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Based on dozens of interviews, Beard attempts to understand what works--and does not work--in women's relationships with their aging mothers. Good Daughters is structured into three sections: "Reality Check," a discussion of the changing mother-daughter relationship as women age as well as changes in the culture; "Profiles," an in-depth description of mother-daughter pairs; and "Loss," an exploration of the grieving process--for both mother and daughter--as death becomes imminent. Good Daughters is sensitively and thoughtfully written and brings a great deal of insight to this difficult topic. Readers struggling with the issue of what it means to be a daughter of an aging mother might want to augment this fine book with Alix Kates Shulman's brilliant memoir, A Good Enough Daughter. --Ericka Lutz

I Thougfht I Was the only One
a very helpful book
Every daughter should read this book!!
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Very readable
Excellent Resource
Unity.
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Real life and real learning.The brilliance of defining wellness as "the balance of being and becoming" feels comforting while simultaneously challenges me to be me. In addition, "Healing As A Sacred Path" challenges us to consider who we put in charge of our health care. In the end, I recognize how Keck exemplifies the courage of taking back one's own innate power and wisdom to restore personal health.
A profoundly moving account
Healing as a Sacred Path

A great and insightful read.
powerful and artfully written blend of fact and fiction
Once you start this book, you can't put it down!
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Amazing cheetah pictures, glimpse into a cool way of life
A nice non-preachy book on a wild animal as a pet
A wonderful book for animal lovers of any age.
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On Zen practice: clarification & inspirationThe first half of the book is Cook's introduction to the Dogen texts, highlighting and clarifying some important themes. The second half is Cook's translations of the "Fukan zazengi" ("General Recommendations for Doing Zazen") and nine chapters from the "Shobogenzo"--texts chosen because they focus on various aspects of practice. At the end of the book is a lineage chart including many of the Zen masters mentioned in the Dogen essays.
Ch. 1 is mainly about how Dogen understands practice. Ch. 2 is about faith as the basis of Dogen's Zen. (Cook defines Buddhist faith as "a very deep certitude in the veracity of a certain doctrine, accepted and used as a touchstone for conduct in the faith that practice will verify its truth.") Ch. 3 is about arousing the thought of enlightenment (bodhichitta)--that is, arousing the determination to work ceaselessly to liberate all other beings from suffering and delusion, even while not being completely liberated oneself. Ch. 4 is about Zen as a means of dealing with karma and its consequences, not by "transcending" conditioned existence but by radically affirming and fully experiencing it. Ch. 5 is about the role of the scriptures in Dogen's Zen. (I liked Cook's observation that the verse attributed to Bodhidharma cautions only against "dependence" on words and letters, not against making use of them.) And Ch. 6 is about the continuous practice needed to live each moment fully, with wisdom and compassion.
My own practice can actually get derailed by questions like "Where do I get the motivation to practice, if not from the just the sort of self-centered attachments and aversions that I'm hoping to let go of through Zen practice?" and "How do I practice without making it an exercise in trying to get something I lack, thus denying the inherent buddha-nature I'm hoping to realize?" This book deals with such issues in a way that I found very helpful. (As usual, I found Dogen's interpreter more helpful than Dogen himself. Maybe someday I'll be able to get more inspiration from Dogen directly?) I also appreciated Cook's argument that Dogen's faith-based Zen is much more akin to a religion of "other-power" (tariki) like Pure Land Buddhism than to a religion of "self-power" (jiriki), which is how Zen sometimes gets characterized.
One tiny complaint: Cook slips into some of the caricatures of Christianity that I find tiresome in Zen literature. I wish Zennies would just stick with talking about Zen and not try to talk about how Zen compares with traditions they don't know nearly as much about.
Another Dogen commentary I highly recommend: "Flowers Fall: A Commentary on Zen Master Dogen's Genjokoan" by Hakuun Yasutani Roshi.
A masterful and evocative translationHis years of study and practice with Taizan Maezumi Roshi at the Zen Center of Los Angeles enable him to bring these texts to beautiful clarity.
Reading Dogen Zenji can be a challenging exercise. Translating him is infinitely more so. Dr. Cook has shown himself equal to the task. This book is a great boon to thoughtful Buddhists everywhere.
Dogen's inexhaustible spring of wisdom.It would be difficult to overestimate the importance of Dogen (1200-1253). As one of the most powerful and brilliant minds Asia has produced - and it has produced many - his many-levelled and multi-faceted works should be viewed, not so much as a purely local and Japanese phenomenon, but as a supreme contribution to world literature. For all of us, he is, as Taizan Maezumi Roshi says, an inexhaustible spring of wisdom.
Dogen's works are profound. They express the point-of-view of an enlightened Master. Such works, especially when written in a sinograph-based language such as Japanese or Chinese, present almost insuperable problems of interpretation, and there are very few scholars who are equal to the task of translating them.
Dr Francis Cook comes to this task well-prepared. His work is highly respected in scholarly circles, he has held faculty posts at Dartmouth College and the University of California at Riverside, where he was an associate professor in the Religious Studies program, and he has a number of impressive publications to his credit.
In addition, he has a masterful command of the Japanese language, a command enhanced by two years spent as a Fulbright Fellow at Kyoto University. He has also devotedly practiced Zen meditation for many years. This last is extremely important as enabling Dr Cook to rise above the intellectualizing and speculation which limits so much contemporary Zen scholarship.
As he himself explains, the translator must be able to "approach the text in the light of his own Zen practice.... because unless the translator has some insight, however small, into what Dogen Zenji is saying, he will miss much in the text and the translation will suffer" (page 89). This is a simple point, but it is often overlooked, not only by translators, but also by a certain type of reader.
The present book falls fairly equally into two parts. The first 99 pages give us Dr Cook's introductory material in seven chapters: Introduction; The Importance of Faith; Arousing the Thought of Enlightenment; The Problem of Karma; The Scriptures; Giving Life to Our Lives; Concerning the Translation.
99 pages of 'introduction' may seem a lot, but Dr Cook has such a clear mind, and such an enviably clear and simple prose style, that anyone who is at all serious about trying to understand Dogen will find these pages extremely interesting. Here is an example, picked out at random, of Dr Cook's style:
"Dogen Zenji himself was not an ordinary man.... He addresses the reader from a level of spiritual insight that is greatly superior to ours, and the reader's challenge is to try to comprehend Dogen's vision of reality from the vantage point of his remarkable achievement. He is very difficult to follow because he sees a reality we do not even vaguely imagine" (page 88).
The remaining half of the book is taken up with Dr Cook's translations of ten chapters on practice from the Shobogenzo:
FUKANZAZENGI "General Recommendations for Doing Zazen;" KEISEI SANSHOKU "The Sounds of the Valley Streams, the Forms of the Mountains;" HOTSU MUJO SHIN "Arousing the Supreme Thought;" SHUKKE "Home Departure;" RAIHAI TOKUZUI "Paying Homage and Acquiring the Essence;" SHUNJU "Spring and Fall;" SHINJIN INGA "Deep Faith in Cause and Effect;" NYORAI ZENSHIN "The Tathagata's Whole Body;" GYOJI "Continuous Practice;" KAJO "Everyday Life."
Each of these chapters has been given brief but helpful Notes, and the book is rounded out with four Genealogy Charts of Chinese Zen Masters to enable the reader to locate in time the various individuals mentioned in the essays.
Here are a few lines from Cook's reading of the FUKANZAZENGI:
"... you must suspend your attempts to understand by means of scrutinizing words, reverse the activity of the mind which seeks externally, and illuminate your own true nature" (page 96).
What we are seeking, in other words, is not 'out there,' and one can only go astray by seeking it 'out there.' Here is the source of the West's fundamental error, an error which has generated the massive confusion around us, a confusion which is not going to go away until we start taking Dogen seriously.
Though it will probably be a long time before the West has humility enough to acknowledge that Zen Master Dogen belongs right up there along with such luminaries as Plato and Augustine, it's heartening to see that many Dogen translations have now begun to appear. These translations range all the way from the sincere and highly competent, through to the probably equally sincere but somewhat less competent.
Since very few, even among Japanese, understand Medieval Japanese, I'm not in a position to say whether Dr Cook's translation is 'excellent,' though it reads very well and I strongly suspect that it is. He's certainly put in the leg work to qualify as a highly competent translator, and anyone who may be looking for a good edition of Dogen could do worse than select his.

