Form-3 Books
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Best Ever Paper AirplanesReview Date: 2000-10-13
Fun With a Sheet of PaperReview Date: 2007-07-17
Great introduction for adults and childrenReview Date: 2003-09-29
Used price: $23.22

Brilliant Comedy!Review Date: 2004-05-25
"The Best of Bob & Ray" Is Simply the Best!Review Date: 2001-09-28
This is the best volume of a great setReview Date: 2001-09-28

Used price: $153.07

Great Book from a College StudentReview Date: 2006-02-22
Scholar hits the mark on higher ed outreachReview Date: 2001-06-02
Hostos is my particular concern, since I am a Dean at Hostos, and I am well versed in the challenges we face each day in serving our South Bronx community. I believe that Dr. Maurrasse has indeed hit the mark and hit it well in this study. I can, at least, verify his contextualizing of the Hostos mission and its community's needs. His method of becoming thoroughly familiar with the physical aspects of each campus and its history by closely interviewing members of the community as well as faculty, staff, administrators, and students is laudable. At Hostos I know he spoke to long-time stakeholders from the college community and the community at large.
The book should be challenging higher education policy makers to focus on improving community outreach strategic plans for years to come. IHEs can not afford to be percieved as "ivory towers."
Community PartnershipsReview Date: 2001-05-10

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Gary Larson was firing on all cylinders!Review Date: 2006-12-23
Remember these classics?
"And now Edgar's gone... Something's going on around here."
"Early vegetarians returning from the kill."
"Well, what the?... I THOUGHT I smelled something."
"Wait a minute! Isn't anyone here a real sheep?"
And my personal all-time favorite:
"Late again!... This better be good!"
Gary Larson, Come Back, All Is Forgiven!Review Date: 2005-08-23
A remarkably funny book.Review Date: 2000-04-01

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THIS BOOK'S AWESOME!!!!!!!!!!Review Date: 2003-03-12
wonderful, dense images -- with a magnifying glass too!Review Date: 2003-01-12
Each pre-folded out page has several paragraphs of explanatory text that are intriguing and funny. A flat magnifier is attached to the book by a ribbon. The end pages show maps, explorer's tools and silly photographs of the author on his treks, while the book cover looks like Prof. Al Lorenz's travel-worn satchel.
This is a fun concept-book, well-executed and a pleasure for readers (of any age) who are adventurers at heart.
Not Just For Children!Review Date: 2000-11-02
I boughtthis book and I don't even have children!
The level of detail in theillustrations is staggering, and one will be drawn to the book again,as there is always something new to discover.
I applaud thecreators and hope that there will be more good things to come.

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A Comprehensive Overview of the Creating of Mount RushmoreReview Date: 2007-05-14
The Creation of a MonumentReview Date: 2006-12-18
If you have an interest in Mount Rushmore, this is a very worthwhile read.
Engrossing tale of how our Nationa Memorial came to be.Review Date: 1998-02-04

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Great book! Great seller!!Review Date: 2008-12-21
Adorable - a must-have for cat-loversReview Date: 2004-11-16
I think my favorite is: "Oh Come All Ye Furful" -- it's not only very funny but perfectly captures cat-ness in lyrics such as:
Oh come all ye furful
Hungry and well-rested
Oh come ye, oh come ye
To the master bedroom
and
Meow, choirs of felines
Meow in expectation
Meow 'til you get your mom
And dad out of bed
Fun and funny feline versions of Christmas carols.Review Date: 1998-07-07

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Think of Matt Groening as the Dante of modern childhoodReview Date: 2003-06-06
35 year old childhood memories brought back to lifeReview Date: 1999-07-10
my first self-help book with fabulous sense of humorReview Date: 1999-01-01

Expression and Musical Precepts of 18th Century Classic MusicReview Date: 2008-09-26
"The music of Haydn, Mozart, and Beethoven and their contemporaries has a familiar and friendly ring. It speaks to us clearly and directly. We are moved by the power of eloquence of its masterpieces, and we delight in the trimness and fluency of its minor works.
Much has been written about this music and its makers. Library shelves are crowded with histories, biographies, surveys, bibliography and gesture studies. Yet something eludes us among this extensive literature; that is, a full-scale explication of the stylistic premises of classic music, a guide to the principles according to which this music was composed.
This book undertakes to define these principles. It offers a set of criteria, drawn from musical analysis and theoretical treatises of the 18th century, that can serve as guidelines for the investigation of classic music.
The music central to this study, circa 1770-1800, is vast in quantity. The 'Breitkopf Thematic Catalogue, 1762-1787', lists thematic incipits of close to 10,000 compositions; thousands of 18th-century composers are listed in the RISM catalogue.
The problems of recovery, authentication, and editing this enormous repertory are overwhelming. But its very size becomes and advantage for style analysis. Since most of this music had to be composed quickly, for immediate use, composers relied on familiar and universally accepted formulas for its organization and handling of detail. Wherever we sample this music, we find it runs true to type.
This consistency bespeaks a 'language' understood throughout Europe and parts of the New World. Moreover, to speak of the 18th-century music as a language is not simply to use a figure of speech. Structural parallels between music and oratory follow a clear path through music theory of the 17th and 18th centuries. Just as there were rules for organizing an oratorical discourse, so were there explicit prescriptions for building a musical progression. Both language and music and their vocabulary, syntax, and arrangement of formal structures, subsumed under the title 'Rhetoric.' The skilled composer, the well-trained performer, the perceptive listener had command of musical rhetoric, much as a literate person today deal with the grammar of language. The expertise of the composer was shown in his ability to manipulate his ideas flexibly and felicitously within the rhetorical system.
...
This book allows the student to approach the music and musical precepts of the 18th century in much the same way a listener of that time would have done. The first attraction to the music would be to its melodic materials, the topics of the musical discourse, its vocabulary. They are examined in detail in Part I, 'Expression.'
Each of the following sections probes deeper into the core of the music: its syntax is examined in Part II, 'Rhetoric'; its formal structure in Part III, 'Form'; and its overall style in Part IV, 'Stylistic Perspectives.' The rhetorical principles discussed here have been used by the author in his teaching of music literature and theory at Stanford University. The volume is addressed to students, performers, and listeners, whose appreciation of the scope of classic music can be increased by insights into how it was put together."
ExcellentReview Date: 2004-04-11
One of the best aroundReview Date: 2001-12-11

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Highly recommended, informative reading.Review Date: 2000-07-03
Highly recommended, informative reading.Review Date: 2000-07-03
Rewarding, informative, highly recommended reading.Review Date: 2000-06-06
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