FO Books

For decades Dario Fo and his wife, Franca Rame, have created some of the most interesting political theatre of the 20th century. Fo's work deals with social injustice, political freedom and economic policies. He often expresses pro-communist views. Common themes in Fo's work include critiques of fascism and terrorism. Much of his work is targeted at the working class

Fo is known for his use of the Italian tradition of commedia dell'arte. This tradition allows Fo to exploit taboo subjects in highly comic situations. Like the commedia dell'arte tradition, Fo's humor is bawdy and over the top. It is tremendously absurd and equally as witty.

Dario Fo won the Nobel Prize for Literature.

We Can't Pay! We Won't Pay!, Accidental Death of an Anarchist and Ordinary Couple are my favorite works by Dario Fo.

Dario Fo is a great artist and a great man. With his wife Franca he has written some of the best pages of Italian culture. I had the fortune of watching them act (live and on TV) in most of their plays. With the barest stage they can convey the richest combination of form and substance. They represent the core of the profound culture and sensitivity of the Italian working class, which so important has been in the social development of that country, and still is little known abroad (shaded by the stereotypical and outdated images of mandolins, meatballs, and mafiamen). I deeply encourage anyone to read as much as possible of what Dario has written.

I found on this website a review claiming that "Fo supports the WTC attackers". The author of that review should have gone a little deeper in reading the facts, just to discover that the intended message of the reported statement was quite opposite to the alleged one. The original text that includes the statement can be found at ...(in Italian). I believe the misunderstanding is far from casual. Nowadays the Italian Prime Minister controls almost every information medium. He has restored most of the political and cultural conditions that Italy was forced to "enjoy" between 1922 and 1943. It has become very hard for dissenting voices to reach a wide audience without having their messages distorted on the way. The "Corriere della Sera" excerpt from Dario and Franca's email on the 9/11 tragedy is just one more example of how easy it is to manipulate the truth by simply reporting minimal parts of it.

A.L. Bell, in his ingnorance has overlooked the fact the Fo's statement is quite true, and if further researched his review would have also stated the fact that Mr. Fo had been one of Italy's greatest political satirists and has provided Europe with great satirical works in the latter part of the last century and continues to do so.

While the ruins of the World Trade Center were still burning and the ashes of the dead were still getting into people's eyes, Fo and Franca Rame released this statement:

"The great speculators wallow in an economy that every year kills tens of millions of people with poverty -- so what is 20,000 dead in New York?"

The United States has many problems with its foreign policy, which have been the subject of vigorous debate. Not one of those weaknesses is justification for 6,000 people of every imaginable type being chopped up into little bits and incinerated by the equivalent of a low-radiation nuclear attack without anyone so much as pulling a fire alarm.

Fo and his wife are worse here than the attackers themselves. Maybe the attackers had no idea what the damage they would cause would really be like. Maybe, if they could have jumped forward in time 24 hours and seen the results, they would have repented. They come from a vastly different culture and may have just seen things differently than we see them. But Fo and Rame are westerners who saw the devastation on TV before writing this.

Censoring Fo and his wife would wrong, but I hope others out there will join me in hoping that Dante actually has a ghost, and that Dante's will be in charge of managing their stay in Hell.

THis is THE book for Big Breast lovers, which, in this modern age, is a relatively rare phenomenon.

Perhaps not quite what we expected. We (my girlfriend and I) are both interested in what roles the breast plays in sociology and in culture, and hoped this book would grant us some fresh perspectives.

There are very interesting and provocative (but I certainly wouldnt call them erotic by any means) images in this book, as well as some fascinating art. Some of it we really would love to have framed.

The images are suitable for anyone to look at, with only a few being tantalizing or vaguely... scintillating. It's the kind of book that is good to read sitting down with company and see how you and others react. Perfectly suitable for a bookshelf or coffeetable.

To use the words of Meema Spadola, breasts are symbols of sexuality, motherhood, and power. This book by Prose and Simic explores the spectrum of possibilities in this wide range of meanings. This is, though, photographic ART. Those who think that art should be readily pleasurable, appreciated, or liked may find themselves challenged by this format. If you feel that art should be challenging, you may find this book appealing. On viewing it one may be stimulated by novel and sometimes not necessarily pleasurable thoughts. This seems to contradict the implication in the title that there is something necessarily `titillating" here. (Certainly the concept seems to stretch more common notion what is exciting, nasty and fun). For that I would deduct two stars.

The book was in very good shape and was delivered before the date promised. I was very impressed with their service!

it was not the correct book - the cover of the book was different and it started with chapter 13.

I think Perry's book entitled Western Civilization is very lear, articulate and comprehensive. I have been using it in My Humanities courses and it is the best book I have come across so far.

As an adult student, I feared having to take History 101. It was an online class, and the professor I had was not very good, but this book taught me a lot. The authors emphasize the relationship of ethics and morality with the development of western religions and governments from early Mesopotamia until 1789. For example, it helped me to understand the different viewpoints of the contemporary issues happening in the Middle East (why and how religion serves as a basis for many governments.)

