EG Books

Jocelyn Godwin's 'The Harmony of the Spheres: The Pythagorean Tradition in Music' was published in '92 by Inner Traditions Publ. This 512 page text along with his 'Music, Mysticism and Magic' in '86 and 'Harmonies of Heaven and Earth' in '87 comprise a trilogy of monumental importance.

Building from the foundation of these two previous works Joscelyn Godwin presents a treatise encapsulating all the arcane and mundane wisdom of the ages to come to a conclusion that we knew all along in our heart of hearts. There is no separation, no "I and Thou" in the universe. All is one and music is the hidden key to unlocking this ancient truth. The cosmos is a musical, harmonious entity (Adam Kadmon)!

His scholarship is beyond repute, his research exhaustive and his conclusions, well you decide.

Yes, this is a highly specialized, scholarly, and esoteric collection but it contains the translated writings of philosophers of music not easily available. Not even the huge "Strunk's Source Readings (1998)" has the information which Godwin has collected and translated: Nicomachus, Pliny, Ptolemy, Kepler, Fludd; Arab writers Al-Safa, Al-Katib; the kabalist Ibn Latif. If you are a fan of Godwin's research as I am, these source readings will fill in the gaps in the history of music which is not taught. It is, however, a reference book first and foremost.

essentially derived from his many workshops attracting professionals in numerous fields this book is an fabulous work on the Human Voice in a myriad of glorious aspects. What is revealed amounts to a "How To" manual of the an incredibly overlooked power tool. Although it may sound like a book for New Age Choir Boys what blew me away was it's across the board attraction being both poetic and academic. Incorporating movement, mind, song, physics, the voice in battle and in prayer, speech therapy, liguistics, obviously lots on the healing potentials of sound and voice this work is often intriuging, humorous, and delightful. I can't think of a person under 12 who I would not recommend it to. Great stories, diagrams and examples. A definite for anyone intoe meditation, yoga, deep-breathing, Tai Chi, movement therapy, Jungian analysis, Recovery Counseling, and yes singers. This book is right up there with another favorite "The Music of Life" by Hazrat Inayat Khan

Recently, I came across Paul Newham's book and though I haven't finished reading it yet, I am very excited about it. Being interested in expressive arts and vibrational/energy modalities "The Healing Voice" and Voice Movement Therapy speak to me. To express oneself through sound/song is such an essential part and key for our well-being. This book, it's information, examples and exercises will be helpful for many people. Freeing and finding one's true voice, spirit and potential to live authentically and joyful.

I am grateful for a friend who introduced me to amazon.com. I got books in good condition, on time and within my budget.It helps poor students like us buy books.I know I can count on amazon to deliver the goods.Thanks!!

This book is a treasure for people who want to know more about music therapy. It compares different models of music therapy always with the same categories, which makes it easy to find differences and similarities. It is not only refered to british music therapy but also to international music therapy (e.g. Orff-model). It actually describes different models of music therapy with the emphasize on improvisation. But don't be scared, it is quite a thick book. If you are interested in music therapy, it is worth it!

This volume represents a logical outflow of Keeney's first publication: "The aesthetics of change". It challenges the reader to use whatever she's got as personal resources in the creation of a truly personal therapeutic style.

Some echoes of his subsequent publications are also found in the re-framing of the work of other therapists. "Mind in therapy" is a clear precursor of the thought of this book.

Improvisational Therapy challenges the reader to use her own creativity, without relying on the "recipes" of others. Keeney contextualizes therapy as performing art, not completely tongue in cheek.

As we gaze over the vast edifice of dodecaphonic music this side of the Atlantic we find a number of profound creations, Stefan Wolpe, Ralph Shapey, Donald Martino, Charles Wuorinen, Ezra Simms, and of course Milton Babbitt. There is a premonition, a harbinger which had marked Babbitt's life, being the first American to welcome Arnold Schoenberg as he arrived from exile,escaping the darkest pages of European history with the then popularity of the fascists in Europe and some cults within the USA,as Father Cooglan, and then Senator McCarthy and Roy Cohn's dithyrambic Purges of left minded American workers.
Andrew Mead does an admirable job, tracing the vast diapasonal musical creations of Babbitt.
Mead admirably divides Babbitt's creativity into useful periods, ones marked with a penchant for theoretical discursis,an elan for the pure structural and durational devices his inventive mind had. It all begins with Schoenberg's evolutionary 12 Tone language,which Babbitt had devloped into further functional divisions of the almost Kabballah like power of the number 12. His Composition for Four Instruments, Flute, Clarinet, Violin and Cello was a primary achievement, although rhythmically tthis period was marked by a persistent provincialism of the parameter of rhythm.It wasb't until the Second String Quartet where such tactile parametric freedoms begin to reveal themselves in an effulgence language.. With the Third creative period Mead identifies here the years 1961 to 1980 we impart ourselves in stil greater expansive dimensions. A number of piano solo works distinguish this period, the "Post-Partitions", and a work I deeply admire the rather modest 'Sextets', for Violin and Piano from 1966,and a revistation of the genre in "Joy of more Sextets" from the displaying the hexachordal-like encysted divisions between both contrasting instruments. There the genre,of Violin and Piano,which emanates from the 19th Century Sonata, was truly redefined discovering newer contexts, within the predictable structure of duet. Babbitt had also developed theories which now aimed to consolidate the vagaries of the infinite permutations and combinatorial mixtures of the 12 tones,his More Phonemena was a summation piece. I am still thrilled by the Piano Concerto a work in the Eighties, where now we see a freer utilizsation of some of these theoretical achievements. He still maintained this penchant for discovering differing contexts for predictable musical genres,and interestingly pursued interesting combinations as the various 'Soli e Duettini', as the one for two acoustic guitars.

