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BeautifulReview Date: 2002-04-14

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A critical study of the contemporary Arab thoughtsReview Date: 2005-06-13
What are the fruits of `modern' Arab thought since the nineteenth century? It is precisely in answering the question that this book has its significance as self-criticism. After briefly explaining the color of Arab thoughts from the Islamist, the nationalist, the liberalist, and the Marxist as written in the second part of the book, Abu-Rabi`, the professor of Islamic Studies at Hartford Seminary, convincingly argues that Arab intellectuals have not yet found a viable formulation of modernism which is based on the social conditions of the Arabs. The author said in his sarcastic words; "the Arab discussion of modernity is guided more by confusion than by anything else" (197). The author also laments that many Arab and Muslim intellectuals "have taken modernity for granted without delving into its violent and cruel beginning" (197). One of the benefits of colonialism and capitalism in the Arab world is the shaken situation where many Arabs realized that they live in a backward condition and all people seem to agree that this crisis needs to be overcome. However, implementing modernity, which is Eurocentric in nature, without considering the social condition of the Arab societies, is not a good choice. The author suggests, "modernization cannot be effective without a modernist consciousness and modernist values" (151). It is in this point that the Arab's liberal and Marxist movements have failed to implement their ideal goals into the Arab people. While modernism in Europe has been the natural process of the society, modernism in the Arab world is absorbed by the Arab bourgeoisies and the intellectual elite. In relation to secularism, the author refers to the work of Sādiq Jalāl al-`Azm, who argues that secularization in the Arab world has been "slow, informal, pragmatic, and full of half measures" (113). He then adds his own conclusion: "the Arab secularist movement failed to produce hybrid secularism or its own version of independent `Arab secularism'" (95). In addition to the case of Islam, or more specifically, the power elite who use Islam to legitimize themselves, modernism is often misunderstood as a threat to `Islam,' which is nothing but fear of the authority being delegitimized by the masses. All these themes become even more complicated after the Arab defeat and the erosion of Nasserism in 1967 marked by American interests as a new hegemonic power in post-colonial era. The need for oil and its derivatives have polarized the Arab world into a `strange polarization,' as "the old world" and "the new world" (105), "one more or less educated but poor (Egypt, Syria, Jordan, Lebanon), and the other less educated but richer and more modern" (151).
As one who has great concern for the decline of the Arab world, Abu-Rabi` succeeds in putting himself into the main contemporary discussion of Arab intellectuals about the question of secularism, and politic and economic globalization of the United States in the Arab world. It is important to emphasize here that the works of Antonio Gramsci, to mention one of his mentors in critical theory, have a great influence on the way Abu-Rabi` tackles contemporary issues of the Arab intellectuals. To the best of my understanding reading this book, it seems also clear that Abu-Rabi` admires the works of the liberal nationalist Constantine Zurayk and the Arab Islamist Rāshid al-Ghannūshī, especially on the issue of modernization and the establishment of a democratic system. It is actually hard to find an explicit statement of Abu-Rabi` proving that he admires the works of those thinkers. In this book, Abu-Rabi` elucidates a wide range of Arab intellectuals, not only Constantine Zurayk and Rāshid al-Ghannūshī, but also other Arab thinkers such as Muhammad al-Ghazālī, `Ābid al-Jābīrī, Fu`ād Zakariyya, Mahdī `Āmil and Abdallah Laroui. However, after reading this book carefully, one would agree that both Zurayk and Ghannūshī are well appreciated in this book. I would say that Gramsci plays as important role as a critical mentor, while Zurayk and Ghannūshī play roles as the spiritual and the intellectual mentors of Abu-Rabi`.
This book is necessary not only for Arab or Muslim intellectuals who reside in the West, but is valuable also for students and intellectuals studying in other parts of the Third World: Sub continental or South Asia and Southeast Asia alike. The issues and the critical analysis of the topics in this book may be useful as a grand theory on the study of Islam and the relation between religion and politics in the contemporary era. In my view, students and intellectuals from other the whole Third World have the same problems as the Arabs, especially in the lack of intellectual discourse. Students from Indonesia, Malaysia, and other Third World countries who learn from Arab institutions, which supposedly bring a new consciousness upon their completion of study, unfortunately tend to keep the rusty traditions of Arab institutions and its Islamic thought. At the same time, those who learn in Western institutions tend to be trapped in secular theories without any effort to be critical of their academic sources. The ideas of the intellectuals who are described in this book, such as `Ābid al-Jābīrī, Rāshid al-Ghannūshī, and Muhammad al-Ghazālī, can be good examples of how any effort to find a new vision of modern Islam should always include both Western intellectual advances and the past glory of Islamic civilizations. The disheartening fact is that those intellectuals are not well studied even in the Arab world. Students from the Third worlds, sadly enough, are only familiar with French or German philosophers, American anthropologists, and classical ideas of Muslim thinkers, without trying to look to alternative ideas from contemporary Arab or Muslims intellectuals. I myself argue that appreciation of both American and European advances in thought and contemporary Arab thought would create a new arsenal in the study of religion and political science, and the whole Third World's areas of studies.

Review from CALLBOARD (San Francisco)Review Date: 2000-09-22
Theodore Shank has edited a fine collection of essays designed to fill in theater artists on contemporary British theater. The volume delivers a refreshing breadth of information.
The sweep of coverage in the book makes it constantly engaging. . . . Shank proves an able editor here, clarifying the nature of the work (as an editor should) by leading off with: "It is fortunate for theater as a art that there is a continuous stream of young artists who do not carry the baggage of the past, who can look anew at our world and tell us what we didn't know that we knew."

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ThoroughReview Date: 2008-10-29

Best book in its field.Review Date: 1997-06-21
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I love Cooking LightReview Date: 2007-07-30
This is one of the early books and has nutrition and exercise information included. There are a couple of recipes I am interested to try. The previous owner had flagged a Mexican salad that looks good.

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This is a gem of a book.Review Date: 1998-07-14
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My favorite Parr book. A colorful slice of British life in the 80's.Review Date: 2005-09-23
A colorful look at British social life, capturing true expressions and events in the lives of the middle class. Another out of print Parr book, so grab when you see it!

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Back to the roots of country musicReview Date: 2000-09-06
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Interesting InformationReview Date: 2006-06-01
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