High-grade
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Where have all the flowers gone?
A meander down memory laneSure, there are incosistencies, as pointed out by others, but none so major as the Saturn/Jupiter shift between 2001 and 2010 (i.e. 2010 is a sequel to 2001 the movie, not 2001 the book), but, like Asimov, Clarke never lets a little thing like continuity get in the way of writing a story the way he thinks it should be written at the time he's writing it. That he's forthcoming and honest about it makes me tend to ignore it.
Looking at the total of the story at the end, you can't help but feel a little nostalgia for this particular little universe Clarke has created. While not up to the standards of 2001 and 2010, I don't think it would suffer a comparison with 2061. It really is time for this storyline to terminate, and I am encouraged that he's called this one the Final Odyssey.
It wasn't the best, but it was still good.
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Ok, but not great.
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Hardys clown around too much.

no answer sheet


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This last gasp seems to try but the old spark is gone. Clark again tries to give us his vision of a glorious future rampant with technology and neat doohickies. But the real story is the tale of the monoliths and how we must desperately tell the makers of same that we are not the backwards race they may have originally considered us to be. Otherwise they might do bad things to us.
Which begs the question - why in the world would an intelligent lifeform send the monoliths to uncivilized worlds and expect a progressive civilization of harmony and peace? That question, like many others, is never raised much less answered. All in all, I am glad Clarke wrote the series but a more visionary 2061 and a more literal 3001 would have been a major accomplishment.