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Yes, It's Dated And For The British Market, ButReview Date: 2006-03-20
VEDDY BRITISH antiquarian book referenceReview Date: 2001-06-17

Out of Print, but not Out of SightReview Date: 2001-11-22
However, O'Doherty waxes much too purple for my taste when he lapses into streams of consciousness that seem to turn into whirlpools from which he cannot extricate himself. More unfortunately, while he has done tons of research on the details of say, seventeenth century Viennese table legs, he hasn't read too many diaries from the time. His prose seems awfully Victorian to me. Or pseudo-Victorian. Actually, there were times when it reminded me for all the world of Elinor Glyn.
His problem is that the novel isn't a seventeenth century form, and stream of consciousness, moreover, is a twentieth century construction. Still more incongruously, O'Doherty appears to have his eye on eighteenth century fictive diary prose such as Charlotte Bronte writes in Jane Eyre. However, he can't even separate the first person narrative of early novels from the stream of consciousness that readers today are familiar with. In addition, he uses three-point narration (Mlle. P., her father, and Anton Mesmer) and seems to be trying to do something along the lines of The Moonstone, yet another form that didn't exist in the seventeenth century. O'Doherty has set himself up for massive leaps of invention. Sadly, he never quite does what he sets out to do, and the thing shrivels in the bud.
I'm just addressing his prose style, though. If you can stomach it, then you have the pleasure of the devices he uses to work Mesmer, Mozart, Benjamin Franklin, Empress Maria Theresa, and most of the rest of the Hapsburg court, plus the French Revolution into 240 pages. They are actually pretty artful. So if you like that kind of stuff, and aren't fussy about the mode of communication, this might the book for you.
On top of that, there's sex, lots of it, and a blind girl Mesmer is trying to cure, and some neat messages about talent vs. function.
However, if you read for style and rhythm of language as much as plot, this will set your teeth on edge.
This novel may be technically out of print, but you can still buy it in many bookstores...There are probably lots of warehoused copies. Since it's on the Booker shortlist, there's a good chance it'll come back into print. Nonetheless, if you're interested, you ought to grab it while you can.
Aristocracy, the Enlightenment, and Sexy Blind GirlReview Date: 2000-10-16
While there are horrific moments highlighting the destructive effects of ill-conceived parental control, O'Doherty sheds light on the mysterious penchant talented people have for falling into the hands of suppressive creeps. The doctor seems sincere enough, but even he cannot keep his hands off the lovely musician.
Chapters told by different characters, the story is a fine exercise in viewpoint and voice. O'Doherty sets his scenes with amazing conservation of adjectives. The language and syntax alone paints vivid pictures of court settings. This reader really got the impression O'Doherty did his research meticulously.
Now that the author's shortlisted for the Booker, we have good reason to snap up this out-of-print novel!

