FO Books

This book helps make the catechism easily understood. Great for reading as it combines several sections and
explains them for the student, youth or adult.

The Compendium of Catechism of the Catholic Church is an excellent "condensation" (the right word to use escapes me now)of the Catechism. It's written in clear, easy-to-understand English without sounding pedestrian. It's in question and answer format but still following the CCC outline. It is not a substitute however for the CCC which might take much longer to read. But if you want a quick and easy reference to answer your own or others's questions, this is very helpful lest you want to lose the opportunity for some "apostolate" work. It took me less than three days to leisurely read the whole book. And now using it as quick reference as I read the CCC at the same time.

I have been impressed with the way Pope Benedict XVI writes. I suspect, much of the content of this book, reflect his personal style of writing. After all, he (as Cardinal Ratzinger) presided over the ICC that prepared the Compendium. The copy I have is the one printed by the USCCB. The texts are clearly printed and very legible. The choices of the of the photos and annotations are excellent. Another great feature of this publication is the compilation of popular prayers and devotions in English and in Latin so you won't need to have a separate prayer book while studying this one.

I would have given this copy 5 stars, but the binding broke apart after one reading. Although this could be a problem resulting from my country's climate.

Strongly recommended for an incoming Catholic or an old Catholic brushing up on their knowledge. I am using the Compendium as an ordinary Catholic sitting in on RCIA classes with some soon to be Catholics. It has turned out to be a very readable primer (or review, in my case) on Catholic teaching, and I believe it covers the bases (with references to corresponding sections of the Catechism at margins in case anyone wants more depth). While we used this in a class format, I think it would be readable for oneself or in a group (or in a family). The format is Q&A and split into five sections--it's pretty manageable to go through it quickly (i.e., a couple months), although I would recommend taking time to digest the information. I do find it helpful to have someone more knowledgeable than me (priest, etc) to help when I don't understand something. There were a few "answers" that I needed help understanding. This is not a replacement for RCIA or formal catechism, but I think this book is now an essential in learning about and understanding the Catholic faith (unless you're inclined to tackle the whole Catechism). For me, it was a needed refresher course. There is a lovely prayer section in the back. My only complaint is that I wish the Apostle's Creed could be repeated in the back to make saying the Rosary from the book a little easier for those of us who haven't memorized it quite yet. It's not an extensive prayer handbook, however, so I don't know if it's fair to ask it to do this. It won't tell you how to go through mass (the How-to Book of Mass is good for this) if you're a new convert, or how to do confession, although it does discuss the spirit of these matters. I got the paperback version, and it seems to have taken abuse from my throwing it around in my bag quite a bit, so I believe even the paperback is well-made.

If you're wondering whether or not the Pope is still Roman Catholic, you won't after reading this. I found it very handy, well referenced (lots of notes back to the Catechism itself) and clear to read. It is a reasonably short exposition of the key doctrines of the Roman Catholic Church, and presents itself well.

I offer this from the perspective of a catholic-minded Lutheran, who has been flipping through the CCC since it was published in the 1990's. While there is a risk that the Compendium will reduce reference to the Catechism, it does help clarify conversations between communions.

I purchased this book for a faith formation class I'm taking, and let me just say that I am overjoyed to be reading such a fine piece of work.

When read hand-in-hand with the Catechism of the Catholic Church, a very real, in-depth view of our faith arises; it accurately portrays the beauty and mystery of the faith that Christ has handed to us through His Bride, the Church.

I can't stress how fundamentally important it is for Catholics to actually know their faith, and how important this book is for an amateur apologist such as myself. This book is really helping me live the Catholic life, and not just falsely claim the title of being Catholic.

Hi, I have read many of these amazing books and they are all true. It is beyond uplifting to read these stories because they are about love, about serendipity that is often so beyond amazing we call these things, "miracles" surely as miraculous as dawn, the sunset, the smile on a baby's face, a tree in the full glory of autumn, LIFE itself! Now I am experiencing massive astonishing synchronicity and once contacted these authors, because by now, in my small life I have a Library of such incredible but true events and they do, they must, involve us all, and also bring us into a new understanding of the cosmos and our place here. There is no way any thinking person could characterize these connects, called also "beshert" in Hebrew, "random" when they occur so frequently and so obviously that it is a hail of story. I am recording this. I do believe in aggregate this is Proof of the existence of a prime mover, and in fact this is how it all began for me. With Give me More, I can Prove YOUR existence by way of a life.

I am saying something deep. Parts of my Diary, about such synchronicity, about friendship and love, are now at Brown University, the Hay Library, the Mel Yoken Collection of Letters.

Back to these books: READ them. They are inspiring and spirited. They are entirely about a miracle, that's occurring right here, right now. I am saying these coincidences are leading us into a new way of perceiving ourselves and this "journey" that is part of all of our lives. Share the Road! We all are storytellers and we all need to do this, NOW, and we may be sure that we are leaving profound footprints, all of us, wherever we go but that this story about footsteps in the sand, is more true than we ever thought possible.

This is a little treasure chest of wonderful stories that truly are uplifting. I really did enjoy reading this book!

I read SMALL MIRACLES, some years ago. This seems to be the same book, exactly, although, when I ordered it, I thought it was a sequel. I liked it better the first time around, when the anecdotes sounded more "golly-gee-wiz" than they do the second.

Miracles happen every day. Yitta Halberstam and Judith Leventhal are angels themselves, bringing these fantastic stories to millions of people. Buy and read every single one of their books. Not only are they hard to put down, you won't be able to look at your life with the same eyes ever again!

I found this unique book of coincidences to be remarkable. While the authors relate it to Jewish principles, giving a moral or rule at the end of each 'episode,' their statements are applicable to those of all faiths.
There were short, short stories, short stories and those a few pages long. But all showed the positive human spirit that exists in everyone of us if we give ourselves a chance and don't close our minds. Sometimea a bad choice becomes a great move. An ordinary act becomes heroic to those on both sides. And, almost always, WHAT GOES AROUND COMES AROUND. There are no stories of coincidences that backfired, although one can be sure scores of these exist too. But the purpose is to bring joy, hope,
confidence and more open-mindedness to the readers, with the desire that they will share this with many more. A brilliant person with a promising
future suddenly gets terminal lung cancer. But the person telling it mentions some small act that was done, often out of common courtesy. And in this case, one of the six items the dying person wanted in his casket was a letter of encouragement from the teacher.

