1990 Books

Reviewed by Diane Morgan - Editor, ... .

Pat Mullan takes us on a poetic journey through Ireland, the world and childhood. His evocative poetry creates for us lush landscapes, towering cities and weeping hearts that share the sorrow within all of us.

Relationships are key to his poetry, love, loss and remembering. I truly enjoyed his style of writing; it wasn't at all like the rhyming cliché poetry we are overburdened with as we read aspiring poets; it has a rhythm all its own; one could almost hear an Irish lilt to it.

He adds to the end of his book a section in memory of James Dickey that is poignant and stirring reminding us of the vast heritage we have of poets often forgotten.

Hi I'm Zoe Whilton, and Childhood Hills is an excellent book. Each poem is a masterpiece of its own. My favorite poems are, "The Lie", "The Elevator", and "Your First Day at Dolly's" (by Annemarie Mullan Whilton, aka my mother, I am the girl at preschool, my sister is the one crying). I hope that Pat Mullan continues to write poetry.

Childhood Hills
by Pat Mullan

Reading this collection of poetry and writings was like holding a conversation with a very interesting person who can fascinate with a hypnotic flow of words. His muse is an old country bard who whispered secrets of the ancient days in the poet's ear. Pat Mullan has translated those secrets onto these pages.

You will be moved to joy and sorrow as you traverse the winding path over these Childhood Hills. Within these hills dwells a child who remembers the man he was, not a man dreaming over a lost youth. He still lives in the poetry contained here.

This author is a spirit freed from the fears of childhood that we all have shared, no matter what shape those fears take, what horrid dreams they inspire. If you allow him, this poet will guide you through imagery and images, familiar and strange, to a destination where understanding waits.

A poem is music of the soul that takes its inspiration from ordinary events, places, and people. It is a music you hear with your heart. I recommend you read Childhood Hills slowly and listen carefully. It will quicken the spirit that lives within.

I am the author of "THE FEELINGS AND IMAGINATION OF A BAREFOOT BOY STILL INSIDE MY HEAD!: Poems and Short Stories for Boys and Girls Ages 9 to 12," which will be available online soon! I bought Childhood Hills to read another author's poetry. In Pat's book, here are several of my favorites: THE QUARRY HOLE, WE NEVER TALKED, BICYCLE RIDE, SMALL VICTORY, GRANNY BUNTY'S BUTTON BOX, and MY CAT (this one is by Annemarie Mullan Whilton). As I read, Pat's poetry created a vivid picture in my mind. The poems about Pat's childhood were particularly moving. Great Book Pat!

It's an amazing way of painting a picture from a really interesting life and Childhood of this irish author. For me it was sometimes intellectuall demanding and sometimes easy to follow. My Favourites are: 'The turning point' and 'Granny Bunty's Button Box'

The caption does little justice to the main tenet of the book since no war worth the name occurred either on 11/9 or on 9/11. Readers might be confused although the book is studded with solid facts. The period under consideration, i.e., the decade of the 1990s was one of uncertainties and nations of the world were searching for a stable international order that has not yet emerged thanks to US follies.

Gautam Maitra
Author of 'Tracing the Eagle's Orbit: Illuminating Insights into Major US Foreign Policies Since Independence.'

Having never read anything like this before, I was prepared for a brain-deadener. In very short order, however, things turned into a brain-enlivener. Simply and evenly written this book turned a potentially boring or polemical study of what seemed to have been a lost decade into a fascinating look backwards at a not-at-all distant past.
I thought I understood the decade but it is clear I did not. At least now I have a chance at understanding it better. These guys (incredibly well-informed and widely-researched) have done us a great service.
Reading this book does leave me with a nagging dread. The Campaign of 2008 did an excellent job of disregarding the great foreign policy dilemmas of the moment and of the 90s.
But, as Between the Wars so amply illustrates, foreign policy is driven by domestic politics, and in that arena it appears we are doomed to repeat, and repeat, the errors of our ways.

This book is the first account of US foreign policy in the 1990s that treats the decade as genuine history. I mean that it does not simply offer a chronicle of the period, or a set of newspaper clippings and individual events - it offers a guiding historical interpretation that sets those years in relation to the Cold War before and 9/11 and beyond. It is very convincing that there is far more continuity today with the foreign policies of those years than many people, left or right, give credit for. It is a highly persuasive interpretation of the period and I believe will remain the standard account of its foreign policy for a long time to come.