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A haunting, evocative, and emotional story
"ORNERY, full of fire and vinegar," WILL TUG AT YOUR HEART.The story tells how John Jacob Niles, premier collector of mountain folk tunes, discovered the young girl singing in a village square to divert the local sheriff from insisting that her preacher-father move on. Niles persuaded Annie to sing the verses over and over until he had them written down to his satisfaction, and the words were preserved for generations to come.
The drawings by award-winning illustrator Ron Himler fit the story beautifully, and coincidentally show Annie's father strongly resembling the Swain grandfather of the author!
SAVOR THIS STORY WITH FAMILY AND FRIENDS.
A Well Loved Song Seen with New Understanding
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Own it, love it!
Stunning!!!But if you don't believe me, see for yourself.
Can we say "angelic"?
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This Book is Awsome
It's a BLAST
REALLY REALLY SPIFFY!!
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With House of Steps, Georgia-bred writer and radio commentator Amy Blackmarr stakes her literary claim to a little slice of the Plains, an old farm on the outskirts of Lawrence, Kansas. Her house, she writes, was "built by a flower child as the 1960s faded," and it's a ramshackle creation indeed, full of odd angles, staircases that lead to paralyzing heights (whence her title), and unmapped nooks and crannies--just the sort of place where a curious person could find plenty of ways to pass the time. In vignettes that betray their origins as radio sketches, Blackmarr recounts her days of getting to know the ways of the landscape, the passing seasons, the flora, and especially the fauna, among which prominently figure ill-tempered wasps, spiders, and field mice. Her memoir has many charms, including her meditation on the silence that accompanies a life alone in the far countryside, a life sometimes fraught with danger but more often laced with wonder. --Gregory McNamee

Solitude!
Nice place for an adventure
Intriguing, touching, acutely insightful, funny