference to it finally lead the teenaged Ms. Kehoe to the realization that she had worth as a person and gave her the strength to break away from her father's "dark house". Unearthing the truth of her father's past buried in literally mountains of lies that comprised the deliberate, sly "shell game" Berthold Lubetkin inflicted on his wife and children is a testimony to the driving force of a tortured child's search for understanding to regain sanity from madness.

These afternoon not quite four years after Dad's death, I appeared before a rabbinical court in Boston and, having satisfied the three presiding rabbis that I knew exactly what I was letting myself in for, was formally pronounced a Jew."

What makes this book so special is that it is so much more that just a young adult novel. Yes, there is a fictional story being told here, but mixed into the fictional story are non-fictional side bar stories. So for example when the story starts to tell of a nefarious slave catcher, the author stops the fiction and starts giving us a real background of slave catchers and how they operated. Basically the footnotes for her story become part of the story. And believe me it is not distracting at all. It's almost like Barbara Greenwood is sitting us next to a fire and telling us the story and pausing every once in a while to more fully explain some things.

I also loved Heather Collins's illustrations. We are not talking the fine art you occasionally see in juvenile books, but we are talking very functional drawings that not only add to the story but to our general understanding. I would love to have a poster size picture of her drawing of "A Cotton Plantation."

In addition to the great design of this book, there are some story details that are often skipped over in many other similar type books. First off, she tell the story that slaves were still not completely free even if they made it to Canada. Also while Canada may have been the land of the free, it was not completely free of prejudice.

I collect books about the underground railroad as a hobby. And Barbara Greenwood's "The Last Safe House will be one of my most recommenced reads.

Snip, snap, snout, my tale is told out . . . . :-)