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One of the classicsReview Date: 2003-03-14

What A JourneyReview Date: 2007-08-01
California Dreamin'Review Date: 2003-06-07
Dreams which are given by God are to be pursued, according to Dr. Schuller's teaching. That's logical. His life shows how it's done.
One of Our Best AmbassadorsReview Date: 2004-06-08
I have watched "The Hour of Power" off and on ever since. I have been intrigued with the simplicity of his message and the corresponding expansion of his ministry to Europe, Russia, and now, the Far East.
While Rev. Robert Schuller is unique in modern US Religious History, he is, more importantly, unique as a great US ambassador. Each week, he shows the world the goodness of this country. And though being grounded in Christ's Word, his spiritual outreach is for all faith traditions.
This autobiography, "My Journey," tells his story. While a bit too detailed, and too wordy (515 pages), those that have an interest in this man and his ministry should find it a good read.
Warm-hearted book.Review Date: 2003-12-27
BE INSPIRED!Review Date: 2003-12-01

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Beverly Cleary GETS boysReview Date: 2008-11-09
I like Henry's goal orientation. I like the way he relates to the other characters -- kind, honest, hopeful, straightforward, clever. I especially like how he treats the neighborhood pest, Ramona, a 4-year-old girl. He tries to shush her sometimes, but in the end, the story concludes with him finding a way to engage her curiosity and inventiveness.
I like how the chapters build on one another and lead to the goal. They are nice chapters -- each one tells its own story, but they do build to the conclusion.
Its a Pretty Good BookReview Date: 2007-02-28
Timelessly Entertaining! Review Date: 2006-12-24
Henry and the Paper Route is six chapters of boyishly good adventure geared toward Henry obtaining the paper route of his dreams! We start out with Henry in hot water over bringing home four kittens...this chapter is all about him making an interesting first impression with Mr. Capper (the newspaper guy). The second chapter is about his tireless search to find good homes for those kittens. Chapter three Henry engineers a clever plan to help his class get ahead in the school paper drive and in chapter four we find out if his plan was successful or not! Chapter five Henry meets Murph, boy genius and finds that Murph has transferred into the paper route he's had his eye on! Oh, no...in chapter six will Henry finally get that route or is he destined to only fill in and help Scooter out? Your young reader will love finding out!
I give this book five stars...though the Henry Huggins series was written in the 1940's and 50's and have a bit of a Leave It to Beaver feel with regards to the traditional family roles and quaint feel of the daily life of the kids in them...they are also rather timeless. Putting aside the money issues (yea, everything cost WAY less in these books than they do today), Henry Huggins is a clean cut typical boy looking for a bit of fun...but he's also honest, hard working, and clever in thinking of ways to get what he wants (the advertising thing for the paper drive for example)...and he's always respectful even when he's trying to scheme to get what he wants! Henry and the Paper Route (and all the other books in this series) are well worth reading...these are kids classics for a reason, because they are timelessly entertaining!
Monkey BusinessReview Date: 2006-03-19
Charming and light, gold-hearted characters Review Date: 2005-02-27
In this outing, Henry is fixated on becoming a paperboy, but Mr. Capper won't hire him because he's only ten, and you need to be eleven to deliver papers. Henry tries scheme after scheme, but nothing works, and then matters go from bad to worse when a boy genius moves into the neighborhood and picks up the route that Henry wanted. Henry is confounded by this development, but finds that he is better than the genius at one thing: dealing with Ramona, who is determined to sabotage the route at any cost.
Since Henry Huggins first rode his bicycle onto the scene fifty years ago, the world has moved on, making his aw-shucks manner and quaint problems seem antiquated and distant from your savvy modern pre-teen.
That being said, the stories are still amusing for young readers, and some of the elements, such as dealing with young pests, are universal. If you like other books by Beverly Cleary, this one will go down nicely, and if you're a boy thinking of giving Cleary a try, you might feel more comfortable starting with this one, which features a boy protagonist (although I think all of the books appeal to both genders).

