Goes


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Book reviews for "Goes" sorted by average review score:

Not a Day Goes By
Published in Audio Cassette by Random House Audio (18 July, 2000)
Authors: Rocky Carroll and E. Lynn Harris
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Set in New York in the closing months of 1999, E. Lynn Harris's tightly plotted Not a Day Goes By bears all the outward markers of a romance by Danielle Steel or Jackie Collins--wealth, glamour, sex, and intrigue--except that the two main characters are more like the wily villains of a Dynasty remake. John "Basil" Henderson, a former football player who has started a successful sports agency with a friend, is a gorgeous, arrogant, bitter, woman-hating, homophobic, African American bisexual who is used to people staring at him. "Especially when I was naked," Basil confides, "My ass was perfect and my jimmie was both long and thick." Basil has fallen in love with an equally alluring figure, Yancey Braxton, a bronze-skinned Broadway singer whose beauty and dedication are matched by ferocious self-absorption and cunning. (Instead of attending her 10-year high school reunion, Yancey sent signed photos of herself and press packets.) Basil feels that his love has rescued him from the shallow life of a player, and he allows himself to believe that she is a good person, and that when they marry, she'll settle down a little and provide him with children. Yancey cares for Basil, too, but her career comes first. After that, sex and money. Babies aren't even on the list.

Harris's most sympathetic characters are Yancey's roommate, Windsor, a plump schoolteacher who spends her spare evenings holding abandoned babies at Hale House, and Zurich Robinson, a gay Christian ex-athlete who briefly considers joining Basil's agency, eliciting a string of ugly clichés from Basil's partner. Meanwhile, Basil, that pillar of integrity, listens in silence. The deal is scotched when Zurich announces that he has been interviewed for an article on gay men in professional athletics. When Basil asks him why he is coming out, Zurich tells him about another young quarterback who tried to run from his sexuality by getting married. The day of the wedding, he shot himself. "As Zurich told the story," Basil recounts,

I could picture the young man and for a brief moment felt the pain he was struggling with. I had been there. But it had never gotten to the point where I wanted to kill myself. If I could have talked to Milo I would have told him, "Roll with it young brother.... There is a way to have your cake and ice cream, too."
Suffice it to say that after a series of delicious plot twists and acts of increasing wickedness, it becomes clear that Basil and Yancey are too damaged to save each other. Although the characters in his sixth novel are somewhat two dimensional and his prose a little flat, E. Lynn Harris can manipulate a story line with the skill of an Eagle Scout earning his badge in knotmaking. Don't start this page-turner if you don't have six or seven free hours in which to read it straight through. --Regina Marler
Average review score:

The Basil saga continues........
The much-anticipated sixth novel by E. Lynn Harris hit number 2 last week on the New York Times Bestseller list. His last two books, Abide with Me and If This World Was Mine also were on the lists and in my opinion they were better constructed books. I am breaking my own rules in comparing because I really think each book should be judged individually it it's own merit. I can't say anything bad about; It was indeed a page-turner. If there were halves I would give it a 3 1/2. It just didn't quite warrant a four. Some reviewers have expressed disappointment and have given it low ratings. I think that is a bit much, but this last one did leave me somewhat hanging, hungering for more. I must admit I had doubts that a union between the self-absorbed, psyche damaged, wannabe star Yancey and the flip-flop, psychotic Mr. Basil could be successful. They both are so stuck on themselves and selfish but people change, right? Basil with some psychiatric treatment behind him feels he is in a position to love Yancey Braxton and gives the relationship his all, resisting temptation with both men and women. Yancey loves Basil, but not completely which leaves room for her to be influenced by her crazy, sluttish mother. They have plans for Yancey and Basil's wedding day and it doesn't look good. With all the superficial buppies, wannabe stars, and name dropping, my yearning for living in New York has somewhat dimmed. Imagine throwing a wedding and inviting celebrities in order to boost your career and to get in the hot publications. I am glad a brother is getting so much publicity and attention for this novels and I recommend all of his books starting with Invisible Life. I also look forward to his memoir.

KEPT MY ATTENTION
I liked this story. It was pretty interesting. I would not read it twice and it is not on my #1 recommendation list, but I did still liked it.

