D-A Books

I opened the book and have found it in excellent shape, and I also glanced through the pages and read bits and pieces as I went through it. It is surprising to know how many types of bugs you can eat. It will be kept for future reference. A very good book.

A delightful book featuring an eight year on-again off-again survey of...BUGS ON THE DINNER PLATE! The authors search for insect eaters willing to be photographed with their cuisine and share their knowledge. The photos are plentiful and absolutely brilliant.

Peter alternates essays with Faith and is consistently more enthusiastic about experiencing every taste: "If day-old fried chicken had no bones, hair instead of feathers, and were the size of a newborn sparrow, they might taste like tarantula." Faith only ate a two inch piece of tarantula leg. Peter says Faith is a lightweight. "Big deal!" says Faith.

The South African ladies' lunch group was aghast when they heard about the Chinese, who eat raw scorpions with their stingers and poison sacs removed or stir-fried without the subtraction. "I wouldn't eat them," one of them said, as she downed her fried termites. Both groups would probably be repulsed by the New Guinea boys who eat raws grubs or roasted stink bugs for a mid-morning snack - or the Indonesian woman who likes cicada and says, "It's better than pig." What constitutes acceptable vs repulsive food seems to be a matter of locale and culture.

Obviously, our supermarkets are culturally limited, offering only a narrow slice of what world cuisine offers. The authors provide formal recipes for witchetty grub dip, fried water bugs with plum sauce, scorpion soup, grasshopper tacos, stink bug pate, mealworm spaghetti, and sundried mopane worms. Many simpler recipes may be gleaned from the text.

Peter Menzel is an award-winning photographer. Faith D'Aluisio, his wife, is an award winning TV news and documentary producer. The book covers trips to thirteen countries, mostly third-world - definitely a 5-star effort.

Excellent full color photography. This could have been more indepth on recipes. There must be a lot more types of edible insects than what is shown here and some step by step meal preparation in full color would really help in rounding out this scratch on the surface edible insects. The book is more of a coffee table conversation piece than a chef's delight but what is presented here gives some insight into cultures and is far superior to any line drawing presentation.

This book has always been a big hit with the numerous public school classes that visit our museum. I only have to hold it up to get a reaction, usually a groan, but it sure gets their attention. It also starts discussions and questions even when other parts of the presentation have not. The photos are great and add immensely to the charm of the book.

In general Peter Menzel and Faith D'Aluisio have written a book in "Man Eating Bugs: The Art and Science of Eating Insects" that is largely color photos. But what photos! Each present parts of a story involving the way various cultures employ insects in their cuisine. This brings up a question used by a much earlier author as a book title - "Why Not Eat Insects?" Many (but by no means all!) species of both insects and arachnids are as edible as the shrimp and crabs we Americans love to consume. We of course have to be cautious (not a good idea to eat cockroaches, despite some "reality" TV programs!), but there are a number of "safe" species that have been "taste tested" so to speak. In addition, we unwittingly consume tons of insects in various agricultural products simply because they pose no health hazard and are nearly impossible to remove.

If you have to deal with children in education or if you are just curious about what other cultures eat, this is a great book both to read and just to peruse. I would think that it would find its way to school libraries and to home schoolers lists of resources!

A feast (or just a snack) of insects sounds almost revolting unless of course you deep fry them or place them in lollipops or my favorite barbecued. Whats not to love about straight from the earth cuisine which is actually considered delicacies in many countries. Menzel demonstrates that every continent gets enjoyment from tasty insect treats. But because Menzel is such an amazing photographer, its hard not to have your skin crawl when you see a girl eating a spider, or women eating grubs (look like albino catepillers), or the vast amounts of scorpions runnng aimlessly around a man's feet. I particularly think the roasted termites were very disturbing since they look like rat size roaches. I dont mean to sound childish, this book is much more then just unique cuisine, its another way that Menzel is making us globally aware of our neighbors. The photography is beautiful and vivid plus the paragraphs speaking of the insects and thier importance makes you feel a little respect for things we usually step on. Menzel is once again a genious and a little offbeat (in the best of ways) with this book.

Excerpt from review on bsmDigest.com:
"Mark Lutchen's groundbreaking book continues to influence technology leaders with its vision for building mature IT organizations. As more CIOs and CEOs grapple with the challenge of applying effective management processes to their increasingly critical technology organizations, this engaging book offers very practical advice for doing it successfully. Drawing on his experience both as an actual CIO managing a large, global IT organizations and as a management consultant working with many large organizations, Lutchen delivers a clear, integrated vision for enlightened IT management."