This is a book for teachers, educators and all who desire to be educated.
I acquired it for $.50 at a flea market booth, after just noticing the
colorful (but also bland) yellow cover. This is the best $5.00 expenditure
I've ever made. I'll share my copy with others and have ordered another
version. Whether you are in the dumps or feeling great, the stories will
heighten your consciousness and create more appreciation for your present lot. I am fortunate to have found it. Please consider my words. Advice
is worthless. Words from the heart can be meaningful. My heart speaks.

This is the best Civil War story that I have ever read. Lynn Austin did a fantastic job of writing the true feelings of one young girl. Caroline never agreed with slavery, but it is all she has ever known. This book follows her decision to do something different that will change the world. I found this book very well written and I couldn't set it down. I love books that tell the story of the Civil War. This story outshines anything else I have read about this time period. Lynn Austin is an truly amazing and gifted author who is able to intertwine Gods love through every theme in her books. This is a must read for any fan of History, or Lynn Austin.

This story was put together perfectly. Excellent. I could read it again. If you like civil war period fiction you'll probably love this.

this was a great series and I've started passing it around. Great story and characters.

Thanks!

I read this book in 2 days and couldn't put it down last night until I finished it at 2am. The author gave great details on the war and the characters that you feel like you're part of the story. I also like how the character, Caroline Fletcher, stood up for what she believed and still fought to save her family, even though they didn't agreed what she believed in. I also liked how the author compared the civil war to Bible times. It' never occurred to me how similar the war is to the Egyptian times. Overall, this is a great book that can't be put down without finishing it. I'm looking forward to reading more of Lynn Austin's books.

I picked this book up after reading another Lynn Austin book, Hidden Places. I was engrossed from the first page. I read it in one day. The characters were great, especially the main character. It challenged my views of the Civil War and slavery. It was excellent. The other two in the series are wonderful as well. HIGHLY RECOMMEND!

A. Schopenhauer and Ralph W. Emerson deserve to be read together. I remember reading these two at roughly the same time and they blew my mind open, splattering it on whatever was behind me. Schopenhauer writes beautifully, with great wit, humor and massive quantities of vitrol all at once. R. J. Hollingdale, famous for his superlative translations of Friedrich Nietzsche's writings, does justice to this collection; it's only a shame that he never translated the rest of his writings, or at least the World as Will and Representation.

A brief passage for those who might be otherwise daunted:

"Dilettantes! Dilettantes! -- this is the derogatory cry those who apply themselves to art or science for the sake of gain raise against those who pursue it for love of it and pleasure in it. THis derogation rests on their vulgar conviction that no one would take up a thing seriously unless prompted to it by want, hunger, or some other kind of greediness. The public has the same outlook and consequently holds the same opinion, which is the origin of its universal respect for 'the professional' and its mistrust of the dilettante. the truth, however, is that to the dilettante the thing is the end, while to the professional as such it is the means; and only he who is directly interested in a thing, and occupies himself with it form love of it, will pursue it with entire seriousness. It is from such as these, and not from wage earners, that the greatest things have always come." pg. 227

My copy is showing age and serious wear; I'd recommend picking up two, you'll be reading this into the dust.
If you enjoy the 'gallant' misogeny and self-sure egoism in passages like those from his essay "On Women" I'd reccomend Max Stirner's "Ego and its Own"--a must for rampant individualists. Another plus: caustic enough to rile the ire of a young K. Marx. Thoreau minus patience.

I came to Schopenhauer's work reluctantly, having been put off by two things: first, his well-known belligerent attitude towards women (misogyny is an understatement); and second by Nietzsche, who - despite an early infatuation with Schopenhauer - later turned against his "mentor" (of sorts), claiming his work lacked any ethical applicability.

Yet, as an avid reader of philosophy in general, I found myself repeatedly drawn towards Schopenhauer through various resources. After putting my prejudices aside, then, I have to say that I consumed this volume with great enthusiasm and found Schopenhauer to be one of the clearest, most articulate philosophers in the Western tradition. He was, in a word, a genius.

Sure, the "Buddha of Frankfurt" (his nickname) was not saint, but Schopenhauer himself would have been the first to admit it. That said, I think the chapter on women and Nietzsche's complaints should be kept in mind, but not used to disallow the rest of his brilliant methaphysical writing.

I want to mention here, too, that the introduction by R.J. Hollingdale is outstanding and helpful. I have read Kant, but I still found his summary of philosophy leading up to Schopenhauer to be a refreshing and lively review (compared, say, with the dull, unhelpful introduction by Dave Berman in Everyman's edition of The World as Will and Idea). It is hard to sum up Kant's thought in a few pages, but Hollingdale does a great job, I think.

Finally, I don't think you need to have read Kant to understand most of the ideas presented in this text. Also, I have to concur with Schopenhauer's university philosophy professor, G.E. Schulze, who told the young thinker to stick with ONLY Plato and Kant - but to that small list I would now add the name Schopenhauer.

I highly recommend this text for both beginners and experts in the field -it is THAT good...and it just might change your whole perspective, if not your way of life. Amazing!

What shall I say of Schopenhauer? I've read much of his "The World as Will and Idea," but I like his "Essays and Aphorisms" better. The "Essays" state all of his major ideas but in a more enjoyable and palatable form. His magnum opus explicates his philosophy more completely, but I was bogged down by his incessant treatment of Kantian transcendentalism, which contextualized his work and gave it legitimacy within his time period.

But I would argue that Schopenhauer is known for his pessimistic interpretation of existence, and his intellectual and artistic reworkings of Vedantic and Buddhistic philosophy. He was able to enmesh Kantian and Eastern idealism within a conernful way of life within the world.

One delights in Schopenhauer's verbal abuse of life, Christian metaphysics (not Christianity itself), and optimisms of every kind. He has a way of reducing cherished sentiments and ideals to the absurd mechanisms of control and torture: the systems of human existence.