This is a tremendously important book that explains what happened when the Berlin wall fell and America's foreign policy establishment was forced to confront a world that was no longer organized by the US/Soviet rivalry. As it becomes increasingly clear that the "war on terrorism" is only a part of the broader foreign policy needed to protect our nation in a complex and multi-polar world, this is the book to read if you want to understand how the next generation of policymakers will draw on the lessons of the recent past to set a new course. Chollet and Goldgeier know what they are talking about. They have done exhaustive research, and each of them has hands on experience in the foreign policy business. It's a bonus that the writing is lively and engaging. Don't miss this book.

I was in Jr. High and High School during the 90s and so wasn't very familiar with this period before reading this, and while interested and somewhat familiar with policy, am certainly no expert. After years of thinking I knew who neoconservatives were and what both parties "stood for", this book really put things into perspective and contextualized things for me. And though it's a "history", it draws extensively on interviews with leading policymakers & insiders during the period, so the text ends up reading more like a narrative (great for a novel-reader like myself).

In sum, this was really informative, interesting, and a quick read - perfect for anyone looking for a genuinely nonpartisan, nuanced look at how we got to where we are - both domestically and abroad. Definitely a must for your summer reading list.

This book is not just a mega dose of good news, but is a resource rich exposé on where the good news is being generated.

Reading "And Now for the Good News", you are made aware of the limits of corporate media coverage and informed on projects and people who are making positive change, and then empowered to get involved. This book allows all of its readers to be a part of the solution.

Simple energy,small passions,life.We manifest it.Know that our needs are ONE,not few.At a time when our good graces seem under continual assault,this author reminds us of everyday fulfillment.You most likely do these tasks within your own life.But then,that's the GOOD NEWS.I have been able to share this information with friends,associates,and,children in need of a jumpstart in goodness.

And Now for the Good News... is a nonfiction testimony presented to counterbalance the seemingly unending torrent of dismal news that pours from television, newspaper, and internet sources day in and day out. Good news ranges from a major new study (the 2005 Human Security Report) revealing that political violence has sharply declined worldwide since the early 1990s, to the record high life expectancy rate found in the U.S. (77.9 years), to a decline in illegal drug use among U.S. teens (down 23.3% in the last five years with reductions in every drug, including alcohol and cigarettes), and much more. An intellectually, emotionally and spiritually uplifting testimony featuring meticulously documented sources, highly recommended as an antidote to CNN depression.

And Now for the Good News in a society mostly focused on bad news, is news, indeed. Badly needed news at that. What Al Gore does with his video on healing our planet, Sue Ray does with this book to bring into balance our distorted world view. As she says in her book, "how we frame the issue matters." Citing examples of what has already been accomplished gives us the heart and impetus of wanting to do the same. Words are worlds. Instead of focusing on the word `fight' in "the fight against global warming," let us focus on the words `help' and `healing' in "help our planet heal itself." Read this book. It will restore your faith in humanity.

What resonates with me is the conscious creation / law of
attraction aspect of this inspiring book. We get what we focus on, so it
makes sense that what we chose to pay attention to on the news
affects each of us on many levels. Why not pay more attention to the
positive events and people in the world? This book is a great reminder that there are many people in this world creating positive change that benefits us all.

annie's book is an incredible collection of celebrity images with a series of text that describes her ascent to the top in her field

Annie Leibovitz has searching eyes which catch the light, the action, the expression of people the way Ansel Adams had the eyes for nature. In this beautiful coffee table book, one of the favorite pics is of Whoopi Goldberg. The contrast of her dark caramel skin peeking through the surface of a bright white milk bath is astounding. The curved artistic forms of Yoko Ono & John Lennon show them as they were--as one. You just want to slowly trace your finger over their shapes.

There are over 200 photos to delight the senses. Most are of famous people which Ms. L has had contacts with from her work at Rolling Stone and other venues. These performers seem to open up to this photographer and are willing to show something more than their "star" profile. Even people who are not into art or photography, like this book.

A grand illusionary celebration.

Thanks for your interest & comment vote--CDS

Seeing so many celebrity photographs from the beginning of Ms. Leibovitz's career unveils many of the most effective methods that she uses to create her deep insights into the subject of the portrait. Although you may feel the subtlety of her work viscerally, these comparisons make it easier to appreciate the purposefulness of how the effects are brilliantly captured. If you are like me, this book will enhance your already deep appreciation of her work.