If you are considering taking a History course that uses this textbook, or just want to learn more about how our world's societies have developed, I highly recommend this book. I didn't continue with History 102, but I did buy Volume II of this book series from Perry, et al., to continue my understanding world issues. Please join me!

"Stanley Burstein has researched, compiled, and translated with commentary the most significant Greek and Roman sources concerning Black Africa. The result is a fascinating book about the people of the southern part of the Nile Valley, the gold mines of Nubia, the Hellenistic city of Meroë, capital of the Ethiopian Empire of Kush with its own highly developed culture (300 bc to 300 ad). This book is a masterpiece of scholarship and historical research."
-Midwest Book Review

"The ancient kingdoms of Kush and Axum were reflections of ancient Egypt to the north, but with the collapse of Egypt, Kush flourished and then gave way to Axum. . . . Burstein opens the volume with a brief survey of the two kingdoms; with introductions and important notes he then presents the ancient literary and epigraphical testimony for this region. . . . A brief bibliography and photographs aid this significant volume."
-Choice

" . . . an important contribution to Black Africa."
-Choice
"Kush (Nubia) and Axum have received less attention from ancient historians than the other African civilizations with whom the Greeks and Romans came into contact (and conflict). This source book of ancient texts in English translation will help students become better aware of how the so-called Aethiopians who lived in Northeast Africa differed from their better-known neighbors the Egyptians. The twenty-six texts collected here are all readily accessible to students with a basic knowledge of ancient Egyptian, Greek, or Roman civilization. . . . Each text is presented with a brief introduction setting it into its historical context, and additional essential information is provided in endnotes, where the names of the authors and their dates are given . . . . There is a useful select bibliography."

--Classical World 92.4 (1999)

This book is a collection of some 27 historical documents that deal with the ancient and medieval African nations of Kush and Axum. The first two documents are drawn from Strabo's Geography, while later ones are from similar Greek, Roman and Christian travelers, and also various letters, treaties and inscriptions. Also, there is even a contract for the sale of a Nubian slave girl!

As one might expect from the nature of this book, it is a mixed bag. Some of the documents are quite fascinating and informative, while others did not interest me in the least. So, if you are looking for a book on the history of Kush and Axum, you will need to look elsewhere. But, if you are interested in historical documents on these nations, then this would be an excellent book for you to read.

My son needed this book for his college class. It was very useful and the seller was very accomadating. She even offered to take the book to him because she lived across town from him. She opted to mail it to him.

This book arrived promptly and in condition that I am very satisfied with. Overall I am very happy with my purchase!

A fine book just to let you know what is that which could hold a universal audience griping through Fo is basically a italian artist. the improvisation of Fo's plays, essentially a charcteristic of popular performance is beautifully explicted through the book

This book presents a clear and concise analysis of Dario Fo's performance art. It explains how Fo's theater is based on popular forms, focusing on techniques, such as improvisation, and how Fo uses grotesque comedy as a weapon for political and social change. It is a pleasure to read.

I always look forward to the annual Nobel Prize for Literature with the hope that I'll be able to discover a new "diamond in the rough". When I read the descriptions of Fo's avant garde works, I thought it looked too strange for my taste. However, I came across this book on sale so I thought I'd take a look. I was very pleasantly surprised and actually had a hard time putting the book down.

This is a collection of four plays. The first one is rather political in nature and might seem more enjoyable with a better knowledge of contemporary Italian economics. However, the absurdity comes through very clearly. The comedy comes through as well. I came away with a pretty good grasp of the author's view of the Italian economic problems (as well as that of the European Economic Community). However, this leftist view point left me feeling that there is another side to the story. That, of course, is my problem and not the author's shortcoming.

The second play is an interesting and enjoyable look at Queen Elizabeth I done in great comedy and absurdity. There is a main character named Grosslady who steals the show. She speaks a sort of Esperanto slang that is absolutely hilarious. There is an accompanying translation in the back of the play to help the reader understand her "language". I normally dislike anything that detracts from the flow of the book. However, I enjoyed the availability of the translation to help me follow the flow of the book. At the same time, I made sure I read the actual lines that Grosslady has in the play because it is such a brilliant comedic concoction. For example, her word for England is "Angleterror". This was all brilliantly translated by Gillian Hanna.

The last two plays are interesting examinations of human relationships and interdependence. They continue in the comedy of the absurd.

Perhaps the best recommendation I can give this collection is that I am now looking to read more of Dario Fo's works. Give this one a try!

The first time I heard about Dario Fo was when he won the Nobel prize in 1997, and this was the first book of his that I could get my hands on.I wasn't disappointed.His plays are eminently readable and quite hilarious at times.The only drawback was that being not too well versed regarding Italian politics,some of the puns were loston me[in spite of the helpful notes provided at the back].If you enjoy reading plays you'll like this.

