FI Books

This book, with its two companion volumes on Egyptian Art and American Art, helps create a fun and focused visit to a specific collection. The reader learns what to look for in the paintings, and also learns entertaining facts about the various artists. The introduction is particularly helpful. For example, it explains basic concepts about colors and perspective, and sets reasonable expectations about what children can absorb. The section about "museum feet" is very pertinent. Obviously the authors know children as well as the art.

This book, with its two companion volumes on Egyptian Art and American Art, helps create a fun and focused visit to a specific collection. The reader learns what to look for in the paintings, and also learns entertaining facts about the various artists. The introduction is particularly helpful. For example, it explains basic concepts about colors and perspective, and sets reasonable expectations about what children can absorb. The section about "museum feet" is very pertinent. Obviously the authors know children as well as the art.

It is a thoroughly engrossing overview of the artists and their artistic accomplishments written in a manner so easy to read aand remember. It really could be for any age tii use in any museum in the world which has Impressionist paintings. Fascinating! Informative!

If you don't have children, but have a number of them on your holiday list, these three Off the Wall Museum Guides for Kids by Ruthie Knapp and Janice Lehmberg are truly a find. They'll delight everyone - the kids will love them, their parents will be thankful for something that is both mind-expanding and great fun, and, you'll be thankful for pleasing both parties. Every child on my list will be receiving them this year. What's more, if you need some brushing-up in American art, Egyptian art, or French Impressionism, take a look before you wrap them up or, better yet, get a set for yourself. ART 101 was never so much fun! (Make sure to order all three books.)

This is a wonderfully entertaining and a very informative book for kids, parents, school volunteers and teachers! There's something for everyone. I've used it as a parent and art volunteer in the classroom for our kids and the other presenters. My eight year old daughter reads from this and their other book on American Art. Wish there were more in the set besides, Impressionists, American and Egyptian Art guides!

D.W. Linden's Sand Creek is a mystery set in southeastern Colorado with an unlikely sleuth, a broken down cowboy, hunting down Native American history to unearth a serial killer and save his friend from murder allegations. Sand Creek is a mystery with an intriguing romance subplot. Superb characterization and themes make this a 5+ mystery read. Ex-rodeo man and now laid back sheriff Johnny Hart's life is fairly much lost down the bottle. He hasn't been to a rodeo in a while, his wife has left him and his superiors are always warning him. He is even finding it difficult to track down the cattle rustlers. It could not get much worse, but of course, it does. His friend and rodeo buddy Char Sixkiller has been pegged by the FBI as the serial killer mutilating blond white women and dumping them on historic sites of Native American massacres. Can broken down cowboy Johnny save himself, his friend and Sandy?

This mystery focuses mostly on the friendship between two men and the hunt for a killer. Johnny and Char have a long history fro their rodeo past. Both are broken cowboys from past scars but loyal friends. In searching for the identity of the serial killer, Johnny and Char must face their past and rely on their friendship. Can the present hunt also heal their past and teach them how to forgive? Although the mystery focuses on the friendship between Char and Johnny, two important women in this mystery make Sand Creek a 5 star+ read and more than a mystery. Barbara, Johnny's ex-wife, is a divorcee with a career and independent. Sandy Cross is an independent unmarried woman, running her cattle ranch mostly alone since Mr. Cross is just too old. She is a Christian but she is spending a lot of time with a man with different spiritual beliefs and a Native American when Native Americans are seen with suspicion in this part of the country. Will she calmly break the law when push comes to shove? Sometimes a girl has to do what she has to do! Sandy is blond and smart and breaks all stereotypes. When the going gets tough, she doesn't reach for the hair dye or the comfort of the big city. Sandy in this book can be described with one word --- fortitude. She may seem preachy for one small moment or two but circumstances have to mellow out her fortitude and make it less rigid. The Christian element is balanced by the Native American massacre reality and the character of Char who also sees more than beyond his viewpoint. Actually, all the characters in this novel are written without rigid good and evil traits.

Linden's description of the locale draws the reader into the culture and landscape of Southeastern Colorado. A slightly melancholic tone in the beginning was a nice reading change from the typical mystery read. Readers will enjoy hearing about the history of the Native Americans and the massacres. Sand Creek has some nice twists and turns mystery-wise. The first third of this book is more about the rodeo life, the area, and the building of the friendship between Johnny and Char and the life of Sandy.