Before going into all the reasons I like this book, let me mention that the book contains tasteful nudity and sexual situations that would probably cause an R rating for a motion picture (or possibly something a bit stronger, like an R plus). Many parents would be uncomfortable with some of their children seeing these images. So judge the appropriateness of this wonderful book for your own family.

First, Ms. Leibovitz is looking for the soul of the person. Who are they at the core? This is captured by establishing a composition that overtly expresses this inner kernel of truth. For Roseanne Barr and Tom Arnold, this is captured by mud wrestling. For Muhammad Ali, you see a fully confident, capable man fully comfortable with himself and the world.

Second, she captures the subject's personality with posing and expression within the composition. Whoopi Goldberg's playfulness is captured by a composition that has little bits of her beautiful blackness emerging from a milk bath, with a characteristicly wry, happy smile.

Third, she shows the social mask that the subject uses. Lily Tomlin's face poses behind a television set image. Diane Keaton is shown wandering around with her face averted from the camera to capture her preference for privacy and appearance of shyness. Keith Haring appears wearing nothing but his painted on designs.

Fourth, she connects her subject to another person where that helps to establish part of the person's reality. John Lennon appears in foetal position with Yoko Ono, in that famous image from this book's cover. The Rolling Stones are literally flying through the air at the same time while performing. The Grateful Dead are asleep on each other's shoulders. Interestingly, she is usually able to do this with a humorous, light touch that dispells some of the celebrity power of the person.

Fifth, she lets a little slip in composure or a little blemish show where that adds to the underlying reality. Louis Armstrong looks scared in one classic portrait pose, while totally relaxed and in control in a less formal setting. Mick Jagger's partially healed scar is shown in another image. Jodie Foster puts on an intelligent expression that shows the Yale graduate rather than the young female star.

Sixth, she captures motion in ways that give the kinesthetics of the person and situation wonderfully. For example, a group of prisoners and family members hug at Soledad Prison in California at Christmas in 1971. You see many different relationships in this one image. It's like a microcosm of all humanity.

Here are my favorite images:

John Lennon, New York City, 1970

Louis Armstrong, Queens, New York, 1971

Christmas, 1971, Soledad Prison, California

The Grateful Dead, San Rafael, California, 1971

Ray Charles, San Francisco, 1972

Lily Tomlin, Los Angeles, 1973

Richard Pryor, Los Angeles, 1974

Andy Warhol, New York City, 1976

Tennessee Williams, Key West, Florida, 1974

Ron Kovic, Santa Monica, California, 1973

The Rolling Stones, Philadelphia, 1975

Brian Wilson, Malibu, California, 1976

Muhammad Ali, Chicago, 1978

Robert Penn Warren, Fairfield, Connecticut, 1980

John Lennon and Yoko Ono, New York City, December 8, 1981

Greg Louganis, Los Angeles, 1984

Bruce Springsteen, Asbury Park, New Jersey, 1987

Whoopi Goldberg, Berkeley, California, 1984

Twyla Tharp, New York City, 1989

Michael Jackson, Los Angeles, 1989

Mikhail Baryshnikov, New York City, 1989

After you have enjoyed the book, I suggest that you make a drawing that does a similar unveiling of someone you know well. You might even consider a self-portrait. Ms. Leibovitz says those are the hardest to do.

Look deeply into those all around you and see the truth . . . as well as the fictions.

No-one captures the human face of celebrity on film like Annie Liebowitz (except for the brilliant Herb Ritts). This softback book is a wonderful chronological history of Annie's work over a 20 year period.

From the playful magic of Whoopi Goldberg in a bath of milk, Bette Midler under a blanket of roses and Sting baked in mud, this book shows the wit and insight of Annie Liebowitz. To lovers of either photography and/or celebrity this book is a must. Reasonably priced at $40 USD it also features the "foetus" shot of John Lennon and Yoko Ono. To students of photography, this book demonstrates her inventiveness and ability to portray the 'human' behind icons and public creations. A book you can leaf through time and time again whilst delighting in Ms Liebowitz's art.

Annie Leibovitz's name is as recognizable as her photos. This collection spans two decades filled with her best work mostly from Vanity Fair and Rolling Stone, but including some previously unpublished ones. She has the knack to bring out the side of a celebrities personality unexpected, and a way to turn a comic photo on it's side for another uplift of laughter. Some serious, some funny and many sentimental, Annie Leibovitz's photos invoke thought, humor, tenderness and empathy in every frame. A woman from modest beginnings shows the world what she has accomplished so far. It is an impressive feat.