Great help for someone that has just upgraded
from IT Management to a CIO role and needed to
upgrade as well his agenda. Excellent source of inspiration
and perfect guide for a profession that is still
under transformation. Definitely a must have.

The book is focused (and written by) on world class CIO positions,
but I found it equally useful for smaller scale CIOs.
It's exactly there that it lacks some information
on the organization of smaller IT groups (<20 persons).

If you are a CIO then buy it. If you are an IT manager
you need something else.

In the fall of 2003, the Harvard Business Review published an article advancing the proposition that "IT doesn't matter." The article's author suggested that because IT was now a commodity, and everyone had it, it no longer conveyed any distinctive competitive advantage and therefore, strategically, did not matter. In fact, at many companies, IT doesn't matter as much as it should - not because it is a commodity that other companies also use, but because most companies don't get every potential benefit from their IT. To advance your business agenda effectively, make IT a real part of the business. Author Mark D. Lutchen shows managers, particularly CEOs and CIOs, why IT is not fully a part of business at the moment, and what it will take to turn IT into a competitive, strategic asset. We recommend this useful, well-written, clearly organized book to anyone whose job involves decisions on IT budgets, organization, investments or strategy.

This is a fabulous book for experienced or aspiring IT managers whose goal is to prepare for ascension through the ranks, especially to the CIO level. In simple yet rich language, Mark presents a clear picture of the future of the IT organization and the competencies needed in the CIO and senior team heading up this professional services operation. The examples and case studies are rich with insights. In short, this book is pragmatic and weighty, yet also highly readable and I dare say outright enjoyable. I highly recommend it as a must read for anyone who wants to develop an effective IT career roadmap. Thank you Mark Lutchen.

Joe Santana,
Co-author Manage IT

I have only one simple statement - where were you Mark when I started my IT career 17 years ago? Today I would have been a CIO! I highly recommend this book for those starting out their careers in IT as it gives a big picture look to the field. Own it and refer to the clear and relevant graphics in the book.

I love the connections, briefly and elegantly painted, between people in this book. Great story, so well written. Highly recommended. Not the average kind of historical fiction.

I basically agree with all the reviews so far. I read this in my teens and it left a lasting impression on me. I've re-read it since on a fairly regular basis. Brilliant evocation of an early culture far removed from our own but peopled with those whose emotional reactions one can so empathise with - doubt, uncertainty and deepening friendship.

I am delighted it is back in print, although a bit ambivalent about the cover design. When will "The Sword at Sunset" be re-printed - preferably unabridged and with the map that some of the early editions had?

Even though I am adult, I have read a lot of books by this author. I find that with this author, the fact that it was written for young adults just means she is leaving out stuff I would rather not read about anyway (graphic rape scenes, graphic torture scenes, or whatever). The characters are good, plots are generally good, and pacing good. However, this book is not one of my favorite Sutcliff books. The plot is about the main character taking the place of the heir "horse lord" who was blinded by a rival years before. Sort of a "prince and pauper" storyline. Didn't like it and didn't find it believable. The heir's family was dead and he hadn't been seen in years, but it really wasn't believable to me that he could fool anyone who had known the heir before. I would recommend Eagle of the Ninth or Frontier Wolves instead.

The "Mark of the Horse Lord" is a beautifully written story of loyalty, honor and sacrifice. The ancient Scottish setting and characters are masterfully portrayed and the story line grabs the reader on the first page and holds on tight to the very end!
Rosemary Sutcliff writes wonderfully engaging historical novels. While her books give the reader a great feel for the time period and setting, story line is never compromised! Most of her books are written for children and young adults, however, this book is more appropriate for adults and older teens. Younger readers may find the wording a little difficult to follow. Highly recommended!

I really love this book. I picked it up in high school for a book report and got sucked into Rosemary Sutcliff's world. I'm glad to see a new printing is coming out, because you couldn't find this book anywhere, and the copy I have I stole from school, that's how much I love this book. I also highly recommend The Sword and the Circle, a telling of the Arthurian legend.

I find Bunuel is a director that one tends to either love or hate, and that this opinion is usually based upon the viewing of his (arguably) most famous film, "The Discreet Charm of the Bourgeoisie."

[I saw this film more than thirty years ago when I was in college, and I can't say that I was much impressed. In fact, I distinctly recall walking out of the theater wondering what the hell it was all about.]

Surprisingly (given my tepid emotions towards Bunuel-the-filmmaker), one day I happened to pick up his autobiography, "My Last Sigh," and I quickly found myself captivated by Bunuel's storytelling.