This was not a romance per se but readers may particularly enjoy its multi-faceted take on love: friendship, love and understanding that divorced people might still have, love emerging, the love of a father for a child, a Christian understanding of love, a Native American approach to spirituality and love/friendship. Sand Creek offers an intriguing insight into history and the massacres. A very nice read...a mystery but also a view more expansive and some insights readers may remember and ponder even after finishing the last page.

I thoroughtly enjoyed reading this book. The characters were interesting and multi-dimensional. The plot was interesting and the writing style made it easy to read. Very well done.

This book was similar to Tony Hillerman books, but even better! It is more contemporary, and very nicely written. I liked the comfortable chapter development, so that I could set it down, and yet still finish it in a few days. Linden really turns out some interesting ideas and phrases, and he uses intriguing imagery of the Southwest. Also, it is very culturally revealing - I mean, haven't you just wondered what modern rodeo cowboys might be like? Or how the Native American peoples might live today -- their personalities, their unique traditions? If you live in the southwest, and you know some cowboys and indigenous people, then can you imagine how these people interact? With cleverness and humor, by Lindens account! I'm not really much of a reader, but this book I just loved! I plan to read the continuing series, as it comes out, because the quality appears certain to me. It has what I like in a book --no wasted words, no repetition -- it was just right.

D.W. Linden's Sand Creek is a mystery set in southeastern Colorado with an unlikely sleuth, a broken down cowboy, hunting down Native American history to unearth a serial killer and save his friend from murder allegations. Sand Creek is a mystery with an intriguing romance subplot. Superb characterization and themes make this a 5+ mystery read. Ex-rodeo man and now laid back sheriff Johnny Hart's life is fairly much lost down the bottle. He hasn't been to a rodeo in a while, his wife has left him and his superiors are always warning him. He is even finding it difficult to track down the cattle rustlers. It could not get much worse, but of course, it does. His friend and rodeo buddy Char Sixkiller has been pegged by the FBI as the serial killer mutilating blond white women and dumping them on historic sites of Native American massacres. Can broken down cowboy Johnny save himself, his friend and Sandy?

This mystery focuses mostly on the friendship between two men and the hunt for a killer. Johnny and Char have a long history fro their rodeo past. Both are broken cowboys from past scars but loyal friends. In searching for the identity of the serial killer, Johnny and Char must face their past and rely on their friendship. Can the present hunt also heal their past and teach them how to forgive? Although the mystery focuses on the friendship between Char and Johnny, two important women in this mystery make Sand Creek a 5 star+ read and more than a mystery. Barbara, Johnny's ex-wife, is a divorcee with a career and independent. Sandy Cross is an independent unmarried woman, running her cattle ranch mostly alone since Mr. Cross is just too old. She is a Christian but she is spending a lot of time with a man with different spiritual beliefs and a Native American when Native Americans are seen with suspicion in this part of the country. Will she calmly break the law when push comes to shove? Sometimes a girl has to do what she has to do! Sandy is blond and smart and breaks all stereotypes. When the going gets tough, she doesn't reach for the hair dye or the comfort of the big city. Sandy in this book can be described with one word --- fortitude. She may seem preachy for one small moment or two but circumstances have to mellow out her fortitude and make it less rigid. The Christian element is balanced by the Native American massacre reality and the character of Char who also sees more than beyond his viewpoint. Actually, all the characters in this novel are written without rigid good and evil traits.

Linden's description of the locale draws the reader into the culture and landscape of Southeastern Colorado. A slightly melancholic tone in the beginning was a nice reading change from the typical mystery read. Readers will enjoy hearing about the history of the Native Americans and the massacres. Sand Creek has some nice twists and turns mystery-wise. The first third of this book is more about the rodeo life, the area, and the building of the friendship between Johnny and Char and the life of Sandy.

This was not a romance per se but readers may particularly enjoy its multi-faceted take on love: friendship, love and understanding that divorced people might still have, love emerging, the love of a father for a child, a Christian understanding of love, a Native American approach to spirituality and love/friendship. Sand Creek offers an intriguing insight into history and the massacres. A very nice read...a mystery but also a view more expansive and some insights readers may remember and ponder even after finishing the last page.