E. Lynn Harris strikes back again
E. Lynn:

First off, let me commend you on yet another masterpiece! I read Not a Day Goes By cover to cover within a day, just as my roommate did. It was excellent! You know, that Yancey may have a heart after all. But, it's impossible to drink from a well that's gone dry. Then there's Basil who is so confused he doesn't quite know what to do with himself. Yanceys' roommate Windsor was a wonderful addition to the story. I see that you left it somewhat open...does that mean that we will see Basil and Yancey again? My book club, Sistah Circle hosted your book signing of Abide With Me at Black Images in Dallas. I recall then that you said Basil might get his own book. Let me tell you, "YOU HAVE OUT DONE YOURSELF!" This book was absolutely marvelous. I received all of the invitations for Yancey and Basil's wedding, excellent idea. Whomever came up with that idea, always keep them on your team. Excellent marketing strategy. E. Lynn, what can I say besides, I simply love your books. Again I will say, since you first came into sistah's lives with Invisible Life, you have caused us to look and think twice about the men we deal with. We often times find ourselves saying, 'I hope he is not a Basil Henderson!' and praying that he is not. Please hurry with the next one, E. Lynn Harris books are my favorite. Please, do keep up the great work.

Toni Jackson Dallas, TX


Samurai Cat Goes To Hell
Published in Paperback by Tor Books (15 April, 1998)
Author: Mark E. Rogers
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Strange...
A very quirky novel, sorta sci-fi, with tongue-in-cheek writing that interacts with the author and reader. A samurai cat goes into hell to kill off Satan and find his sidekick. From there it gets real strange... :-)

I enjoyed this book a lot
This book wasn't as funny as the previous Samurai Cat installments, largely (I think) because it relies less on satire than it does on its own legs. But it's still a very imaginitive work and many parts made me laugh out loud. All in all, it's very satisfying.

It uses a very clever premise to end the series: Samurai Cat descending into the depths of Hell to avenge his master, where he can re-encounter all of his foes who perished by his blade (or gun, or grenade, or ...) in the previous books. Admittedly, a first-time Samurai Cat reader probably won't catch all the references.

So if you've been following Samurai Cat through the years, what are you waiting for? But if you're a Samurai Cat virgin, then you should probably read at least one or two of the preceeding volumes before attempting this one.

An excellent ending to an excellent series
I grew up reading the Samurai Cat series and cannot recommend the books eneough. I've read each book number of times, and every time I reread them I get jokes that I had previously missed or hadn't gotten. The only books that I have ever read that made me laugh out loud.

Rogers is a master and his work is incredibly unique and refreshing. Thanks for taking the time and making the effort to write some truly wonderful satire.

I'm sorry to see him go, but thankful for knowing him.

Saionara Tomokato.


Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor Seuss Geisel
Published in Hardcover by New Press (October, 1999)
Authors: Richard H. Minear, Theodor Seuss Geisel, Art Spiegelman, Dr. Seuss, and Art Spigelman
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Before Yertle, before the Cat in the Hat, before Little Cindy-Lou Who (but after Mulberry Street), Dr. Seuss (Theodor Geisel) made his living as a political cartoonist for New York newspaper PM. Seuss drew over 400 cartoons in just under two years for the paper, reflecting the daily's New Deal liberal slant. Starting in early 1941, when PM advocated American involvement in World War II, Seuss savaged the fascists with cunning caricatures. He also turned his pen against America's internal enemies--isolationists, hoarders, complainers, anti-Semites, and anti-black racists--and urged Americans to work together to win the war. The cartoons are often funny, peopled with bowler-hatted "everymen" and what author Art Spiegelman calls "Seussian fauna" in his preface. They are also often very disturbing--Seuss draws brutally racist images of the Japanese and even attacks Japanese Americans on numerous occasions. Perhaps most disturbing is the realization that Seuss was just reflecting the wartime zeitgeist.

Dr. Seuss Goes to War marks the first time most of these illustrations have appeared in print since they were first published. Richard H. Minear's introduction and explanatory chapters contextualize the 200 editorial cartoons (some of whose nuances might otherwise be lost on the modern reader). Those who grew up on Seuss will enjoy early glimpses of his later work; history buffs will enjoy this new--if playful and contorted--angle on World War II. --Sunny Delaney

Average review score:

The Not-So Silly, but Still Recognizable Dr. Suess
This collection of Dr. Suess' political cartoons of the WW II era is likely to intirgue both history buffs as well as the fans of all those wildly imaginative kids' books. The cartoons are not chronologically ordered. Rather, they are grouped by themes, with introductory material by Minear preceding each (e.g., "The Home Front," "Hitler and Nazi Germany," "Winning the War"). This may seem a bit chaotic to some, but in another way, it can be beneficial in that it encourages one to make one's own comparisons of cartoon symbolism by paging back and forth.

