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Fresh and FunReview Date: 2006-10-10
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Fascinating Tale of Undercover ExploitsReview Date: 2003-10-27

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An inspiring read that deserves more attentionReview Date: 2002-12-10
Parrhesia is a type of speech that is neither rhetoric nor dialectic, though it has historically occupied an important space among both - forming perhaps a trialectic. Parrhesia is a species of truth that mandates its own telling, in a quasi-spiritual fashion if need be: the parrhesiastes, or truth-teller, is one who puts him- or herself at considerable risk, including the risk of death, with his or her words. It can easily be seen that parrhesia is an essential antecedent to criticism and critical theory, but it is also ubiquitous in many forms of discourse. The Jeremiads of prophetic speech, the jokes of court jesters, Che's formative travelogues around South America, Taussig's defacing messages to the academy, and the best-selling literature of Rushdie that was in the 1990s so ill-received by the Muslim community - all of these are examples of this powerful discourse-form at work and play.
I first ran across the term in Arpad Szakolczai's excellent volume on Weber and Foucault, "Parallel Life-Works." After reading FS, I was frankly amazed that the idea is not more widely discussed in university rhetoric classes. The concept is extremely fruitful, first of all, for anyone interested in rhetoric, dialectic, philosophy, and law. Moreover, for anyone studying Foucault's life or epistemic universe (orders of discourse, manifestation, dispositifs, and so on), parrhesia needs to be on the list of terms. For those interested in neo-Enlightenment thinkiers like Habermas and the communicative ethics thinkers like Benhabib and Miller, Rorty and the pragmatists, or the large and diverse group of scholars studying ideology (such as Teun van Dijk) within Critical Discouse Analysis, it's also a very worthwhile read.
Most of all, though, the book shows everyone - and not just the intellectual - that parrhesia needs to be incorporated within our everyday modes of thinking and speaking. To what extent are "we" speaking, and to what extent is ideology speaking through us? What power does our speech reproduce, and what might it transform? Is our speech emancipatory? Does it contribute to the complexity of thought? Does it leave more questions open than closed? Do we break new ground, or just re-hash the useless play of words? This is a book that will fuel the mind and inspire questions like these like few others I've recently read. If you're tired of reading about the "end of history" and post-post-everything thought, try this slim volume. Highly recommended.


Government & Business corruptionReview Date: 2007-07-28

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A thoroughly delightful new mystery seriesReview Date: 1997-10-09
Eve Elliott works as an agent in her elderly aunt's real estate office. While starting to develop a thriving business, Eve still has doubts that selling houses is what she wants to do for the rest of her life. Even with a handsome lover, Eve wonders if she should quit and return to the Big Apple where she once was a rising advertising guru. However, a second killing occurs of a colleague in which Eve finds the body. Eve knows that if she decides to stay, she needs to uncover the identity of the killer.
FINAL CLOSING is the second entry in the brilliantly written Eve Elliot series. Like the first novel (DEATH IN STILL WATERS), this book is a marvelous murder mystery due to a scintillating who-done-it populated by an intriguing cast, especially Eve. Barbara Lee is rapidly rising to the top of the sub-genre as readers will want more Eve Elliott novels.
Harriet Klausner
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Excellent resource Review Date: 2006-06-04

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way to making environmentally friendly fire-resistant resinReview Date: 2000-05-09

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real estate examReview Date: 2008-09-22
thanks.

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AWESOME! Funny, heartfelt- you have to read this book.Review Date: 2003-04-28

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Helped me greatly with a persuasive paper for Bus. class.Review Date: 1999-03-23
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The Nightside books center on John Taylor, a private investigator who has special abilities that help him find things in a dark, magical place called the Nightside. My favorite passage that pretty much sums it up is from the forward in Nightingale's Lament:
"My name is John Taylor. I've made that a name to be respected and feared, but it's also made me a target my whole life.
I operate as a private eye, in a world where gods and monsters are real. The Nightside: the sick, secret magical heart of London. A place where dreams come true, whether you want them to or not. It's not easy to find a way in, and it can be even harder to find a way out.
I can find anything, solve any mystery. Except the answers to the dark and deadly secrets of my own past.
My name is John Taylor. And if you've come looking for me, either you're in trouble, or you're bound to be."
In the first book, Something From the Nightside, a woman comes to John to ask him to find her daughter. They must travel to the dark and magical world of the Nightside, from where John has fled. The story incorporates dark humor, suspense, and horror, all wrapped up in an eerie mystery. This is my favorite in the series so far, simply because the Nightside is such a mystery and the slow reveal is great because it's such a new and different place.
In the second book, Agents of Light and Darkness, the Nightside is already exposed to us, so Green can concentrate more on the plot, meanwhile still introducing new, creepy places within the city. A mysterious monk comes to John to ask him to find the Unholy Grail. Angels, demons, and everyone else dangerous seems to be searching for it as well. John teams up with Shotgun Suzie, a deadly assassin who once tried to kill him, for this disturbing tale.
In Nightingale's Lament, the third book, Taylor is hired to find a famous singer in the Nightside whose audience seems to be committing suicide after her shows. Many more creepy (and yet fun) characters are introduced in this story that either aid or try to kill Taylor along the way.
I love how these are written in a sort of classic pulp fiction detective novel, yet very fresh and fun.