A serial killer is dumping the dismembered bodies of women at historical Native American massacre sites. The killer knows his history. With each body he leaves a token recalling the butchery of the past. The shame of America's nineteenth century western expansion has returned as a twenty-first century nightmare. Deputy Johnny Hart, a flawed and charming lawman, is stumbling through his life in middle-of-nowhere Kiowa County, Colorado. A "stove-in" rodeo rider, a man clinging to the last threads of connection to his wife and children, a beer-for-breakfast alcoholic, Johnny Hart is caving in under the debris of his misspent youth. An old buddy, Char Sixkiller, fits the description of the murderer and a lovely woman whose struggling ranch includes the site of the Sand Creek massacre is the likely next victim. It falls to Johnny Hart to save the people he loves, the few people who still love and care for him, and in this perhaps to save himself.

D.W. Linden's suspenseful new mystery of the contemporary west has everything we want in a good read. He gives us characters we can care about, suspense that never stops, and a climax that surprises and satisfies. Along the way, we meet the upright and the low-down, the crazy and the big hearted, the cowboys, the Native Americans, the FBI agents, and the ranchers. The "Sand Creek" story is rooted in the history of the Southwest and Native American culture, giving us a story of contemporary lives freighted with a very particular past. D.W. Linden's characters are gritty, real and memorable, struggling with the shadows of death and loss, looking for life.

"Sand Creek" is a great read and I look forward to the next installment in the Johnny Hart Mystery Series. This promises to be an exciting ride.

R.C. Knight

My kids (7 and 10) are addicted to the series. I recommend it!!

What i like about the city in the clouds was all the cliff hangers . The cliff hangers make you read more it is intersting and it is very short so it is easy to read for a book report like i did. It is similar to other droon books. If you like actoin books then this is the book for you. Ther was a really good actoin part when sparr got his big army and tried to get the city but the kids stop him.

My (almost 4-year-old) son loves for me to read from this series, and I share his enthusiasm. This creative ongoing saga of three friends -- Eric, Julie, and Neal -- transported to the mysterious world of Droon by a magic staircase, continues to captivate and rivet. If anything, my son's interest has grown rather than waned with each successive book. The author's skillful introduction of colorful characters -- including the princess/junior wizard Keeah, the spider-troll max, and my son's favorite, Khan, king of the purple lumpies -- permits endless role playing after a reading session. Even the villians, Lord Sparr and his red-faced warrior Ninns perched atop their lizard steed groggles, prove menacing without scaring younger readers. Droon fans will enjoy that this edition permits them to finally meet the Viking, King Zello. I strongly encourage these books for young readers and fervently hope that Mr. Abbott sticks with this wonderful endeavor.

When Neal mysteriously turns into a bug Eric and Julie rush him to droon to be cured. Princess Keeah has an idea that the City in the Clouds called Ro can save Neal from being a bug the rest of his life. Seems easy huh? The only probelm is that the city of Ro can only be seen once every seven years. That is not the only problem. Lord Sparr has a plan to steal the diamonds that help function what happens in Droon. Princess Keeah also wants to go to the tower because she wants to find out why her mother disappeared. Will Neal ever be turned back? Will princess Keeah find what happend to her mother? I highly recommend you read this book!

Ever since Eric and his two friends,Julie and Neal, discoevered the magical,enchanting world in Erics basement they have been on three adventures they will never forget.Join them on there fouth. The City of Ro is under a spell of invisableitly to protect the tower of Memory,a tower that holds all of the Droonians history.The magical diamonds have that power,and Ro appeers once every year to collect them.But the evil Lord Sparr has a plott to steal them.He will stop at nothing.Charming the mind and filling the heart,this book really does work wonders.It is a fasinating read and I hope you will enjoy it as I have.

For those who liked Keith Topping's British perspective in his earlier 'Slayer' volume, here is an update. This book covers only the 6th season - Buffy's resurrection, the Trioka, the musical, Willow-as-evil, etc. Each episode receives 5-to-8 pages of coverage, organized under various thematic headings: Plot summary, music, memorable quotes, comments on the women's clothing, continuity errors, logic flaws, pop culture references, etc. Topping seems to have caught everything, down to the tiniest continuity error.

There are also separate essays on (1) series creator Joss Whedon, (2) the network switch to UPN, (3) an update on BtVS novels (about a paragraph on each), (4) an update on BtVS and the internet, and (5) predictions for the 7th season, which was the last season of this underappreciated series that never gained the viewership it deserved.

I have the edition of Slayer for seasons 1 through 5, and it is really a good guide of the series. This book continues with the same fun observations, facts, and quotes. I know some people hate season 6, but for those of us that love it--this book is worth it. If you don't like season 6, maybe this book can help you see the good things about the season.