Minear provides just enough historical backdrop. What I admire is that he respects the reader enough to refrain from making a complete interpretation of the cartoons. He often poses rhetorical questions that suggest multiple motives for Suess. I like that; it leaves me to make up my own mind based on my own knowledge of historical events.

Children familiar with Seuss will have a natural attraction to the cartoons, as many of the forerunners of familar characters appear there. However, they are also likely to ask questions about things they don't understand. For children old enough (and that's a personal call), this can be a wonderful way to introduce them to the history of World War II and the political climate of the times. Suess had a strong anti-isolationist stance, but he also touches upon racism (labor exclusion practices during the war, anti-semitism). He also demonstrates some degree of racism himself, in the depiction of Japanese. True, that was the prevalent attitude of the times, but again, you have an opportunity to open up some deeper discussion with a child or with your own conscience. Teachers may be especially interested in tapping the potential of this book.

SKETCH THIS ONE A WINNER! EVEN WITHOUT THE GREEN EGGS ...
Theodor Geisel gone political? That's right. The man responsible for "Green Eggs and Ham" and "The Cat in the Hat" and "The Grinch Who Stole Christmas" has a serious side: He repeatedly vilified Hitler and the Nazi threat in a series of political cartoons he penned in the '40s for the popular, liberal New York newspaper "PM." Author and historian Richard Minear has amassed nearly 200 of these imaginative illustrations in this important book --- illustrations that urge Americans to fight Hitler, buy U.S. bonds, help control inflation and support the war effort. The enemies are clear: Hitler, Stalin, Mussolini, Japan. Seuss' work is sharply critical of anti--Semitism and anti-Black racism, yet the images are shockingly and undeniably racist in their portrayal of Japanese Americans. (Remember the time frame --- 1941-1942 --- and American opinion at the time.) Sketch this one a winner.

Many of the cartoons revolve around imminent Axis threat
Dr. Seuss Goes To War: The World War II Editorial Cartoons Of Theodor Seuss Geisel is a remarkable, memorable, and highly recommended collection of the barbed and sharp-witted editorial cartoons drawn by Theodor Seuss Geisel, who is perhaps best known as Dr. Seuss, the author of such popular favorite children's books as "Horton Hears a Who" and "The Cat in the Hat". The cartoons presented here date back to the dark years of World War II, when the Axis powers threatened to consume the world; many of the cartoons revolve around the imminent threat to America and the need to become involved before it was too late. The cartoons cease in late 1942 to early 1943 as Geisel himself went to war to protect his country. He survived the fighting but after the war was over he never returned to editorial cartoon work, but achieved an enduring literary legacy through creating children's classics with underlying meaningful themes.


Ai Pedrito: When Intelligence Goes Wrong
Published in Audio Cassette by Bridge Pubns Audio (June, 1998)
Authors: L. Ron Hubbard and Kevin J. Anderson
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Not the best I have read.
If you like spies and espionage, this would be a book for you. Ai! Pedrito! starts out a little slow and has a loose plot but, in the whole time there is something happening. This book provides a good mental image of what is happening almost like a movie. This book was a joy to read along with a funny twist. What do you think would happen if a South American revolutionary terrorist leader would switch places with an elegant, proper, and an identical twin of him that was a high ranked Naval Intelligance Officer? To find out you need to read this book. It will keep you guessing the whole way through.

Fast paced, funny, a page turner, couldn't put it down!
I have always suspected the intelligence community was an oxymoron, now I'm sure. This book is probably more true to life than we would want to believe. This is the first book I have read cover to cover, in one sitting, in a long time. It takes place in South America replete with all the political and sociological upheavals that we have come to expect. But now you will know what it is all about and espionage will never be the same. Ai! Pedrito is very entertaining and when you finish you will say, "what a ride!" I recommend it without reservation.

Great Book!
Looking for a book that will be a real thrill ride for the reader? I found the tale was fast moving and always full of excitement around each and every corner. It's a very funny, adventure, spy story of what happens when a Lt. in US Naval Intelligence and a South American revolutionary leader (who look identical) get switched.

The parody on the CIA underworld was hilarious and so where some of the situations Smith and Pedrito found themselves in. This book leaves the reader with the thought 'What if a case of mistaken identity really happened to me?' and 'Do I have a double on this planet?' The plot is what keeps you reading, making it a great 'What If' novel.


