Boston
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An "Unwarranted" Review?
So, you want to read history???In DEAD CERTAINTIES (UNWARRENTED SPECULATION), Simon Schama raises important questions about the truth of history. How do historians know what really happened? Well the truth is, they don't. At best, our reconstructions of the past are partial truths. They are partial truths because no one is free from prejudice. They are partial truths, because try as we might to be objective, we cannot help but place our own interpretation on "facts." They are partial truths because eye witnesses to history seldom know all the "facts." They are partial truths because language is alive and word meanings change over time. And, they are partial truths because eye witnesses often lie.
What really happened in the past times? In recent years, new historical practicioners have begun to revisit primary materials and attempt to piece together their version of what these documents tell them. This revisionist history has it's supporters, but in the end, who is to say their interpretations are free of bias and agenda?
In DEAD CERTAINTIES Schama revisits the story of Wolfe the British hero of the 1700's on the 'Heights of Abraham' in Canada. Probably every Canadian school child of my generation, plus a few Americans, remembers the words, "Wolfe the dauntless hero came and planted firm Britannia's flag on Canada's fair domain." I don't know if it's still politically correct to sing these words in Canada, but I believe at one time they were the words to the national anthem.
Everyone who's ever taken a course in art has probably seen a photograph of Benjamin West's monumental painting "The Death of General Wolfe." It is a magnificent painting of a beautiful young man in the last agony of life, looking toward a distant and dramatic horizon. The painting has inspired generations of Canadians to national patriotism. The painting supposedly depicts the last hour of General Wolfe. Schama says, "Not so fast." He then goes on to tell as best he can given the material at hand, what he believes happened on that fateful day when General Wolfe met his maker (maybe he did, maybe he didn't).
The book also contains a second "story" about a murder that took place in New England in the last century. This "story" reads like a detective fiction. Schama demonstrates though his own research who he thinks the real killer was. It is an excellent read even if you don't like history.
This book sheds a little light on historiography--how historians have framed history in the past and how they go about it today. The book should be required reading for anyone who wants to know more about history and how it is written.
Historiography at its best
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Suggest you try an alternative to Fenway in Your PocketFenway was quite accessible, and easily navigated. The fans and stadium personnel were relaxed, outgoing, and quite helpful. The fans themselves can give you any tips or explain any oddball yells. The ones in the book were not heard.
If you are going to enjoy the game and see the park, you don't need this book to do it. If you want to know the history and legends of Fenway, this book does not have it.
A WELCOME ADDITION
Excellent choice for a trip to FenwayI await the Skydome in your Pocket edition

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The most fun I've had with my pants on!
A smart and funny look at some most unusual worldsIt's a tribute to the Mitchells' parenting skills that they and their children derive as much fascination and enjoyment from talking to hens at the zoo as they do from wandering through a World War II-era submarine (although the boys get as much pleasure from crawling across the lined-up bunks and pretending to be moles). Between John's smart, clever prose and Jana's gorgeous, fluid illustrations, 4 Go Mad will make you want to visit more places and spend time examining their beauty, their pathos, and how different age groups derive different meanings from them. A smart, fun read.
A TOTAL joy!And what explorations they have! Every chapter uncovers yet another amazing locale - each more fascinating then the last.
Harry and Hugo sound like wonderful children with vast creativity and an immense amount to offer - who wouldn't be with parents like these?
Love it! Love it! LOVE IT - keep up the good work!