Season six is in my opinon the best Buffy season ever.
If you don't like it read this book. It will change your mind.
If it doesn't, then go back to watching Bewitched or Buffy season one. I guess the true spirit of the Slayer is lost on you.

This book covers the sixth season of Buffy and is the next volume in Keith Topping's 'Slayer' episode guides (the previous 5 seasons are covered in a single volume, also available from Amazon). Keith does his usual thorough job covering each episode in detail. Even if you disagree with his views, you can't dispute that he has a deep love for the show and a healthy respect for all those involved in its production.

As I have stated in other reviews, Keith Topping's Buffy and Angel books are the best unauthorised episode guides on the market. If you are a serious fan of Buffy and Angel, you only need the official guides and these books.

As an American, it hurts to admit that Buffy the Vampire Slayer, the quintessential expression of American cheekiness and derring-do, has been best chronicled by a Britisher. Of course, I'm teasing a bit. But there is no question that Keith Topping seems to have a better grasp of what is important in the Buffyverse than many of his contemporaries on this side of the ocean.

What Topping does not do is write one agonizing reprise after another of all the episodes of Season Six of the show. As viewers will no doubt remember, Season Six was quite agonizing itself without that point being hammered home all over again. Instead, Topping provides very short synopses, followed by myriad details of things that are unique, funny, or perplexing about each episode.

You will be treated to paragraphs on 'A little learning is a dangerous thing' (the power of misinformation), 'Denial they name is...' (Self-delusion in Sunnydale), 'It's a designer label..' (clothes, of course), valley-speak, geek-speak, logic errors, and ever more items that bring to light the aspects of the production which the viewer, caught up in the story, is likely to miss. All of this is done in a style that is an enjoyable mix of tongue-in-cheek and respectfully serious.

Topping is an excellent researcher. His ability to find countless relationships, both intentional and accidental, to other atavars of popular culture is uncanny. Nor does he hesitate to introduce the reader to the more analytic writings on Buffy and the Scooby gang. Despite the spottiness of Season Six, Topping manages to ferret out all the good parts - to the point where I have to admit that the book is better than the season.

If you are a fan then you will want this book. And you will want to track down Topping's other efforts on the show that nearly ate South California.

I just finished the trilogy...it was the BEST ever. I proimse... If you are a teenager you HAVE to read this book...I'm not kidding...It was the best. It actually made me cry in some parts (and I hardly every cry). It was so sad, but in the end it wasn't. YOU HAVE TO READ THIS BOOK!!!

While this is a wonderful completion of the trilogy it doesn't quite merit 5 stars. This book seemed to drag out the subject a little bit longer then necessary. All in all though, the Kissed By An Angel trilogy is a wonderful set of books, a joy to read, and very inspiring.

I think this book is one of the best books i have ever read. I definately recommend this book to anyone who likes romance, tragedy and suspense.

I'm not a teenager but close enough, this story was so beautiful, it was so touching. I'm serious, I just finished the trilogy in 5 days and it was so beautiful, it almost made me cry. I loved it, though I didn't really like the ending, sorry. I think its sad at the end, well, at least for Lacey I thought it was sad. I want to find out what happens to her, besides that I loved it all! 5 stars.

Thats how i can explain this book.I loved it.I loved the whole trilogy!It almost made me believe in angels.:)I Do.Its a very good romance. My favorite so far.

This book is exactly the book I need to continue developing as a space artist. The book has a number of step-by-step exercises, each of different levels of complexity/expertise. Even if you don't use the very same techniques he uses, you can still get a lot out of seeing a painting develop. This development was exactly the Rosetta Stone I needed.
Thanks Mike!

SPACE ART: HOW TO DRAW AND PAINT PLANETS, MOONS, AND LANDSCAPES OF ALIEN WORLDS comes from a leading astronomical artist who explains the basics of styles and paints needed to produce the hues and excitement of alien worlds. Carroll has been a professional space art painter for over 25 years: his experience lends to a blend of science and art ideas which not only provides an overview of techniques, but provides some fourteen paintings, building in complexity, for step-by-step teaching. Any general-interest or art library will find it easily accessible and a popular pick.

Diane C. Donovan
California Bookwatch

I learned to paint from the wonderful Walter Foster art book series, which featured titles such as "How to Paint Landscapes," "How to Draw and Paint Seascapes," etc. Every niche of hobbyist painting was covered, from sunsets to still lifes. Typically, each subject would be explored through a series of illustrations showing the development of a painting from simple charcoal sketch, to rough color, to the finished work. Popular masters of the 50's and 60's such as Robert Wood and Violet Parkhurst let us look over their shoulders, sharing their "secrets" with struggling beginners. How I wish Michael Carroll's Space Art had existed back then!