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Most Complete Book on Marketing High Tech ProductsReview Date: 2008-09-04
The author, Janice King, writes in a friendly, informative style and tackles not only what to write, but adds things to consider such as legal and ethical situations and addressing a global, multicultural market. I highly recommend this to all product marketers, whether you are a freelance writer, agency writer, or are in corporate marketing.
comphrensive, but consisting mostly of commonplacesReview Date: 2008-06-01
Covers Everything for the High-Tech CopywriterReview Date: 2007-09-01
I like the way Janice explains what a "callout" is, for example. While most experienced copywriters know what it is, a novice would not. And some copywriters who don't write high-tech, might not as well.
As one reviewer says, the author does cover a lot of material. But for someone just getting into high-tech copywriting, this is almost necessary. A second book that goes into detail on a few topics is called for as a follow-up read.
I recommend this book to anyone just getting into high-tech copywriting or someone who has done a little in the area but needs more information.
Comprehensive introduction, but dryReview Date: 2007-08-30
There's 12 chapters here, each of which covers a different facet of marcom. The first four chapters describe project planning, from defining the audience to the writing process (which covers both working with web designers and setting the proper tone for the marketing material). Five more chapters cover process: document elements, content types, text techniques, legal and ethical issues, and international concerns. The last section gives particular attention to specific types of marcom: sales materials, alliance (partner) materials, and press materials.
Although I've written a bit of marcom materials myself (such as technical white papers), my interest was focused on the last section since, as a computer industry journalist for more than 15 years, I have seen more press materials than one can imagine.
The best and worst I can say about Copywriting That Sells High Tech is that it reads like a college textbook. The information you need is all here, well organized and accessible. But it's a data dump -- not a mentor who shares experiences as well as information.
The information she imparts is accurate. Dull, maybe -- I felt as though I'd better be taking notes for the final exam -- but accurate. For example, she lists the types of press articles that a marcom professional might be called upon to produce, such as case studies, research findings, and technology primers, and describes the elements, requirements and expectations for each. If you didn't know any of this (and I can assure you that plenty of so-called PR professionals do not), you'll have a ready made checklist for your PR kit.
However, there's no sparkle in any of it; you don't have the least sense that a treasured friend is confiding her vast experience in this subject. But maybe you don't need that. (I like sparkle, personality, a voice.)
If you're new to marcom, or you're trying to figure out if this (lucrative) sort of writing is right for you, this is an excellent book to help you get started. It may also be useful (though less so) for a businessperson who suddenly has these duties plopped on her desk. You won't learn to write an effective press release (or to write an effective anything, really) from this text, but you'll be able to check off the elements that are expected by the target audience.
Copywriting That Sells High Tech is more "what" than it is "how." There are other references for the "how to write effectively" tasks, though; turn to this book for the broad picture.
Taking on too muchReview Date: 2007-06-20