And the Crowd Goes Wild: Relive the Most Celebrated Sporting Events Ever Broadcast
Published in Paperback by Sourcebooks Trade (September, 2002)
Authors: Joe Garner, Bob Costas, and Hank Aaron
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What baseball fan doesn't get goosebumps when hearing, "The Giants win the pennant! The Giants win the pennant!" Who--hockey fan or not--doesn't feel a little bit giddy whenever they hear Al Michaels shout, "Do you believe in miracles? Yes!" Who doesn't grin when they hear Univision sportscaster Andres Cantor demonstrate his lung capacity by bellowing, "Gooooaaaal!" And who can forget "The Play" in the Cal vs. Stanford game when the Bears came back to win in the final seconds--bowling over a trombone player in the process? From an admittedly scratchy recording of Babe Ruth's memorable World Series home run in 1932 to the dramatic penalty shootout win in the 1999 Women's World Cup, And the Crowd Goes Wild captures history's greatest sports calls.

The two CDs accompanying this collection feature 47 original sports calls, including Franco Harris making the "Immaculate Reception," Secretariat winning the Triple Crown, Lou Gehrig saying goodbye, Buster Douglas upsetting Mike Tyson, and Mark McGwire beating Roger Maris's single-season home run record. The book sets up each event with capsule explanations, accompanied by stock photographs. Narrated by Bob Costas, And the Crowd Goes Wild will entertain any sports fan. --Sunny Delaney

Average review score:

Nice Concept - Costas Ruins It
The idea behind this collection is very nice. Unfortunately this is nothing more than a Bob Costas monologue interspersed with very brief snippets of broadcast footage. Like some of the other reviewers, I found myself wanting to tell Costas to shut up so I could listen to the original footage. His narration is overblown and mostly unnecessary. I recall similar collections focusing on sports and news from the 1960s that were narrated by Curt Gowdy and Walter Cronkite. Those two guys know how to set up a clip without getting in the way of it. Costas tries to be more important than the material and ruins this collection. Mine went straight to EBAY.

A real emotional sports journey
It's hard not to cry when you hear Lou Gherig's farewell speech, or when the 1980 hockey team beats the Soviets, or "The Giants win the Pennant! The Giants win the pennant!" This book is good, but the CDs are better, because you can imagine listening to the events for the first time and getting caught up in the excitement. Some are less exciting (can you really have a tense golf moment on radio?), but all are inspirational. I got goosebumps from each one. The Stanford-Cal play is still the best piece of sports announcing ever.

Wild!
No matter what sport you are interested in, this book will be something you will find interesting. This is a big glossy picture book that tells a brief history story of sports by looking at key moments in sports history in the last 100 years. There are critical moments that will live forever -- when Babe Ruth pointed his finger and called the shot for his homerun, when Lou Gehrig said goodbye forever to game he loved so much, when Secretariat won the third race to take the Triple Crown, when Nadia Comanedi nailed that perfect 10 in Olympic gymnastics, all the way up to when Tiger Woods won the Masters and Mark McGwire passed the Maris home-run record, these are the times. With this book you not only get to read about them and see the pictures, but you get the sounds from the broadcasts, too, on two CDs that are part of this item. With narration by Bob Costas (anyone who watches sports will recognize him) you can relive the moments in sound, color, pictures and words, about as close as you can get to being there. This is a great book, a great gift for any sports fan, and if anyone ever had any doubt about sports being exciting, this book has the moments that will show just how exciting things can get!


The Girls : Sappho Goes to Hollywood
Published in Paperback by LA Weekly Books (19 September, 2001)
Author: Diana McLellan
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The debut volume from the new L.A. Weekly imprint at St. Martin's Press, Diana McLellan's witty and penetrating study of the golden age of Hollywood sapphism will delight the armchair detective as well as the lavender movie buff. Thanks to McLellan's obsessive sleuthing, The Girls offers not only the most detailed biography of Mercedes de Acosta, seducer of the stars, but provides tantalizing evidence of an early affair in Germany between Marlene Dietrich and Greta Garbo, women who in later life claimed never to have met. Much of the book is devoted to Garbo--another sign of the author's good taste--and revelations abound. Sadly, the golden age gave way to McCarthyism. Even the "gayest" of Hollywood lesbians retreated into the closet, or, like de Acosta, left for Europe. McLellan tracks their disappearance in the 1950s and 1960s against the first stirrings of the gay rights movement, providing a satisfying conclusion to a fascinating but not always happy tale. --Regina Marler
Average review score:

Entertaining and Informative
Entertaining writing combined with years of extensive research makes THE GIRLS both fun and informative to read. Ms. McLellan has plumbed the depths of multiple sources including interviews, mauscript and letter collections, FBI and other government files, and film clips as well as published accounts to create a fascinating group biography which reveals much about the private lives of some of Hollywood's most famous screen goddesses, most notably Marlene Dietrich, Greta Garbo, and Tallulah Bankhead. McLellan's enlightening descriptions of the complex relationships between her main figures also explains much about the inner workings and power relationships of Hollywood during this period (the 1920s, 30s, 40s and early 50s). Her well-documented account of the many lesbian and bisexual affairs of her "girls" may be what strikes the reader first, but even more fascinating is her picture of political intrigue behind the scenes in Hollywood. Most interesting is Dietrich's first and secret husband -- international writer, Soviet spy and Commuist organizer Otto Katz -- who operated in Europe and the United States under various aliases. (As Rudolph Breda, he founded the secretly Soviet-supported Anti-Nazi League in Hollywood in 1935.) All in all, this is a book to be snapped up not only by film buffs, but also by anyone interested in the period who enjoys a good read.

Who-was-who-with who
This book should find a wide, appreciative audience. It captivates with the three beautiful women gracing the jacket, and sweeps the reader along with a stream of gossipy news. Everyone seems to have a mention, from the major players, (The Girls of the title) to fascinating parentheticals (Nancy Reagan). Film buffs will enjoy the exploration of a long suppressed area of Hollywood history, finding endless anecdotes of film-society life, a who-was-who of lesbian Hollywood. Love-matches are made, vows are broken, dirt is dished, Dietrich betrays Garbo's intimate secrets, and we are party to it all. Diana McLellan weaves a fascinating tapestry, that entertains and informs. She does far more, however, by probing the motives of women caught in the gears as American society turned down a prudish path, dragging Hollywood moguls along. If it's hard for lesbian and gay performers to be out in 2000, how must it have been in 1920? McLellan had a difficult task in unearthing deeply buried secrets, but she makes a compelling case that her deductions are correct. Of particular interest is her questioning the claim, made by both Dietrich and Garbo that they had never met, until formally introduced in Hollywood. Stuff and nonsense, says McLellan. Her evidence that the two women not only met, but were lovers, is central to the book's theme. (One would wish the Fatty Arbuckle scandal had been treated with more skepticism, but that's a quibble on my part.) This book is better than a night at most movies!

Excellent Survey!
Now this book on stars' sexuality was definitely worth buying! I could not even put it down. Miss McLellan does a superb job in revealing the true side of many of Hollywood's top female stars. And, let me tell you, some of the pictures were unbelievable! It was great fun to read about Greta Garbo, Marlene Dietrich and Tallulah Bankhead, as well as others such as Barbara Stanwyck, Claudette Colbert and Judy Garland. This is a must for any classic film buff, and anyone interested in sociological or sexual topics. A+


Glory Goes and Gets Some
Published in Hardcover by Coffee House Press (01 September, 2000)
Authors: Emily Carter and Emily Carter
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Rocks and wails
By this series of semi-autobiographical short stoies, Carter established herself as a promising new writer, who already sounds like a master. With her own very unique and artful voice, this collection maintains certain quality. Yet, what shocks us most here is her signiture first person narrative style with which she achieved the excellence of one-woman show that is the entirely objective, fearless and pitiless self-exposition, sometime with the brutality of her sincerelity, sometime with the breathtaking wisdom that came from her entirely collected self- awareness.
Even though there are some dull moments during her too remote and unenvolving handle of third person narrative stories, this collection 'Glory goes and gets some' forever rocks and wails for readers such as youth in cities, having hope only to get despaied or women in all ages when they have doubt for their lives. Read 'All the men are called MaCabe', and hail Carter's cleverly woven, almost singing-like modern day life lessons. You will find it only comes back to ONESELF, which is the very favorite word [self] of Carter as she claims.
Am very much looking forward to reading Carter's next work.

Excellent
A creative magician of seamless similes and metaphors, Carter's voice often finds a flow that carries the reader along outside of time. When your eyes eventually rise up to your bookshelf or cold cup of tea, you realize you've been taken to places you might not ever reveal had you been where she's been; and it's way past bedtime. But Carter's a brave writer who pulls back most of the curtains on her life. What you see will disturb you, but by the last page you're left grateful for her blood honesty and for the bit of humanity she's added to your life.