This book is great! You can: Play guitar, play piano, sing the lyrics....all from this book!

When I say that you can "play like Barry", I mean it. The Brothers have presented us with their well-remembered hits of their collection, and for each hit includes piano and guitar chords. Now, for any guitarist like me you're lucky to have illustrated guitar chords--not just the abbreviations and symbols. I love it when I play my accoustic guitar while going along with "How Can You Mend a Broken Heart"--sounds just like Barry's guitar playing!! The layout of the music is just flawless and unsurpassable.

And, finally, in the "About the Songs" section of the book, I love relooking at the descriptions of the Bee Gees' hits, where Barry, Robin and the never-forgotten Maurice Gibb made comments. The descriptions give you plenty of detail and I always learn something new reading them--for instance, Robin describes how the UK hit "My World" surprisingly became a hit--that motivates me on their music. What I'm trying to tell you is that the descriptions aren't like: "Yes, a great song indeed" and that's it. Not really.. For example, Barry's description of Stayin' Alive blew me away saying "Light fuse and stand well back"--like it was some explosive piece of music. That section just captivates my attention, and makes me replay their music.

This is one ultimate book that makes you play their hits without trouble! You're definitely missing out on this inspiring book if you don't think about buying it!! Believe me, it's worth your every penny.

This is a 4 CD set of wonderful songs from Barry, Robin and Maurice Gibb. There are songs from the early days like "I Started a Joke" and "Spicks and Specks", through the disco craze of "Saturday Night Fever" and on to 1990. I is a great collection, one I listen to over and over.

this is a cool Book that gives a overview within the structuring of many the Bee Gee's songs.you can see the Paino Parts&Hooks&bridges too various tracks they did over the years.I've always dug there Rhythm&Timing on there tracks.they understood Hooks really well.and one of the things they don't get enough credit for is being able too Groove during the Disco Era when many acts were just pushing Buttons these Cats could strip down the Groove.

This 43 song composite covers songs from 1067-1990. The chords are set for piano, vocals and guitar. Some of the song selections are perrenial favorites, while others are odd offerings ("Jumbo", "Throw A Penny" "Boogie Child (actually complex)). There is a brief Discography and a song by song recollection by each one of the Gibbs. Some comments are funny some poignant and some silly. Not a bad set.

A great collection -- for Vocal, Piano and Guitar. 43 songs with lyrics and guitar chords/diagrams. Includes brief comments by the B-G's on each song. Contains: Alive, Bodyguard, Boogie Child, Come on Over, Edge of the Universe, Fanny (Be Tender with My Love), First of May, He's a Liar, Holiday, How Can You Mend a Broken Heart, How Deep is Your Love, I Started a Joke, I Can't See Nobody, I've Gotta Get a Message to You, If I Can't Have You, Jive Talkin', Jumbo, Living Eyes, Lonely Days, Love You Inside Out, Love So Right, Massachusetts, Melody Fair, More than a Woman, Mr. Natural, My World, New York Mining Disaster, Night Fever, Nights on Broadway, One, (Our Love) Don't Throw It All Away, Run to Me, Someone Belonging to Someone, Stayin' Alive, Throw a Penny, To Love Somebody, Too Much Heaven, Tragedy, Woman in You, World, Words, You Should be Dancing, You Stepped Into my Life.

Sure wish it had more . . . .

If I owned a time machine, I'd go back to the late seventies when Reagan was starting his campaign and drop copies of this book all over the country.

Perhaps it could have helped.

The idea that someone so incompetant and clueless could become PRESIDENT is a sobering thought.

Maybe it was just me, but when I purchased this book on line I assumed it was going to be a book, you know the type with chapters and well thought out paragraphs. What I got was a book that is made up of day by day humorous quotes from the news sources of the time. So I was a little disappointed at the start just because my expectation was not met. With that out of the way I dug in and found the book provided a number of laughs and brought back a number of memories. The author picked up on mostly political issues to populate the book, but he does toss in a few pop culture items that usually show the ridiculous side of American life. The humor the author uses is rather dry and sarcastic, which fit very well with the news reporting style blurbs.

