Documentary-Collection Books

Very, very, very nice. A bargain at the price. The pics have appeared before in glossy, "male art" mags, but I am still looking forward for Mr Black's next book.

Wonderful...the men are magnificent, the photography beautiful, the presentation flawless...a great coffee table book...and fun to flip through too!

Jonathan Black's highly successful book Idols is now available in postcard form. Beautiful colour images in an easy pull out book. Great value.

This book is stunning. A sexy, erotic yet classy book suitable for any man's coffee table.

Excellent Photography, Vivid Color and HOT men.

This book is really amazing. I'm a 'star' in the book on page 44. I'm very proud to be part of something so unique. The book is enjoyable to anyone who reads it, and I highly suggest getting it as a present for others, or yourself!

A wonderful book. I initially bought a couple copies as Cristmas gifts for family members (the cover girl compelled me.) As I began to read the essays, I was so taken with the stories of these remarkable individuals that I found myself purchasing additional copies - for myself, friends and my local library. The essays bring the lives of average Americans, captains of industry and celebrities into a cohesive focus that is difficult to put down. I love it.

Saw the ad for this book in the Irish Echo with the great picture of the piper. Knew it would be worth a look. Read Pete Hamill's introduction. Then read Patricia Harty's facinating pages of Irish history I never knew. Flipped pages to view the great faces that come right to you and bought it. Worth every penny and family loved it.

I just bought Julia McNamara's book for the O'Hagen coffee table. I spent the first few times with the book just looking at the pictures until I had a chunk of time to really sit down with the text. It is rare for a book of this nature to cover in such depth the Irish American experience. The stories are moving, uplifting and enlightening. Look at it.......but also READ it.

I bought this book as a Christmas gift for all my Irish friends. The stories are so compelling - they celebrate the specialness of being Irish in America with more nuance than most authors and with a grace that captures each person's perspective and joy. Color me...impressed!

The updated, expanded edition of The Last Album: Eyes From The Ashes Of Auschwitz- Birkenau is out, and no less hard-hitting than the original. These black and white photos were not supposed to reach the world: the Nazi order to destroy all personal photos brought to each concentration camp was meant to destroy memories as much as evidence. Despite this mandate, author Weiss uncovered an archive of over 2,400 photos brought to Auschwitz by Jewish deportees across Europe - photos hidden and saved, at great risk to their owners. These photos accompany a traveling exhibition which is making its way around the world, presenting over 400 of these photos and how the deportees arrived at Auschwitz - and how Weiss came to discover them and to research their roots. A 'must' for any serious Jewish history collection - and many a general interest holding, as well.

"The last Album" by Ann Weiss is well organized and well written. It contains 400 remarkable
photographs that were brought to Auschwitz-Birkenau by victims in 1943. These photographs were taken
prior to the Holocaust and depict people bursting with life. This is an extremely unique book, and contains material that was lovingly researched for a period of 15 years. The beauty of this book is that the
photographs and the research accomplished brings to life people that were lost during the dreadful time of
the Holocaust. The book like the author is soft, sweet, articulate and brilliant

I read this book by chance, yesterday, Memorial Day 2003.
Been crying.
It's like Schindler's List or Sophie's choice.
How could they do it?
How can we let them continue doing it?
The animals still are around us, although using another names, another symbols, another motivations.
I kept reading, hoping to find some of the people to be safe at the end, but almost everybody was killed.
Binim, Rozak, Mayer, Bronka, so many of you.
I miss you, my friends.

After reading this book, I feel this should be in every house in every country. You hear so much about the people and the numbers killed that sometimes it doesn't seem real but this book makes it very real. The pictures are so powerful and at the same time so ordinary - they could be pictures of anyone's parents or grandparents. The most haunting pictures are those of the children - you have to wonder how many survived. The stories of the survivors bring it all home - "There's the aunt of the little girl I used to babysit", etc. I found it amazing that these pictures did survive 40, 50 years before being discovered again. Anyone who denies the Holocaust happened should read this book and then try to still say it never happened. Thank you Ann Weiss for bringing these pictures and the stores behind them out of the darkness.