Anne and Mattie should go to hellReview Date: 2008-10-24
A bit of reality in the insanityReview Date: 2006-07-18
surprised by the negative reviews!Review Date: 2008-06-23
Certainly, sometimes we want to read fiction which will provide us with characters so good, so lacking in imperfection, that we can try to aspire to their perfect heights. And sometimes, conversely, we want to read about real, flawed people, ones who affirm our own lives. Which of us has never - be honest! - wanted the wrong person (or the right one) at the wrong time? has never engaged in emotionally destructive behaviors? has not known the right answer? Ms Lamott tells the story with such kindness and generosity to her characters... I can only hope to aspire to be so loving to myself and to my own friends.
The Truth Shall Set Your Free But First It Will Make You MiserableReview Date: 2006-11-04
In Blue Shoe, Lamott allows us to eavesdrop and peek in on the tensions, struggles, and alliances made and broken by three generations of Mattie Ryder's family. She is a forty-something, perfect size 12, divorced mother of two young children, struggling to support her household, and to find her way forward amidst life's discouragements. Her narcissistic liberal activist mother. Isa, looms over the narrative as does the shadow of her dead father, Alfred. Mattie's is very much a stereotypical Marin County family, hedonistic, liberal, educated, free-living. The blue shoe named in the title is a vending machine trinket Mattie treats like a good luck charm. Tracing its origins connects Mattie and her brother Al to family secrets that will wound before they heal.
Despite Mattie's (and Lamott's) transparent Christian faith, there are no plaster saints in this book, but only gritty, real people. Lamott is a disciplined author, and knows it is best to show rather than tell. Like a sea shell left on the shore by a receding wave, the theme of this book emerges from the experience of its characters rather than being placarded and proclaimed. The theme is stated but not trumpeted as such in Chapter Ten, where Mattie tells her brother, "Yesterday I had an epiphany. I realized that all I have to do is to tell the truth, and let go of the results" (223). Her theme could be expressed in this wry version of a familiar New Testament text: "The truth will set you free, but first it will make you miserable."
This is my first Lamott novel, so I can't compare it to others she has written. She succeeds here in opening her theme to us like leaves of an avocado, inviting us to savor the subtle flavors and fragrances arising from her narrative. The pace is slow-moving, and this too is a credit to Lamott's artistry, because real life is not a quickly dispatched explanation, but a slow process of experience and discovery sorted out from the tangle of the mundane.
Despite her slow pace, too slow for some, I give Blue Shoe five stars because I believe this slowness is appropriate to a portrayal of life as it is, where the fragments of lessons learned assemble slowly before taking discernible shape.
I recommend Blue Shoe to anyone prepared to see life and relationships in full color rather than in black and white. Lamott calls us to openness to new information, and to willingness to seek out and face unexpected or uncomfortable truths. The rich web of relationships clustered around Mattie Ryder is transformed as a result. If our experience would reflect theirs, we will need courage, curiosity, and perhaps a lucky blue shoe of our own.
Not a Total Waste of TimeReview Date: 2006-06-08
To begin, what I loved about this book was the dry humor (ie: feeling like pouring Draino over the pet iguana, etc) and the lovely descriptions. I also enjoyed the themes of self-discovery, and picking up the pieces along the way in life. Anne Lamott most definitely does a better job about writing of the trials of middle age, feminism, and discovery than some writers, who fill pages with a soon-to-be Lifetime movie script, but there are some definite flaws within as well.
I wish that more depth could have been given about the characters, or that other perspectives had been given. I wanted to know about the intertwining of lives and characters, not horribly depressing pages about dementia and drawn out-death scenes of the beloved family pet. To actually shape this story, she needed to go into the past, instead of the present.
But what annoyed me the most, was the ending. The whole premise of this story was about Mattie finding herself, discovering her father's secrets and the brother she never knew. But the story ended so abruptly, that you wanted to know more. You had a part of the story, but it seemed as if Lamott just got tired and threw in the towel.
I would have given this book three and a half, or even four stars if not for the ending, but I felt horribly cheated. In a way, the characters did as well. They didn't get to complete the journey either. The ending is everything to make a good piece of literature morph into a great one.
This is a fast read (I read it in two days), and a very good beach book. I will give Anne Lamott the fact that she is very engrosing, and makes you want to keep reading.
But, if you want some true feminist literature with amazing, plots, characters, and endings, read any one of Margaret Atwood's books!
I have not completely given up on Anne Lamott, however. I look forward to actually starting from the beginning, and then seeing what I think!

3 1/2, but not 4Review Date: 2008-11-12
Poorly Plotted and Contrived CluesReview Date: 2008-07-06
Sort of interesting but unbelievableReview Date: 2006-07-17
And the whole reason that this woman and her friends are there in the first place for so long, that the police are investigating one of the murders so she has to hang around, is ridiculous, especially since it stretches on for months and months.
There's another part where this lady and her friend get kidnapped and locked up, and instead of being scared or trying to get out, they sit around blabbing and making jokes for hours about his relationship with his daughter and the history of little huts in Ireland. Don't you think they might be a little bit worried and concerned for themselves, especially after several recent murders and the fact that they've been kidnapped??
There's also this teenage girl who talks backwards - give me a break! She would never be able to do that, and no one would be able to understand her either!!
At the end, a lot of the weird stuff that went on is left unexplained. But by then, you don't really care anyway!
Best so farReview Date: 2006-09-18
You Just Never KnowReview Date: 2005-01-30
Now we have THE CELTIC RIDDLE (and several more, actually, but I'm taking them in order). For me, this is something of a letdown. Not horrid, but not up to the standard of THE MOCHE WARRIOR. The premise is shaky (a wealthy man leaves a treasure hunt behind in his will, hoping that his squabbling heirs will cooperate to find an unspecified treasure. Now really, what could be more divisive?). The background mythology is interesting and Hamilton has done her homework, but the meanings hidden within the mythical poem are obscure and the connections drawn are often either solved outside the thread of the narrative or involve improbable leaps of intuition. And what's up with the silly device of speaking backwards? It is more annoying than cute.
I don't quite know what to make of Hamilton. Thus far, her stories have been inconsistent. THE CELTIC RIDDLE is a mediocrity, and it could have been a good deal better. If you're into the series, you'll want to read it. If not, you might want to try the next one. I haven't read it yet, but the more recent books in this series are getting better reviews. I'm hoping that the best is yet to come.