Overall the book is an easy to read, fun review of the 1980's that brought back a lot of memories for me. The author does tend to focus on a small group of topics, Geraldo Rivera, his dislike of popular music and Michael Jackson all seem to get repeated mentions. The book is the type you can have around and pick up every now and then and read a few pages. It is light fair and shows a 10,000 feet view of the 80's.

Paul Slanksy evidently hates everyone, and the 80's supplied him with more than enough material to nail them all. Obviously, Republicans take far more abuse because the book IS about the Reagan era. This book is funny and really cuts through the nostalgia many (GOP in particular) hold about the 80's. Great Read.

The cover has been crudely taped on backwards, the cover laminate is gone, the pages are dog eared, but my copy still holds together after countless re-readings.
Chronological, exhaustive coverage of the gaffes and shocking lies told to the american public that made reagan so memorable (or should have), combined with gems of pop culture, entertainment, crime, and so on. An illustrated, cynical diary of soundbites and factoids. If you were under the general impression that reagan wasn't that bad of a president, you will walk away from this a changed person: he WAS'NT the president! The ascerbic commentary may seem occasionally unfair, (more so if your a republican), but 9 times out of 10 it hits straight on, attacking both democrats and republicans with their own quotes and foolishness. But mostly reagan.

I've lent this book to countless friends who all regarded former President Ronald Reagan as "a great man." Few of them adhere to that opinion today. It's astonishing to think that anyone so out of touch with reality could have been elected to two terms as President. Slansky's brilliant book combines seemingly unrelated pieces of information into a cohesive whole that reveals, once and for all, the astonishing incompetence of the Reagan administration. As a bonus, Slansky also manages to skewer virtually all aspects of popular culture of the 1980's. Since those who fail to learn from history are doomed to repeat it, this book should be required reading for all, lest we get another presidency like Reagan's. My copy has been read so many times that it is literally falling apart. One of the great books of the last fifty years.

This was a great true crime book, these books usually are. Mark Putnam was an upper crust athelete from New England, Susan Smith was a poor Appalacian girl. Through twists of fate, their paths crossed, and Susan's dead body was thrown off the side of a road up in the mountains.

Mark Putnam graduated from the FBI academy and was stationed in the West Virginia/ Kentucky region for his first assignment. He met and used Susan Smith as an informant to nab a serial bank robber known as 'Cat Eyes'. They had an affair behind their spouse's backs. Everything went well until Susan got pregnant and Mark got reassigned to Miami.

Well poor Susan was a loose end that demanded child support, so Mark came back from Miami to 'take care of things'. For killing his lover and his unborn child he got 16 years. In Kentucky, it is not murder to kill an unborn child. Nonetheless, Mark got off easy and the 'system' protected him.

Aphrodite Jones was a very fluid writing style and made this book and enjoyable 2 day read.

I have never read this book yet but I do intend on doing so. I went to school with Susans boy who just recently passed away at age 19 last month. Also I read where someone was asking about the killer and yes hes now out of jail he has been for a few years. Why in the heck hes out I dont have a clue a killer doesnt deserve a second chance. It just broke Bradys heart whenever he got released from prision. Justice wasnt served thats for sure.

I loved the book but i want to know what is going on now. Is Mark Putnam out of jail at this time. I got done and closed the book and wanted to keep reading and finding out more about it and can't seem to find anything on the internet about it.

Often in true crime, we find that the victim (and even sometimes the suspect) is made out to a sympathetic soul who others are shocked wound up in a homicide situation. Not in the case in this extremely well written book by Aphrodite Jones about FBI Agent Mark Putnam who killed his pregnant mistress, Susan Smith, when she began pressuring him to support his child that she was carrying either by support payments are divorcing his wife, Kathy, and marrying her.

Putnam eventually confessed to the crime after failing a polygraph administered by the FBI. However, he told a 'sweet and endearing' version of how his 'accidentally' killed his mistress. Unfortunately, Pike County officials let him enter his plea and confession before forensics were completed and Putnam was sentenced to sixteen years; not even in a state penitentary but in a Federal medical center.

Jones provides a clear, concise, yet unopinionated, account of the politics played in closing the books on Susan Smith's case; just a poor girl from the hills of Kentucky, who was well known to use and sell drugs and defraud the welfare system. Kentucky and FBI officials make it clear that Smith just wasn't worth Putnam serving a life sentence. Quite frankly, I had the feeling that, given the opportunity, Putnam would have walked away a free man if not for his confession.