I have always admired Milton Babbitt's work, not least for the subtle beauties of his often misunderstood music -- misunderstood only by those who are not up to the challenge of this demanding, olympean music! Andrew Mead's Introduction is exactly what it claims to be, an introduction--but then how could it be otherwise, considering the vast scope of Babbitt's astounding technique--and a very clear and well written one at that. Most important, Mead clarifies the musical responses and exigencies which brought about this impressive technique in very readable english. The bibliography at the end of the book is also excellent, listing some very important articles in the study of twelve tone music theory. Also recommended is Milton Babbitt's own, very readable, "Words About Music".

This e-book is very nice. While it doesn't show you every major chord, it does explain "in detail" the techniques to play in "all" Major, Minor, and Diminished chords! I am a self taught pianist and trust me, Learning the "theory" makes you understand and become much much closer to the piano and music in general! You won't be a ray charles after reading this book because a good bit of this book is theory, but it does enough to get you a good start at playing Jazz and any other type of music for that matter! For the price, It's a steal!

A concise,comprehensive and imaginative presentation of the basics.This step by step approach is the best way to gradually
absorb the overwhelming yet ultimately rewarding world of Jazz.

This is an absolute must-have for anyone who is serious about researching the history of lace. Besides the well-written and very well researched text there are so many detailed images that it will take your breath away. A masterpiece.

Ms. Levey presents many types of lace and their application in a concise and easy to understand format. There are lots of excellent close ups of the lace discussed in the book. For those who are interested in historical lace dating before the 16th century, this is a MUST have!! I highly recommend this book for the SCA.

Mr. Fath's collection shows impeccable taste on his part, and his knowledge of his subject and personal reminiscences of Benton make this book a must-have for Benton fans. I see copies on occasion is Austin, but they're hard to find. Highly recommended.

This book, although currently out of print, is a must have for anyone interested in the lithographs of Thomas Hart Benton. It catalogues the works and has additional comments by the artist himself on each work. Good luck finding a copy.

Ever since I failed my 70-291 test, I've supplemented all my certification studies with these shortened Exam Cram books. They always provide a great summary of what I've learned the 3 weeks or so I spend studying more detailed guides.


This one SEEMED a bit longer than the others, but there is alot of material for this test. Either way, I was able to read it in about a week (just 1 chapter each day, less than an hour), and it really explained things much clearer than MS books. The difficult concepts from the material fully sunk in, and I felt twice as confident for the test - which I aced with an 826.

I've also used the Exam Crams for the 70-291 and 70-293, but this just clearly has been the best so far. It reads very smooth - the author has a natural way with words, and turns simplicity into an art form.

I wish I could give a more detailed review of where it helped me most, but it's been a few weeks now and I'm on to my next test. On the positive, I don't remember any errors - spelling or technical. The study guide I'm reading now has already had a handful of errors in just 5 chapters!

After this book, I am giving much more consideration to using the full Exam Cram study guides for my tests! Bravo to Que - books of this quality should just boost their reputation into outer space.

My thoughts - HIGHLY RECOMMEND!

As it says in the introduction, this book does not teach you everything you need to know about a topic, it is aimed strictly at test preparation and review. The authors have studied the test and put together a guide that if diligently worked will almost certainly enable you to pass the test. 70-294 is one of the core exams that everyone gaining an MCSE must pass.

This book contains a number of parts that are designed to provide information on the test. The first thing in the book is a Cram Sheet that provides key facts about the exam. This is a brief document, but covers the general areas with which you should be familiar. This is followed by the main part of the book, broken down into nine chapters. The chapters concentrate on a major area of the test and are followed by a short examination. Following this are the two complete practice examinations and their answers. [...]

The book is very well written and serves multiple purposes. Firstly, as an exam prep book, it has great information, questions and lots of hands on experience which is crucial for the new Microsoft exams.
Secondly, this book is a great resource for use at work when you need a quick reference.

I highly recommend this book.

One of the better guides out there. A must for test takers or anyone who wants to know more about Windows Server 2008. The author appears to have a solid knowledge of Windows Server 2008 and presents the material in an easy to read fashion. Lots of screen shots and lots of good practice questions.
Would highly recommend.