AS

Things come to pass at a dance to welcome Alizon that night, where Thomas and Jennet pace it out, one wants to die, the other wishes to live, and the frivolous self-absorbed townspeople are making them both wait before they can discover their fates.

This play is an absolute gem, I've read before that Fry's images lack symmetry, but I find the description of a castle 'draughty as a tree' absolutely delightful. It's a bittersweet story about two reluctant lovers who find falling in love more complicated and inconvenient than anything else. But in the end, the 'pitshaft of love' is what saves one of them from life, and one of them from death. Jennet and Thomas's jaded romance is balanced by a subplot involving the young, foolish, all-consuming love that develops between our two orphans: Alizon and the mayor's servant, Richard. One of the reasons the play works so well is that one can recognise both predicaments tenderly from experience.

Fry's images and language are delightful, painfully tender, wickedly, deliciously funny, his characters are recognisable, some of them sufferable, some lovable. The language and approach is fresh, even at age 70, and the ending is just sumptuous, tying everything in just so. I long to see a production of this play, having only read it, even though the characters are already so alive. Bitter Thomas, Gentle Jennet, Pompous Hebble the Mayor, Insufferable Nicholas (he has three virtues, how many do you have?). I'd be roling in the isles, laughing and weeping at this tragic comedy that transcends any century.

The play is set in a room in the house of Hebble Tyson, Mayor of the small market-town of Cool Clary, more or less or exactly in the year 1400. The story involves Thomas Mendip, a discharged soldier, and Jennet Jordemayne, daughter of a recently deceased alchemist. The disappearance of Matthew Skips has the town in an uproar and although Thomas claims credit for the deep and demands to be hung, Jennet is accused of witchcraft and may well be burned at the stake. He wants to die, but no one will kill him, while her life is in danger and she wants to live. Of course, the pair will fall in love, in dialogue that represents the most dazzling verbal invention since, well, Shakespeare. Particularly enjoyable is Jennet's soliloquy on how her father managed to turn lead into gold.

"The Lady's Not For Burning" is a play that has actually improved over the years because Christopher Fry never stopped tinkering with it, as evidenced by the improvement of the second act scene between Thomas and Jennet in the 1995 Yorkshire Television production with Kenneth Branagh and Cherie Lunghi. I have enjoyed it in all its myriad manifestations and when I finally had an opportunity to direct any play that I might choose, Christopher Fry's masterpiece was my immediate choice. Share this play with everyone you know who loves intelligent, well-written drama.

Since that day biographies have abounded that have, in most instances painted the venerable president in the most friendly and adoring hues possible, making it difficult, if not impossible to have a true look at one of the greatest men to ever live. Where can one go who wants a quick and accurate overview?

This small book, Lincoln as I Knew Him: Gossip, Tributes and Revelations from His Best Friends and Worst Enemies, edited by Harold Holzer, offers a solution.

The book offers excerpts from the personal writings of many who knew him best. These memoirs offer views of a complex individual who suffered from fits of nearly overpowering depression and doubt, was one of the tallest figures of his time and extremely down-to-earth and accessible. These personal accounts provide detail about his numerous idiosyncrasies regarding personal grooming, and diet.

Lincoln As I Knew Him is a wonderful book, offering and up close and personal look a man whose life and impact on the United States will be remembered for forever. If you've read numerous Lincoln biographies as I have you still won't want to miss this one.

Douglas McAllister

This book is a prime example of the brilliance of keeping things simple. The steps that the book uses to create a strong bond between you a your customers work and work very well. Using these simple steps, I have greatly improved my relationship with my cutomers.

I would put this book on par with "How To Win Friends and Influence People" on how to change your business life.

Much of the writing is equally good: obviously all these authors are excellent writers.

Some of the stories were compelling, some were mildly entertaining. None were awful.

However, this book is uneven. I have a hard time imagining that any one person would love all these stories. Some of the stories suffer from being so short, and others are just not that interesting.

I loved Moon Over Miranda and Mary Jo Putney's reworking of the King Arthur tale.

Five stars for concept and two of the stories. The other stories were all 3-star and 4-star in quality, so I'm averaging it all out to be four stars.

Because of the great advances in learning which have become accelerated and dramatized by space exploration, Campbell points out that our old gods are either already dead or dying. The big question now is what new mythology will emerge from a modern understanding of a unified planet amidst a vast universe.

The creation of any new mythology will certainly depend in part on the contributions of art because artists will be the ones who will produce the images of the future. Those images will come from our knowledge of a constantly changing and expanding universe. Campbell writes about the connection between art and mythology with conviction, no doubt due to the long-standing influence of his wife, Jean Erdman, a well-known dancer and choreographer.

The most remarkable feature evident in THE INNER REACHES OF OUTER SPACE is the breadth and depth of the author's knowledge and understanding of mythology. Joseph Campbell led an enviable life driven by a singular passion and his writings are the best reflection of that life.

Any book by Campbell will usually be loaded with insights. In THE INNER REACHES OF OUTER SPACE one of my favorite chapters deals partially with a discussion of the Infinite and in this segment the author's extensive knowledge of Eastern religions and mythology is most apparent.

After reading this book it is even easier than before to appreciate why Joseph Campbell has managed to acquire such a devoted following.

Founded by Alexander Hamilton, the NYP went on to help shape New York City and even the nation, in substantial, surprising ways (the creation of Central Park, the candidacy of Lincoln, the founding of the NAACP, etc.). Page Six fans will be pleased too -- there are ample servings of dirt, scandal and snort-inducing headlines. In short: an informative, fun read.

One small complaint: I would have liked to see 200 years worth of editorial/political cartoons included in the book.

I could see history bufs, celebratory hounds and just about everyone being interested in it. It would make a great gift.

Beneath the humor of this work is a deep sorrow. We are all Howard Hughes on one level or another. Every damn thing is insane and Carter knows it.
I Was Howard Hughes is the most original book since A Confederacy of Dunces. It is similar to Barth's The End of the Road. It's funny as hell but will also wring you out and throw you in bed for a week. I hope it gets the audience it deserves. Carter should win the Pulitzer Prize.

Former President George Bush Sr.'s Springer Spaniel

It shows Millie with various politicians and famous people.