From his descriptions of the medieval-like life in the town of his youth to his adventures with the Surrealists (as well as his recipe for the perfect martini), Bunuel is a gifted raconteur, and this has become one of my favorite books to read and re-read.

The book was originally published in French. Never the less, the English translation (by Abigail Israel in the edition I have) is a joy to read -- giving the impression that English, and not French, was the book's original language.

Finally...despite the much deeper appreciation of Bunuel that I now have, I have to admit that I'm still not a great fan of "The Discreet Charm of the Bourgeoisie." However, I have since had a chance to see some of his other films (such as Viridiana) and have very much enjoyed them.

This book has stayed with me like few other things, since reading it many years ago. I often find occasion to quote from it; brilliantly witty, charming, scathing and life affirming all at once. Bunuel led an unusual life, but his autobiography is filled with universal truths to which any reader can immediately relate. Buy it at once, and you will find yourself reaching for it often...

An interesting short semi-bio, in whuch Luis speaks about his life and the people he has met.

Bunuel gave some interviews towards the end of his life discussing his long list of movies. That's why I was delighted to find that his autobiography--which is one of the greatest, if not the greatest by a filmmaker--does not dwell on them. Instead Don Luis chronicles his childhood and upbringing, the relationships he cultivated, and meditates on life, love, death, art, alcohol and cigarettes. Many of the stories from his younger days are even more surreal than his movies. He writes in detail about his stormy friendships with Garcia Lorca and Dali, about his half-hearted attempt to try Hollywood on for size, meetings with Hitchcock, Fritz Lang, and others. The book is not somber or sentimental, it's not over-inflated. Bunuel's voice does not intimidate, it soothes. He's a master storyteller, a very gifted and generous writer.

As a young person, don Luis helped me find my way out of the hormone fog, ... authoritarian adults and their institutions, and equally lost peers. Years later upon reading MY LAST SIGH, I was not surprised at all at the depth of don Luis' humanity and intelligence.

Nevermind the moniker "filmmaker" when talking about don Luis; he is an artist's artist. With his autobio, he only confirms what an equally supreme being he was. I miss him. However, encounter this book and become lit by life itself.

The One Year Devotions For Boys is a terrific devotional for boys age 8-12 years old. Every day, your son will receive a verse to memorize, a suggestion for a short scripture passage to read, a short story to illustrate the message for that day, and a "How About You?" question to help his apply the message to his own life. This devotional is easy to read, laid out in a practical way, and has heart changing messages that will help your son become a godly man as he applies the Word of God to his every day life. I recommend it highly.

The One Year Devotions for Boys has a sports theme on the front cover and at first I was afraid that the devotions would have a sports theme carried throughout. However, the stories inside the book are not written around any particular type of boy. Instead, the stories are applicable to any boy from any background with any hobbies or interests.

This is really the perfect devotion book for an older elementary pre-teen who needs to develop a personal daily time with God. Not too long and easy to understand while providing additional scripture recommendations for anyone who wants more to study. A great introduction to daily devotions.

A good book, I recommend it. The difference between the Boys vs. Girls devotional is minimal, just the characters in the stories and some variations in the stories themselves. A nice basic devotional to have. What is a devotional? This one has a verse of the day, a story and what you're supposed to get out of it. Could easily replace a bedtime story or a nice way to start the day before the child heads out to school.

We're using this book for bed-time reading with our 9-year old. He actually likes the little stories-from-life attached to the verse of the day. It grabs his attention, which is an accomplishment by itself.
The application questions are a bit off though.

It's easy to read and understand. The subjects apply to everyday life and the boys look forward to reading the book every day. Will definetly recommend it for boys 9 years and older.

The Oxford Companion is a must-have shelf reference for anyone intending to seriously study the Second World War. As with many encyclopedias, this means that the amateur or buff will use the entries themselves, and the expert will use the bibliography and suggestions for further reading. It is, at least at this moment, quite reasonably priced for such a serious work of reference, and I likely would not have bought it otherwise. The only drawback is that in changing over to the current edition, the editors seem to have removed the full-color maps that used to be placed at the end of the volume. I do not remember enough of those maps to tell if they are now among the black and white maps placed throughout the body of the work; I do know that the color maps were one of the highlights of the old edition and are much missed by this reviewer.

the Oxford Companion to World War II is very complete and simple to use for poeple who study the WW2, he contains a hundred maps, stats and chronological fact, englobing the totality of the allies or the axes. he's the best way to find all the information you'll need.

I have both the current and first edition of this book (in hardcover). As far as I can tell, the new edition is only shorter because it uses a smaller typeface, allowing several more words per line.

