Erosion

I have always wanted to make love to Jorie Graham. You can tell she's an intense babe in bed; her eyes, her cheekbones, her poetic intellect. She's the kind of wife that every man wants, and I would have loved to have her as mine.

Her poetry is great...but her womanhood is red hot.

Good Luck, Jorie. You are beautiful!

This is where she really mastered poetry, with the infinite elliptical loop & music & self-awareness & endless mysteriousness of Salmon, & in other poems playing, with great precision, with who the speaker is, & doing so much more with the book as a whole. With her first book it was clear that she would be a very special poet, & with this her second she absolutely mastered so many aspects of poetry in such a visionary way that she could confidently proceed from there to the wild avant-garde of her third book, The End of Beauty, & beyond. Reading Erosion, you can tell it's before she broke into the later experimentation she's now famous for. The style is very different. Here the lines are usually shorter; the themes are ambitious ("History" -- including but not focusing on a pitchfork opening slow holes in someone), but not as ambitious as later; the poems are shorter. But I think in poems in Erosion when she says things like "how clean the mind is" while commenting briefly on lemon skins, & elsewhere has a garment closing "from privacy to eternity" one could tell how brilliant she was & how limitless her poetry could be. It's all larger in ambition & scope than her first book. She was progressing already, as at the beginning of a parabolic curve not far out yet from the vertex.

EROSION, Graham's second volume of poems, is quite different from any other she has published. The poems themselves are strung elegantly like a pearl necklace. Each is quite linear in appearance and tone, crafted with clever, audible rhythms and rhymes. Most of the poems focus on a particular artist or saint or philospher--which is refreshing for those of us who bore easily of traditional nature poetry. Taken together, the poems, like many of those in recent book SWARM, deal with the seen & the unseen, the real & the imagined, the actual & the conceptual. EROSION is a bold step outward in American poetry.

There are a couple of things about this work by Greenberg that struck me as significant, and added to the fact that the book is very well written, it makes for a very compelling read. Even after many years of scientific journalism and working within the industry Greenberg says that the scientific enterprise makes him "feel like a stranger in a strange land." This is no idle boast by someone trying to tout his credentials as an objective observer and skeptic. This is in fact precisely the perspective that Greenberg uses throughout; this arms-length approach allows him to come up with some rather perceptive insights and useful recommendations. The second point of interest, and something for which the scientific community should be commended, is that generally this book has been quite favorably received. Many times when an "outsider" reports on some subject, the first, and oftentimes the only point, aggrieved professionals focus on is that he's not an "expert", or he's a "non-specialist". That doesn't seem to be the case with most of the commentary on this book from the scientific community. And make no mistake, there's enough damning evidence here about the volatile mix of SCIENCE, MONEY, AND POLITICS and the resulting mess of "Political Triumph and Ethical Erosion", that it would be normal to expect self-defensive counter criticisms.

Greenberg traces the changing role of science and its relationship with politics, roughly since the period following WWII. Long gone is the era of the prominent presidential science advisors. Today it is money that dominates the scientific agenda. The chapter on the National Science Foundation (NSF) and its claim a few years ago that the country faced a shortage of tens of thousands of scientists is illustrative. Greenberg shows this lobbying effort for increased funds as a knowingly false issue pushed by a merger of institutional and academic interests. Greenberg quotes a US Office of Management & Budget Report which had this to say about scientists: "They are the quintessential special interest group..."

He has much to say on the inflated claims of many projects. Although he specifically mentions the aborted Superconducting Super Collider (SSC), it is clear he views more recent projects such as the Human Genome Project, and cloning, in the same light. Greenberg doesn't allow the book to end as a mere polemic though. He makes an interesting recommendation for the conversion of the NSF into a National Science, Engineering & Humanities Foundation. This is more in recognition of the need for a new "ethic" rather than as the desirability of conflating all knowledge to scientific methods as some scientists (E.O Wilson in CONSILIENCE) have recently called for.

Regardless of where you are in the sciences this book is sure to affect you. Many of the excesses and cases of influence and false claims are known about, and more importantly have already been condemned by well thinking professionals. Nevertheless by presenting it in such a readable format Greenberg will enjoy significant readership among the skeptical public. This at a time when science is engaged in the most far reaching issues for humanity, only means that scientists can expect more questions from an interested, and much better informed public.

This is the definitive book on this topic. The author has been reporting this subject for over 40 years and has personally interviewed most of the major players. Plenty of facts and figures but interestingly written. Neither "Gosh, how wonderful Science is" or an expose' of how tarnished Science is. Extremely objective and written by a man who knows as much or more about this subject as anyone around.Historians will use this as a reference for a long time.