Read the "Essays" if you want to be challenged, if you want to have some wicked fun, and if you wish to consider your own existence within a definite and different (but not necessarily definitive) framework.

This is a brief compendium and collection of Schopenhauer's expository writing, suitable for a quick introduction to many of his ideas and most famous sayings. Few philosophers were as clear and concise in their writing as he was, and this little book contains many of most quotable and trenchant passages. The Schopenhauer neophyte as well as the more experienced reader will find much to reflect on and to entertain here.

Personally, I like Schopenhauer despite his overall downer message, although his philosophy and metaphysics, which is which is called absolute voluntaristic idealism, hasn't faired that well in the last 100 years, although when I was in college 30 years ago he seemed to be popular among the students I knew who were studying philosophy.

There are several reasons why Schopenhauer's thought is still important. An idealist like Kant, he kept Kant's distinction between the noumenal and the phenomenal, between the mental and external representations of reality. Kant's defense of idealism, that some ideas or at least mental processes are innate, is still relevant in modern brain science and neurobiology and in Chomsky's theories in linguistics, especially in regard to Chomsky's ideas about language learning and acquisition, in which there is support from brain science for a built-in facility in humans for language, and possibly an innate syntactical generator component to language ability.

Although innate ideas probably don't exist in the way that Kant envisioned them, modern brain science has supported his theory that the mind or brain is actively involved in the organizing and structuring of the data from the senses, and that we couldn't make sense of reality if we didn't have inborn aptitudes and capabilities to do that.

Schopenhauer emphasized the importance of Eastern philosophy and the validity of its introspective methods, while maintaining his overall empirical approach. His moral and ethical philosophy is based on compassion rather than on practical and reasonable considerations like Kant's. He was probably the first important western philosopher to give credit to Zen and Buddhist thought, while remaining faithful to the empirical principles of science.

Outside of philosophy his thoughts have had a major impact on psychology and the arts. He was the most important influence on both Nietzsche and Wittgenstein, and he also had a great influence on Freud and Jung, and on writers and composers from Wagner to Tolstoy. During the 20th century, Schopenhauer's reputation faded and the importance of his work has been to a great extent overlooked, but recent books show that his importance is being rediscovered and reappraised.

I have to include this brief passage on his thought, since it's excellent, which I obtained from the biographies section of Bluepete website.

"Schopenhauer's system of philosophy, as previously mentioned, was based on that of Kant's. Schopenhauer did not believe that people had individual wills but were rather simply part of a vast and single will that pervades the universe: that the feeling of separateness that each of has is but an illusion. So far this sounds much like the Spinozistic view or the Naturalistic School of philosophy. The problem with Schopenhauer, and certainly unlike Spinoza, is that, in his view, "the cosmic will is wicked ... and the source of all endless suffering."

I have a personal anecdote to recount. My college roommates and I used to read Schopenhauer at night to each other over a couple of beers, and we found his acerbic, trenchant style and sharp wit a delight to read, and this book is perhaps the best example of his prose in that regard. One Schopenhauer quote I still remember after 30 years is: "Intellect comes from the mother; character from the father," which might say a lot about his family life and how he grew up.

Schopenhauer is also famous for quotes such as:

"The two foes of human happiness are pain and boredom."
(from his Essays, Personality; or What a Man Is).

"I have long held the opinion that the amount of noise that anyone can bear undisturbed stands in inverse proportion to his mental capacity and therefore be regarded as pretty fair measure of it."

"To marry is to halve your rights and double your duties."

I have to include my favorite quote on marriage here, although it isn't Schopenhauer's, and I don't know where it came from, although it echoes his sentiments: "Marriage is the institution where the woman loses her the name and the man his solvency."

His dyspeptic view of life might have been fostered by his delicate digestive system. He would spent many minutes poring over the menu before ordering his food in the cafes where he usually dined, because a wrong choice "could send his nerves ringing for days," according to one comment I read about him. Whatever the source of his pessimism, Schopenhauer seemed almost embarrassed and ashamed to be in a human body, because he did not seem to find much good in humans or human society. No doubt he would have preferred to be a higher, more intelligent species than humans, if such exists somewhere else in the universe. But Schopenauer didn't seem to think that intelligent life existed here. :-)

Whatever the current fate of his reputation, Schopenhauer was a uniquely gloomy intellect who contributed much to several areas of philosophy. And not the least of his virtues is that he was a true cynic and pessimist--surely the most accurate view of life, after all. :-)

Schopenhauer's father committed suicide. Son Arthur had been very devoted to his father Heinrich Floris. The high-sensitive son could not deal with the fact, that his mother Johanna had preferred to talk with Goethe in her Weimar Literary Salon instead of helping her husband, getting more and more depressed as a salesman in Hamburg. A typical, later on dialogue between mother (at that time a famous novelist) and son, fresh university lecturer: "One still will read my writings, at a time, when your books are out of stock and only one copy can be found in a lumber-room." Mother thereupon sneering: "The whole, complete edition of your writings, my son, still will be waiting to get an order to be shipped..." (the reviewer fears that his own frizztext-book might have to suffer the same fate). "The World as Will", as too much inconsiderate will-to-live - in such a way Schopenhauer (February 22, 1788 - September 21, 1860) experienced the whole human being. With persistance and arrogance, with brain and bile, suffering and bitterly, but with sensitivity and empathy as well he wrote - trying not to get overwhelmed by disgust. He had a deep neurotic aversion against women (surely involved by his mother). Once he pushed in anger his charwoman down the stairs backwards. But this female individual offered resistance very intellectually: She successful called a judge and Schopenhauer was sentenced, to pay a pension to her - all her life long. But exactly this evil bile encouraged him, on the other hand, to fight against mother Johanna and Goethe, against Hegel and diverse money-lenders. However just opposite to his choleric, hot-tempered way of life, his philosophical theory proclaimed to be calm as a Buddha. He adored Eastern Vedic (Buddhist) Scriptures. He adored enjoying art as a way out of the more mediocre and less passionate masses. The summary of his philosophy finally is the reference to the noblesse to demand nothing; this German philosopher's hope is, that "willing" might be silenced. 150 years and some wars later we all should agree. "To be vulgar is nothing else than giving the leading role in our consciousness to the will and not to the cognition." This tiny book is still able to help today's readers to climb not a meditative, but a thoughtful level. And still it is not out of stock in the most nations ...