This book is an amazing piece of history. The fact that so many photos brought into Auschwitz have survived is phenomenol as all personal effects were automotically burned by the Nazis murderers. When viewing the photos in this book, which were brought in by those of the Sosnowiec-Bendzin transport, it would also be advisable to read Tadeusz Borokowski's book "This way to the gas ladies & gentleman' as this book covers the particular Sosnowiec-Bendzin transport and outlines in gruesome and terrifying detail what became of many of those on this transport. The photographs bring back to life many who are gone and also tells you those who survived, which is a relief to realise that some of those from the Polish ghettos made it. These photos bring back a lost world that will never return and along with Roman Vishniac's collection of photographs are a piece of history that is very much worth investing in.

A Living Lens is a wonderful collection of photographs that not only demonstrate everyday life of Jews throughout the United States but it is accompanied by a rich text authored by witnesses to this history. Of all the photography books about the Jews of the 19th and 20th centuries thids one ranks at the top. A must see and read.

This collection and commentary was great....and more than met our expectations. It sits now on our coffee table for all to review and reminisce.

Beautiful book, well written. A book for anyone to share with their children to teach them an important part of our US history.

As the grandchild of Polish / Ukraine immigrants who read the Forvitz, this book lovingly captures the memories of a time long gone.

Earlier this year, I had participated in a tour, including the old Forward Building in Lower Manhattan, with our guide being one of the photographers for this beuatiful book. I was so happy with the book which arrived in exellent condition.

Thank you.

Renate Stone

I was searching Amazon for some Joe Simpson books and this one popped up. I thought it was one I missed but then saw that Simpson wrote the introduction to it. It seemed pretty entertaining so I bought a copy.

Greg Child's Postcards from the Ledge is hilarious and touching and informative at the same time. I couldn't stop laughing after reading the essay about him showing his elderly mum just how "safe" mountaineering is. In the end he hobbled away like the hurt little boy his mother knew him to be. I enjoyed learning about the nitty gritty facts of mountaineering, from where and how to use the toilet to stinking to high heaven after being on the mountain for so many weeks.

All joking aside, the mountains can be a dangerous place to be. An example of this is when Childs and his group come across a teenage girl who has fallen to her death into a crevasse. There are also some good essays about Alison Hargreaves' death and the world's reaction to a mother's "selfish" need to climb mountains.

And many things can be learned about other countries and cultures from the small details of his visits to these places.

I'd recommend this book to any mountaineering fans. I'm glad I bought it for my collection.

Postcards From The Ledge has something for everyone. From artful and hilarious descriptions of the most unpleasant of bodily functions and living conditions, to thoughtful reflection on the beauty and thrill of an epic climb, Greg Child gives you an insiders view of the trials, tribulations and triumphs of climbing. A must read even if you are not a climber.

I spent most of last weekend reading this book and loving it. I was late for the bus today cause the first thing I did this morning was catch up where I left off. Funnier than hell, descriptive, intelligent, good stuff...

I just recently discovered Greg Child's books and must confess to now being completely addicted. After being in love with THE ASCENT OF RUM DOODLE, the classic [but ancient - i.e. 1950s] mountain humor classic, I thought there could be no rival. Thank God I was wrong and thanks to Greg's mum for whatever she did to contribute to his comic genes. Last week I took this book on a camping trip and each night by the fire would read aloud a few essays to my companions, who looked forward all day to the next hysterically humorous missives the evening campfire would bring from the funniest climber/writer in the world. It makes a person jealous to know that one person can be this fabulously talented, both as climber and writer. Damn, he's good! You will not be able to put this book down. PS Warning: this book often produces side effects of laughing out loud.

This is a great book of short 'stories' about mountaineering that Child has edited from his articles published in magazines. Each of these stories is a well-written perspective on the art of climbing; they cover a wide range of his experiences ranging from sea-level (island cliffs in the Gulf of Tonkin) to the top of the world in the Himalayas. Each of the stories reflects to Child's own experiences over the last 10-20 years and the philosophy of climbing that he has developed in this time.