This is truly one of the best true crime books I have read. Everyone in this book is portrayed just as they are; readers are not given the 'airbrushed' version created by many authors, especially of law enforcement officials.

If you enjoy reading the truth, irregardless of it's ugliness, check out The FBI Killer. You will not be disappointed.

AJ gives us a really good insight into what happened to Susan Smith. And good thing because I'm pretty sure Putnam's confession consisted of 95% lies and only about 5% truth. What I find reprehensible is the FBI's role in the whole crime. They not only chose to ignore it in the beginning but then when they were forced to deal with the issue they basically did everything they could--even after Putnam confessed--to make it easier for the murderer, to cover up important details and, from my understanding, to dispose of some of the remains that would have told a more incriminating story than the one Putnam told, if they'd been examined. And Ron Poole--what was his deal? He acted inappropriately from the get go. I can just see all these professional federal agents sitting around the Pikeville FBI office drinking their coffee and eating their donuts and laughing like a bunch of bozos about Putnam getting a little from the cute little informant. Made my stomach turn. Makes you wonder what kind of people we have looking after us. Mark Putnam, like the book said, is a much darker figure underneath the surface. When I first began reading the book I thought Susan probably fabricated most of their time together. But by the end, I was sure there was more to it and while his version was mostly fiction, hers was not.

I came across Barbara Ehrenreich's books by chance through an assignment for a course by a professor. The first book was "Nickel and Dimed", and found it thought-provoking, especially being a single mother and being there. This book shows the that the middle class is shrinking-now, in today's times-it's more like the working-class and the working poor. The rich are getting richer and the poor are getting poorer. I am now reading her book, "Global Woman" and picked up "Bait and Switch". She writes to relate to the working person and understands their plight and struggle of "robbing Peter to pay Paul."

I really learned so much from this book. The unfortunate thing is that she wrote it in 1989 and I don't think she's planning another one... but it's amazing to just read the history from the perspecive of a person in 1989. She spots some very bad trends in corporate america / industrial society which have subsequently worsened now that it's 15 years later. A lot of her predictions (or subtle suggestions at what might go wrong) have come true - and it's not surprising because her hypotheses and analyses are based on solid data. There was some passage where she talked about CEOs getting paid absurd salaries like 650k and she didn't see an end to the rise... well, she hit that nail on the head.

In "nickel and dimed" you really heard her voice, but this book is very very factual - and she interjects with her everpresent wit now & again - but not as often as her recent work. Her writing style is an absolutely beautiful combination of wry wit, confidence, vast intelligence, humor, and deep understanding of the issues (through research). I would LOVE to read a 2004 version of this book but I don't know if it's top of mind for her these days. Either way - you still learn a lot from this book. I love it. I wish I were a sociology major in college now so I'd have someone to talk about this book with! It's DEFINITELY worth finding someone with an out of print copy to buy from. The book is priceless.

I hope that with the success of her acid dipped expose of what's really going on in the marketplace of the working poor( Nickel and Dimed) all of Barbara Ehrenreich's books will be back in print because she is a species of writer on the verge of extinction. Unabashedly pro union and anti compassionate conservatism and faith based charity and decidedly not glamorous in her pursuit of topics and people to interview she does the grind work of looking statistics in the eye and debunking some of our more vigorously pandered myths. This volume in particular does a fantastic job in holding a mirror up to the paranoias and greed of the middle class who suspects every contrarian to be after what they have accrued and fenced in and considers its possessions and spouses( is that one category or two?) its natural born right as long as the community is drawn with an infantile crayon and nobody knows who works the sewers.
It illustrates a society where everyone wants to purchase their own fringes of good taste, the rich beg more than the poor because they can always afford the bail for atonement and where every transgression spawns a fresh bombardment of analysts trying to mine the national soul, subtlety is never profitable medicine and the chosen few worry about the calories in walnut raspberry dressing. In the honored tradition of Studs Terkel Ms Ehrenreich points out that there is one airwave for the brash winners, the losers of all stripes remain unseen unless they are truly interesting criminals but the large portion of the silent middle class is stuck in a morass of anger, fear and wall building to leave everybody out who can't be labelled with a corporate golf pass, a church membership or a Neiman Marcus preferred customer I.D. The result is that they have mortgaged about every particle of their humanity to one vendor or another.