However, the new edition is also a bit easier to read despite the smaller size, because the new edition uses a glossy paper and the text seems more sharply defined on the page. This is particularly noticeable in the text of the maps, which I have struggled to read in the first edition, but seem clearer in the new edition.

As an aside, I agree with the general view that this is the single best reference book on World War II. I can't really tell what is changed in the new edition, although it may just be minor corrections, since the several longer articles I have compared seem identical.

This is a wonderful one volume encyclopedia of WWII, covering all fronts, participants, and major events. This outstanding work is an absolute must have for any serious student of World War II in my opinion. More than 100 scholars and professional historians contributed to this book. This work is certainly detailed, well written, and well researched, but it is not comprehensive (how could one describe WWII in one volume of about 1000 pages?). I think the description of this book as a `Companion' is entirely appropriate, it has been my companion for more than ten years now. I've flipped through pages of this book several times a week for the past ten years and (effectively) read the entire book through at least half a dozen times. This book is filled with an unbelievable amount of information. There are major sections on each of the combatants that include discussions about the military, political, economic, and cultural developments and changes that took place throughout the war. All the major battles are discussed, as well as people, equipment, and events. In my opinion, this is not a reference book, it is a learning book. If you already know a great deal about the Battle of Kursk or Uboats, for example, you will not find much new here. You will find, however, a wealth of information about all aspects of the war that you probably weren't even aware of. I have no complaints about this book and would consider it a bargain at twice the price. My only warning is that this book is probably not suited to someone who has only passing interest in World War II; if Steven Ambrose is your idea of a good historian, you probably aren't going to like this Companion.

I'm a fan of the first edition (1995) of this fine book: I'm a World War Two buff, and this is the best one-volume reference book on World War Two that I know of. So why would I give only four stars to the revised edition of 2005? Here's why. Prospective purchasers of the revised 2005 edition might like to know that it is 1,039 pages long, whereas the first edition of 1995 was 1,343 pages long. That's a loss of 304 pages, representing 23% of the material in the first edition---a considerable loss.

In the case of The Oxford Companion to Music, there was a beautiful, lavishly illustrated edition of 2,017 pages of 1983; it was replaced by a revised edition in 2002 that had 1,434 pages---a whopping loss of almost 600 pages of material. In this case I know what I'm talking about, because I have both editions: the 2002 edition represents a substantial abridgement and cheapening of the 1986 edition; I doubt that anyone who had the chance to compare the two would choose the newer edition.

I don't know if the same thing is going on with this Oxford Companion to World War Two (I don't have the new edition at hand to compare the two), but the loss of 23% of the material in the first edition, and my experience with The Oxford Companion to Music described above, would incline me to approach the new edition with caution.

My son was recently found to have peanut and fin fish allergies. This book was great for both my husband and I. Easy to read and very informative. Every parent who has a child with peanut allergies must read it!

This is a great little book. It's a fast and easy read, but some how it manages to pack a ton of accurate material in there anyway. I bought a copy to give to my peanut allergic sons' teachers - and they actually read it. That tells me that it truly is an easy read - and that isn't a slam on teachers - it's just that they usually don't have time to read any of the info I bring them on peanut allergy.

It isn't hysterical - it doesn't call for peanut bans in school - but it does take it very seriously and gives the reader the information necessary for them to make their own decisions about how to deal with the allergy.

I highly recommend this book to anyone recently diagnosed with, or having a child diagnosed with peanut allergy. Grandparents and other close family would also benefit from this book. (This should also be on the reading list for daycare employees and teachers!) Peanut allergy should not be taken lightly because of the serious consequences (which most people seem to be ingnorant about).

This book is written in an easy-to-read question and answer style and covers all aspects of the condition. I have learned so much from this book and continue to reference it. I have highlighted many passages and am quick to show them to family or friends when they just don't seem to be "getting it".

I can't recommend this book enough!

I read all the reviews on this book before buying it. Plus, it came recommended by my son's allergist. Amazon has a great price on it too. It was a quick read. I will hold on to it for reference. I just wish it had more resource listings for helping you locate peanut free foods.

This is the most thorough book I've read on peanut allergies. You probably won't find this information on the internet, because most of the answers are substantiated with trials performed by experts.

The book is set up in a question and answer form. All the questions are listed in the contents with pages showing where to find the answers. It is also easy to read, so you won't be stumbling over annoying medical jargon.

This is my most favorite set of Oracle cards. Each card has the most pictures.