Many of these stories are written with a dry sense of humor (eg, the 10 rules of bivouacs) that reflect Child's personal experiences. Of course, this humor leavens the drama and tragedy that are described in several of the pieces. With the variety of stories that are included in this book, it is distinctly different from 'Thin Air' which covers three different Himalayan expeditions in depth. I'd recommend both highly; the difference in voice shows the range of perspective that Child can generate with his passion for this sport.

Beneath the blanket of cultural arrogance that - even today - refuses to acknowledge the contributions made by its own citizens, is a truth that has been beautifully presented here by Ms. Willis. The images and text fully support what writer Richard Wright wrote, that, "OUR HISTORY IS FAR STRANGER THAN YOU SUSPECT, AND WE ARE NOT WHAT WE SEEM." Brava, Ms. Willis, and thank you.

This fabulous book deserves all of the praise it has earned. In addition the final chapter, "Photography of the 1980s and 1990s," includes an amazing section of modern art photgraphy, unmatched in any other photography collection in print today. Astonishing and utterly original works of young African American photographers Albert Chong, Pat Ward Williams, Chris Johnson, Terry Boddie, and Calvin Hicks are just a few highlights. In addition, Ms. Willis, a MacArthur Fellow, brings a clear, assured, and scholarly voice to her narration of this wonderful collection. No public or school library can afford to be without this book. The notes and the index are terrific. Also worth mentioning is that the prints are big enough, the paper is top quality, and the color reproduction is excellent. Deserves more than five Amazon stars.

This history of black photographers covers 1840 to modern times, presenting a wide-ranging set of images and social and artistic observations which should intrigue a diverse audience, from artists to those interested in black history. Black and white images accompany in-depth text coverage of the artists and their times in this first comprehensive history of black photographers.

... For more than a century, according to Deborah Willis, curator of photography at the Smithsonian, black photographers deliberately used their work to counter prevailing racial stereotypes and enhance racial pride. Her monumental portfolio of photographs by these artists, studio owners, and itinerant "painters with light" does more than counter stereotypes; it defies attempts to generalize about its subject.

People in this arresting collection of pictures are caught up in all kinds of ordinary pursuits--reading, working, dining, marrying, praying, talking, playing games, posing in lovely clothes, getting haircuts, making music or speeches or dinner--in a spirited, generally trustful relationship with the camera. Clearly Willis's criterion as she selected photographs was, as she says in the text, "expressive power."

Still, white Americans viewing these pictures are likely to bring to the experience the same old images of slavery, Civil Rights marches, and past or present media caricatures of black life that they've drawn from school and popular culture all their lives. Perhaps the delightful photographs of children in the book will take on ominous overtones because we know of future trials the childish mind can't predict. But such a reaction can keep us from realizing that what's on the child's mind may be partly the point.

For example, two Boston children have been posed in front of ornate ironwork, wearing starched lace dresses (it's 1910) and starched bows in their hair. They look beautiful--and stiff, and miserable! Good little girls, they've let Mother dress them up today, but they seem to want to tear off those enormous bows, jump the iron fence, and tumble around on the grass like anyone else their age.

Another example: Malcolm X crouches to hold his two daughters in his arms. He's talking to little Attallah, his eyes warmly upon her. But she turns away from her father's handsome face to stare unhappily at the audience, as if asking us just to go away for a change and give her some private time with Dad.

If the original vitality in these photographs can't keep us from calling up the preconceptions we carry around with us, this may actually be useful. The book's very freshness about what seems familiar makes us realize how old and worn-out our assumptions can be. Thus the photographs can (as Willis says in her introduction) "create a new � historical consciousness that has the power to rewrite history itself."

But "Reflections in Black" is more than a documentary that can provoke useful debates within ourselves and between groups interpreting past or present culture. It shows that despite their commonalities black photographers have a long history of debating with each other. Is their medium an art or an engine of social progress? Should photography make mementos for its subjects or involve and change its viewers? The competing purposes and conflicting angles of vision represented in the book are part of what makes it fascinating.

Best of all, the book is marvelous for simply wandering and wondering through:

A remarkable series by a photographer who eventually lived in Seattle presents a man in three poses- - seated for his formal portrait, then hanged for murder, and finally laid out in his coffin.