You can use the framework taught in this book to make decisions and create circumstances for others to make right decisions. Very easy to read. Designed to be useful and practically relevant to making decisions for businesses.

This is a great read whether you're a college student or just interested in a very practical construct for understanding business analysis and decision-making. Don't view this as the dry, age-old, micro-econ, theoretical, drudgery. This is real-life, pragmatic, business economics that ought to be read by students, entrepreneurs and executives alike. Better than Levitt's Freakonomics since it's beyond just interesting facts, it's actually useful in business practice. Who can ever refer to a managerial econ tome as actually fun and engaging to read. This one is. Buy it, start it...and, I guarantee you'll finish it.

Imagine my surprise upon reading this book. I majored in Economics in college and vividly remember "waiting" for the more advanced classes to reveal something practical as I advanced towards graduation. That proved elusive. College economics texts were all much the same - theoretical and full of supply/demand curves. They were boring.
My complimets to Luke Froeb for taking a practical approach to this subject matter. In doing so, he has done his profession a favor and challenged the status quo. This is a unique book, and for the sake of future Economics and Business students I hope that its delivery and stylistic examples become the way this subject is taught from this point forward.

This book is a great read for beginners and experts alike. Its easy-to-relate examples make sure the message gets across - how to solve business problems using micro-economics.

The book is full of "easy to apply" tools in various situations. If you have read this book, your approach to problem solving will never be the same again!

Highly recommended!

Not your typical economics text - the writing is lean and precise, and the authors use examples that demonstrate the concepts in ways that business students will find useful beyond the classroom.

I enjoyed this book so much that I read it twice,
then a year later, read it again!!---FANTASTIC!!
It captures the times, the people, places and things that
made Sylvester, San Francisco, that music and that era
such a golden & magical time!
I love the stories of the young Sylvester growing up in
South Central L.A. in the 50's and 60's, FLAMING THE CHILDREN!!
Giving them fabulousness and outrageousness at every turn,
from his soul-stirring falsetto rendition of the black gospel
classic "Never Grow Old", to the rawkus "DISQUOTAYS", a rag-tag
gang of young black drag queens that he hung out with, to the
off-the-charts outfits that must've stopped traffic in
the hood big time! (LOL!!)
It was evident to all who knew him even then, that this
pretty black child with the high voice was way different
and way way special!! (-:

Some didn't know how to take Sylvester or even know what to
do with him, yet he pressed on!---Carving out his own space
within the harsh realities of ghetto life as best he could.
Sylvester was a true pioneer in every way!
He didn't see race, gender, the expectations of others,
the taunts of hateful & ignorant people, etc.,
as obstacles or boundaries he needed to respect.
He was a true original!--Uncut, undiluted, young, black,
gay, gifted, stylish, full of charm and ambition,
with the soul of a torch singer or a blues shouter
infused by a rock-n-roll rebel spirit and soul singer's chops!
What a combination!
I myself can attest to Sylvester's impact, as both a fan
and as young gay black kid who was coming of age and into
self-awareness at the very time that his star was reaching it's zenith!
I had just started partying and experimenting sexually by
the age of 14 in 1978 when "Dance (Disco Heat)" and
"You Make Me Feel (Mighty Real!)" burst onto the music charts,
in the clubs and in house parties across the country
and eventually, the world!
I couldn't yet get into the disco clubs, but oh boy!--
I could sure get into house parties!
I was hanging out with people who were 5 to 10 yrs older
than me and I was learning MANY INTERESTING THINGS!!
Of course, back then you had "FAIRY GODMUTHAZ", older gays
who would take us young "up & comings" under their chiffon wings
and school us on the do's and don't's of gay life, sex & survival
in the late 70's and early 80's!!
PRE-AIDS and in the last writhing throws of the SEXUAL REVOLUTION,
it was a great time to be alive!
I grew up in the south during this time, which already had
it's issues with race and sexuality, so the gay world of that time,
on that end of the country, was very still underground,
hypocritcal and always hush-hush!!
There were a lot of secret stares, codes, slangs, etc.
to let those who needed to know, what you wanted them to know.
But though it was very repressed and subterfuge,
MAN, DID WE HAVE SOME FUN TIMES IN OUR LITTLE NETHERWORLD!!
And yes, as is now, back then, straight men did venture
into our world quite frequently!!

Anywayz, enter THE FABULOUS SYLVESTER from the legendary
and exotically far reaches of a city they called
"the gay shangri-la"...aka SAN FRANCISCO!!
It was the summer of 1978, and here was this strong,
proud, black, beautiful, talented, androgynous gay man
telling us, by the very nature of his exsistence,
that it was not only alright to be what you were out
in full view of the world, but it was also our duty
to be FABULOUS & JOYOUS!! (-:
Sylvester was more than just a disco diva,
HE WAS A WHOLE MOVEMENT!!--Every time he would perform,
it was part church revival, part circus, part drag pageant
and part gay pride celebration!!

TRUE STORY!!---Picture It!!--Greenville, SC in May of 1979...
I had just turned 15 yrs old, and me and two young gay freinds
of mine, one 16 and one 18, hear through the grapevine
that none other than THE FABULOUS SYLVESTER would be appearing
at a club called SAN SOUCCI's in Atlanta, GA
(which was 200+ miles way, and well on it's way to becoming
the southern San Francisco!) and we go absolutely nuts!
It becomes our mission, our sole purpose for exsisting!!
Our quest, to somehow, obtain fake ID's, fabulous disco-era
outfits replete with lots of glitter, dripping foxtails
off the lapels & double belts, shoes called "crayons"
that had a clear amber heel that had lights in them that
blinked in rhythm as you danced your booty off on the dance
floor, either Sassoon or Jordache jeans which had a little
stretch fabric blended in with the denim to hug your firm
perky teen-aged azz and tiny waist to perfection,
outlining your package in the front, and making
the local guys salivate with lust over a hot piece
of TENDERONI like you! (LOL!!--we were too much!)

