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The Unique Vernacular of Brazilian Baroque.
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A moving tribute and testimony
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Though raised in New York, author Christopher Petkanas has lived in France since 1982 and has cultivated a gourmand's taste and an artist's discerning eye. In At Home in France, he takes us to 18 different homes and regions to discover the art of entertaining and eating with the French. Disdaining the Western luncheon practice of eating "a nasty sandwich ... while polishing off at least two other tasks," Petkanas revels in the French "atmosphere of care, respect, and attention that is all the more engaging for being automatic."
We visit the home of Simone "Simca" Beck, a chef, author, and colleague of Julia Child, at her home behind the Riviera and learn the secret to her Fricandeau de Veau de la Ferme aux Champignons. Later we tour a cottage on Ouessant, a remote island in Brittany, where furniture was often made with the wood of shipwrecks and learn authentic recipes for mussels filled with anise-flavored butter and pollack steaks en papillotte with dried island seaweed.
The hospitality of the people who opened their lives to Petkanas is simply amazing and their histories as are fascinating as the ease with which they entertain. The photographs by Jean-Bernard Naudin are as beguiling and sumptuous as the meals and the homes themselves must be. Spend a few hours with At Home in France and learn for yourself l'art de recevoir. --Dana Van Nest

Delicious and Insightful
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Great info & easy to follow
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Great revision!
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A classic reborn!
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The best automobile how-to book I've read!
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Charming peep-through picturesBaby Bilby was a 2002 honour book for both the Children's Book Council of Australia's "Book of the Year: Early Childhood" and Eve Pownall Award for Information Books categories.

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Value above and beyond what meets the eye!The book was written originally for hobbyists in Great Britain, by some of the comments on availability of supplies and names of sources for supplies. The universality of the content makes this issue mute when you get into the depth of each chapter.
Examples given for making cores and for moulding with "Green" sand are bountifull. As an Engineer with formal classes in casting I was impressed with the information provided. Some of the information was great review for those classes taken so long ago. Addiitional technical information on how and why things are done bolstered my confidence this process can be done by the individual hobbyist.
In my case I am turning a hobby into a retirement business, so the value of this small book will have long lasting value. I expect to be wearing this book out by frequent referencing.

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What a partner to have for your home!She persoanlly adds a brilliance to your efforts of creating a "Home" .
Brazilian baroque architecture is one of the few New World styles that takes a place in the Architectural Pantheon as a sophisticated vernacular unto itself. It is not a part of the quaint adobe tradition, but rather falls in line with the great churches of the Old World. In Brazil one speaks of Portuguese colonial architecture and also of Brazilan Baroque. The speed and wealth with which Brazilian cities rose in the 17th and 18th centuries goes unparalleled in North America. The Portuguese turned the sugarcane cities of the North, Salvador and Recife, and the gold-trafficking cities of the South, Ouro Preto and Rio de Jeneiro, from backwaters and fortresses into worldly cities. The nobles, the wealthy bourgeoisie, and the church orders all vied to bring the "best" of their baroque civilization to the New World; and succeed mightily they did. The rhetorical message of wealth conveyed by the Church's "gilded grottoes" is irrefutable. To such a degree that Salvador today is rightly called "Roma Negra": Black Rome.
The grave and crisp book format is buoyed by the reverent photography of Günter Heil. Rarely is architecture afforded such loving attention. One only wishes there was more, seeing that some of the photographs were aparently chosen for their artistic merits above the illustrative, as seen in the one photo of the most remarkable façade in Salvador, the Church of the Third Order of São Francisco: one of the few traces of late Mannerism in the New World, the photo of which is blocked by the raked silhouette of a portal. The fact that the book leaves, literally, so much to be desired is not at all a shortcoming, rather proof of its seduction. This is true of the text as well. One longs for more anecdotes from the history of the great architects or the slaves and natives who built these wonders. European and North American readers who have taken it for granted that the story and soul of the Baroque resides in Europe only, will be vainly curious for more information on such Brazilian cultural heros as the mulato sculptor and architect Aleijadinho, nicknamed "the Cripple", or the painter of the ceiling of the Cathedral Church in Salvador, the Franco-Chinese artist Wei-Kia-Lou (Charles Belville).
The text contained in the book and chapter introductions is informative for the neophyte, though less-so for scholars. The text accompanying the illustrated litany of churches is, in contrast, largely a codification of elements, names and dates. It's the sort of picture book that makes one feel terribly smart. For anyone interested in the subject of Colonial History or of Architecture in General, this luscious book goes highly recommended.