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How Boring!!!!!
ANASTASIA...Great Series!!!!!!!!!!!
Anastasia's Chosen Career
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Very good!!This same man was befriended as a boy by a couple with indirect alleged links to George Cashman and former Governor Cellucci. When this case broke, the couple disavowed the man.
Susan Kelly in her book also discussed the possibility that the early stages of the Boston Strangler murders may have been linked to gangland violence in the wars around which Flemmi emerged. A woman is said to have survived the Strangler but was never interviewed. Is it possible the Boston Strangler in turn is linked to this case ,got a woman pregnant, and the child was used as some sort of collateral for cooperation of the real Strangler?
At the same time, Jonathan Harr released his book 'A Civil Action' just after Whitey fled town. When the book came out, the man worked for Grace Co.,unaware of his past as a very young,sick and handicapped boy growing up in the chaos of an environmental tragedy in Woburn,Mass. The fervor surrounding Harr's work appeared in sync with the tepid waters of the Bulger case, and during the early phases of the hearings, Robert Redford and Sylvester Stallone appeared in a Somerville court for ambiguous reasons regarding the Bulger case. Prior to Harr's work, the man had written an autobiographical work of his own which touched upon memories of a sick child in Woburn during the emergence of the cancer epidemic.As the Bulger case broiled, Barry Mawn, native of Woburn, was assigned to the Boston FBI office in pursuit of Bulger- Mawn, Teddy Roosevelt to Cuba, Mawn to Woburn. Many of the Bulger case principals had indirect ties to Woburn and surrounding communities.
In addition to all of this, the man's medical records began disappearing, and employment became all but impossible as he was destroyed financially, just as the state trooper who stopped Whitey at Logan airport.Evidence of phone tampering emerged possibly using off premise extensions linked to major companies the man worked for which also did business with the federal government. The man's bank records and video rentals have been scrupulously monitored and broad evidence of a long term evidence gathering investigation of an individual with no history of criminal activity or breaking the law. It seems feasible the man is linked to the Bulger case and has been watched by various agencies who feel threatened by his father, a man unknown to the boy growing up or as an adult.
One thing a government oversight or other committee might investigate is the possibility that one of the principals in the Bulger case on either side had a son who was immediately flagged and watched all of his life and used as surety without his knowledge by the government or perhaps even organized crime. The committee might offer protection and encourage that individual to come forward and disclose all they know.
GOOD PLACE TO START
Do you speak american?
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Not quite the first...Baseball did not magically appear at the beginning of the 20th century - the National League was founded before Custer met his fate at the Little Bighorn. Subtitles like Masur's imply that nothing of importance or interest occurred in baseball in 19th century.
For a good description of the World Series played before "Baseball's First World Series", I recommend Jerry Lansche's "Glory Fades Away: The Nineteenth-Century World Series Rediscovered".
"William McKinley - America's First President"
Baseball in America 100 Years Ago
The first World Series
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Full of Powerful Story and Character
Careful, precise proseThe plot commences in 1917, leading us through a few decades in the life of a Boston well-to-do woman. The "real story", as so often is the case, is the effect of the social milieu upon all its denizens. Although in "social content" Folly brings to mind the novels of Edith Wharton, it must be said that Ms. Minot is unwilling to draw the simple solutions to the social issues she raises that Ms. Wharton might have painted two generations ago. No swift damnations come to those who people this novel merely as a result of their station, nor is easy salvation to be found in flight to a more "free" way of life. Instead, the story is laced with a pleasing ambiguity--perhaps an escape is possible, but the exits are not clearly marked.
"Literary fiction", that sad refugee of obscure collegiate publications, has evolved into a stylized genre no more aesthetically pleasing (and a good bit less entertaining) than, say, science fiction or a well-crafted mystery. Ms. Minot can justly be accused of writing a version of the "MFA litmag" novel, yet she shows the form is not without its virtues. The near-gamesmanship with which she crafts each sentence to achieve studied, quiet precision in her style and ideas makes this story eminently readable and in its own way quite evocative. One might not wish for the slow, gentle satire and complex despair of Folly in every novel one reads, but Folly is certainly worth the effort. Ms. Minot's work, though bearing the stigmata of "literary fiction", suggests that practitioners of this dour form can resurrect interest by placing precise execution of a worthwhile plot first, and saving the "cute" turns of phrase and wails of despair for the literary seminars. Although not everyone will like Folly, it is very satisfying for those who wish a "good read" with a modern sensibility.
Lyrical, yet thought-provokingFolly, however, IS a story, one that harkens back to memories of The Awakening, Yellow Wallpaper, and other stories of women trapped in imperfect, unfulfilling marriages during an era when even to admit such a thought could lead to one's downfall. When forced to make a choice, Lillian's world opens to self-discovery. Folly is an elegant examination of the inner workings of the heart of a woman.

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MacLeod's latest mystery meringue begins at a fancy Boston wedding staged by Sarah for Max's nephew, where missing rubies, long-lost neighbors, the crash of a hot air balloon, and the discovery of a dead body are last-minute additions to the festivities. Things go downhill from there, with smoke bombs going off, more corpses piling up, and both Max and his 3-year-old son, Davy, soon among the missing. This is the kind of book that requires a dozen pages in the last chapter to explain everything, and that should be read with little finger firmly extended. Fans of Poirot, and of Hammett's Nick and Nora Charles, will be delighted. --Dick Adler

An Okay Book
I would have loved this book if not for one thing...
The Last One
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not as goodAgain, a good gift or purchase for any fan, but only after purchasing the other book.
The stuff that dreams are made of
Wonderfully sentimental...fascinating insights!I enjoyed learning about Fenway's history, what makes Fenway tick and the passion of the people who take pride in their work and do what it takes to make this baseball stadium feel like home. For I still make my yearly visits to Fenway and it always feels like home.
Though this book is about Fenway Park, it captures the essence of the "baseball experience" that so many people love and what makes it so.

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Lynch wastes a good character on a lousy plot
This book is great because it keeps you wondering!
This is a GREAT GREAT book!
Critics of this work charge that Schama has engaged in historical chicanery by incorporating fiction into both accounts and has, thus, mucked up the waters of what is a proper "history." To this, Schama admits so much in his text and also admits to that being his point.
What is interesting is Schama's attempt to stake out a dividing line between what is "historical fact" and what is "historical fiction" and in so doing, obliterate that line. After all, historical fiction is based upon "historical fact" and many historians have written histories based upon "historical fact" that were modified or even overturned after those "historical facts" were proven to be inventions of fiction.
We have a certain reliance on a consistent historical past "reality" or else we run into an Orwellian 1984 reality of a constantly changing historical past. Yet, we can never be quite certain of the "facts" that make up our histories and as Schama puts it:
"... historians are left forever chasing shadows, painfully aware of their inability ever to reconstruct a dead world in its completeness, however thorough or revealing their documentation. Of course they make do with other work: the business of formulating problems, of supplying explanations about cause and effect. But the certainty of such answers always remains contingent on their unavoidable remoteness from their subjects. We are doomed to be forever hailing someone who has just gone around the corner and out of earshot." (p. 320)
"Dead Certainties" is an engaging and thoughtful piece of scholarship/literature that should be taken as such - and as such, it is not perfect.