I bought the deck after attending a conference and a Steven Farmer workshop. I use the deck along with my angel oracle cards when reading for myself and others. It has been my experience that these cards are always right on. For example, I just pulled a card for this review and it is...drumroll...Giraffe. Foresight. "You are able to see what is in store for the future." How the world needs more insight and foresight. I highly recommend this deck to those who love animals and spirituality. Or when a workshop rolls around in your area, treat yourself and attend. Great job, Steven!

I've owned many oracle cards and these ones work the best for me. Being a person who is very connected to nature, I feel right at home with these cards and the messages that accompany the cards. I like the fact that the cards aren't vague and that the explanations are thorough. A previous commenter said that certain animals were missing from their book. I don't know if their book was a misprint, but my book is complete with all animals represented.

I think a great companion to this set of oracle cards would be the book "Animal Speak" by Ted Andrews. Signs from nature and animals are around us all the time, you just have to be open to seeing them! :)

A great tool to learn and use. A must for all who are in tune with nature and those who want to learn

Excellent for use in discovering your totem and can be used with a strengths-base approach in counseling.

So much has already been said & written about this amazingly talented man that although his talents have always been savored like fine wine....talking about his painstaking incredible stop-motion animation abilities almost seems to be redundant. Suffice it to say that so many of us monster kids sat in awe of Ray's work as we watched " The 7th Voyage of Sinbad " circa 1958.Harryhausen has always accomplished more on the movie screen with his special effects techniques than computers will ever be able to do. This book lovingly details all of the richness of Ray Harryhausen----Thanks for a great book, Ray !

This is a top-notch compilation of genius on the cutting edge of our cultural history.

Die-hard fans of special effects master Ray Harryhausen may recall Jeff Rovin's book "From the Land Beyond Beyond", which arrived in 1977. It was a welcome addition to the Harryhausen legacy, but was too subjective and fan-based for some tastes. Hard to believe it took almost thirty years for this definitive, color version of the Harryhausen story to arrive on the scene. Some will feel it is merely an extension of Ray's previous work, the Film Fantasy Scrapbook, and in many ways, it is, but there's so much detail here that this deluxe volume is worth picking up. Though of course modern special effects have become almost ridiculously complex, it's wonderful to hear Ray describe in great technical detail the processes and techniques he used to bring his animals and fantasy creatures to life in films like "7th Voyage of Sinbad" and "Jason and the Argonauts". He's also candid about which films worked for him (and audiences) and which somehow missed the mark. Even readers who prefer modern spectacles to Harryhausen's classical, stately epics should find something of value here, and there is plenty to inspire any animator, filmmaker, or budding cinematographer. This book isn't just a special effects guide, it's a valuable and integral part of the history of film: Harryhausen's career spanned five decades, and he worked with some of the greats in the industry--not only effects geniuses like Willis O'brien, but actors like Laurence Olivier, Maggie Smith, James Franciscus, Honor Blackman, Richard Carlson, Jane Seymour and Raquel Welch. A little pricey, but worth the cost. A must have for Harryhausen fans, naturally, but anyone interested in the movies will come away satisfied.

I just recently purchased Ray Harryhausen: An Animated Life.
Mr. Harryhausen was influenced by King Kong for his remarkable career. I was influenced by his first movie released in theaters
entitled BEAST FROM 20,000 FATHOMS. Ever since I gazed at the
incredible effects when I was six, I wanted to know why and how
something could seem so life like. Unfortunately, all I did was manage amateur special effects with an 8mm camera, but enjoyed thrilling friends and relatives with what talent I had. Now I can appreciate all the patience and imagination that this
genius has somehow transmitted to the screen. All of his movies are showcased with the wonderful behind the scenes stories and photos that made such magic in my childhood. Anyone who has ambition to follow the FX trade, should definitely read this book. Granted the technology is greatly improved today, but that even made Mr. Harryhausen seem more adept at his work. How tedious it is to move a model just a fraction of an inch until it appears fluid on the film...how educational it is to realize what props were used and what artistry was projected to make everything REAL. This coffee table book will be a treasure
in my collection of literature.