Women in the book are gloriously unpredictable. Billie Holliday rehearsing with Count Basie looks like a Fifties coed in sweater, plaid skirt, and ponytail. Zora Neale Hurston smiles like an angel instead of with her usual impish brass.

Men? None are alike. A nattily dressed man waits at a bright window, fedora tipped up to let in the view, papers gleaming mysteriously in the background. A lined, leathery cowboy smokes a cigarette, his arms roped with tendons. Seattle's own Jacob Lawrence looks like a serious man at twenty and equally serious midway through his life, midway up a stepladder, in reverie.

Elsewhere, a lonely stony beach caresses the eye with dark grays and liquid silver. And beside a brick building draped with a gigantic sky-blue banner painted with the face of Malcolm X, a black cowboy rides through a golden field.

"Reflections in Black: A History of Black Photographers, from 1840 to the Present" comes awfully close. The photos vividly chronicle the Black experience in America. From the famous to the not so famous, all the joys and sorrows of a people are marvelously presented in this exquisite document. The accompanying text is entertainingly informative. The authors have truly outdone themselves.

I will be purchasing a few copies for friends. Others, I will tell to get their own.

It's THAT GOOD!

SOUTH WITH ENDURANCE is the official photographic record of the extraordinary expedition to the Antarctic in 1914 under Sir Ernest Shackleton. Frank Hurley was hand-picked to photograph and record the discovery of the South Pole and to chronicle the brave works of the intrepid explorers and events of the mission.

Having read the accounts of the ENDURANCE expedition, I couldn't wait to see the pictures...of the ice, the beauty, the men, dogs, ship, of the hardships and victories of this ill-fated expedition. I was not disappointed.

This collection of photographs is breath-taking, beautiful, and spectacular. At a time when the science of photography was in its early stages, Hurley captured hundreds of images which became the official record and bore witness to the heroism and extreme conditions which threatened the lives of the 28 explorers.

I found this book to be a wonderful companion to "Endurance" by Alfred Lansing. It includes plenty of material about the Endurance expedition as well as all of the surviving photgraphs of the expedition taken by Frank Hurley. The photographs are excellent (including a few taken in color), and we find out plenty about what equipment Hurley used at the time.

Not only are the photos impressive in their own right, they are also very informative about how the Antarctic looks and what life in that region can be like.

I like this book very much and I'm happy to recommend it to everyone.

This mammoth book is the definitive pictorial account of the voyage of Ernest Shackleton and the crew of the 'Endurance', on their death defying journey to Antarctica between 1914 and 1917 as told through the camera lens of master photographer Frank Hurley. The book is approximately twelve inches square, and can easily be mistaken for a (very large and heavy) coffee table book from afar. Once it is opened, though, it is obvious that this in no trifling work. It contains background and narrative on Shackleton and the expedition and all of the surviving Hurley photographs (almost 500 of them total) and in scope is the most complete and amazing account of the expedition I have ever seen.

The text is enlightening and wonderful, but the photographs are the unmistakable stars of the book. Hurley was taken along to document the expedition, and document it he did, despite the fact that it turned out completely differently than any of the men would have ever wanted or imagined. The photographs range from breathtakingly beautiful pictures of water and ice, to fascinating character studies, particularly of life aboard the ship, to poignant photos that are impossible to view without being choked up, of which I place the photos of the dogs and cat at the top, realizing that all the animals, their most faithful of friends, were ultimately killed on Shackleton's orders to conserve food (many of the dogs were eaten.) It is truly fortunate that Hurley was along to document the voyage; mere words alone could never do justice to one of the greatest survival stories ever told, and certainly the most harrowing that I can imagine.

The book is a timeless masterpiece and belongs on the bookshelf of anyone with an interest in the Antarctic, polar exploration, or man's ability to endure untold hardships yet emerge victorious over the elements.

This is the most defenitive retelling of Shackleton's adventure in pictures. Frank Hurley was an exceptional photographer who just happened to take pictures of a journey that without them would be simply unbelievable. Any Hurley's picture of the Endurance expedition is a treasure, and in this book are all of them!