I read "Fear of Falling" out of curiosity. Can a book published in 1989 about the American middle class still be relevant? Sadly -- for reasons that will be detailed below -- it still can be. The middle class in 2004 is still as selfish, self-seeking, and elitist as it was when Ehrenreich wrote this book. There are quaint features to the book. The author speaks indignantly of business executives earning $1 million per year -- a big salary in 1989, but chump change for the CEO of 2004.

Ehrenreich defines the middle class as the professional and managerial workers -- the doctors, lawyers, professors, and mid-level executives -- of our society. In 2004, members of the professional middle class would have incomes of at least $60,000 up to about $250,000 per year. They would comprise nearly one half of the American population. Over the middle class would be the rich, two or three percent of the population, and below would be the lower or working classes, comprising about one half of the population.

Ehrenreich provides a mini-history of the professional middle class from 1960 up till the late 1980s. What one sees over these three decades is increasing distance between the middle and the lower classes -- plus increasing disinterest in addressing problems of poverty and social injustice in the U.S. The middle class "is too driven by its own ambitions, too compromised by its own elite status, and too removed from those whose sufferings cry out most loudly for redress." She attributes the middle class's anxiety to "fear of falling" into the nether-world of Walmart workers and trailer park living. Her (vague) prescription for wholesome social change is expanded educational opportunity and removing "artificial barriers."

The trends Ehrenreich identifies in 1989 have not only continued but intensified. The distance between rich and poor, socially and economically, has increased. The professional middle class has lost much of what social conscience it once had and movement toward an equalitarian society, discernible in 1960, has been reversed. Is that a bad thing? I think so.

Smallchief

It's very easy for a book on a topic like this to be a lot of fluff, facts molded to fit perhaps outdated ideological frameworks and that sort of thing. This book is not like that, it's a thoughtful analysis of the American "professional-managerial middle class" in the late 20th century. It was also not a boring read, at least not for me. Whether she has analyzed things correctly or not I don't know, she does have some good insights and I agree with her judgements on certain topics like on the "silent majority". I also enjoyed her book "Nickled and Dimed". Thomas Frank of The Baffler gives very high praise for this book, I think he even said everything he has written after reading it is just footnotes to this book. He is a good writer as well so that is quite a compliment.

This collection of color photographs of flowers by Robert Mapplethorpe is stunning beyond words. Just when you thought that nothing else could be done with the overdone photographing of Calla Lilies, Mapplethorpe graces this book with eleven new shots of them, along with Orchids, Tulips, Poppies and a Rose or two. It should come as no surprise to anyone familiar with Mapplethorpe's work that some of these magnificent color shots are quite phallic in nature.

It is appropriate that the artist selected flowers for some of his last work since he like flowers was here for such a short time. (It is futile to speculate as to how many beautiful books he would have published by now had he lived.)

A short but moving introduction is included by his friend Patti Smith: She ends her comments with lines:

"A flower that grew from years of flowers./By one who caused a modern shudder/and was favored by his mother./It is the wall that conceals all the tears of a relatively young man/with nothing but glory in his grasp and what he would be/grasping is the hand of God drawing him into another garden."

For those who will never afford a Mapplethorpe, this book is a beautiful substitute.

This book deserves more than five stars. It is the finest set of flower photography that I have seen before, and presents more dimensions of what a flower can mean that I would have thought possible.

I took a course of creativity from author Dan Wakefield a number of years ago. One of the many excellent exercises we did was to take a flower and write as much as we could about what we observed during an hour. At the end of the time, I was bursting with new ideas for all kinds of things. Try it sometime!

Seeing this marvelous book by Robert Mapplethorpe (that would earn a G rating if it were a motion picture) reminded me of that exercise. I had the same feeling as I examined each image, and had a great desire to start taking notes.

The essay, A Final Flower, by Patti Smith helps put these great works in perspective. Mr. Mapplethorpe found it "as easy to hurl beauty as anything else." "He came, in time, to embrace the flower as the embodiment of all the contradictions reveling within [him]." He was inspired by "their sleekness, their fullness, Humble narcissus, Passionate zen." As such, he found flowers to be "worthy conspirators in the courting and development of conflicting emotions."

The images themselves evoke more complicated views than any others of flowers that I have seen. The closest to his style is that which Georgia O'Keeffe used in her painings. But there are more dimensions to these photographs.