We pooled our allowances, our summer jobs, etc. to
obtain tickets through an older bisexual cousin of mine
who lived down in Atlanta at the time, who also arranged
the fake ID's as well.
Keep in mind, I had just turned 15, one freind was 16
and the other was 18...none of our parents even knew
we were gay, and there was no way in the hell
that they would've sanctioned us (under-aged)
going all that way to Atlanta...and to see this
gender-inspecific weirdo named SYLVESTER!!
(Boy George and Ru Paul were still a ways off yet!)

So me and my freinds, being rife with teenaged angst,
secretiveness and resourcefulness, concoct the half-baked
scheme to hitchhike from Greenville to Atlanta with duffle
bags in tow filled with our outfits, toiletries, etc.,
use our fake ID's to get into the club and party with
Sylvester & Two Tons O' Fun into the wee hours,
get my older bi cousin to rent us a hotel room in Atlanta,
have us a slam bang good time with some local fellaz
overnight and then hitch it back to Greenville by Sunday
evening before 5 pm!! (LMAO!!)

Anywayz, long story short, as is with all half-cocked
and scantily thought out teenaged schemes, we did pull it off,
got in the club and got down with Sylvester, got high,
got the boys, got the hotel room, etc.
But what we didn't bargain on was our mothers not being born
yesterday and the lose lips of the jealous young queens
who wished they had the balls to pull off what we did!
(We got ratted out big time!)
We also had a hell of a time trying to hitch it back
from Atlanta to Greenville on a Sunday morning, and after
our mothers up in SC found out what we had done,
they got in a car and headed for us like heat-seeking/
search & destroy SCUD missles with fire in their eyes!
Man, did we get our teenage closeted gay behinds handed to us!
My older cousin caught it too from my uncle in Atlanta
for his hand in our scheme, and we didn't even have
time to put concealer on over the many "hickies" on our
necks and chests from our Atlanta frollick in the hotel
from the night before! Boy, it was a mess!
We wound up being forced out of the closet to our mothers
(which was then a horror to them!)
We were all immediately grounded for a month to our respective
residences, were banned from socializing with each other,
(which we still would sneak and hang out!)and we all got
the butt whippings of our young lives!
(Yes, parents still whipped butt back in those days!)
BUT OH MAN!--We didn't care!
It was well worth it, because we got to see THE GODDESS,
THE DISCO DIVA...SYLVESTER, live and upclose!! (LOL!!)

Now, here I sit...a 44 yr old, well-traveled, successful,
proud and fortunate gay black man who has had my fun,
relished the memories of those far away magical days,
and if there is any bittersweetness to the story,
it's that I have outlived not only my two freinds from
that teenaged excursion, but Sylvester and about 30 more
freinds and acquaintances from the late 70's
to the mid 90's...all lost to the scourge of AIDS.
As we grow older, we reflect and long for things that
were familiar to our particular generation as things are
being torn down, people die or move, and the world of
our past is erased. This wonderful book, along with
Sylvester's music playing in the background as I was
reading it, brought all the magic back for awhile!
This book would make an excellent movie and I hope someone
will make it happen someday in the near future.
In the meantime, enjoy the book folks!
R.I.P. To Sylvester, Izora Rhodes, Patrick Cowley,
and to all my freinds and acquaintances who have made
their transitions in the prime of their lives!--
I'll see you again one day!!
LOVE & PEACE 2 ALL!!

I am still reading the book and have been quite pleased with all the details of Mr Sylvester James Jr. Life, I am sure when a read the final pages it will be as smashing as the life he lived!! I also found a DVD, Filmed in San Francisco, in 1985 or 1987 when he celebrated his birthday, the video is grainy and not what I expected which was Him and the Famous (Two Tons of Fun,) what I have is Sylvester in his what I call break out years his voice was not as vibrant during this period but to have anything of him suits me just fine. He came into his own he perfected his voice and character, I still miss his presence on earth just as I do all the Great Ones.

Sincerely,
LEE

At last, a beautifully-written book about a beautiful artist - Sylvester. I have been waiting for this book to arrive for years and, finally, here it is!

I was hooked by the opening chapter which tells the story of a young boy named Tiki Lofton who sneaks out of his bedroom window at night and over to a friend's apartment where, in 1960's South Central, with the help of a young Sylvester, he transforms himself into a "Disquotay." The Disquotays were a group of boys who liked to dress up as sophisticated ladies. And Sylvester, or Dooni as he was known then, was in charge of the wigs.

"The first Disquotay bash that Tiki went to was over on 120th and Athens, at Etta James's house, sometime around 1965. Etta, who would later be inducted into the Rock and Roll Hall of Fame (largely on the strength of her 1961 hit "At Last") and the Betty Ford Center (largely on the strength of her smack addiction), was already a recording star and a friend to many local Los Angeles drag queens . . . The house, with its swimming pool and fireplace, had stunned her. Women, drag queens, and guys, all sending joyful noises in Tiki's direction; the music had been jumping; Walter Jackson's version of "Lee Cross," Jr. Walker & the All Stars' "Shotgun," "Nowhere to Run" by Martha and the Vandellas, Fontella Bass singing "Rescue Me." Gay kids all perched on gigantic speakers, singing and carrying on . . . Tiki had said to herself. "This -- honey, where is this world?" Within months, she would be a full-fledged Disquotay, made-up, bewigged, bejeweled."

Joshua Gamsom recreates this world vividly in that first chapter. Simultaneously, he introduces us to the members of Sylvester's family. His beautiful and beloved mother and grandmother. His twin sisters, Dette and Dean. The quotes are full of heart and expertly placed and the story unfolds like a fine silk fan. I can't help but think that Sylvester would be very pleased to read this biography.