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Jeckyl/Hyde JeffersoniansReview Date: 2004-09-26
Between the Declaration and the Gettysberg Address we find too much American history sawdust.
Excellent piece of research behind the myth machines operating on a July Fourth schedule, 'whole cloth', like the commodity of empire in the British cotton kingdom that rapidly survived the blunder of losing its fiefdom in the soon reconquered South.
Yeoman farmers? Come on. My leg is pulled out of joint.
History Covered from a Different AngleReview Date: 2007-03-02
MR. JEFFERSON'S LOST CAUSE is a unique examination that Kennedy narrates with extreme detail. But one of the unfortunate aspects of his narration is that some of the passages are so intense with historical data that one loses his point, or forget what the book is about. As Director Emeritus of the National Museum of American History and the National Park Service, Kennedy attempts to creatively intertwine his knowledge and fondness for biological, geological, ecological history, Early American and Roman history as it relates to the activities that occurred with the land. However, they appear out of place and somewhat disconnected to the main subject at hand - Jefferson, the land, slavery, and the Louisiana Purchase. For example, readers may become lost if they do not know about geology, and the different periods that existed, the Jurassic and Cretaceous periods, which he uses as analogies to explain John Marshall's Dartmouth College decision of 1819 and how it ties in with the phases of capitalism and corporate growth as well as the introduction to chapter 13 where he begins his discussion with a short biology lesson about organisms. In addition, this is yet another book where the main character disappears amongst the immense amount of information. Kennedy dedicates a chapter or two on several key contributors to the Louisiana Purchase, Alexander McGillvray and Fulwar Skipwith.
So in essence, what can be learned from reading MR. JEFFERSON'S LOST CAUSE? Kennedy emphasizes that Jefferson was the "father of the land," but did use his experience of Plantation management to the best of his ability to provide balanced relations with the Yeomen. The story and analysis of this historical event was told from a different angle, but may have been enriching if the narrative moved laterally. While reading the book, memories of the past come to mind when I used to have to write and revise papers for my history classes, and had to constantly remind myself what my thesis was. Otherwise, the bibliography is a helpful source to understand the foundation of Kennedy's research.
Socialistic drivelReview Date: 2005-06-06
If I could give it a zero, I would.Review Date: 2004-06-11
fascinatingReview Date: 2004-07-19
First, the description of how the plantations east of the Allegheny Mountains were viewed as disposable by the men who ran them, since it was cheaper to buy new land on the frontier than properly maintain the land they currently possessed. Also, how these same men for various reasons and led by Jefferson resisted the industrialization that would diversified the economy of the south.
Second, how Jefferson and his allies catered to the land gluttony displayed by those early planters as new land was acquired for the United States. This was largely accomplished by dispossessing the people inconveniently already settling the land, and handing large swathes of land over to slave-holding planters emigrating from the lands they had exhausted.
Kennedy in fact dwells for much of the book on the territory of Florida (expanding beyond the current borders of that state across much of the South) possessed by Spain and settled prior to US acquisition by a mixture of Indians, whites and blacks who out of neccessity practiced sustainable agriculture on a small scale. I found the picture of Florida in that period to be one of the particularly interesting parts of the book. The relationship between the US and the people already settled on lands it wished to acquire (especially Indians), using Florida as a case study, was enlightening.
Kennedy provides some critical information for evaluating Jefferson's political leadership on the most compelling moral issue facing the young republic-the endurance and expansion of slavery within its boundaries. First, although the debate in Congress during his presidency over the expansion of slavery into new territories was very close, Jefferson refrained from using his influence to lead in this controversy. Thus, his anti-slavery rhetoric was saved for moments in his life (early and late in his career) when it was unlikely to influence policy, and perhaps as no coincidence his self-interest and the interest of his landed friends. Indeed, once Jefferson's agriculturally impoverished land would no longer yield a profit, rather than join other planters heading west, he decided he could support himself most easily by breeding slaves to be sold to those emigrants. In this way, the man who despised the merchant and industrial classes for their supposed lack of moral character, supported his own extravagent lifestyle. In this, as on many other issues, Jefferson was an impressively self-indulgent hypocrite. Sadly, this supposedly great president was striking for his lack of will and vision on how best to establish a republic in which the AVERAGE citizen would have a reasonable opportunity to pursue happiness.
I would have liked to have given this book 4 1/2 stars, because there was a certain lack of organization, and some parts were confusing, so I can't say it was perfectly written. But I found the subject matter truly eye-opening and heartily recommend it to anyone interested in the subject matter.