Computer generated effects are standard in movies now, and any big-budget action film can be expected to have plenty. We didn't always have computers, so the effects such as putting fantasy creatures on the screen, like King Kong, had to be done with meticulous stop-motion filming, whereby a movie frame picture would be made of a model Kong, then the model's arm would be slightly raised, one more frame of the movie shot, and the process repeated until a smooth arm movement could be seen when the entire strip of film ran. It was Willis O'Brien who animated Kong and many other creatures in early movies. It was Kong who inspired Ray Harryhausen to start making stop-motion films. In _Ray Harryhausen: An Animated Life_ (Billboard Books), Harryhausen and Timothy Dalton tell the story of Harryhausen's entire career, including his humble beginnings. He was crazy about dinosaurs as a kid, and at the age of thirteen, he was taken by his mother and aunt to see _King Kong_. He studied up on the movie's techniques afterwards, and started making his own movies, first using a home camera that he could merely hope took only one frame at a time when he tapped it, and then purchasing his own 16 mm camera with a one-frame shift. He was one of those lucky kids who knew early what he wanted to do in life, and was able to do it; Harryhausen was the special effects wizard behind _Earth vs. The Flying Saucers_, _Jason and the Argonauts_, and _Clash of the Titans_, among many more. This beautiful book, filled with photographs and drawings to show how the models and effects were made for each of Harryhausen's films (and pictures of the artist's work as a thirteen-year-old as well), is a fascinating record of a career that could only have taken place in a restricted window of time.

To start with a clearing of the record: Harryhausen's first model, a cave bear, was covered with fur cut from an old black fur coat hanging in his mother's closet, but despite reports to the contrary, his mother _did_ know all about it and _did_ give her permission beforehand. This reflects the support his parents gave him toward his youthful enthusiasm, and he is certainly grateful. Most of the book describes his work for the studios; it devotes pages and pictures to all his films, and he gives detailed descriptions of just how he managed particular shots. Harryhausen isn't boasting; throughout the book he lets us know what he thought worked and what didn't, what he is proud of and what he winces at. If stop-motion is no longer going to be an art form, it is good that we have this documentation of what he actually accomplished, for the complexity of his creations and the way they were shot is astonishing. For instance, the Hydra in _Jason_ not only had a serpentine body and a double tail requiring their own movements, but also seven heads. In every frame, the model's movements might be only a millimeter, but there were sometimes more than thirty movements to do. He would have to remember for each head whether it was in the process of going up, down, right, or left, if the mouth was opening or closing, if the neck was flexing, and so on. Astonishingly, he was so in tune with his creation that he did not keep notes on what each head was doing, except if he were taking a break at the end of a work period.

Harryhausen has real affection for his creations. He has used real animals in some films, like an iguana made to look like a giant lizard in _One Million Years BC_. The trainer in charge of the iguanas was ready to use an electric prod to rouse the usually torpid lizards, but Harryhausen would not allow any cruelty, so action could only be obtained by a little prodding. Nonetheless, it was a lot harder to get the iguanas to move in just the way he needed compared to his obedient stop-motion models; he says that using models would have been more cost-effective and more realistic, too. He refuses to call his creations monsters; they are mostly creatures who are simply out of place. Of the tyrannosaurus in _The Valley of Gwangi_, he writes that he felt sorry for him, "... because all he wanted to do was live his life and eat a few people along the way." When he had to dismantle one creature to use its armature for another in a succeeding feature, he confesses, "It always breaks my heart to have to cannibalize my models. It's like losing a close friend." Gentle, self-deprecating humor is a hallmark of all the chapters here, no matter how technical the descriptions become at times. This is a handsome, large format book suitable for the coffee table; however, along with the beautiful illustrations, the written record of work here to show how creature features were made before the computers took over will be enjoyed by any fantasy film fan.

This is an invaluable companion tool to possess alongside your Bible for defending the biblical doctrine of an Unlimited Atonement of Christ Jesus. John D. Wagner has done the body of Christ an immense service in editing this treasure of a book.

John Goodwin (1593-1665), a Calvinist-turned-Arminian Puritan, defends the biblical doctrine of Unlimited Atonement utilizing both Scripture, church history, and logic. He leaves no stone unturned, but covers the subject in an exhaustive style. He even quotes from the likes of Luther, Melancthon, Chemnitius, and Calvin himself, demonstrating from their own writings the presence of a Universal Atonement, highlighting the fact that though Christ's sacrifice is sufficient to cover each and every individual, even intending (p. 129) to cover all people, His redemption will only be applied to the believer.

In an age when the false assumptions of Calvinism is growing, this book stands as a beacon of hope, exhorting every believer to preach and teach the atoning sacrifice of the Lamb of God, who takes away the sin of the world (John 1.29). What John Owen's 'The Death of Death in the Death of Christ' is to the Calvinist, so is John Goodwin's 'Redemption Redeemed' to the Arminian. No other book I have read covers the doctrine with such thoroughness and clarity.

