Anticipation Books

Many people may have been misled by the tactless and prejudiced account of the history of the Hilbert-Einstein equations of gravity published in 1997 by Leo Corry (Cohn Institute, University of Tel-Aviv) and John Stachel (Director of the Center of Einstein Studies, Boston). The "objectivity" of that account is well demonstrated by the fact that Corry and Stachel "forgot" to mention that the set of galley proofs of the fundamental Hilbert's paper that they analyzed was incomplete and was missing a critical part. The wonderful book by Bjerknes is a perfect remedy to Corry and Stachel's "discovery" and their attempt to further cultivate the cult of personality of Einstein at the expense of Hilbert. The book is thoroughly and meticulously documented and leaves only one way to counter it: by silencing it or by labeling the author as Einstein-hater (or worse) and changing the subject. Especially valuable is the section reproducing the original publications, including the (incomplete) galley proofs of the Hilbert's paper. If after having read this book someone still thinks that Corry and Stachel understand physics well enough to write about the history of general relativity then I would recommend the paper by A. A. Logunov et al., "How were the Hilbert-Einstein equations discovered?" Physics-Uspekhi, vol. 47, pp. 607-621 (2004) (in English).

This book offers an interesting, although distanced, look at the technological progress of the 20th century - from the perspective of 1901.

H.G. Wells reflects some of the less attractive characteristics of a world we have grown beyond, but has a keen insight into social dynamics and the progress it directs.

Much of the book is not worth reading, but there are snippets of truth that point to major changes that our world economy and cultures are still going through. If you are willing to wade through the rough, there are some diamonds to be found.

The book's title says it all: this is a book about designing your research, in other words, how to write a plan to get from initial ideas to a concise and foundational plan that outlines "an action plan to get from here to there" (p.35)

I think this book is particularly suitable for scholars working in the social sciences or humanities scholars that have just started working in their dissertation or postdoc (or plan to do so in the near future).

I've purchased this book a couple of weeks ago, but it has already proven to be invaluable in my case for a number of reasons:

- Blaikie's book has the ability to get you started rather quickly: the first two chapters set the scene for the rest of the book, so you immediately have a very detailed and firm grasp of the what the book might be able to help you accomplish;
- The writing is very inspirational and triggers a lot of thought about how you thought your research should be carried out. Think again. Or better yet: think it through - thoroughly;
- Foundational work is a complex and often daunting task, but this book will definitely help you to write a very detailed yet concise research plan.

If you're looking for a book that will help you to do some serious foundational work for your research, look no further.

This is not a book about psychological hurdles in the life of the social scientist or PhD candidate. It's not about how to talk to your supervisors, working on contributions for conferences, or how to apply for grants. That said, this is indispensable stuff for any PhD.

Praise to mr. Blaikie for a job well done.

I enjoyed reading this book. The author's attention to details makes the reader feel like part of the action, and not just a casual observer. Unlike most fiction book out there, this one actually feels believable. the characters are very human in their reactions, and the space battle scenes are comparable to watching it on the big screen. I reccomend this book to anyone who is looking to read something totally different and unique while deeply enjoying it and begging for more.

Robert Theobald, the late humanist and futurist, throughout his life dealt with the issues of transformation that are so popular and important today. His theme: global change is far outstripping the ability of existing paradigms to cope. On every front we face crises that, because of our old-fashioned ways of thinking, appear too difficult to solve. Theobald believed that we must fundamentally transform our beliefs, lives, and cultures in order to survive the challenges that mount higher everyday.

TEG'S 1994, written in 1967 and published in 1971, was 30 years ahead of its time. It is a portrait of the world in which we live today, accurate in many ways, some proud, some poignant. The world is segregated into the affluent post-industrial world, in which personal growth and social abundance is encouraged; and the fenced-off portions in which poverty, illness, and chaos hold sway. It's a portrait of a world echoed in the popular nonfiction bestseller, THE PENTAGON'S NEW MAP, by Thomas P.M. Barnett (Putnam, 2004), in which a networked Core of "civilized" societies is confronted by a disconnected Gap, societies in which there is too little of everything.

Teg, the hero of Theobald's novel, is a graduate student of regional development whose thesis travels involve collecting both points of view and actual experience traversing the boundaries between the two coexisting worlds. Her journal -- supposedly written in 1994 -- comprises her observations, research by other scientists, discussions with eminent individuals, and a travelogue of the Earth as it nears more than one tipping point. The outcome Theobald leaves to the reader's imagination.

This well-illustrated paperback is a tour de force of futurism at its high point. Will humanity save itself and the world on which it lives? Theobald's spirit urges, "Please do."

"Anticipation" begins with a compelling love story. There is instant attraction between attorney Toni Barston and criminal investigator Victoria Boggsworth, affectionately known as Boggs. Their relationship develops against the backdrop of a terrifying situation --- an evasive serial killer who has set his sights on Toni. The result is a cliff-hanger with all the elements of a well crafted mystery.