I was fortunate that I could follow Shakelton on T.V. while reading and viewing these excellent pictures. This book is outstanding and I would urge anyone interested in either Shakelton or photography to get it. I could not help but think that every member of this expedition had story to tell. We have heard only a few. Amazing the limits of human endurance and to think that they had a photographer with them who realized what he was filming, and did so for all of us to see.To Hurley was far ahead of his time, and I am inclined to think that Ansel Adams had probably learned from Mr. Hurley.

I really have only glanced through the pictures so can't give an accurate review at this time.

After reviewing this book, and giving it as a gift. It will now be used as a supplement reading for a college course.

A picture tells a story better than a thousand words. The author presents socially conscious photographs. i.e.

o 5 cent rental rooms in 1889
o a 1968 Saigon street execution
o inside an ice cave up North
o the dwindling Penguin population
o glacial changes in Athabasca and Pasterze
o windmill farms

Each photo is presented in breath-taking color. The volume is worth the price of admission.

The stories in this book could serve as a primer for being a globally-aware citizen in an evolving world. Despite the grim nature of some of these photos, the book's message is not one of despair, but of hope, as evidenced by the thorough "What You Can Do" section in the back.

Some of the most interesting work in the book is from photographers under most people's radar. Shehzad Noorani's Children of the Black Dust and Stephen Voss's Economic Miracle, Environmental Disaster both examine underreported issues with excellent photos and strong writing. The book's impact comes not just from the photographs, but the excellent writing that accompanies them. I highly recommend What Matters as a hard-hittng and opinionated book that is both journalistically-sound and passionate.

This book is a testament to a simple truth: the still photograph still matters. The stories here are carefully chosen to give the reader an intimate and truthful look at the most pressing issues of our time. The accompanying writing both complements and extends the story-telling ability of these images and the essays are excellent across the board, from Pulitzer-Prize winning author Samantha Power's passionate and vivid description of the genocide in Darfur to Jeffrey Sachs' story about a village in Malawi that accompanies James Nachtwey's images of poverty.


From a technical standpoint, the photographs are brilliantly reproduced and sequenced well, in a way that most poignantly and directly tells the story. This book is highly recommended both as a great read and a visual document of our times.

I have had this book for two years. Reading it completely 9 times and countless partial times. Gallagher in her effort "to become a blank slate upon which the stories could be written" has embodied the voice of a people not just a position of personal opinion. Hearing that voice cause's the reader to open there eye's to the stark reality of what "we the people" have allowed to happen. Revealing just how fast the holocost of the WWII was pushed out of the conscientious of the people. Allowing the same mentality that drove the Nazi's, to develope in the country "were that could not happen". Without a doubt this "work" is not for the light hearted. Reality with weight, forces the reader to think. Cause's the reader to question not only the government structure and poilcy's we have let be set but the moral code by which we justify a means to a end. How do you determine who live's and who dies? What and Who determines the worth of a human being? You will be challanged, morally, and emotionally. Carole Gallagher has painted people, words, and pictures together in a way that you will not shake off anytime soon. Personal stories will bury themselve's deep into your heart and mind. You will hear the echoed cry's of a people for which there was no justice, no hope. The bottom line reality is we let it happen. This is "the wake up call" Gallagher presents the reader with. It is very disturbing wake up call.

I've read and reread this book so many times I've lost count. In addition I've loaned it out to multiple friends just to get them to open their eyes. Each time I read it I'm still amazed at the liberties taken by the military during this period of time. There is so much important information here I could never even scratch the surface in a short review. The poignant stories told by the victims of these nuclear tests (mostly patriotic mormons who felt the govt. could do no wrong) will move you emotionally, besides backing up Gallaghers claims. If you consider yourself a patriot, prepare to have your world shaken. Just buy it, you wont be sorry.

I've read and reread this book so many times I've lost count. In addition I've loaned it out to multiple friends just to get them to open their eyes. Each time I read it I'm still amazed at the liberties taken by the military during this period of time. There is so much important information here I could never even scratch the surface in a short review. The poignant stories told by the victims of these nuclear tests (mostly patriotic mormons who felt the govt. could do no wrong) will move you emotionally, besides backing up Gallaghers claims. If you consider yourself a patriot, prepare to have your world shaken. Just buy it, you wont be sorry.