John Goodwin, in his classic work Redemption Redeemed, presents us with a thorough examination of the doctrine of Unlimited Atonement, and should be a staple in any Arminian's library. Redemption Redeemed could potentially have the same sort of impact on Christian thinkers as John Edwards' Freedom of the Will, and if not, it should (in my humble opinion, Goodwin blows Edwards out of the water). The work is detailed and covers a broad range of Bible passages and relevant subjects. The language bears some of the seventeenth century style and therefore will be difficult for the average modern reader, but take your time and it will pay off. There is a lot of content, so I'll note a few examples.

In chapter 2, Goodwin focused on passages which state that God desired to save or propitiated for all men. At the forefront is 1 Timothy 2:1-6, where for example we read that "he wants all people to be saved and to come to a knowledge of the truth" (verse 4). What is especially handy here is that he not only did he provide a solid interpretation of this passage, he addressed specifically the various arguments of Calvinists that "all men" doesn't mean "all men." He demolished the interpretation of "all men" as "some of all sorts of men" thoroughly, an argument which is still frequently used today by Internet Calvinists. An aside, one observation you will walk away with from this book is that there is nothing new in Calvinist arguments, and folks like Goodwin already dealt with and refuted many arguments centuries ago, which are still propagated today.

There are many other relevant passages that Goodwin drew from, including many which I never thought of as supporting Unlimited Atonement until now. Chapter 5 started with the Parable of the Wedding Banquet, Matthew 22:1-10. As you may recall, the parable outlines a situation where a king's invitation to a banquet gets rejected by his friends. As a result the king instead invites average people off the street. The original invitees were symbolic of the Jews who rejected Christ and the gospel. Goodwin noted from this that as the king intended the banquet for his friends, God intended His grace to be for Jews first. Entailing from this, Christ died for Jewish people who would go on to reject Him. If this is the case then Christ died for people who wouldn't be saved, and therefore He died for all men. Now initially, it doesn't seem to logically follow, but think about it for a moment. If Christ died for one person who would ultimately be condemned, why would he not die for all others? Since God is not partial, one has to conclude that either Christ died only for the elect, or for all people. Since Christ died for some who were not elect, we are left with the only alternative, that He died for all people.

Goodwin was careful in his definition of Unlimited Atonement, neither providing a definition agreeable to Calvinists nor sliding down the slippery slope into Universalism. He spent a good portion of Chapter 6 explaining why the Arminian doctrine doesn't lead to Universalism and then refuted Universalism itself.

Redemption Redeemed is clearly an excellent work. There is much more that I haven't covered here, but I hope this review has whetted your appetite for a good, solid defense of the Arminian doctrine of Unlimited Atonement.

This excellent work is the most comprehensive treatment of Atonement Coverage I have seen. Not only does it encompass the broadest scope of Biblical texts in an exegetically accurate, responsible way, but it cites commentaries and works of theologians from Calvin and Melanchthon to authors contemporary to Puritan John Goodwin. These citations show that the L of TULIP is unfounded, both in careful Bible scholarship and by the observations of these noted scholars themselves.

I heartily recommend this work not only to those sympathetic toward "God so loved the (literal population of the entire) World"; "Look, the Lamb of God who takes away the sin of the World (literal earth's population)" viewpoint. But also those disposed to "God so loved the (representative segments in the world) 'elect'"; "Look the Lamb of God who takes away the sin of the (savable, atonable sectors of humanity) 'elect'."

Goodwin, a rare Arminian Puritan, admirably defends unlimited atonement. Goodwin primarily argues from scripture, but he also provides some arguments from reason and church history. Goodwin's primary scriptural arguments are based on passages saying Christ died for the world, passages saying Christ died for all, the universal offer the gospel, passages saying Christ died for those that ultimately perish, and passages saying God wants none to perish. Goodwin then clearly explains what "unlimited atonement" does and does not mean. Goodwin finishes up with giving solid reasons why Christ died for all and reviewing the historical position of the Church on the issue.

Goodwin provides a unique level of depth on the issues. For example, he goes over the word "world" in great detail, and then reduces multiple Calvinist interpretations of passages like John 3:16 to absurdities. Goodwin covers multiple Calvinist counterarguments to all of his arguments. Through detailed explanations of his position, and contrasts with Calvinists views from multiple angles, Goodwin crystallizes the Arminian viewpoint on the extent of the atonement.

Along the way of accomplishing his mission of defending unlimited atonement, Goodwin gives the reader some real gems. Among my favorites were Goodwin's explanation of the will of God as well as his explanation on conditional election.

Goodwin's style is similar to most Puritans and as such Redemption Redeemed is a tough read. One could use Redemption Redeemed as a reference tool. There's a comprehensive index of scripture references in the back. But my advice would be to put the work in and reap the full reward! It's well worth it.