I'm one of those who believes that we have far more to gain from good science than we have to lose. Nonetheless, Greenberg's book brought me up short. This is a dramatic, readable, well-documented, and shocking exposé of the dirty back-door means by which much support for science research is secured in this country. Greenberg cites example after example of how undeserving or questionable projects are funded while, presumably, more promising work goes begging because it lacks powerful patrons. Greenberg also argues that the whole system is corrupt because universities depend on grant overhead for operating budgets, while congressmen and -women want money for their districts, and various scientific disciplines want to increase their clout and standing. Greenberg clearly is very angry, and his anger stems from genuine outrage that an enterprise such as science, which is so important, and so powerful, has participated in making itself an often-sleazy political tool. I hope university administrators and all the federal officials responsible for science funding will read this book--the fault lies less with scientists individually than with the ways in which universities, the federal government, and scientific organizations see their self-interest.

A well printed paperback facsimile of the original 1939 hardback edition of this famous book. The 112 photos, one to a page with a short headline and quote, capture the desperate times thousands of farmers and their families endured in the South and Midwest and their migration to an uncertain future in California. Nearly all of the photos were taken by Dorothea Lange and this includes forty-six that she took for the Farm Security Administration between 1935 and 1938.

In the back of the book there are two essays, one by Sam Stourdze, is an excellent explanation of how Lange and Taylor compiled the book. The sales fell well short of their expectations and Stourdze comments "the rigor of its approach, the verism of its oral testimony and the radicality of its photographs were hardly designed to have mass appeal" Quite right I think, having looked through the book many times I don't think the powerful photos are backed up by adequate captions. All the photos are anonymous, even the ones with people, and surely any reader would want to know who are these folk, what is their story? This information was available because Lange took detailed notes on all her photographic assignments. It's as if the author's thought the only way they could put their point across was in an abstract way and ignore the very human turmoil the photos clearly show. In 1937 photographer Margaret Bourke-White and writer Erskine Caldwell compiled a similar photo book about the living conditions of the desperately poor rural underclass, called 'You Have Seen Their Faces' (reissued as a paperback in 1995) but here the photos and captions blend together better.

'An American Exodus' is a book of remarkable photos and well worth having if you are interested in America during the Depression years. BTW, the book reproduces the back dust jacket of the original and the New York publisher, Reynal & Hitchcock, list other "Vital books of our Time" and for three bucks you could buy 'Mein Kampf' by Adolf Hitler, "The blueprint of the Nazi program by the man who is shaking the world. No American should miss it".

These heart-breaking black & whites were shot while Lange and her husband Paul Taylor were under contract with the Federal WPA and chronicle the exodus of dustbowl refugees of the Great Depression and the anguish of their daily struggles for survival in the 'promised land' of California. Some of these photographs are difficult to view, giving an infinite depth-of-field perspective of the arid, ruined farms and starving families of the midwest hitch-hiking or walking (sometimes barefoot) to find a better life. For it's superb detail, brutal realism, and captured raw emotion, this collection is regarded as one of the most important photographic documentaries published during the 20th century. It is criminal this masterful work has not been reissued in affordable hardback binding. Scholar, amateur photographer, and layman will surely peruse these monumental pages with pleasure for years to come.

It makes you speachless

This is the best book ever written by Kalpana Misra! Buy it while it's in stock and before it sells out!

Un libro excelente que presenta la aplicación del enfoque energético a diversas ramas de la geografía física. Esta obra es imprescindible para comprender la influencia del ambiente en los procesos naturales.

For those who have the need to determine erosion factors and soil loss this is an excellent book. I have used it to check the results of computer modeling programs for terrace and water impound srtuctures; the programs will only see what is placed in. Using the formulas longhand the flaws in the imputes can be found. I like the book very well.

The title may be slightly misleading and even off-putting but do not put down this book. The authors summarize several years of research done at Colorado State University. This reasearch has allowed them to develop some powerful process models which explain the evolution of fluvial systems over time. These models, while derived from flume work, apply well to the real world. Observations discussed and inferences put forth by the authors have been documented in the field by researchers for companies such as Exxon. They fit quite well with the sequence stratigraphic ideas found in the professional literature published by AAPG and SEPM (to name a few). Every geologist who wishes to become a competent stratigrapher should read this book. A great follow-up to Schumm's earlier book 'The Fluvial System.' CJ

As a geography student I have used this book at various points in my first year, and now find that it is vital to have a book of this quality for the rest of my time at university

the kind of erosion and the efect of erosion on the metal

While working at elementary school and public libraries for a number of years, I noticed there were very few interesting picture books on geology for grade school children. Earthsteps meets this need and children love it! The pictures are gorgeous, and following the rock as it journeys through time not only presents an easy to understand introduction to geology, but also keeps kids interested as they find the ever diminishing rock in each picture!

as someone working with geologists and geology as a career, i found earthsteps to be a fun way to introduce this subject to children. most children are not exposed to earth science, so a book of this calibur should be a part of all elementary school libraries.

I enthusiastically recommend this book! Who knew that the journey of a rock through time was dramatic AND fascinating? When was the last time you considered how a simple rock came to be? This story is as educational as it is entertaining to the children who have read it in my home. I had a five-year-old guest for the weekend, and THIS is the book she wanted out of all the books in my library. She was drawn to this rock and cared what happened to it. It was fun for her to "find" the rock in every beautiful illustration. Every time I read it to the younger children, I learn a little more, too!