I had the honor of meeting with Sylvester to discuss a project a few years before his death. It was mid-afternoon and he was sewing sequins on something, which was his favorite pasttime. He was always sewing, a talent he picked up from the women who raised him. He walked over to the turntable and put on Patti LaBelle's "If Only You Knew" and said he was dedicating the song at his One-Night-Only concert the following night to his fans and supporters in San Francisco, the city in which he always felt most at home. That night, with Martha Wash at his side, they performed that song together, bouncing their voices off each other inside the Castro Theater. Those two powerful voices, the acoustics of the Castro Theater, and the magical spell he wove with Patti LaBelle's song was something to behold.

That Sylvester could hold his own with the amazing Martha Wash is a testament to the power of his falsetto. He didn't have a thin, reedy falsetto. His was full-bodied, gravelly even, and very much in evidence on one of his biggest hits, "Do You Wanna Funk."

"So when I tell you, that you're really something, baby, will you stay, or will you go away."

Joshua Gamson captures the essence of Sylvester's personality, the diva fits as well as the immense kindness and sensitivity, and wraps it all together into an highly readable book that I wholeheartedly suggest you pick up. Although some have faulted him for not having an encyclopedic knowledge of music, Gamson lets experts like Joel Selvin provide insightful commentary.

It is my hope that someone has optioned the book for a movie and we can expect to see this wild individual portrayed in all his glory.

John Waters wraps up "The Fabulous Sylvester" pretty well in his cover blurb: "A well-written, touching, dignified biography of a gay black diva who never really fit into any minority but managed to achieve his dreams of stardom. Now that's what I call a man."

Five Stars. Great Read.

The Fabulous Sylvester is a fascinating recounting of the life of Sylvester, the dance scene and Sylvester's career. This book explores the life of Sylvester from his early childhood days to his development into an international dance icon. This book does not sugarcoat any part of Sylvester's life. It is detailed and honest and shows us all aspects of his life and career. This book is as interesting and fabulous as Sylvester was.

this Book was on right on time. Sylvester was something else back in the day as a artist and very Open about his sexuality. He didn't back down from anything. His voice was the truth and very soulful. this Book explores his whole career and thensome and the many other artists he encountered and how important they were,etc... this book takes you back to a time period when so much was happening. a must read and it is very well written and is a real page turner.

This was a great buy. Much cheaper than purchasing in the school store.
Delivery was fast and reliable. This book is a great investment for anyone in fashion design or any other form of the fashion industry.

This book is a great source for aspiring fashion illustrators. I would highly recommend it. Teaches you how every aspect from shading, to creating fabric folds, to drawing lace, and plaids. In addition to this book I would also recommendDraw Fashion Models! (Discover Drawing Series), which briefly goes into how to draw flats.

This book is great. It's excellent help for anyone interested in sketching fashion figures or going into fashion.
Bina Abling has published lots of books, but each edition of this Fashion Sketchbook keeps getting better and more refined.

This book was exactly what I needed for my fashion illustration class. I received it in perfect condition. I really like it!

This is The authority on illustrating for fashion. Abling's attention to detail and artistic ability make her a perfect tutor on the topic, and every explanation is clear--it's the sort of thing where you look at the example, and it clicks in your head, "Oh, Now I see!".

The book goes over Everything you need, but in case you want to know exactly what is inside, here is a quick summary:

Ch 1: Fashion Figure Proportions
Figures on grids broken down in several ways, extensive work on proportion. Abling divides figures into geometric shapes: foot, head, hips, chest, upper arm, thigh; she then puts them together, showing how they fit and relate to one anther. It then goes further and shows how different poses and types of movement affect the torso (upper and lower), as well as different types/shapes of figures, from the elongated fashion figure to petite and full. The chapter also features a figure map, interpretations of anatomy, different poses and artistic approaches, balance, and movement.

Ch 2: Basic Figure Forms
Drawing legs, arms, feet, shoes, hands, fingers, and foreshortening. There are so many helpful diagrams from multiple perspectives, numerous poses.

Ch 3: Model Drawing
Gesture drawing, exercises on isolated sections of the body, angles, and more; balance line, supporting leg (where the weight is distributed so the figure looks planted to the ground, not floating around or unevenly/awkwardly perched), arms.

Ch 4: Fashion Heads
Faces, different ethnicities, facial features, dissection of the head with a map on the placement of eyes, nose, lips, etc. The head in different positions, from different angles; techniques to maintain proportion and balance: diamond technique, working with angles and planes of the face, shading/highlights/shadows. Hair: styles, hairlines, period styles.

Ch 5: Drawing Men
Comparison to female figure, legs, arms, hands, hair, gesture, dressing the figure, suits, and details on how the fabric falls, where to put certain features like the cuff, armhole, etc. Proportions, classic menswear techniques, fashion croquis technique, vintage styles.

Ch 6: Drawing Children
Proportions by age, with many dissections and comparisons, tons of helpful illustrations and examples. Infants, toddlers, children, tweens; heads, facial expressions, hairstyles, arms, hands, legs, feet, vintage styles.

Ch 7: Garment and Garment Details
Necklines, collars, sleeves (different types, lengths, etc), skirts (folds, fall of fabric, gathering, flaring, volume, pleats), pants (folds, gathering, lengths, fit), blouses, blazers, jackets, coats, ruffles, smocking, shirring, cowls, fur, quilting, formal gowns, applying the concepts to garments.

Ch 8: Accessories
Jewelry and how they sit on the body, eyewear, hats (male, female), belts (types, fit), trims, notions, closures, handbags, shoes (different angles, heel heights, types).

Ch 9: Basic Rendering Techniques
Working with stripes and other fabric types/prints. Shading, highlighting, rendering with marker, fall fabrics, more fabric types: shiny fabrics, flat/matte, sheers, layers, velvet, satins, chiffon, etc. Working with all black fabrics.

Ch 10: Color Rendering
Chapter features color renderings to show skin tones, menswear with marker, children; using gouache, using watercolors, rendering hair in color.

Ch 11: Drawing Knits
Necklines, knit patterns, treatments/embellishments.

Ch 12: Designer Sketching and Fashion Illustration
Poses: I-pose, S-pose, X-pose, T-pose. Attitude, "look" and feel, style, emphasis.