It should be obvious to any objective student of the Word that the Calvinist doctrine commonly known as Limited Atonement did not come about through an inductive exegesis of the Scriptures, but instead through a rigid system of deductive logic imposed upon it. Although I have read and reviewed other books on this vitally important subject, I appreciated the fact that Puritan John Goodwin treats some passages not usually considered in some of the more modern works, and that he comes at it as a contemporary of the scholastic John Owen. Overall, it becomes blatantly and wonderfully obvious that God has indeed woven the doctrine of General Redemption throughout all of His Word!

In spite of the sometimes-heavy Puritan style of writing, I have to give this work a high rating for the following reasons:

As with all points of the Calvinist T.U.L.I.P., we find, and Goodwin reveals, that their "horrible decree" of Reprobation is always lurking in the shadows. Since, in their logic, God has in eternity past "decreed" that the vast majority of the human race were to be created by Him as already damned, and that that even "pleased" Him, why should Christ pay the ransom for their sins? This scholastic presupposition inexorably drags them to this end in spite of any normative interpretation of the many verses of Scripture involved. This error has forced Calvinism to become more philosophic and systematic than the Bible allows. In fact, Owen's notorious work "The Death of Death" is shown to be based on a faulty premise of "double payment".

Evangelism 101
Most importantly, and thus the importance of works like Goodwin's, is the sad and practical result of this doctrine: Limited Atonement deadens hearts to the fact of God's love manifest throughout the Scriptures to all sinners without exception. As Goodwin so aptly points out, "In all these Scriptures, with their fellows, evident it is that salvation is held forth and promised by God unto all, without exception, that shall believe; yea, that it is offered and promised unto all men, upon the condition of believing, whether they believe or no. So that, upon such declarations of the gracious and good pleasure of God toward the universality of men as these, the minister of the gospel, or any other men, may with truth, and ought of duty upon occasion, say to every particular soul of man under heaven, "If thou believest thou shalt be saved," even as Paul saith that he preached Christ, "warning EVERY man, and teaching EVERY man in all wisdom, that we might present EVERY man perfect in Christ Jesus" Colos. i.28. Yea, this apostle, saith, that God "now commandeth all men every where to repent, " Acts xvii. 30".

Goodwin's quote of Melanchthon puts it this way, "It is necessary to know that the gospel is a universal promise, i.e. that reconciliation" with God "is offered and promised to all men." And " it is necessary to hold fast against" any "dangerous conceits about predestination, lest we fall to reason thus, that this promise belongeth to some few others, but doth not belong unto us. But let us be resolved of this, that the promise of the gospel is universal. For as the preaching of repentance is universal, so the preaching of remission of sins is universal also. But that all men do not obtain the promises of the gospel," i.e. the things here promised, "it ariseth from hence, that all men do not believe."

This explains why, historically, Calvinists in general have always been so detached from missions and evangelism. Any objective study of men like Carey and Spurgeon reveals that they were at best "non-conformist" Calvinists and consequently persecuted by many of their own "brethren".

In addition, in chapter 8, Goodwin lists 32 noteworthy fathers of the early church, including St. Augustine, along with various synods and councils, which all held to General Redemption. Although this is not in itself authoritative, as their writings were not inspired, it is nonetheless interesting to note that this was without a doubt the view held by the vast majority in the church from the Apostles to even past Calvin's day. However inconsistent Calvin's teaching may have been in the conception of Limited Atonement, it was in fact, as Goodwin states, Calvin's disciple Beza who gave birth to it, and the Synod of Dort who fostered it. For those who call themselves "Augustinians" it should be rather ironic to note that part of St. Augustine's attack against the Pelagian error of his day was "to hold that Christ died not for all men" (p. 285). According to St. Augustine Limited Atonement is Pelgianism!

One last note, non-Arminian readers should be aware that Goodwin repeatedly states that a believer, although once saved, can lose his salvation. Statements like "...salvation is never conferred upon any man but upon his believing and continuance in believing unto the end", and believers must "believe perseveringly" bear this out (e.g. pg. 191).

For those who are looking for further biblical studies on General Redemption, please be sure to reference THE DEATH CHRIST DIED a Case for Unlimited Atonement by Robert Lightner, Did Christ Die Only for the Elect? A Treatise on the Extent of Christ's Atonement by Norman Douty, and the mediate position advocated in Getting the Gospel Right: A Balanced View of Calvinism and Arminianism by C. Gordon Olson (esp. Chap. 16).