The suspects are depicted realistically and there are red herrings aplenty. As I read the story I changed my mind several times about "whodunit" and when the culprit was revealed I was surprised. Throughout the harrowing experience, the dynamics between Toni and Boggs were portrayed well. The women managed the beginnings of a sweet romance despite their dire circumstances.

According to the author's blog, a Toni Barston sequel is in the works. I'm looking forward to it.

I always look forward to reading books by first-time authors. Sometimes the books are borderline and immature, but the good ones are exceptionally fresh and exciting. Such is the case with `Anticipation.'

Breneman introduces new attorney Toni Barston as she prosecutes her first criminal case. Seemingly a slam dunk, things get complicated when the serial killer is erroneously released from jail. Boggs, a gruff but well respected investigator, has been assigned to work the case, but the suspect isn't apprehended before the murders start again. This time, his targets are powerful women associated with the case. Fearful that Toni could be his next victim, Boggs and several other officers are assigned to protect the attorney. As they continue to investigate, evidence begins to point at someone on the police staff. As such, they're not sure who can be trusted.

This story isn't really very deep. Except for the question of `whodunnit,' everything else is obvious to the reader. The attraction between the protagonists is evident from the start, as is their tentative hinting about what `team' the other plays for. Sparks fly, friends are friends, and enemies are enemies. However, it's a great light read with likable characters, a somewhat believable story, and elegant writing. I'm looking forward to more from this author in the future.

While I usually prefer romance to mystery, I was pleased to find that this book has plenty of each. The "anticipation" applies to both the blossoming romance and the resolution of the mystery. How cool is that?

Toni Barston, although new to the practice of law, is not a youngster. Her previous career as a psychotherapist gives her (and the reader) a unique slant on the case she must deal with involving a serial killer. Attractive investigator Victoria Boggsworth ("Boggs") has also been around the block a couple of times. When Toni and Boggs meet, they are immediately drawn to one another.

From the beginning we see that the serial killer, intelligent and cunning, is always a step or two ahead of the police as he continues his murderous rampage. With Toni on his list, the prospects for her survival are questionable, even though Boggs is going all out to protect her. As they struggle to stop the bad guy, the emotional roller coaster of their feelings for each other is also at the forefront. The denouement is a terrific surprise. Now ... when is the next installment?

I read Anticipation in one weekend...needless to say, I was hooked from the get go! Ms. Breneman does an amazing job of leading her reader on a suspenseful adventure full of colorful characters and plot twists. She obviously knows the ins and outs of the justice system and keeps you guessing up to the very end! The romantic storyline is equally enthralling. The main characters are brought to life by Ms. Breneman's nimble attention to the details in life that make us all human: love, excitement, hope, fear and, not least of all, anticipation. I am very much looking forward to her next work!

but I didn't think the lesbian part of the book was steamy at all. the attraction between the 2 characters was explained. But there was absolutely no sex. It's a g rated mom could read it book.

This is a serendipitous collection of short stories, some of which appear autobiographical, all of which are perceptive in an almost intuitive way. Unanticipated and attentive vignettes, rich in details, lure you in, keep you spellbound, and give you a taste of a world seen through unconventional, discerning eyes.
Written in a style unlike any other I can think of, it's a book I highly recommend, and one I treasure.

A beautiful little book, with fifteen short stories. Most are written in a deceptively quiet and simple style, but do not be misled - they look quiet, but a number of them pack a big emotional impact !

I bought this book out of curiosity because after reading the editorial review, I thought I'd give it a try. A couple days later it arrived. I started skimming through it, and decided I had enough time to read at least three of the short stories in the book. I read "Rebel", "Frau Appel", and "Speaking of Money". I'm glad I chose these three in the beginning because they turned out to be my favorites in this overall good book. I gladly reccomend it to anyone.

Known as a player, his best friends bet Nick O'Malley that he can not be without a woman for thirty days; Nick is on the honor system. He figures his new job will help him fill much of the time and keep his head off of females.

Detective Serena Riggs is on the trail of a criminal, who rumors say, is an S&M freak. She dresses up as a dominatrix and enters Nick's hotel room. He is stunned as he has never been aroused like this; he knows it is more than just the outfit as it is the woman. She, in turn feels the heat of his turn-on, the kinky costume, and incredible desire. However, she also thinks Nick is the criminal as he remains ignorant to why he got the job in the first place; he resembles a certain fetish felon.

The mistaken identity forged relationship makes for an amusing romantic suspense thriller as Nick, upon seeing Serena becomes a fan of the S&M scene. The story line is tongue in cheek as the two lead characters err when it comes to the other, but soon believe to err is divine in this case. The police procedural elements take a way back seat to a fun heated romance.