Space Art is not a primer on painting, although a beginner can pick up valuable techniques unlikely to be covered in more traditional "how to" books. While there is a good, brief discussion of media and tools, and an excellent presentation on color, the book assumes a basic knowledge of how to mix and work acrylics. What the beginning painter might find particularly useful, however, is Carroll's discussion, throughout the book, on how to "see" -- how to observe and depict the interplay of light and objects and atmosphere.

Any basic art book will contain a diagram showing how to render and shade the cube, cone, and sphere, but Space Art links this exercise to nature in a way that traditional art books generally do not. For example, most landscape artists rarely paint the moon correctly, either depicting it as a featureless white disk or a weird, banana-shaped crescent. This is, I think, because they haven't made the conceptual leap that allows them to see the moon as a sphere, subject to the same rules of lighting as is an orange in a fruit bowl. They don't see the illuminated part of the moon as its "day" side, and the dark part as its "night." They haven't realized that the dividing line between day and night -- the terminator, to use astronomical parlance -- is an arc of an ellipse: the shape of a great circle seen in perspective. After reading Space Art and attempting its exercises, beginning painters will have a deeper understanding of light and shadow that will make them better artists in any genre of painting.

Space Art takes the reader through fourteen exercises, ranging from the the almost mundane -- "Earth seen from the Moon" -- to the science-fictional landscapes of extrasolar worlds with binary suns. Brief essays by established space artists punctuate the exercises. These essays touch only lightly on technique, but delve more deeply into how space artists interpret the raw data of science and apply this knowledge to imaginatively portray a subject in a way that transcends a mere photograph. The sample illustrations by these guest artists range stylistically from plein air sketches to digital photographic realism. Carroll wisely restricts his exercises to techniques available to the beginner. Although he may sometimes use the airbrush or computer in his commercial work, subtle gradients in the exercises are created using fan brushes and sponges.

Space Art is not only a useful book, but a beautiful one, well printed and rich with color. A reader is likely to learn a bit of astronomy and geology along the way, and Carroll's impish sense of humor comes through in the text, maintaining the friendly tone of a teacher who loves his work. Again, I wish some time traveler had brought this book to me forty years ago. Highly recommended for beginning -- and developing -- artists, in any genre.

I bought this book to gain an idea of how to paint western backdrops for a model railroad. The book is thouroughly illustrated with progressive views of how to create different images. Work of multiple artists are presented, so it goes beyond just one style. Explanations are given over the use of color. I have found it to be a very useful guide, and did I mention, it has lots of pictures!

Michael Carroll has written, once again,a very fine book. This one meets a specific need in the artistic painting market of today. Space Art is a unique topic that is a favorite of the author's and it shows. The narrative is presented clearly with step-by-step, easy-to-follow directions, including which colors to use, how to create textures, and specific tricks of the trade used to make the artist's space paintings as realistic as possible. The book portrays painting lessons, with colorful thumbnail views, for all levels of students, from beginners to intermediate through to advanced. Michael has also included educational highlights to broaden the painter's knowledge of his/her favorite space subject as they seek to broaden their painting experience to include the wonderful world of Space. It's a great book and very helpful.

The Spectrum series is a collection of contemporary and fantastic art illustrations. I recommend it to anyone looking for discovering interesting work and contemporary artists. The work ranges from cover illustrations, paintings, sculptures to some toys, action figures and graphic novel work. The selection is usually very well done. I think the sculpture section is not as good as the graphic and painting area.

It is interesting to notice in the volume 10 the diversity of techniques presented. There are some pure digital art, but most of it is made of traditional media, or a mix with digital tools and some other technique. I imagine that the next volumes will gradually include some more digital art. From this series I ended up finding some artists I looked for entire work monographs like the sci-fi ilustrator Stephan Martinieri.

This is a wonderful book and I would recommend this to anyone interested in sci-fi/fantasy art. This book is even better than it's predessesors also. I think anyone who enjoyed the other spectrum books will enjoy this.