I'm a science writer, and I was conducting some research at the M.I.T. library regarding the 1962 series of nuclear tests at Johnston Island in the Pacific. Mostly I was seeking highly technical information -- but I saw this volume sitting on the shelf next to the monographs I was reviewing, so I took what I originally intended to be a quick glance.

After several hours' reading of "American Ground Zero", I found myself quite upset, for this collection of highly credible, first-person accounts clearly demonstrates ongoing efforts of the federal government to ignore, downplay -- even falsify -- data regarding the atomic testing of the 1950s, '60s, '70s, and '80s, particularly the atmospheric tests conducted at the Nevada Test Site near Las Vegas up through 1962.

In today's debate regarding DOE's Yucca Mountain Project, the credibility of the federal government and its experts is a big issue in Nevada. This volume shows why -- through first-hand accounts and compelling photography, presented with the perspective of subsequent time. (Yucca mountain is an underground facility located on a corner of the old Nevada Test Site, and it is to become the nation's primary repository for high-level nuclear waste.)

For at least fifteen years, I have been following in the scientific literature the research & development of Yucca mountain. My own feelings on the matter had been ambivalent for high-level waste must be stored somewhere. Recently, I had become concerned with revelations regarding falsification of data by DOE employees and its contractors.

However, in one fell swoop -- this book completely persuaded me to the righteousness of the cause of those many Nevadans who oppose Yucca mountain. It clearly shows that Nevadans (along with residents of Utah and other downwind states) have already suffered far beyond their fair share of the nation's nuclear burden.

Sadly, the sacrifice of these citizens is not only largely unacknowledged today -- this work clearly shows that their earlier "cooperation" was concurrent with misrepresentations by the Atomic Energy Commission (AEC), the predecessor to today's Department of Energy (DOE), as well as by various military authorities.

Many of the individuals profiled in this volume are (were) former employees of the AEC and its contractors, or are (were) military veterans who participated in these atomic tests. Their accounts all seem to have one common thread -- that there were repeated efforts by authorities to downplay, or ignore, radioactive releases and associated health effects from both above- and below-ground nuclear tests.

The author, Carole Gallagher, deserves our nation's appreciation for documenting so eloquently the experiences of these otherwise ordinary citizens and bringing them to our collective attention. Unfortunately, their living testimonies and images are quickly passing...

I grew up in Northern Arizona on the Utah border. Living close to St George and Cedar City, Utah, we heard rumors of families with unusually high incidents of leukemia and other cancers and the ensuing speculation about the cause. Gallagher's compilation of stories supplies the most human view of the downwinders. She documents a dark and frightening chapter in our goverment's history. Most compelling were the stories of the workers at the test site who were not even afforded the pretense of protection from exposure. I would have appreciated additional focus on the effects of the testing on the Native American tribes in Utah and Northern Arizona.

Gallagher has given us a treasure by documenting the stories of radiation exposure victims who deserve to have their stories told. Once started, I could not stop reading this book and found myself studying each photograph for several minutes before reading the accompanying story.

Thank you Ms. Gallagher for leaving your New York roots, succuming to the fashion dictates of southern Utah and permitting yourself to become the blank slate upon which these stories were etched.

I bought it for my son for Christmas 2006 so I have not read it yet but I saw it in a book store and I know he will LOVE it!

Adorable pictures and captions. I absolutely loved it!! Arlene Millman, author of BOOMERANG - A MIRACLE TRILOGY (The tale of a remarkable Boston Terrier).

Kim's pictures are incredible. They capture the essence and character of each pooch in a way that I've never seen a photographer do. Almost each picture made me laugh until I cried, because I recognize each expression. We all love dogs for the same reasons, but this book collects those reason visually, in a wonderfully feel-good way. It's completely uplifting and happy.

I loved this book! The pictures are so adorable and the phrases on the opposite pages capture the dogs perfectly.

I adored this book. Kim has the ability to show us the feelings, emotion and humor dogs possess. The black and white photography is beautifully done. I wish she would take pictures of my pooch! Thanks, Kim!