For example, a single flower may evoke a part of a human body, but it will also stimulate an impression of a human emotion contained in the flower image separate from the body part. Further, the shadowed background behind the flower will add movement and context that greatly expand the meaning of the overall image. Mr. Mapplethorpe also displays a genius for using varieties of color together to express complicated rhythms that make looking at the images a lot like listening to a drum beating a distinctive tattoo. He also employs juxtaposition (to make one thing appear to be part of something else), allusions to emerging and receding, and contrasts to great effect.

The technical quality of the images is superb. The lighting, detail, and composition of each image are precisely as must have been intended. Each image is an exquisite gem. Although I liked all of the images, some appealed to me more than others. Here are my favorites:

Irises, 1988; Rose, 1989; Orchid, 1977; White Longstem Flower, 1982; Orchids, 1982; Orchid, 1986; Flowers in a Vase, 1985; Orchids, 1987; and Poppy, 1988 (second one). I would like to specially praise the astonishing Calla Lilies (1985-1988) for their amazing beauty and inspiring qualities.

Where else can something simple display so much important meaning and complexity about nature and the viewer? I suggest that you consider looking at leaves, rocks, and feathers as possible additional sources of inspiration. Try your hand at arranging tableaux that use the vocabulary of Mr. Mapplethorpe's work here.

May your heart and mind be suffused with the wonders around you . . . creating a meditation inspired by nature!

While the photos are stunning, the presentation is a little rough. While most photos are presented with a blank page opposite there are a few photos that face other photos. This is a little jarring but worse is the two photos that are printed across the facing page. The spine break really detracts from a pair of beautiful photos.
Mapplethorpe was a genius with a camera and this book gives us many reminders of his skill. The publisher, however, lacks the artistic eye that would have prevented the distractions of a few photos that are damaged or badly placed by the layout. Minus a star because it could have been layed out better

Even though Mapplethorpe is better known for his controversial black and white nude photos, this book demonstrates his careful delicacy with not only the flowers but also the controlled lighting and the subtle colors. I have loved this book since the first time I leafed through it in studio photo class.

Unbelivable intensity out of such simplicity. Here is Mapplethorpe's ultimate genius, astoundingly powerful from such simple set-ups. The colour, composition, lighting, choice of vases and flowers: All the basics but brilliantly done.
I saw Mapplethorpe's famous exhibition in Philadelphia just before he died,the exhibit that was banned at the Corcoran in D.C., then siezed for a while in Cincinnati. The flower photographs were dye-transfer prints, which made the colour surprisingly intense; some were almost 3' tall. People would stand for a long time in front of those, enraptured, sensing the work on several different levels at once. This book does a good job of bringing that to you. You can look at this book over and over again, put in on a coffe table to start converstaions or, after having not seen it for a while, rediscover it to be awed and inspired anew once again.
The edition I have is a 1990 paperback 12" in height; the pictures are presented one to a spread, so that there is a blank white page accross from the flower, which is a very classy touch, completely the correct way to do it.

I learned about this book from a "progressive" operative's book that I read to get intel on the mind of our opposition. Found Dick Wirthlin's insights into the impact and staying power of RR to be outstanding and enjoyed every word in this book. For anyone who loved RR or wants to understand why he is so deeply respected this is a must read!

This author does a great job of putting us beside him as he interacts with President Reagan. What surprised me most was how different Reagan really was compared to the image the "drive-by media" gave us.

Wirthlin is someone who's name we've heard but this reallly solidifies him as an important insider and confidant to the greatest president in the 20th century.

Well done Mr. Wirthlin!

Most reviews submitted are friends of the author or work for him. This makes their reviews a bit unfair to the rest of the reading world. However, the book was well written and interesting. I love Reagan and always enjoy reading about him. It's interesting to see from an insider's point of view.

Dick Wirthlin's myriad experience with the Reagan presidency, including a three-decade relationship with the "Greatest Communicator," is eloquently recounted by Wynton Hall, Wirthlin's co-author and an expert in presidential rhetoric. To say that this book is a must read for anyone wanting to know the man behind the politician is an understatement. Read Chapter 7, "Three Goodbyes," for a poignant and uplifting account of Reagan's bravery in his battle with Alzheimer's.

I thoroughly enjoyed the book, and it really held my attention throughout. It is a personal portrayal of a man that provides unique insight into how his values truly drove his behavior and how his personality and vision built the foundation for successful communications. Dick Wirthlin does a wonderful job of communicating friendship and of creating a very human connection in the reader's mind with President Reagan.