For the author: A simple plea. Please write more.

Minneapolis--and Glory
Glory Goes and Gets Some is my favorite book of 2000. In a weak year for fiction, when New York editors have nurtured disappointing novels by well-known and unknown writers, Coffee House Press in Minneapolis had the guts to publish a minor classic. This charming, funny, sad collection of short stories deals with a painful subject--the heroin culture in the twin cities--but Glory (Gloria), a woman in her thirties who is HIV-positive, is sweet. Emily Carter is one of the best new writers in the U.S. Her book would make a perfect gift for Zadie Smith fans (and Zadie Smith!).


David Goes to School
Published in School & Library Binding by Blue Sky Press (August, 1999)
Author: David Shannon
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David, the out-of-control monster-child from David Shannon's Caldecott Honor Book No, David! is back... and ready to disrupt the class. Shannon remembers the word "no" all too clearly from his childhood, and, as he says in his introduction, "It seems that kids haven't changed much over the years, and neither have school rules, some of which date back even further than the invention of sneakers." In David Goes to School, young David shows up late to class, goes wacko at the blackboard, chews gum in class, yells answers out of turn, pulls pigtails, stares out the window, cuts in line, has a food fight ("I don't care who started it!" says the teacher), lingers at recess, and draws on his desk. Colorful, hilarious, childlike illustrations examine our strangely appealing demon-boy at eye level, which is especially disgusting as David stretches an enormous mass of bubble gum from his pointy-toothed maw. After an intense day of exuberant misbehaving, however, he stays after school and washes all the desks until they sparkle. The day ends with a gold star and a pat on the head... something that any child (or adult) would find satisfying.(Click to see a sample spread. Copyright 1999 by David Shannon. Courtesy of Scholastic, Inc.) (Ages 2 to 6) --Karin Snelson
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Shannon nails it
When I picked this one off the shelf at our book fair, I about fell over laughing. Simplistic? Absolutely. But dead-on. I have at least one new "David" in my Firt grade class each year, and this is the book I'll be dragging out every September as a kick-off to our discussion on what appropriate behavior entails. With one line of text per page, don't expect a reading workout for your child, unless they are at a very early stage in reading. But plot is not the purpose here. We're talking humor and reassurance. My six year olds can personally relate to David's flaws, and they can appreciate the message that comes at the end: we love you anyway.

If your child acts up in class, this may be useful...
I am surprised at the great number of rather poor reveiws for this delightful book. First of all, the book is geared towards first time school-goers who are just learning the ropes of good behavior in a school setting(and may be having a hard time of it!). Many children find it difficult to behave properly in school - not all children are perfect little angels in the behavior department. As a former teacher and currently a classroom volunteer, I have noticed many young students getting scolded for the many things depicted in this story - things such as not raising you hand before speaking, not paying attention to the teacher, etc. If your child is acting up in class, I think this book might be helpful in demonstrating what is and is not acceptable at school. At the conclusion of the story, David finally learns how to behave properly and is rewarded with praise. I think this is a positive lesson! If your child does not have any behavior issues, you may not relate to this book as much as the parent/teacher who is trying to reach a disobedient child. The pictures are bright and colorful and despite some of the previous reveiwers' comments, I don't think that children reading this book wuld assume that the bad behaviors depicted in this book are something to imitate. I think the message is clear: You will be scolded for bad behavior, praised for good.

david is my hero
this book rules. i have no soul and it made me cry from laughing so hard. i dont think david started the food fight, and i love how he has no idea that he is cutting the line in the cafeteria. i wish this book had been out when i was a kid so i could have given it to the teachers that said "bridget is always in la la land" or "bridget isnt working to her full potential" or "bridget spaces out a lot" or even "bridget writes on desks too much" and say "ha! this guy did these things too and now he writes famous books that people review on this thing in the future called the internet, watch out world!"


Whatcha Gonna Do If the Grid Goes Down? Preparing Your Household For the Year 2000
Published in Spiral-bound by Virtual Sage (22 February, 1999)
Authors: Susan Robinson, Mark Stansell, and Stephany Evans
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How to prepare yourself as if you belonged to a cult!
I think that book is fairly too expensive when I compare it to its contance. So many schemes for buying food, soap, matches or cards. Oh common! If it wasn't an Amercian author, I would not believe it. Hello? Aren't we just a bit too pessimistic. 'We had fun in doing our survival weekends...' Hahaha....