Harriet Klausner

I like this story. The heroine Serena is an undercover cap as dominatrix who seduced Nick O'Malley thinking that he is a criminal. Nick made a 30 days wager of NO SEX with his friends. He made it for 29 days. But when Serena shows up dressing on leather at his hotel room; could he make to the 30 days? Or will that be the longeeeest night of his life. The story was funny and hot. I love Jennifer Labrecque writting. I hope you enjoy this book as well.

If you want to learn about the many LEAPS trading strategies in existence, this book is for you. If you want to learn the theory behind LEAPS (and options) then you have to buy a different book.

This book, published in 1993, is now a classic and the definitive guide to trading LEAPS. It provides an excellent introduction to LEAPS and takes the pain to explain how LEAPS differ from traditional options. If you already have knowledge of options, this book will be a breeze to you, thanks to the author's lucid and humorous writing style. Do keep in mind that LEAPS are more than just longer-term options; pricing them using BS, for example, would be quite wrong.

Which brings us to the drawback of this book from the early 90s. Much as changed to LEAPS -- the demand, the valuation methods, the trading mechanics -- since 1993, and this book would have remained great had it been updated. As it stands, you should definitely use it in conjunction with the web to make sure you get the latest info on these securities.

One last thing: if you are set on trading LEAPS, make sure your broker can accommodate it. My online broker is great for trading options, but it turns out they won't allow LEAPS for accounts less than $50k, which include mine.

In short, I recommend this book highly as a primer to LEAPS. Read it from cover to cover and make sure you duly understand all the RISKS involved, not just the potential gains. Good luck!

This is probably the worst written book I have ever read. The author obviously understands the topic but it is one thing to know a subject and another thing to teach it. I am a physician and I have read my share of books.

This book is clearly written and was well worth buying. I wish I could benefit further from this man's work and knowledge, but unfortunately he died several years ago.

LEAPS is a helpful manual and it can be followed by readers who have basic knowledge on options. Roth analyzes in a very vivid and enjoyable way LEAPS and offers to the investor all the necessary background. I really enjoyed reading it.

EXPECTATION IS THE PSYCHOLOGY OF THE FUTURE -- THE REALITY OF LIFE AND CHANGE. THIS BOOK IS ONE SMALL STEP AWAY OF FROM THE REALITY OF THIS FACT. Jerry Telle

Gives me usable views to make my scription about music and emotion. Basic stuff!

I really like this book, but I don't think I'm qualified to review it. However, I think you can get a sense of whether you might be interested in it by reading the list of chapter titles and some of the subtitles and descriptions of some of the tables (T) and figures (F), so here's that:

1 Introduction
Emotional Consequences of Expectations
Tension Response
Imagination Response
Prediction Response
Reaction Response
Appraisal Response
T1.1 Response systems
F1.1 Schematic diagram of the time-course of the "ITPRA" theory of expectation.

2 Surprise
F2.1 Schematic diagram of the brain mechanisms involved in the fear response.
Contrastive Valence
Three Flavors of Surprise

3 Measuring Musical Expectation
F3.1 Average moment-to-moment uncertainty for Balinese and American musicians listen to an unfamiliar traditional Balinese melody.

4 Auditory Learning
F4.1 Average response times for musician listeners to hear an isolate tone as a specified scale degree.
F4.5 Sample exposure stimuli showing the long-term statistical probabilities of pitch-to-pitch transitions.

5 Statistical Properties of Music
F5.1 Frequency of occurrence of melodic intervals in notated sources for folk and popular melodies from ten cultures.
F5.2 Proportion of non-unison melodic intervals that ascend in pitch.
T5.1 Probabilities for step-step- movements in a large sample of Western and non-Western musics.
F5.3 Watt's (1924) analysis of intervals in Schubert Lieder. Larger intervals are more likely to be followed by a change of melodic direction than small intervals.
F5.5 Number of instances of various melodic leaps found in a cross-cultural sample of melodies.
F5.6 Average contour for 6,364 seven-note phrases taken from The Essen Folksong Collection (Schaffrath 1995).

6 Heuristic Listening
F6.1 "Brownian" or "random walk" melody.
F6.2 "Johnson" or "white noise" melody.

7 Mental Representation of Expectation (I)
F7.2 Information theoretic analysis of "Pop Goes the Weasel" showing changing of information (in bits) as the piece unfolds.
F7.4 A hypothetical mental network for pitch-related representation.
F7.5 Four objects illustrating the failure to code spatial interval.