Ch 13: Drawing Flats and Specs
Layout styles, freehand sketching, proportion, chart on measurements by size: Women, Men, Unisex, Belts, Hats, Socks. Gathering, buttons, closures, top stitching. Mixing croquis and flat drawings.

Ch 14: Layout
Combining multiple drawings, elements, or figures; groupings,

Appendix
More necklines, collars, sleeves, armholes, tops, dresses, skirts, pants, jackets, coats, sleepwear, underwear, design details, ties, hats, waistlines, pockets, handbags, shoes, collars, cuffs.
One of the neatest sections in the book is titled "problem spots" and features examples of the right and wrong way to do various details. Showing examples of how amateurs or beginners make mistakes and then showing the correct way works So well! Better than explanation, this simple and clear approach is crucial.

This book is filled with immensely helpful diagrams, exercises, and demonstrations. Every part of it is useful to students and designers, and because it is so comprehensive, this could be the single most important book in fashion illustration. If you could only have one book on the subject, get Fashion Sketchbook by Bina Abling.

The recipient of the book ordered expressed gratitude in the quality of the book received.

I was particularly impressed with the Random House dictionary. I have looked through many other dictionaries that claim to be comprehensive, but none compare with the amount and type of words defined in your product. I based my purchase on a comparison with my husband's "old" Random House College Dictionary that he received in 1968 before enrolling in college. It has been the best reference work over the years, and this new one is even more comprehensive, yet in a reasonable size. I would recommend it for anyone heading to college or with an interest in words!!

My dictionary was 12 yrs. old and didn't contain some of the modern words in use today. So I figured that a new dictionary was in order. My old one was the same as this one and was perfectly satisfactory, so I stayed with the same kind. This dictionary would be good for students or for anyone out of school.
Remember: Update your dictionary occasionally!!!!! Many words are added every year so stay modern.

I wanted to give my niece, newly graduated from high school and on her way to college, a present, and decided on a college size dictionary. I found about 6 or 7 at the bookstore and spent some time reading each of them. I ended up choosing the Random House Webster College Dictionary. There were several features of this dictionary that I liked. It was easy on the eye: there was a little space between entries, which made words easier to find, and there was a minimum of abbreviations and symbols. Etymologies are placed at the end of an entry, rather than at the beginning. That means that what you see first are the definitions, not a line or two of technical information that most people don't read anyway. When a word has more than one meaning, the different senses are numbered 1,2,3...etc. I found this clearer and less confusing to the eye than 1a,b,c or circles and squares to categorize the various senses. I also liked that Random House lists the most common meanings first. Finally, and maybe most important, people look up words in a dictionary most often to find out what they mean. So any dictionary rises or falls on the quality of its definitions. With Random House, I found the definitions clear, straight forward and easy to read.
I would have given this dictionary five stars, but I found the paper quality, which looks a little like newsprint, to be less than top quality and likely to turn color with age. All in all, however, this was the one I liked the best.
As an added tip, you might want to check out the Random House thesausus, which I also gave my niece to complement the dictionary. It was an even clearer winner over its competition, in my mind, than the dictionary.

I have been using the Random House College dictionary since I received it as a gift in 1981. I found these reviews while I was looking for a newer edition. I have my original Random House College Dictionary(that's what it says on the dust jacket and the cover) sitting here on my desk, in its original RED dust jacket, although the rest of the book is falling to pieces from use. I really wonder about all this confusion. I chose this dictionary as a desired gift because of its superior, clear definitions and wonderfully organized entries, which put the etymological references right at the end where we educated folks like to find them. My final decision as to which dictionary to buy rested on the full definition given of the word "megalomania," which all the others merely listed as a psychiatric condition. I am thrilled to hear that the terminology of all the latest technological advances and vernacular language are included in the most recent edition. I will most certainly be picking up a copy.

"Must-Win Battles" appeals to me as a book that gives readers (most typically managers) the tools to lead their teams through a journey that can save their very own jobs in the long run. With a style not too distant from Lencioni's, where the authors show a fictional case in action, the book presents the path in a journey to help teams win those battles they cannot afford to loose, what they call Must-Win Battles (MWB). While offering tactics to deal with the expected bumps along the road, the book remains very strategic all the way through, focused on the strategic goals of aligning steering teams around the same agenda and eventually getting the entire organization to buy it in and embrace it.

The book wraps up with lessons from won and lost MWB journeys and a real-life case from the Unilever Ice Cream Frozen Foods business group to illustrate the entire process in action. While the fictional case presented belongs to the executive team leading the entire European organization of a company, the learnings in it could easily be extrapolated to smaller settings: a production facility, a university, etc. Highly recommendable like all Wharton School Publishing books I've had a chance of reading.

Unilever's 19-page MWB journey described by Kees van der Graaf is a fantastic read. It not only illustrates the stages and steps aligned with the authors' belief of leadership principles, I find it most valuable is Kees van der Graaf sharing with us with his personal lessons learned from the processes such as "trust my gut more than ever before" and "We have great values; they come from the heart". This reminds me of another book titled "Head, Heart & Guts" by Dotlich/Cario & Rhinesmith. Indeed Kess van der Graaf brings these to life.

MWB stands for "Must Win Battles," which is the title and a common acronym throughout this this book. Authors Peter Killing, Thomas Malnight and Tracey Keys use "battle" to refer to competitors and "must-win" to mean these battles must be won. There are a lot of circumstances applicable to the concept of 'battle.' Examples and case studies cover management style, team work, planning, shortlisting, and executing, are noted. One example is Unilever in Africa, Nestle China, and a two-year case study of the CFF business groups from the words of an executive.

Three sections and nine chapters.

Section I: Preparing the Journey

Section II: Engaging the Team

Section III: Making it Happen

The different types of managers listed are the commander, diplomat, thinker, and motivator, who are defined and described. This is followed by the role of Emotional Intelligence in the workplace. EI is just as, and oft-times more vital than IQ. There are questions regarding this that the reader can answer for themselves so they can apply this concept to their own situations in life and in the work place. This book helps the manager and employees as individuals and allows them to reflect on others and themselves.