Dont Pay Attention to the Two People Ranked this Book Low!!!
I was just browsing through the libary and saw this book. At first I wasn't going to touch it, but I was reminded of the phrase "Don't judge a book by it's cover" (which in this case is soooooooo true!) and pick it up. From the second I started reading it, I was in awe!! This book is absolutly perfect for anyone who, like the book says, thinks there is even a 5% chance of something happening! It does not discuss what the Millenium Bug is, and I'm fine with that, I've heard enough of that! However, it does go over what you should do and have if anything should happen.(Be it the Millenium Bug or any disaster!) It's full of charts and lists other sources as well as internet sites.ABSOLUTLY A MUST FOR ANYONE WORRIED ABOUT ANY DISASTER!!!!!!!!!!!!!!!! YOU WILL LOVE THIS BOOK!!!!!!!!!!!!!

This book informs and motivates the reader to take action!
Finally!!! A no-nonsense, practical preparation book. "Whatcha Gonna Do.." is a must for any household that wants to be prepared for natural disasters, long periods of un-employment, or disruptive and extreme weather conditions. Even if I were not concerned about the Y2K issue, I would recommend this book/manual to anyone. I could not put it down!

Living on the Gulf Coast, I spend much time, money and effort preparing my annual "hurricane pantry". Nevertheless, I have never had a plan as comprehensive as the one set forth in this book. Thanks to this publication I now have a workable plan of action that will carry my family through the next hurricane season as well as the Y2k crisis.


Generation X Goes to College: An Eye-Opening Account of Teaching in Postmodern America
Published in Paperback by Open Court Publishing Company (June, 1996)
Author: Peter Sacks
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A must-read for anyone concerned about higher education!

Everyone with an interest in the present and future of higher education in America will find this book to be at least interesting, and for many, dismaying and perhaps frightening. Most college teachers, I think, will find many things to which they can relate. I found the chronicle of Sacks's college teaching experience so similar to the kinds of things I have experienced as an educator that I couldn't put the book down.

The first part of the book is a tale of Sacks's experience teaching journalism at "a large suburban community college in the West," which he refers to only as "The College." Prior to being hired there, he was a Pulitzer Prize-nominated journalist. For various reasons, he had doubts about his future in that profession, and when a teaching job presented itself, he decided to give it a try. Whatever ideals he had about the teaching profession were quickly replaced by "confusion and bewilderment" brought on by the behavior and attitudes of Generation X students.

Sacks began teaching with the assumptions that students would read the assigned material, take notes, attend class, and turn assignments in on time. He also assumed that "C" represented average work. He very quickly learned that not only were these assumptions unfounded, but that in order to achieve tenure, he would have to play a different game. He came to realize that what these students wanted, for the most part, was to be entertained rather than educated. And that they believed that just by paying tuition they were entitled to a grade of "B" or higher whether or not they did any significant work. If these conditions were not met, he would receive negative student evaluations. And student evaluations were the main evidence cited in tenure decisions.

In discussions with colleagues he discovered that there was tacit agreement that this was the prevalent situation on campus, and that if he wanted to succeed as a teacher his student evaluations would have to improve. He was constantly admonished to "teach to the evaluations." When he changed his methods to become more entertaining (described in a chapter called "The Sandbox Experiment"), and in particular when he inflated his grades to a B, rather than a C, average, his evaluations improved dramatically.

Along the way, he encountered (either in his own classes or those of colleagues) students who asked such questions as "Do we have to read the text?" and "Why are colleges trying to force this stuff down our throats and trying to make us think when our minds and opinions are already formed?" He gradually came to see that a vicious circle existed: high academic standards meant higher attrition rates which meant budget cuts which meant loss of faculty jobs. The key to success was to ward off student failure in any way that worked.

Part 2 of the book is a more general discussion of the relation between higher education and the phenomenon of postmodernism. Sacks is quick to point out that he is not an expert in the philosophical foundations of the latter. Nevertheless, his explanation is reasonably clear, and he draws a pretty convincing picture of a generation in which skepticism and critical thought is replaced on the one hand by paranoia and distrust, and by credulousness on the other (e.g., belief in UFOs, astrology, etc.), in which "truth" is merely a social construct, everyone is entitled to succeed (where success is defined by standard of living), and in which anti-intellectualism is a virtue.