I recently purchased Spectrum 9, 10, and 11. These books are absolutely wonderful, and I would recommend them to any artist or fan of fantasy/sci fi art. They are extremely well put together, of high quality (reproduction wise), have a large number and variety of artists, and contain some of the most beautiful works of art I have seen. Some of the subject matter can be disturbing or somewhat sexual in nature (certainly nothing explicit, but not exactly innocent either), so I wouldn't recomend them for the very young (12 or under?) if you are a parent. These books are worth every penny and highly recommended.

I've been picking up the Spectrum collections since # 7 and I've notice an improvement both in quality and variety in the artwork presented.Within its 176 pages you'll find 300 plus reproductions. The book is divided into seven sections displaying work from advertising, book, comics, dimensional, editorial, institutional and unpublished sources.A cornucopia of styles and approaches grace SPECTRUM 10's pages. From the photo(sur)realism of Paul Bonner's watercolors portraying Orks and Minotaur to Kinuko Y. Craft's Pre-Raphaelite inspired BEAUTY AND THE BEAST to Brom's patented creepy/sexy gothic leather bound babes to Peter d Seve's delightful character studies in pencil for Disney Studios' Treasure Planet you'll find an eclectic cross section of SF/fantasy/horror illustrators working today. Jon joster (winner of the Gold Award in the comics' category) is my favorite here with his retro robots and expressive compositions.Only one thing irritates me in this book, and the only reason I gave 4 stars out of 5: these are the resin statuettes of comic book characters found in the "dimensional" section. These kitsch saturated figurines have no other purpose than to serve as "must haves" for pathological collectoholics and slightly mar this book for me. (Sorry about the soapbox spiel-guess I'm now assured of getting a good number of "I did not find this review helpful" votes.)Dispite this one caveat I highly recommend this beautiful book to anyone who appreciates fine illustration.

Sci-Fi and Fantasy artists have always seemed like illustration's poor step-children, often ignored (and sometimes sneered at) while the historical and Western painters wore the mantel of respectability. Thank goodness Spectrum came along to point out to the naysayers that Art is Art and that the practitioners of "fantastic" art are as gifted as anyone working today (if not better).

Spectrum 10 is chocked-full of beautiful and imaginative work by veterans and fresh faces alike. Personal favorites include the previously unpublished gallery paintings by jillion-times-Hugo-winner Michael Whelan, the Expressionist-flavored space ships by John Berkey, the monsterously proportioned toy robots by Eric Joyner, and the fantasy scenarios of Paul Bonner. There's art for films, paintings for books, sculptures (which I personally enjoy seeing), and work from comics; serious, mature pieces followed by wonderfully whacky and whimisical images. There's really something for everyone. It's fun to go through the book and compare the judges' selection of award-winners in each category with what *I* think should have won.

And thank goodness someone has finally acknowledged Michael Kaluta (#10's Grand Master Award recipient) as one of the most worthwhile illustrators working today. Kudos to the Spectrum Board!

About the only downsides are the occasional typos and several pages with cramped lay-outs, but all-in-all a must-have book for anyone with an imagination--and at a bargain price at that!

This book is a must have for anyone who is a fan of refreshing and exciting contemporary fantastic art.
Underwood publishing has made many outstanding tomes pertaining to the subjects of artist of substantial merit. But in my opinion The Spectrum editions are superior examples of just how diverse and penetrating artist of this kind really are. Cathy and Arnie Fenner are two of the most knowledgeable and humble, editor fan collectors in the world. They have a deep understanding of what makes a good presentation of this genre and roots that go extremely deep into Science Fiction and Fantasy. I bought this book with idea of trying to step closer to completion, but what I found was another assault on my senses, and a interesting realization that most of the work inside was pre-digital. My how times have changed, I thought. There are some very profound differences in this the 2nd volume, that I think anyone who has read drooled and loved over the years will enjoy. Go get it!! And if you want to here some incredible insight into what it take s to put it all together, check this interview out they did with us on SiDEBAR.
http://www.sidebarnation.com/my_weblog/2008/10/ep-69-labor-of.html

The only one I missed (because of moving to the Netherlands). Happy to see a reprint finally of this book. The series is complete now (until next issue arrives of course). Every annual has been worth it and this one's no exception, even after 12 years!

This book with it's supurb collection of fantastic art comes to us reprinted from the 1995 edition of the same name. Here are 200 plus color illustrations from that era and cover the range from magazine covers, book dust jackets, or in many cases the book itself. Here are art works to illustrate stories or advertisements.

Spectrum 2 has been long out of print, after all, Spectrum 13 should be in your book store soon, and Spectrum 14's entry forms are now available. Each issue of the annual tends to go out of print fairly quickly, and I suspect this reprint will also. If interested, I suggest ordering your copy fairly quickly.