helloReview Date: 2002-05-21
Darkness Cast No shadowReview Date: 2002-05-15
Darkness Cast No ShadowReview Date: 2002-05-15
HarrowingReview Date: 2003-03-25
Darkness Casts No Shadow is a roughly autobiographical story of Arnost's escape from a freight train (carrying human passengers to Theisenstadt) with another young man. In class, we got the real biographical details, which have been merged and separated in the fiction. The escape was initiated by an American fighter who mistook the train as one ferrying soldiers, and Arnost and his companion (Manny and Danny in the story) watch while the bullets rip apart the prisoners in the early freight cars, deciding that they will risk jumping and running rather than wait for the sure death of the American's bullets.
It's an exciting tale of adventure, but the adrenaline is muted by the flashbacks that tell the background to the boys being on that freight car, including their former lives and the deaths of many of their family members. I've not read much Holocaust literature, for example, I've never read The Diary of Anne Frank, most of my knowledge regarding this time limited to The Hiding Place and documentaries (but not Schindler's List, which I managed to avoid, somehow). This story is inherently sobering, making one stop and realize the day-to-day horror of the situation. This is not an anti-war story, but one promoting anti-brutality. It is also highly moralistic (in the best sense that all literature should have a moral underpinning). Yeah, I was impressed by it. The ending is a little open to interpretation; I know that Arnost and his friend survived, but the reader wonders if Manny and Danny escape. My feeling is that Arnost selected such an ambiguous ending to reflect the thousands of escapees, rather than just his particular experience. Some did survive; most did not.
Darkness Casts No ShadowReview Date: 2005-07-11
Important note: That a SUBJECT is important, as the Holocaust is, does NOT make any book about it important or moving. My abhorrence is specific to this book. My copy, by the way, is the paperback by Northwestern Press, issued 1976.
First, it is fiction. An enormous amount of literature is available about the Holocaust. Very little is fiction because it doesn't need to be. Nonfiction communicates infinitely more information and power.
Second, this is poorly written: repetitious, vague, often unclear as to what is going on, with no facticity about anything.
Third, no information is provided about the author and his credentials for writing the book. There is no reason about someone could not have knocked this thing out in a weekend, knowing very little about WWII, Germany, or the camps.
Item. Over and over, we read "the first boy...the second boy..." which is clumsy. A major part of the book is the boys wandering around in the woods. The ending is both implausible and unclear. That is, this author does not have enough talent or doesn't know enough to write accurately about specifics.
Item. The first pages are more specific to description and a real situation than anything else in the book. But the descriptions are stupid. Examples? No American fighter pilot over Germany flew alone, as this one does. No American fighter pilot over Germany wasted time playing around, doing acrobatic tricks, or endlessly toying with a target. There was a war going on and life was dangerous, for heaven's sake! And no fighter aircraft had a tenth as much ammunition to expend as the one described here.
Item. The boys are wet, have not eaten for 6 days, presumably then have not had much water for an extended period. The weather is cold. They would not be CONSCIOUS, much less having such an articulate, extensive, wordy, opinionated, chatty, endless conversation.
Item. The boys talk about things things they could have no knowledge of, such as the terrain ahead - a tunnel, the hill and trees on the other side of the tunnel, etc.
Item. These two boys from Eastern Europe can't know anything about fighter aircraft. Yet in the book they are mindreading the pilot: what he is thinking, what he is going to do, and why he is doing things. We are asked to believe, for example, that the boys know the aircraft has cameras and is taking pictures.
Item. Prisoners to and from the camps were locked into boxcars. They could see almost nothing through a few slats. They certainly could not just drop off the train to escape anytime they felt like it.
Item. Misinformation about the SS. The book talks of the SS who ran the camps and handled prisoners as "Waffen SS." Wrong. Waffen SS were totally different: they were the fighting troops, not the concentration camp personnel.
Item. Manny at one place "went back to thinking about Manya Cernovska" -- but she has not at this point of the book even been introduced or mentioned.
Beginning to end, this is a poorly written, inaccurate, fanciful piece of trash. There's just nothing worthwhile about it. The writing is poor, and the information is wrong. How could it be worse than it in fact is?
If this author was a teacher at Northwestern, I'd say he called in some big favors to get this garbage published.
If you have a different take on the book, I'd love to hear it.
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Harsh but interestingReview Date: 2007-12-03

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Interesting story but nothing new hereReview Date: 2006-01-04

Ok but not his bestReview Date: 2007-09-02
Instead of being a narrative poem, it is the story of a life - the story of a life told from the perspective of the person's guardian angel. The story is written as though it were true, and Miller found this strange manuscript that disappeared as he copied it.
The book chronicles the life of a businessman who lives an unsavory lifestyle, until just before the end when he becomes a Christian. It tells of the changes he attempts to make in his life, both the successes and the failures.
It is an interesting read. Yet I doubt the 'Angelic' perspective in the book. The Angel seems too whiny and human to have been an angel and the actual author of the book. I would state that it is an OK book by an author who has achieved greatness in some of his other writings.
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Throckmorton lays out the essential qualities for a successful direct marketer, a person who is, she argues, a combination of technician, artist, salesperson, writer, and actor. These depend on deep and powerful reserves of curiosity, imagination, and a willingness to learn. She then walks the reader through the basics of isolating an offer, developing creative concepts, executing those concepts in copy and art, and measuring results. Though much of her focus is on direct mail, she also discusses direct-response space and broadcast ads (because of the age of this title, there's nothing in here about online marketing, though of course many of the principles are the same).
I strongly recommend that any direct-response creative or client-services person keep this book handy ... and that it also be read by anyone on the client side who is, or might ever be, using direct-response marketing in their business. It's easy to do DM badly. Doing it well -- and recognizing *why* good DM is good -- is much more complex. Joan Throckmorton is an excellent guide.