8 Prediction Effect
Exposure Effect
The Role of Consciousness

9 Tonality
T9.1 Scale Degree Qualia
F9.1 Distribution of scale tones for a large sample of melodies in major keys (>65,000 notes).
F9.2 Distribution of scale tones for a large sample of melodies in minor keys (>65,000 notes).
T9.2 First-order scale-degree probabilities (diatonic continuations)
T9.3 First-order scale-degree probabilities (chromatic continuations)
F9.7 Schematic illustration of scale-degree successions for major key-melodies
F9.9 Schematic illustration of the amount of flexibility or (conversely) tendency for different scale degrees in major-key contexts.

10 Expectation in Time
F10.2 Effect of temporal position on accuracy of pitch judgment.
Long-Range Contingent Expectations
The Pleasures of the Downbeat
Nonperiodic Temporal Expectations
F10.13 Graph representing the relative durations of three-note rhythmic patterns.
F10.14 Relative durations for two 3-note rhythms tapped by musicians.
F10.15 Categorical boundaries between various perceived three-note rhythms.

11 Genres, Schemas, and Firewalls
Context Cueing
Undergeneralization
Starting Schema
T11.1 Unprimed listener expectations
Schema Switching

12 Mental Representation of Expectation (II)
Episodic Memory
F12.1 Recognition measurements for the openings of four melodies.
Dynamic Expectations
F12.2 Example of a chimeric melody where one melody elides into another.
Conscious Expectations

13 Creating Predictability
Veridical Familiarity
Schematic Predictability
The Anticipation
Hypermetric Anticipation
F13.9 Schematic illustration of chord progressions in a sample of baroque music.
F13.11 Schematic illustration of chord progressions in a sample of seventy Western popular songs ...
Style and form
Dynamic Predictability

14 Creating Surprise
T14.1 Reported qualia for chromatic median chords in a major key context
T14.2 Reported qualia for chromatic median chords in a minor key context
T14.3a Metrical context for ascending melodic intervals
T14.3b Metrical context for descending melodic intervals

15 Creating Tension
The Feeling of Anticipation
The Suspension
F15.3 Prototypical suspension.
T15.1 Summary expectation analysis of a suspension
F15.4 Oddball event.
F15.5 Oddball event from figure 15.4 is transformed into an appoggiatura.
T15.2 Summary expectation analysis of an oddball note
T15.3 Summary expectation analysis of an appoggiatura
Premonition
Climax
Sweet Anticipation --- The Role of Consciousness

Finally, a real five-star book about music. For some reason, there are thousands of books about language, but almost no serious ones analyzing the biology and psychology of humanity's other communication systesms. Every society has a highly developed musical tradition, every society uses music in countless ways including the most sacred religious ceremonies, and yet hardly anyone has stepped forward to analyze it as a basic communication channel for humans.
David Huron's book is on surprise in music. He shows how music creates expectations of pattern, from simple rhythm up to very complex patterns (the concerto, the symphony...) that only sophisticated listeners know. Musicians notoriously love to play with these patterns, to surprise the listeners and thus create new pieces and prevent boredom. Huron distinguishes several types of surprise, on the basis of a highly sophisticated evolutionary and cognitive psychology as well as an astounding knowledge of music. He knows everything from the complexities of Beethoven and Schoenberg to the joik songs of the Saami of arctic Europe, and even knows what happens when you play the latter to rural folk in southern Africa. By contrast, such earlier works as Robert Jourdain's MUSIC, THE BRAIN AND ECSTASY were greatly limited by confining their attention to western classical and classical-derived pop forms, thus missing everything from cross-rhythms to alternative scales.
Surprise presupposes a whole file of knowledge of patterns and schemas, and a deep cognitive and emotional investment in same. Huron takes these mostly for granted. Obviously, the next step is to figure out why people love complicated musical patterns in the first place. Especially, humans love the theme-and-variation type of play with patterns that dominates music from Elizabethan lute solos to jazz to ragas. These are not exactly surprising, especially when you know the pieces, but they are always delightful. Why? Huron mentions body rhythms, speech rhythms, and the like. There is obviously more. I think there is much more about pattern--in music and in general--that we need to study.

Sweet Anticipation should be required reading for all composers and musicologists. The book plausibly explains how and why music affects human emotions, and it also contains numerous practical factoids that can be used to gauge one's own works against the spectrum of human musical perception. Huron uses statistical analysis and a deep knowledge of recent experimental progress in the psychology of musical perception to paint a picture that goes far beyond often banal music theory. His theories apply to all existing musical traditions, which to me is one of the most interesting aspects of the book, since most music theorists are pathetically myopic when it comes to assessing music as a universal human phenomenon.

This is certainly the best music theory book that I've read in many, many, years. It takes many things that performing musicians intuitively know to be true, and puts them into a more rigorous experimental context than musicians normally use. This being said, the book is probably not that accessible to anyone who does not yet have an undergrad level grasp of classical music theory - if you don't know what a ii-V-I progression is, or you can't see the shape of a melody by looking at an printed musical example, you probably won't get much out of it.

Highly recommended!