In the final chapter, Sacks makes some recommendations as to what might be done to help rectify what he obviously sees as a dangerous situation. He realizes that merely to perpuate teaching strategies that don't work in a postmodern world, even when augmented by the latest technology (an important point), will not suffice. The focus of education must shift from what you learn to how one uses that knowledge--or in Sack's words, "any given course would be one in learning how to do something, and at the same time...thinking about what you're doing, wondering why you're doing it, and imagining new ways of doing it." The role of the teacher would shift from being a "transmitter of knowledge" to that of an "expert consultant," who "[guides] students in the use of information-gathering tools, i.e., helping them learn how to learn," and "[helps] students imagine new ways of looking at knowledge, while prodding them to appreciate subtle complexities about a discipline not obtainable from machines and databases."

Sacks realizes that simply to adjust the role of the teacher as above isn't enough, however. For him the key question is the survival of higher education as a meaningful institution in our culture against the "onslaught of hyperconsumerism and amusement." Grade inflation is an obvious place to begin work, and Sacks suggests some positive steps institutions might take to combat it. The use of student evaluations in tenure decisions also needs to be scrutinized. Further, Sacks suggests that performance assessment (he cites Alverno College as an example where this has been used with success) be tried as an alternative, or at least a supplement, to traditional grading. Finally, he thinks that America ought to look more seriously at the idea that a universal college education maybe isn't for everybody after all, and that some sort of "comprehensive, national system of vocational and technical education" ought to be tried.

The debate between modernists and postmodernists will continue in spite of books like this, until postmodernism has run its course or until some new synthesis is reached. But Sacks has undeniably put his finger on a real crisis in current higher education. This is a book that should not be passed by lightly, regardless of one's philosophical position on the fate of modernism.

Raw Expose of College Teaching
I am a college instructor with twelve years teaching experience. This remarkably insightful and honest tome, written in a light, journalistic style, exposes the ugly realities of being a college professor: Immature students who crave nothing but entertainment, weak-willed educational bureaucracies that promote pandering to America's consumer ethos, and instructors who try to save their sanity--and their jobs--by becoming unwilling participants in the Kafka-esque circus known as "higher education." This book will stand as a written monument to all college faculty that have had to endure the silliness and irrationality of dealing with an educational ethos where "you never piss off the customer" and "the customer is always right." Is this a depressing book to read? Yes, especially if you're an experienced professor. However, it is a classic in its own time, and a "keeper" for any veteran academic.

A must-read for professors, TAs and staff members!
One of my coworkers and friends lent me this book, and it blew me away. Our department was made up of four Gen-Xers and several baby boomers - so we were coping with "Gen Y", not Gen X.

I recognize some of these characters from my own college follies (one of my favorite professors was considered "arrogant" because he demanded such things of students as reading the NY Times and watching the news regularly!)... yet agree with other reviews that the poor attention spans and consumerist attitudes have only gotten worse. I blame SpongeBob.

I wonder if there's something else going on besides what Sacks writes about - with this idea of the "quarter century crisis", perhaps adolescence and its ambivalence and passive-aggressiveness, is lasting longer. The persistently bad economy isn't promising students anything great after graduation - at least Gen Xers had the dot.com world and the raging Dow to motivate them.

Meanwhile, this "grade inflation" is not starting in college - it's going back to high school and earlier. If the state of Wisconsin can happily inflate how well their educational system is doing, how morally hard is it to coach kids to do well on the California Achievement Test or PSAT? Meanwhile, high school students in Europe and Great Britain are graduating with two years more experience and knowledge than American kids the same age and "rank".

Postmodernist thinking has definitely chipped away at the idea of reverence for elders, leaders or experts. It's also hurt these kids' sense of their own capabilities and weaknesses. When everyone is considered "special," but in a bland sort of way, like a preschool video game where "everyone is a winner," why wouldn't teenagers only do enough to "get by" and then still expect A grades? Meanwhile, deep down, these kids know that they have yet to be really tested, or challenged - and while some of them go on to relish learning, others avoid facing their own inadequacies. You *must* face your inadequacies and take chances (whether you win or screw up) to grow! And if the school systems and colleges aren't making them face facts, and really learn - wow, just consider what sort of graduates we're feeding into every sector of society, from government to corporate America.

Over and over, I was shocked to see students at a so-called "socially progressive" school (it wasn't Antioch, but you get the drift) avoid taking on any real responsibility or burden for positive social change. Students would whine about the lack of action in the classroom or on campus, then back down when challenged or encouraged to use the resources at their disposal! Students would "talk the talk" but shirk responsibility or creative risk-taking, and that was saddest of all - if you can't take chances in college, and expand your academic and social boundaries, where else will you do it?


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