My best friend gave me this book for X-mas last year. By itself, it's a really touching book - it should only be given to someone you really care about. What made it more touching is that she wrote little captions on each page and made it more personalized. I'm not saying everyone should do that, but I guess it comes naturally when you really relate to what is being said...

Hopefully, there are people in your life that really deserve this book... you know who they are.

THIS BOOK HAS ALOT OF INSPIRATIONAL LINES FOR YOU AND YOUR FRIENDS TO ENJOY. HIGHLY RECCOMMEND!

"Mistero Buffo,"., alternatively titled "The Comic Mysteries," is a wonderful introduction to the irreverent, playful and imaginative world of Dario Fo, winner of the Nobel Prize for Literature in 1997. If "Mistero Buffo" has a shortcoming, it lies in the fact that it is merely a text and does not embody the vitality of Fo's imaginative work, which relies as much on performance as it does on literary content.

"Mistero Buffo" draws on the popular and comic tradition of the medieval mystery plays, as well as the tradition of the so-called "jongleur", or traveling comic and mime, whose performances provided a subversive counterpoint to the authority of Church, Monarchy and Lord. As the jongleur in Fo's piece, "The Birth of the Jongleur," reminds his audience: "I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the bigshots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and . . . pssss . . .they deflate."

Written and originally performed by Fo himself, "Mistero Buffo" consists of a series of pieces involving mime, improvisation and performance art. The texts are fiercely anti-Church, anti-materialist and anti-authority, but they are written with a comic verve and playful sensibility that mark Dario Fo as a remarkably unique writer, director, and performer. Drawing on religious traditions, the pieces include Fo's modern take on Biblical stories entitled "Slaughter of the Innocents," "Marriage at Cana" and "Resurrection of Lazarus," as well as a series of short dialogues (entitled "Passion Plays") where Fo adumbrates the death of Christ as experienced by Mary. All of these pieces border on the blasphemous, subverting conventional pieties and unthinking reverence for established religion and replacing them with a kind of popular re-writing of Christianity, a revision which glorifies the common man at the expense of those in power. Not surprisingly, "Mistero Buffo," like most of Fo's texts and performances, is controversial and provocative. It is also, however, a short text worth reading for an insightful sampling of one of Italy's most remarkable literary and theatrical geniuses.

"Mistero Buffo", alternatively titled "The Comic Mysteries", is a wonderful introduction to the irreverent, playful and imaginative world of Dario Fo, winner of the Nobel Prize for Literature in 1997. If "Mistero Buffo" has a shortcoming, it lies in the fact that it is merely a text and does not embody the vitality of Fo's imaginative work, which relies as much on performance as it does on literary content.

"Mistero Buffo" draws on the popular and comic tradition of the medieval mystery plays, as well as the tradition of the so-called "jongleur", or traveling comic and mime, whose performances provided a subversive counterpoint to the authority of Church, Monarchy and Lord. As the jongleur in Fo's piece, "The Birth of the Jongleur", reminds his audience: "I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the bigshots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and . . . pssss . . .they deflate."

Written and originally performed by Fo himself, "Mistero Buffo" consists of a series of pieces involving mime, improvisation and performance art. The texts are fiercely anti-Church, anti-materialist and anti-authority, but they are written with a comic verve and playful sensibility that mark Dario Fo as a remarkably unique writer, director, and performer. Drawing on religious traditions, the pieces include Fo's modern take on Biblical stories entitled "Slaughter of the Innocents", "Marriage at Cana" and "Resurrection of Lazarus", as well as a series of short dialogues (entitled "Passion Plays") where Fo adumbrates the death of Christ as experienced by Mary. All of these pieces border on the blasphemous, subverting conventional pieties and unthinking reverence for established religion and replacing them with a kind of popular re-writing of Christianity, a revision which glorifies the common man at the expense of those in power. Not surprisingly, "Mistero Buffo", like most of Fo's texts and performances, is controversial and provocative. It is also, however, a short text worth reading for an insightful sampling of one of Italy's most remarkable literary and theatrical geniuses.

This one of three MacInnes novels featuring Robert Renwick as the hero. They are best read in order: PRELUDE TO TERROR, THE HIDDEN TARGET, and then CLOAK OF DARKNESS.

This was the penultimate novel for MacInnes. Almost all of her novels were about the struggle against either Nazism or Communism, but in this novel the focus has shifted more to international terrorism. Renwick is a former NATO intelligence officer who has started a new organization InterIntell. Like InterPol, they exist to be a clearinghouse for information, but instead of drugs they focus on terrorism.

It doesn't follow the normal conventions of a MacInnes novel. It is more procedural than most, because Renwick is a professional rather than her usual "inspired amateur". Also, Renwick is married, so the usual MacInnes romance plot is somewhat modified.

But it is a strong novel, with more than a few really surprising plot twists. (MacInnes usually doesn't rely on plot twists.) I recommend it, but do try to read the other two first.