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Ouch!Review Date: 2007-10-06
Where have you gone, Dr GrimesReview Date: 2003-11-19
Definitively this should NOT be your first book on C++ .NETReview Date: 2003-05-18
This book is more about what not to do than about what to do or how to do it right. With the recently released new 2003 version of Visual Studio's the C++ compiler for the NET, it might, even, be a bit outdated.
If what you're looking for is a kind of tutorial book on managed extensions( such as myself) this isn't the right book.
Later, I got "Microsoft Visual C++ NET professional projects" and this is it. more than 1000 pages of practical advice, consistent and easy advice C++ and the .NET.
Maybe, after i get to know C++ more deeply "Programming with Managed Extensions for Microsoft Visual C++ .NET" would become an interesting reading.
Badly organized and poorly writtenReview Date: 2004-09-02
I will trust the judgement of others who know c++.NET better and say that the content is technically sound (I personally will reserve my opinion). As far as I am concerned, it all goes to waste due to its unreadable and incoherent organization and presentation.
It should have been titled "Random thoughts on managed c++".
Another great Richard Grimes bookReview Date: 2003-06-18

Off-Campus LearningReview Date: 2005-02-08
Perfect solution for busy professionals!Review Date: 2001-05-06
Revised? Not really!Review Date: 1999-07-29
DON'T BELIEVE THE TITLE!!!Review Date: 1999-03-23
The best general guide to regionally accredited DL programsReview Date: 1998-04-20


One of the two best books on the topic!Review Date: 2002-05-15
Above I said that there are two best books. The other book is also by John and Mariah Bear. "Bears' Guide to Earning Degrees by Distance Learning" is the seminal work in the field. 400,000 buyers can't be wrong!
Inaccurate & IncompleteReview Date: 2001-03-04
Decent if you want to be deceived.,Review Date: 2001-07-09
college degrees by mail and internetReview Date: 2000-07-20
Good book but...Review Date: 2000-08-15

A great opportunity missedReview Date: 2001-06-28
Brief overview of the holocaust in AsiaReview Date: 2007-03-10
The Kempeitai were the Japanese version of the German Gestapo, feared by all, including their fellow Japanese. While it is impossible to thoroughly chronicle their actions in only 167 pages, Lamont-Brown gives a good overview of the role the Kempeitai played in the war. They routinely executed civilians and captured allied personnel and on occasion even ate their flesh. Japanese medical personnel carried out horrific medical experiments on humans and were later granted immunity by General MacArthur in exchange for the records of their experiments.
This book is an example of one that should be read by more people. It is sad and unfortunate that more people do not know and appreciate the actions of the Japanese during the Second World War. Those who suffered through it remember it well, but shortly they will be gone and it is up to historians to keep the memories of their suffering alive.
An Important chronicle of World War II History.Review Date: 2003-02-04
survey of Japan's "Gestapo"Review Date: 2001-01-02
In fact, Imperial Japan and especially the Imperial Japanese Army (it's worthwhile to distinguish between the two) ran a killing and torture machine that in many respects was the equal of Hitler's Germany. The Kempeitai did much of this work. Officially, it was only the army's police force, but it was feared by Japanese civilians, by the captive populations of Asia, and especially by prisoners of war.
Unfortunately, Lamont-Brown is a professional writer of books, with 50-odd to his credit in a bit more than 30 years--a British Martin Caidin, if you like. Nobody can turn out books at that rate and spend the necessary time in research. As a result, this is mostly a collection of anecdotes and unrelated themes--whatever Lamont-Brown turned up, he shaped the book around that, or so it seems. So it fails both as a serious history of the Kempeitai and as an indictment of the Japanese way of making war.
But it's the only one we have, and therefore worth reading. However, if your interest lies mostly with the fate of Anglo-American prisoners of war, then a better book to start with is Gavan Daws, Prisoners of the Japanese.
kempeitai: japan's dreaded military policeReview Date: 2000-08-09

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The campaign for mathematical clarity starts here...Review Date: 2007-07-10
1) It is unacceptable to provide equations without explaining all the symbols in them.
2) If you explain something to an intelligent person and they still don't understand then it is your fault not theirs.
3) Laziness is the right of the reader, not the author.
In practice you assume your audience knows some things, ellide from previous equations for space and fluency, and provide a glossary. But I have a degree in maths (not stats) and still I can't make head or tail of the first two pages of chapter 2 in the excerpt given. So I will look for a book, article or course that assumes less knowledge on my part.
Learn about EM? Read the relevant papers but not this bookReview Date: 1999-11-21
great introduction to the EM algorithmReview Date: 2000-08-09
Excellent textReview Date: 2000-05-18
I guess this is also the only text available on the subject, as of now!
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"Nevertheless, Sir, there are some things more fit to be looked at than others; for instance, there is nothing more fit to be looked at than the outside of a book . . . It is, as I may say from repeated experience, a pure and unmixed pleasure to have a goodly volume lying before you, and to know that you . . . need not open it unless you please . . . There is no place, in which a man can move or sit, in which the outside of a book can be otherwise than an innocent and becoming spectacle."
Thomas Love Peacock, Victorian