Different dynamics of MWB, which often may include change. While strategically planning and implementing Must-Win Battles there are Resisters, Bystanders, and Supporters. A time-line is almost always necessary and matrices and diagrams are presented, when planning and executing.

A good reality check is in chapter 4, which lists "Typical Company-Related Myths." Those who've worked in medium or large organizations can identity with the company values and slogans. But they're usually only slogans, because they aren't practiced. :)

At the end of the book there are:

A) The MWB Journey and Road map
B) The Denison Survey: Questions
C) Using the External Assistance

This is helpful for all people who manage and work in organizations of all types and sizes.

In any organization, at any time, there are probably three to five key battles that must be won to achieve important goals, write authors Killing and Malnight. As you read this, you are probably thinking of the battles that are ongoing right now, the ones you need to win to get to your own goals. The first step, then is identifying what the key battles actually are and eliminating the sideshows that distract from the real issues. The authors advise that these battles are NOT internal, instead they are:

Market-focused
Something that makes a difference
Creates excitement
Are specific and tangible
Are winnable (!)

The example provided is one of Unilever, a large multinational company, working to gain market in Africa. But despite Unilever as an example, the strategy to pick your fight and win it is equally applicable to small business--if not more so.

One point I really admire is that the authors recommend that emotion be considered along with reason in how to win those battles. In other words, instead of steamrolling over emotion, which is a statement of condition, like the weather, the authors recommend dealing with it and generating excitement by directing emotion. There is also good advice on "not shooting the messenger" or how to take bad news. As one top CEO remarked to the press on how he achieved success "First, you have to deal with reality."

Excellent book and a must-read for business managers of any organization.

Q: What must be managed effectively to improve an organization's performance?

A: "First, [managers must] identify and win the right battles....But to win the battles, many organizations need to create a more effective top team and build an organization that [is] .less silo-based and capable of focusing all of its energies and capabilities on the chosen battles."

Q: What is a "must-win battle" (MWB)?

A: "MWBs are the three to five key battles that your organization absolutely must win to achieve its key objectives."

Q: What are the characteristics of a well-chosen MWB?

A: It must "make a real difference, be market focused, create excitement, be specific and tangible [and measurable], and be winnable."

Q: What is an "MWB journey"?

A: It is simultaneously both an emotional and intellectual process which must be completed by everyone involved in order to transform their organization. Ultimate success will depend upon a "shared understanding of the challenges and options facing the organization, an agreed list of three to five MWBs, a committed [and competent] team for each MWB, a high-level action plan for each MWB, new [better] ways of working together, individual commitments, and an initiation assessment of the starting conditions for engaging the organization."

Granted, this is an unorthodox way by which to begin a review but I really could not think of a better one. (No doubt someone else has.) The authors of this volume share what they have learned about why some organizational transformation initiatives succeed while most others fail. What they propose is a three-phase process (a "journey") which begins with a rigorous and thorough assessment of the current situation, followed by an engagement of the Team and then of teams for the MWBs, and then an engagement of the given organization which involves embedding the Team agenda and aligning the organization while maintaining momentum of the MWB initiatives.

I especially appreciate the authors' provision of all manner of reader-friendly devices throughout their lively narrative. For example, check lists of key points, graphics (maps and figures) which illustrate step-by-step segments of the "journey," and - whenever appropriate - caveats and disclaimers which correctly remind the reader that no course of action (including the one which the authors recommend) "fits all."

In the final chapter, they share eight "Lessons" learned from their research: five from successful MWB "journeys" and three from those which failed. In Appendix A, readers are provided with a comprehensive "MWB Journey Roadmap" and then in Appendix B, the authors provide "The Denison Survey: Questions" (copyright © by Daniel R. Rosen), a culture survey which is discussed on pages 47-48.

Presumably the authors agree with me that it would be a fool's errand for anyone to read and re-read their book, then rush - or even stroll -- to implement everything in it. It would also be a fool's errand to cherry pick diverse (albeit sound) ideas from a variety of different sources and then attempt to consolidate them in a single plan of "attack." Rather, I urge each reader to read Must-Win Battles with great care and then, preferably in discussion with others, co-determine what would be most appropriate to the given organization. Killing, Malknight, and Keys can be very helpful to that process of aanalysis and, especially, to identifying the highest priorities and most important objectives. My guess is that, by following that procedure, the "must-win battles" will reveal themselves.

Those who share my high regard for this book are urged to check out Jason Jennings' THINK BIG, Act Small, Michael Hammer's The Agenda and Robert Mittelstaedt's Will Your Next Mistake Be Fatal?

this book includes very good basic instructions, including how to increase. There are lots of beautiful patterns ranging from florals, scenics, geometrics and some for children. Included are curtains, table covers, edgings, and many others. One can easily adapt the filet charts to uses other than those shown. Photos and charts are very clear.

This is the one of the most detailed books on filet crochet that I have ever read. It has background, history, comparisons, patterns. The pattern section has a good variety to choose from and are not just doilies. The instructions are excellent and the patterns are just beautiful. The introduction and general "how to" instructions are detailed and have large illustrations. There is a conversion chart of hook sizes, as well as US and British terms for chart symbols and abbreviations. There are complete instructions on how to read charts, do increasing and decreasing, make turns and calculate patterns. It has a great "first project" with one the best illustrated directions I've seen for how to work the stitches and where to actually place your hook for stitches and turns. I would recommend this book regardless of whether you are already into filet crochet or want to learn how to do filet crochet. Chris did an excellent job.

The projects in this book are what I would call 'sophisticated country' in style. I have found the directions to be excellent. I made a doily from this book as my very first project having just learned to crochet. I have made an edging from the book to adorn a linen baptismal gown. I know I will choose projects from this book for many years to come, and have spent many hours just enjoying the pictures.

This is a wonderful book, but a new edition could be more useful if it listed the thread size and amounts in yards used for the projects as illustrated. While the book lists thread weights in grams, the weight can vary from manufacturer to manufacturer. Before you do a project, make sure to crochet a gage swatch and make estimates based on the swatch.

I have crocheted before but everytime I tried to follow instructions on how to filet, I couldn't understand them. This explained it very well and I was quickly making very nice projects. Filet works rapidly and you can rea