The mission of the organization is 'To promote the fantastic arts and provide an annual showcase for contemporary artists.' They have done a supurb job, not only with the annuals, but with museum exhibits and exhibits at shows around the country.

I have collected all but 1 of this great series and would have to say that this was probably my least favourite. My main issue is the lay out, with the size of a lot of the pictures being too small with lots of white space around them. I suppose it was only the second one in the series and they rectified this in later versions.

That said, it still have some great art in it and I would recommend it to anyone interested in sci-fi art

Over 134 pages of full color glossy fantasy and sci fi artwork. The same high quality selection as the other spectrum series books. Has a digital work of "death" (Neil Gaiman's story character) and many popular book cover artists throughout.

John Maddox Roberts is the pseudonym of Mark Ramsay, author of numerous works of science fiction and fantasy, in addition to his successful historical SPQR mystery series. He lives in New Mexico with his wife.

This is the seventh book in the SPQR series of books about Ancient Rome in the late Republican era. They all feature Decius Caecilius Metellus the Younger as a solver of mysteries. All of the books have been consistently good and I had no reason to doubt that this book would be the same. I certainly was not disappointed. The author always manages to come up with a different slant to the story that usually includes some of the more famous people who were about at that period of Rome's history.

This book features a curse as its theme. Something that should always be taken seriously in Ancient Rome. Magic and sacred rites were prevalent in Roman society at the time and a curse would have been taken very seriously.

After fighting the Gauls for a year under Julius Caesar, Decius Cecilius Metellus, the black sheep of the powerful and wealthy Metellus clan, is glad to be home again in his beloved Rome. Married to Caesar's niece Julia and running for political office that could lead to bigger and more powerful positions, Decius is a very happy man. The populace is not in favor of Tribune Marcus Licinus Craessus going to war against the Parthians.

On the day he is to depart, the fanatical opposition leader, the tribune of the people Caius Ateius Capito delivers a curse on Marcus, daring to speak the secret name of Rome. Decius is ordered to find out how he learned such a sacred name but before he gets very far in his investigation, the mauled body of Ateius is found. Decius must get answers and soon otherwise the frightened populace will start rioting.

John Maddox Roberts, through the use of the first person narration of his protagonist, gives the reader a glimpse into the mindset of the citizens of the Roman Empire on the subject of slavery, magic, politics, and war. The story line is colorful allowing readers to feel as if they have gone back in time to Ancient Rome. THE TRIBUNE'S CURSE is an exciting, well-researched historical mystery.

Harriet Klausner

The year is AUC 700, or 56 BC by our calendar. Decius Caecilius Metellus the Younger, back from several years in Gaul and happily married to his longtime love, the niece of Julius Caesar himself, is plunged into a whirlpool of intrigue when a tribune attempts to derail a powerful politician by invoking a curse on him, using religious elements he had no business using.

Reading this, the reader gets a sense of how alien the Romans really were---and how much they really believed in their religion.

Roman Senator Decius Caecilius Metellus is back in Rome, standing for election, when the always dangerous city is convulsed by a Tribune's curse. The Tribune curses Crassus as he sets out for war against the Parthians (a war that ended with Crassus's death and one of the worst defeats that Rome had ever suffered), invoking a number of secret gods and the secret name of Rome itself. Everyone knows that knowledge of the true name constitutes power, and Rome must take extraordinary measures to purify itself. When the Priestly colleges come to Decius and insist that he bring them the name of the one who betrayed Rome's secret name, Decius is thrust into mystery, danger, and death.

Author John Maddox Roberts makes this turbulent era in Roman history come to life. From details of Decius's candidate toga (whitened with chalk to stand out), to the economics of being a Roman politician, to the scheming of the three men--Pompey, Crassus, and Caesar--who rule Rome, THE TRIBUNE'S CURSE drips with authenticity. Better yet, the history lesson is fully integrated into the story. Roberts delivers information as it is needed, involving the reader in the mystery and the history simultaneously.

Decius, with his fears of poverty, his love of wine, and his loving but greedy wife, makes a sympathetic character--important since the story is told as a first person narative. He is positioned high enough in society to have access to information and contacts, yet low enough to be fair game for anyone who thinks that the truth would be better hidden.

Fans of Roman history, historical mysteries, or fine writing won't go wrong with this compelling mystery.

I must confess I eagerly awaited the publication of John Maddox Roberts latest SPQR, and other than the fact that the hardback leaf jacket would have us believe the events within happen in 80.BC, when they occur (as the author accurate places them) in 56, the seventh installment of Decius Caecilius Metellus the Younger leaves me glad he decided to continue the SPQR series after such a long absence.
Decius is back in Rome after his trip to Caesar's Gallic camp in `Nobody Loves A Centurion' and is happily married to Caesar's niece, Julia. Hermes has matured and become an effective personal bodyguard (as evidenced by Silvanius' attempt on Decius life).
The opening finds our erstwhile hero in the Forum canvassing for the post of plebian aedile for the coming year, 54BC.It is also the time where Crassus is pushing hard for his province and Parthian War, Pompey is effectively running Rome as senior consul and both Clodius and Milo have called a truce to their open urban warfare, the latter being praetor.
The first eighty pages of JMR's latest novel is spent building a lengthy picture of the political situation of the time, focusing acutely on Decius status as both patron and client as he builds his political career. In some respects you begin to wonder where the plot will take form, then JMR swiftly launches into it as Decius (and most of Rome) witnesses the tribune Ateius Capito calling down a dreadful curse on Crassus as he leaves Rome, but, more importantly, using the secret name of Rome (apparently known only to a privileged few) during his diatribe. Pompey orders Decius to investigate how such Ateius came about such knowledge. Delving into eastern cults epitomised by Eschmoun, Elagabal and Ariston to find the truth, Decius' search swiftly turns into a murder hunt as the politically inviolable Ateius turns up dead in the Tiber bearing the marks of mauling by wild animals. Pompey's instruction to find the murderer(s) before the funeral and potential riot in Rome, leads Decius delving once more into the highest echelons of Rome's politics and provincial mismanagement to find the culprit(s). With the ever helpful physician, Asklepiodes to eventually point him away from the confusion of suggestion and fact to the simple truth, Decius eventually gets his culprit(s) with not much time to spare.
A lengthy aside on his participation in the purification of Rome as the senators race three times round the Servilian walls bearing a huge platform together with his dry wit make this latest adventure for Decius an absolute delight to read. JMR combines mystery with accurate historical fact admirably. As a forerunner of this subgenre he is also peerless in his ability to deliver a fast-paced, gripping page turner.
Highly recommended. I eagerly await the next one.

As the author states,"Stalin successfully imposed his vision upon one sixth of Earth's landmass." Whereas Hitler's charisma was instrumental in his rise to power, Stalin's success was due to his self control and his extraordinary ability in successfully interacting with others, even his enemies. De Jonge's detailed account of Stalin's life helps us understand the man who greatly influenced the course of Russia's recent history.

Stalin as chief thug, with lots of black humor.

"Ezhov was a rat, he killed many innocent people, and that's why we shot him."- Stalin speaking of his former head of the NKVD.

I just want to add a note to the review I wrote earlier. De Jonge's "Stalin" was written before glasnost opened some new materials from the Soviet Union for scholars to access. Thus, it is limited from that standpoint. However, this is in no way a serious hindrance to the book. Having also read Conquest's biography of Stalin, which WAS written after glasnost, there is very little that Conquest added to de Jonge and certainly no major re-interpretation. Both books are excellent, de Jonge's a little easier read.

Joseph Stalin is a fascinating subject. Alex de Jonge is an outstanding writer. They combine for a great book. There are other biographies of Stalin; Deutscher is a bit dry, Conquest is excellent, but perhaps a bit short. De Jonge covers his subject thoroughly, but not with so much detail as to overwhelm or lose the reader. De Jonge is an excellent writer, and he combines his talent with useful information and a plethora of fascinating, sometimes hilarious, anecdotes. He doesn't get bogged down in Marxist theory, but he does give a brief synopsis which will benefit the average reader; a scholar might wish for more. Perhaps the most outstanding and useful part of the book are those sections dealing with foreign affairs, especially in the aftermath of World War II. Brilliant analysis....

Although this book is fairly large at somewhere around a thousand pages, it's awesome. De Jonge is a superior biographer who manages to avoid getting bogged down in Stalinist politics and subcommitees. De Jonge narrates the rise of the dictator and his subsequent maneuverings very well, keeping you interested with little effort, despite the fact he's describing bleak people against a bleak background. Stalin is a fascinating, evil personage worthy of remembrance and De Jonge does his life justice. A masterpiece of modern biographical work.